The Shadow of Joy

Today as the news from Selma and Saigon 
poisons the air like fallout, 
I come again to see 
the serene great picture that I love

Here space and time exist in light  the eye like the eye of faith believes. 
The seen, the known 
dissolve in iridescence, become 
illusive flesh of light 
that was not, was, forever is. 

O light beheld as through refracting tears. 
Here is the aura of that world 
each of us has lost. 
Here is the shadow of its joy. 

~Robert Hayden “Monet’s Waterlilies”

…The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~Lisel Mueller, “Monet Refuses the Operation” from Second Language

Monet’s Waterlilies, Art Institute of Chicago

“Heaven pulls earth into its arms…”

We see things differently, don’t we?
What seems ordinary to one person is extraordinary to another.

How might I learn to adjust my focus to see things as you do?
How might I help others to see the world as I do?

The world is flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to gray. Perhaps the blur from the figurative (or real) cataract impeding my vision creates a deeper understanding, as I use my imagination to fill in what I can’t discern.

My heart and mind expands to claim this world and all that beauty has to offer, while heaven – all this while – is pulling me into its arms.

In heaven, my focus will be clear. It will all be extraordinarily holy.

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For a Moment, the World Wakes Up

                       1

Every October it becomes important, no, necessary
to see the leaves turning, to be surrounded
by leaves turning; it’s not just the symbolism,
to confront in the death of the year your death,
one blazing farewell appearance, though the irony
isn’t lost on you that nature is most seductive
when it’s about to die, flaunting the dazzle of its
incipient exit, an ending that at least so far
the effects of human progress (pollution, acid rain)
have not yet frightened you enough to make you believe
is real; that is, you know this ending is a deception
because of course nature is always renewing itself—

        the trees don’t die, they just pretend,
go out in style, and return in style: a new style.

                        3

You’ll be driving along depressed when suddenly
a cloud will move and the sun will muscle through
and ignite the hills. It may not last. Probably
won’t last. But for a moment the whole world
comes to. Wakes up. Proves it lives. It lives—
red, yellow, orange, brown, russet, ocher, vermilion,
gold. Flame and rust. Flame and rust, the permutations
of burning. You’re on fire. Your eyes are on fire.
It won’t last, you don’t want it to last. You
can’t stand any more. But you don’t want it to stop.
It’s what you’ve come for. It’s what you’ll
come back for. It won’t stay with you, but you’ll

        remember that it felt like nothing else you’ve felt
or something you’ve felt that also didn’t last.
~Lloyd Schwarz from “Leaves”

The world wakes up and comes to, with vivid, overwhelming color
for a moment before it dies.

The landscape is simply acting out its part, perhaps just pretending.
Nothing is really dying, just taking a nap under a brilliant blanket.

Rest well. See you next year.

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The Work of Your Hand

Yet you, Lord, are our Father.
We are the clay, you are the potter;
we are all the work of your hand.
Isaiah 64:8

From dust to purpose,
beauty spins as planned.
Love is crafted by surrender
when clay trusts the Potter’s hands.

~Jamie Trunnel from “The Potter’s Hands”

For we are God’s handiwork, created in Christ Jesus to do good works, which God prepared in advance for us to do.
Ephesians 2:10

The best pottery is never completely perfect, becoming an original, unique piece. It is infused with the potter’s eye and energy, the expert pressure of fingers and palm, with a design and vision coming from the heart and imagination of the potter.

Last night, during our evening church worship, two artists in our congregation, one using words of scripture and the other at a pottery wheel, demonstrated how creating and sculpting a work of pottery is key to understanding how God shapes each one of us, from our beginnings, preparing us in advance for the work we are to do.

Each one is a unique and original individual, formed by the hands of the Artist to become something with a purpose and plan. Even with imperfections, we are created as both beautiful and functional.

His Hands remain around us, holding and molding us to His plan.

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What is Waiting Behind the Wall

If ever we see those gardens again,
The summer will be gone—at least our summer.
Some other mockingbird will concertize
Among the mulberries, and other vines
Will climb the high brick wall to disappear.


How many footpaths crossed the old estate—
The gracious acreage of a grander age—
So many trees to kiss or argue under,
And greenery enough for any mood.
What pleasure to be sad in such surroundings.


At least in retrospect. For even sorrow
Seems bearable when studied at a distance,
And if we speak of private suffering,
The pain becomes part of a well-turned tale
Describing someone else who shares our name.


Still, thinking of you, I sometimes play a game.
What if we had walked a different path one day,
Would some small incident have nudged us elsewhere
The way a pebble tossed into a brook
Might change the course a hundred miles downstream?


The trick is making memory a blessing,
To learn by loss the cool subtraction of desire,
Of wanting nothing more than what has been,
To know the past forever lost, yet seeing
Behind the wall a garden still in blossom.

~Dana Gioia “The Lost Garden” from Interrogations at Noon.

At present we are on the outside of the world,
the wrong side of the door. . . .
We cannot mingle with the splendours we see.
But all the leaves of the New Testament are rustling
with the rumour that it will not always be so.
Some day, God willing, we shall get in.

C.S. Lewis from The Weight of Glory

Memory can play tricks,
either smoothing over
the many potholes in the road of life,
or digging the holes so deep,
I fall in and am lost.

Whenever I am feeling regret
for the things I have done,
or all that I have left undone,
I remember I have walked on
paths of beauty beyond imagining.

I wouldn’t change much about what has been,
knowing there is much more beauty to come.

I remember gates and doors I could not open.
Just a peek told me all I needed to know:
there is a hidden, lost garden just waiting,
still blooming, still inspiring, still brimming
full of everything any of us could ever need.

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Revery Alone Will Do…

To make a prairie it takes a clover and one bee, a
One clover, and a bee,
And revery.
The revery alone will do,
If bees are few.
~Emily Dickinson

Bees do have a smell, you know, and if they don’t they should, for their feet are dusted with spices from a million flowers.
~Ray Bradbury
from Dandelion Wine

Pollinators are having a rough time of it these days, combating man-made insecticides or failing to find flowering weeds to visit given the wide-spread use of herbicides. Plus, there is the American penchant for mowing grassy landscapes to look perfectly uniform and weed-free.

When I see a honey or bumble bee happily doing its job, it is a cause for celebration.

I was thrilled to see the latest research reported today demonstrating the ability of a flowering plant, like a snapdragon in the study, to “hear” (through vibro-acoustic signals) the buzz of an approaching pollinator, responding instantly by increasing its nectar volume and sweetness.
The postulated feedback mechanism is that pollinators will be more attracted to a plant that “rewards” their visit, thereby increasing the likelihood of ongoing pollination visits and survival of further generations of both creatures.

This world depends on a revery of communication we can only begin to understand – between plant to plant, plant to insect — a daydream of connections bringing the spicy smell of pollen from a million flowers to the lowly feet of the bee, which generates more of both as well as honey for you and me.
May it be, may it be, may it bee…

May we know such reverie.

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Attempting to Stopper Time

the golden hour of the clock of the year.
Everything that can run to fruit has already done so:
round apples, oval plums, bottom-heavy pears,
black walnuts and hickory nuts annealed in their shells,
the woodchuck with his overcoat of fat.

Flowers that were once bright as a box of crayons
are now seed heads and thistle down.
All the feathery grasses shine in the slanted light.
It’s time to bring in the lawn chairs and wind chimes,
time to draw the drapes against the wind,
time to hunker down.
Summer’s fruits are preserved in syrup,
but nothing can stopper time.
No way to seal it in wax or amber;
it slides though our hands like a rope of silk.
At night, the moon’s restless searchlight sweeps across the sky.
~Barbara Crooker “And Now it’s October” from Small Rain.

I do try to stopper time.

I try every day on this page,
not to suspend time or render it frozen,
but like flowers and fruit that wither,
I want to preserve these moments –
a few harvested words and pictures
to sample some chilly day.

I offer it up to you now,
a bit of fragrance,
to sip of its sweetness
as it glows, luminous in the bottle.

Let’s share.
Leave it unstoppered.
The passage of time
is meant to be preserved this way.

photo by Josh Scholten
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Intended for Joy

There is not one blade of grass, there is no color in this world that is not intended to make us rejoice.
~John Calvin
as quoted in  John Calvin: A Sixteenth Century Portrait (Oxford, 1988) by William J. Bouwsma

It is too easy to become blinded to the glory surrounding us if we allow it to seem routine and commonplace. 

I can’t remember the last time I celebrated a blade of grass, given how focused I am in mowing it into conformity and submission. 

During the summer months, I’m seldom up early enough to witness the pink sunrise. In the winter, I’m too busy making dinner to take time to watch the sun paint the sky red as it sets.

I miss opportunities to stop and notice what surrounds me innumerable times a day. It takes only a moment of recognition and appreciation to feel the joy, and for that moment time stands still.  So life stretches a little longer when I stop to acknowledge the intention of creation as an endless reservoir of rejoicing.  

If a blade of grass, if a palette of color,
if all this is made for joy,
then perhaps, so am I.
Even colorless, commonplace, sometimes stormy me.
Indeed, so am I.

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The Oldest Tree

Lately, when I awake desolate
feeling half-swamped
by runaway currents I name—
dread, for my children, and theirs,
and this planet—I backstroke
through time to rest my palms
against the delicate skin
of the gingko tree, the one
and only, in my home town.
Rooted in siltish sand,
come autumn, it flaunted
10,000 golden fans:
a waving descendant my uncle said,
of the oldest tree
to inhabit the earth. Memory
replays three fluting sighs
of a mourning dove, high in the canopy,
that vast fretwork alive again
with rustling endearments—yet
ghostly, too, as his unseen hand
almost rocks my skiff of a self.
~Laurie Klein “Lately, when I awake desolate”

So many reasons to awake in the night,
eyes wide open, searching the dark seas of trouble
for some sign of hope
for calm and peace in this stormy world.

Rocked to sleep again, I float among abundant
golden gingko leaves, each waving like a sail in the breeze,
before it tumbles, swirling, to the ground, forming
deeply cushioned and comforting pools of yellow.

Navigating these brutal times, desperate to
anchor within some safer harbor – I treasure
the old ginkgo as it reaches over each cherished child
with its golden cloak of love and protection.

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Blurring of the Seasons

Van Gogh – “Avenue of Plane Trees near Arles Station”

After Van Gogh
Things are growing strange these days,
like Van Gogh’s yellow trees. Oh, do not
be surprised by these yellow immensities,
how out of proportion things in the picture seem.
What you see in a way makes sense:
the enormous, barren trees eclipsing
the unimportant buildings at Arles station,
the people all small, shadow-like, cast
to the side. Perhaps Van Gogh should have
left us out entirely, but then who would
be left to blame for the strange blurring
of the seasons in the forefront, the way
summer bleeds into autumn, the forests
burning deep into the winter, those winters
where the snow piled so high, we were all
nearly buried alive. Soon we’ll vanish,
and no picture will even exist—unless,
unless someone will answer (who will dare
to answer), where in the world is spring?
~Jodi Hollander “Avenue of Plane Trees”

Who might dare to answer: where in the world is spring?
Who can know with any certainty?
Sometimes it feels like time skips forward
and a whole season is left behind.

The signs of the seasons can blur so profoundly, there is no telling whether it is fall or spring without a calendar. Are those trees just leafing out or trying to shed? Is the sunset’s golden glow from October light or April?

I can’t feel the movement of the earth under my feet. It needs to slow its spin on its axis and lengthen its orbital oval trip around the sun so I have more minutes in the day and more weeks in a year.

But, of course, that would make a huge mess of things.

It is as it is.
It is meant to be this way.
Though it may be blurry to me,
it is clear and good and intentional to God.
He dares to answer as only He knows…

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An Altered Landscape

For grace to be grace,
it must give us things we didn’t know we needed
and take us places where we didn’t know we didn’t want to go.
As we stumble through the crazily altered landscape of our lives, we find that God is enjoying our attention as never before.
~Kathleen Norris
from Acedia & Me: A Marriage, Monks and a Writer’s Life

Said Life to Art—”I love thee best
Not when I find in thee
My very face and form, expressed
With dull fidelity,

“But when in thee my craving eyes
Behold continually
The mystery of my memories
And all I long to be.”

~Sir Charles George Douglas Roberts “Life and Art”

A work of art,
whether human-made or heaven-sent,
calls me to reflect on my own sculpted form,
celebrating the Artist’s gift of life and breath.

In awe, I praise such grace,
blending into an altered landscape
where Creation shapes and molds
who I am to be as part of the scenery.

Above are sculptures I photographed at:
Big Rock Garden Park
Western Washington University Sculpture Collection
Meijer Gardens Sculpture Collection

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