A Thing or Two

My father always knew the secret
name of everything—
stove bolt and wing nut,
set screw and rasp, ratchet
wrench, band saw, and ball—
peen hammer. He was my
tour guide and translator
through that foreign country
with its short-tempered natives
in their crewcuts and tattoos,
who suffered my incompetence
with gruffness and disgust.
Pay attention, he would say,
and you’ll learn a thing or two.


Now it’s forty years later,
and I’m packing up his tools
(If you know the proper
names of things you’re never
at a loss)
 tongue-tied, incompetent,
my hands and heart full
of doohickeys and widgets,
whatchamacallits, thingamabobs.

~Ronald Wallace “Hardware” from Time’s Fancy

“Hold on,” she said, “I’ll just run out and get him.
The weather here’s so good, he took the chance
To do a bit of weeding.”


So I saw him
Down on his hands and knees beside the leek rig,
Touching, inspecting, separating one
Stalk from the other, gently pulling up
Everything not tapered, frail and leafless,
Pleased to feel each little weed-root break,
But rueful also . . . 


Then found myself listening to
The amplified grave ticking of hall clocks
Where the phone lay unattended in a calm
Of mirror glass and sunstruck pendulums . . . 


And found myself then thinking: if it were nowadays,
This is how Death would summon
Everyman.

Next thing he spoke and I nearly said I loved him.
~Seamus Heaney “A Call” from ‘Poems That Make Grown Men Cry’

Between my finger and my thumb   
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound   
When the spade sinks into gravelly ground: 
  

My father, digging. I look down
By God, the old man could handle a spade.
   

Just like his old man.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

~Seamus Heaney from “Digging” from Death of a Naturalist

My father was a complex man. As I’ve aged, I understand better where my own complicated nature comes from.

As inscrutable as he could be, there were things I absolutely understood about him:

he was a man of action
– he never just sat, never took a nap, never wasted a day of his life without accomplishing something tangible.

he was a man of the soil
– he plowed and harrowed and sowed and fertilized and weeded and cut brush and harvested

he was a man of inventiveness
– he figured out a better way, he transformed tools and buildings, he started from scratch and built the impossible

he didn’t explain himself
– and never felt the need to.

Time keeps ticking on without him here, now 30 years since he took his last breath as the clock pendulum swung back and forth in his bedroom. He was taken too young for all the projects he still had in mind.

He handed off a few to me.
Some I have done.
Some still wait, I’m not sure why.

My regret is not understanding how much he needed to hear how loved he was. He seemed fine without it being said.

But he wasn’t fine. And neither was I.

I wish I had said it when I had the chance.
I guess I am digging it out from the soil of my heart now.

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End of Summer’s Waiting Room

twinlayers
fallyard1

For today, I will memorize
the two trees now in end-of-summer light

and the drifts of wood asters as the yard slopes away toward
the black pond, blue

dragonflies
in the clouds that shine and float there, as if risen

from the bottom, unbidden. Now, just over the fern—
quick—a glimpse of it,

the plume, a fox-tail’s copper, as the dog runs in ovals and eights,
chasing scent.

The yard is a waiting room. I have my chair. You, yours.

The hawk has its branch in the pine.

White petals ripple in the quiet light. 
~Margaret Gibson from “Solitudes”

photo by Josh Scholten
ferndaisies
emptychairs
redhawk
roadeast921171

I want to memorize it all before it changes:
the shift of sun from north to south barely
balances on our east- west road at equinox.

The flow of geese overhead, honking while waving farewell,
the hawks’ screams in the firs,
dragonflies trapped in the barn light fixtures
several generations of coyotes hollering at dusk.

The pond quiets with cooler nights,
hair thickens on horses, cats and dogs,
dying back of the garden vines reveals
what lies unharvested beneath.

And so we part again, Summer –
your gifts were endless
until you now have parted ways.

I sit silenced, brooding, waiting for what comes next.

punkinslyinginwait
maplecorgi
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A Faded Sort of Cow

Summer is over, the old cow said,
And they’ll shut me up in a draughty shed
To milk me by lamplight in the cold,
But I won’t give much for I am old.
It’s long ago that I came here
Gay and slim as a woodland deer;
It’s long ago that I heard the roar
Of Smith’s white bull by the sycamore.
And now there are bones where my flesh should be;
My backbone sags like an old roof tree,
And an apple snatched in a moment’s frolic
Is just so many days of colic.

I’m neither a Jersey nor Holstein now
But only a faded sort of cow.
My calves are veal and I had as lief
That I could lay me down as beef;
Somehow, they always kill by halves, —
Why not take me when they take my calves?
Birch turns yellow and sumac red,
I’ve seen this all before, she said,
I’m tired of the field and tired of the shed.
There’s no more grass, there’s no more clover;
Summer is over, summer is over.

~Robert Hillyer “Moo!”

photo by Kate Steensma of Steensma Creamery

Something inspires the only cow of late
To make no more of a wall than an open gate,
And think no more of wall-builders than fools.
Her face is flecked with pomace and she drools
A cider syrup. Having tasted fruit,
She scorns a pasture withering to the root.
She runs from tree to tree where lie and sweeten
The windfalls spiked with stubble and worm-eaten.
She leaves them bitten when she has to fly.
She bellows on a knoll against the sky.
Her udder shrivels and the milk goes dry.

~Robert Frost “The Cow in Apple Time”

I have lived among cows, our own and our neighbors’, dairy and beef, most of my life. Given their status as a food source, cows aren’t always granted a long life, but I do envy those who spend much of the year chewing cud outside in pastoral settings.

We’ve owned some aged cows. They can be set in their ways and don’t particularly like a change in routine. They prefer a communal life, bearing calves, surrendering their milk, and ensuring the herd hierarchy is maintained with a minimum of fuss.

I remember my dad curing a cow’s habit of eating apples directly from a tree branch. She had the apple lodged in her esophagus as it had slipped down her throat unchewed, but too large to pass through to her rumen. She was foaming at the mouth, breathing fine, but the apple was a visible lump palpable mid-way down her neck. My dad grabbed a short two by four board and a hammer, placed the board on one side of her neck lump, and with the hammer, hit her neck precisely over the apple, crushing it. She was immediately cured and sauntered over to grab more apples, off the ground rather than the branch.

Cows can experience various health issues, sometimes relating to infections in their udders, but not infrequently, trouble with their hooves. They can get abscesses which are quite painful until emptied, as well as sharp rocks or gravel wedged into their foot. This sometimes necessitates hoof work done by a specialist who visits dairy farms on a regular basis.

I confess I (along with a million or so other folks) spend an inordinate amount of time watching YouTube channels of cow hoof trimming. I have no desire to do the job myself, but restoring a limping cow to a comfortably walking cow is a skill that must be very gratifying.

As an aging female myself, I know all about aches and pains. I too feel the sadness of summer coming to an end, when the grass and clover grows sparse in the field, and when chilly nights are best spent in the shelter of the barn.

But I’m not yet ready to give up on this sweet pastoral life. There are still some days left, and apples to pick up off the ground, for this fading old cow…

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A Light of Beginnings

For seasons the walled meadow
south of the house built of its stone
grows up in shepherd’s purse and thistles
the weeds share April as a secret
finches disguised as summer earth
click the drying seeds
mice run over rags of parchment in August
the hare keeps looking up remembering 
a hidden joy fills the songs of the cicadas

two days’ rain wakes the green in the pastures
crows agree and hawks shriek with naked voices
on all sides the dark oak woods leap up and shine
the long stony meadow is plowed at last and lies
all day bare
I consider life after life as treasures
oh it is the autumn light

that brings everything back in one hand
the light again of beginnings
the amber appearing as amber
~ W. S. Merwin, “September Plowing” from Flower & Hand

photo by Joel De Waard

When you are already here
you appear to be only
a name that tells of you
whether you are present or not


and for now it seems as though
you are still summer
still the high familiar
endless summer
yet with a glint
of bronze in the chill mornings
and the late yellow petals
of the mullein fluttering
on the stalks that lean
over their broken
shadows across the cracked ground

but they all know
that you have come
the seed heads of the sage
the whispering birds
with nowhere to hide you
to keep you for later

you
who fly with them

you who are neither
before nor after
you who arrive
with blue plums
that have fallen through the night

perfect in the dew
~W.S. Merwin “To the Light of September”

Now that it has rained a bit, the light of September is a filtered, more gentle illumination than we have experienced for the past several months of dry summer glare.

It is more lambent: a soft radiance that simply glows at certain times of the day when the angle of the sun is just right, and the clouds are in position to soften and cushion the luminence.

It is also liminal: it is neither before or after, on the threshold between seasons when there is both promise and caution in the air.

Sometimes I think I can breathe in light like this, if not through my lungs, then through my eyes.

It is a temptation to bottle it up with a stopper somehow, stow it away hidden in a back cupboard. Then I can bring it out on the darkest days, pour a bit into a glass, and imbibe.

But for now, I fill myself full to the brim. And my only means of preservation is with a camera and a few words.

So I share it now with all of you to tuck away for a future day.
Perhaps you too will be thirsty for a lambent light.

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In the Light-Charged Air

When I saw the figure on the crown of the hill,
high above the city, standing perfectly still


against a sky so saturated with the late-
afternoon, late-summer Pacific light


that granules of it seemed to have come out
of solution, like a fine precipitate


of crystals hanging in the brightened air,
I thought whoever it was standing up there


must be experiencing some heightened state
of being, or thinking—or its opposite,


thoughtlessly enraptured by the view.
Or maybe, looking again, it was a statue


of Jesus or a saint, placed there to bestow
a ceaseless blessing on the city below.


Only after a good five minutes did I see
that the figure was actually a tree—


some kind of cypress, probably, or cedar.
I was both amused and let down by my error.


Not only had I made the tree a person,
but I’d also given it a vision,


which seemed to linger in the light-charged air
around the tree’s green flame, then disappear.

~Jeffrey Harrison “The Figure on the Hill” from Into Daylight

Who was it who suggested that the opposite of war
Is not so much peace as civilisation? He knew
Our assassinated Catholic greengrocer who died
At Christmas in the arms of our Methodist minister,
And our ice-cream man whose continuing requiem
Is the twenty-one flavours children have by heart.
Our cobbler mends shoes for everybody; our butcher
Blends into his best sausages leeks, garlic, honey;
Our cornershop sells everything from bread to kindling.
Who can bring peace to people who are not civilised?
All of these people, alive or dead, are civilised.

~Michael Longley “All of These People”  from Collected Poems

Who among us appear
in the light-charged air,
visible on the crown of the hill of life –
who might be mistaken
for a martyr or a saint or a visionary,
when each one of us is
merely a person
responsible to a family,
committed to help friends,
dedicated to serve a community,
placed in this world to steady a broken civilization.

There is the simple truth that we need a person
with roots deep in the ground,
branches that reach up and out,
bearing fruit to share with those around us.

But surely not
this misery, not this blight, not this trouble,
certainly not these murders,
which only bears and shares
a heart-rending, horrible grief.

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Calling from the Wind Phone

The pain I feel now is the happiness I had before. That’s the deal.
~C.S. Lewis
from A Grief Observed

the rubble still piled on the beach at Tohoku, Japan, a year after the 3/11/11 tsunami

In the wrecked landscape
of Fukushima

a white telephone booth
shines

with many panes of glass
in the hinged door

and a man steps in
dials the cell number

of his wife’s phone,
of course unanswering—

she was swept away
in the tsunami,

a photo in the paper
shows her sitting outside

on a blanket, knees
up, rocking back in laughter.

I pick up the black
receiver, still warm

from his hand, dialing
my sister’s number I used

to know by heart.
No answer from the sea

or her, just the whirling sound
of blood pounding in my ear.
~Patricia Clark “The Wind Phone”

photo by Nate Gibson at Sendai, Japan
photo by Nate Gibson 11/11
photo by Nate Gibson 11/11
photo by Nate Gibson of Sendai rubble pile 11/11

My life closed twice before its close;
It yet remains to see
If immortality unveil
A third event to me

So huge, so hopeless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.

~Emily Dickinson “Parting”

Original windphone is Otsuchi Garden, Japan

In 2012, we stayed with our friends Brian and Bette at their cabin on a bluff just above the Pacific Ocean at Sendai, Japan, just a few dozen feet above the devastation that wiped out an entire fishing village below during the 3/11/11 earthquake and tsunami.

As we walked that stretch of beach, we heard the stories of the people who had lived there, some of whom did not survive the waves that swept their houses and cars away before they could escape. We walked past the footprints of foundations of hundreds of demolished homes, humbled by the rubble mountains yet to be hauled away a year later, to be burned or buried. There were acres of wrecked vehicles piled one on another, waiting to become scrap metal.

It was visual evidence of life so suddenly and dramatically disrupted and carried away.

This had been a place of recreation and respite for some who visited regularly, commerce and livelihood for others who stayed year round and, in ongoing recovery efforts, struggling to be restored to something familiar. Yet it looked like a foreign ghostly landscape. Many trees perished, lost, broken off, fish nets still stuck high on their scarred trunks. There were small memorials to lost family members within some home foundations, with stuffed animals and flowers wilting from the recent anniversary observance.

Tohoku is a powerful place of memories for those who still live there and know what it once was, how it once looked and felt, and painfully, what it became in a matter of minutes on 3/11/11. The waves swept in inexplicable suffering, then carried their former lives away. Happiness gave ground to such terrible pain that could never have hurt as much without the joy and contentment that preceded it.

We are tempted to ask God why He doesn’t do something about the suffering that happened in this place or anywhere a disaster occurs –but if we do, He will ask us the same question right back. We need to be ready with our answer and our action.

God knows suffering. Far more than we do. He took it all on Himself, feeling His pain amplified, as it was borne out of His love and joy in His creation.

This beautiful place, and its dedicated survivors have slowly recovered, but the inner and outer landscape is forever altered. What remains the same is the pulsing tempo of the waves, the tides, and the rhythm of the light and the night, happening just as originally created.

With that realization, pain will finally give way, unable to stand up to His love, His joy, and our response to His sacrifice.

We can call Him up anytime and anywhere.

bent gate at Sendai beach -2012
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Arriving Home Without a Sound

Once only when the summer
was nearly over and my own
hair had been white as the day’s clouds
for more years than I was counting
I looked across the garden at evening
Paula was still weeding around
flowers that open after dark
and I looked up to the clear sky
and saw the new moon and at that
moment from behind me a band
of dark birds and then another
after it flying in silence
long curving wings hardly moving
the plovers just in from the sea
and the flight clear from Alaska
half their weight gone to get them home
but home now arriving without
a sound as it rose to meet them

~W.S. Merwin “Homecoming” from The Moon Before Morning

In late summer, the movement of birds above me has begun, like a prayer of promise among the clouds.

There are the noisy ones: geese, ducks, swans who can’t seem to travel without announcing it everywhere, like the booming basses from teenage vehicles speeding by.

Then there are the starlings and others who murmurate with wing wooshes, forming and unforming as a choreographed larger organism.

The quietest and most earnest are the gulls and plovers, some traveling only a few miles from shore to cornfields, and others traveling half a continent without resting. They direct their energy to their wings to silently carry them home.

Some of our prayers for a safe return home are bold and loud.
Others are expressed through feathered wings and forward progress.
Most are prayed without a sound being made, becoming a constant through the rhythms of the heart, a quiet recognition that our true home will rise to meet us when we arrive.

I will have nothing to do with a God who cares only occasionally.
I need a God who is with us always, everywhere, in the deepest depths as well as the highest heights. It is when things go wrong, when good things do not happen, when our prayers seem to have been lost, that God is most present. We do not need the sheltering wings when things go smoothly. We are closest to God in the darkness, stumbling along blindly.
~Madeleine L’Engle

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The Moonshining Place

At the edge of the city,
at the edge of the world,
at the edge between
the earth and endless sky,
the moonshining place,
the place where we hung
our long summer legs
over the edge and fought
the urge to drop a shoe
or sneak a real first kiss,
the place where we played
hide-and-go-seek
and Tag, you’re it!
until we couldn’t breathe
or the sun went down,
the place where we came
on the quietest nights
to feel the moon kiss
the edge between
our skin and endless sky.

~Sarah Kobrinsky, from Nighttime on the Otherside of Everything

Once when we were playing
hide-and-seek and it was time
to go home, the rest gave up
on the game before it was done
and forgot I was still hiding.
I remained hidden as a matter
of honor until the moon rose.

~Galway Kinnell “Hide-and-Seek 1933” from Strong Is Your Hold.

Tomorrow
there will be sun, scalloped by clouds,
ushered in by a waterfall of birdsong.
It will be a temperate seventy-five, low
humidity. For twenty-four hours,
all politicians will be silent. Reality
programs will vanish from TV, replaced
by the “snow” that used to decorate
our screens when reception wasn’t
working. Soldiers will toss their weapons
in the grass. The oceans will stop
their inexorable rise. No one
will have to sit on a committee.
When twilight falls, the aurora borealis
will cut off cell phones, scramble the internet.
We’ll play flashlight tag, hide and seek,
decorate our hair with fireflies, spin
until we’re dizzy, collapse
on the dew-decked lawn and look up,
perhaps for the first time, to read the long lines
of cold code written in the stars….
~Barbara Crooker “Tomorrow” from Some Glad Morning.

As a kid playing hide-n-seek, I always preferred to be the “seeker” as I was secretly afraid if I hid, I would be forgotten, everyone would go home and I wouldn’t be found.

Even so, I was too proud to quit the game and come out of hiding. Of course that never happened in real life. I was really lousy at hiding.

When I got older, I was no better at hiding, though I tried. God would always locate me, even without sending the tell-tale spotlight of the moon to find me.

I gave up hiding long ago. Once found, there is no point in trying to disappear from His sight.

His eye shines bright upon us all.

photo of supermoon by Harry Rodenberger
photo of supermoon by Bob Tjoelker
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The Healing Crack in the Coil

Needing them still, I come
when I can, this time to the sea
where we share a room: their double bed,
my single. Morning fog paints the pale
scene even paler. Lace curtains breathing,
the chenille spread folded back,
my father’s feet white sails furled
at the edge of blue pajamas.
Every child’s dream, a parent
in each hand, though this child is fifty.
Their bodies fit easily, with room
to spare. When did they grow
so small? Grow so small—
as if it were possible to swell
backwards into an earlier self.


One more year, I ask the silence.
Last night to launch myself
into sleep I counted their breaths, the tidal
rise and fall I now put my ear to,
the coiled shell of their lives.
~Rebecca McClanahan from “Watching my Parents Sleeping Beside an Open Window Near the Sea” from Deep Light: New and Selected Poems.

“Her Room” by Andrew Wyeth in the Farnsworth Art Museum

My parents have been gone now for some time, my father 30 years, my mother, nearly 17 years. Their dying was a long process of counted breaths and pauses. I witnessed their bodies curling into themselves, shrinking smaller, worn down by illness and age.

I still miss them as I’m reminded of them by the events of my own life, still wanting them to take me by the hand as I navigate my own daily path.

After mom’s death, those possessions not distributed to family members have remained packed up and stored in our barn buildings. I know it is well past time to deal with their stuff as I become keenly aware of my own graying and aging.

In the house, next to where I write, is a box of over 500 letters written by my mother and father between 1941 and 1945. The letters began as they were getting to know each other at college, going from “pinned” to “engaged” and continue for three and a half more years after a hurried wedding Christmas Eve 1942. By mid-January 1943, my newly minted Marine officer father shipped out to spend the next three years of his life fighting on the battlefields of Saipan, Tinian and Tarawa in the Pacific Ocean, not to return again to the states until late summer of 1945.

My mother wrote her letters from the small rural eastern Washington community of Colville, living in a “teachers’ cottage” with other war wives who taught school while waiting for their husbands to return home – or not.

It took me a decade to find the courage and time to devote to reading these letters they treasured and never threw away. I sorted them unopened by postmark date into some semblance of order and sat down to start at the very beginning, which, of course, is my beginning as well. I opened each one with some trepidation and a lump in my throat about what I might find written there. I worried I may find things I didn’t want to know. I hoped I would find things that I desperately needed to know.

Most of all I wanted to understand the two people who became my parents within the coiled shell of their forty years together, though broken by a painful divorce which lasted a decade. Having lived through that awful time with them, I want to understand the origin of a love which eventually mended their cracked shell of companionship, gluing them back together for five more years before my father died.

As I ponder their words, I too cross a bridge back to them both, my ear pressed to the coiled shell of those fading voices, as if I might still hear the sea, at times bringing them closer, then pulling them farther away.

AI image created for this post
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An Earth of Many Colors

In the darkness something was happening at last.

A voice had begun to sing. It was very far away and…. hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself.

There were no words. There was hardly even a tune. But it was, beyond comparison, the most beautiful noise he had ever heard. It was so beautiful he could hardly bear it.

The earth was of many colors: they were fresh, hot, and vivid.  They made you feel excited; until you saw the Singer himself, and then you forgot everything else.
~C.S. Lewis from The Magician’s Nephew

And did you get what
you wanted from this life, even so?
I did.
And what did you want?
To call myself beloved, to feel myself
beloved on the earth.
~Raymond Carver “Late Fragment”

Beautiful things and varied shapes appeal to [the eyes],
vivid and well-matched colors attract;
but let not these captivate my soul.
Rather let God ravish it;
he made these things exceedingly good, to be sure,
but he is my good, not they.
~St. Augustine

Every time I open my eyes
and listen for the voice of the morning,
I am reminded how precious is this moment,
how welcome is each breath and each heartbeat.

We are created for this.
We are, everyone of us, beloved by our Creator.
We are meant to wonder breathless at this,
without ceasing, through the long day.

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