An Advent Threshold: The Light Inside an Open Barn Door

When the miracle happened it was not
with bright light or fire—
but a farm door with the thick smell of sheep
and a wind tugging at the shutters.

There was no sign the world had changed for ever
or that God had taken place;
just a child crying softly in a corner,
and the door open, for those who came to find.

~Kenneth Steven “Nativity”

This Advent, I’m trying not to be scared of the dark. 
~James K.A. Smith from “Waiting” (Image Journal)

I feel like I’m constantly aware of the world’s anguish, reminded daily in headlines and news updates. The knowledge of others’ grief and mourning, their losses and struggles, is overwhelming.

This world is a fearful place of pain and tears for so many, so much of the time. For my part, I try not to be afraid of the dark…

So who am I to write of moments of incredible encouragement and beauty, posting pictures of the latest masterpiece painted through the filtered light of sunrise and sunset, searching out and sharing the illuminated gifts that exist all around me – while people suffer?

We were certainly not created to wallow in anguish – yet here we are, trying in every way to climb our way out of the dark mess we’ve made. I am one of the countless standing on the threshold of a Light sent to diminish and overwhelm our darkest times.

Three different times, a messenger angel appeared out of the blue, saying “do not be afraid.” Zechariah had been “startled and gripped with fear,” Mary was “troubled and wondered at his words” and the shepherds were “terrified.” They were never to be the same again.

Yet the first words directly from heaven were “fear not.” My first reaction would be: there must be plenty to fear if I’m being told not to be afraid. And this world is a terrifying place, especially in the dark.

It is up to us, overwhelmed by the darkness of these times, to seek out the barn door opening enough to show a light spilling out. We are invited, troubled and doubtful, to come see what is inside.

So too then, we ourselves open: waiting, watching, longing for this glory to come. Nothing will be the same, ever again.

My 2025 Advent theme:
On the threshold between day and night

On that day there will be neither sunlight nor cold, frosty darkness. 
It will be a unique day—a day known only to the Lord—

with no distinction between day and night. 
When evening comes, there will be light.
Zechariah 14:6-7

So once in Israel love came to us incarnate, stood in the doorway between two worlds, and we were all afraid.
~Annie Dillard in Teaching a Stone to Talk

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Strung on the Necklace of Days

It is a dark fall day.
The earth is slightly damp with rain.
I hear a jay.
The cry is blue.
I have found you in the story again.
Is there another word for “divine”?
I need a song that will keep sky open in my mind.
If I think behind me, I might break.
If I think forward, I lose now. 
Forever will be a day like this
Strung perfectly on the necklace of days.
Slightly overcast
Yellow leaves
Your jacket hanging in the hallway
Next to mine.

~Joy Harjo “Fall Song”

bluejay photo by Josh Scholten

November 22 always has a sadness about it for those of us who listened to the tragic news reports and experienced the aftermath of that day…

In the seemingly endless,
sometimes bleak string of fall days,
each one differing little from the one before
and the one that comes after,
there is linkage to winter on its way,
inescapable and unrelenting.

If I were to try to stop time now,
hold tight to a particular moment,
this necklace of days would break and scatter,
as a sustaining connection depends
on preserving what was before,
breathing deeply of what is now,
and praying for what is to come.

Each moment
never in isolation from those surrounding it.

(this article about JFK’s granddaughter’s terminal diagnosis was particularly poignant for me this morning)

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Landscape’s State of the Soul

frontwalnutmist
wwusouth

The wild November come at last
Beneath a veil of rain;
The night wind blows its folds aside –
Her face is full of pain.

The latest of her race, she takes
The Autumn’s vacant throne:
She has but one short moon to live,
And she must live alone.

A barren realm of withered fields,
Bleak woods, and falling leaves,
The palest morns that ever dawned;
The dreariest of eves.

It is no wonder that she comes,
Poor month! With tears of pain;
For what can one so hopeless do
But weep, and weep again?
~Richard Henry Stoddard “November”

rainymares

A fine rain was falling, and the landscape was that of autumn. 
The sky was hung with various shades of gray,
and mists hovered about the distant mountains
– a melancholy nature. 
Every landscape is,
as it were,
a state of the soul,
and whoever penetrates into both
is astonished to find how much likeness there is in each detail.
~Henri Frederic Amiel

Leaves wait as the reversal of wind
comes to a stop. The stopped woods
are seized of quiet; waiting for rain
bird & bug conversations stutter to a
stop.

…the rain begins to fall. Rain-strands,
thin slips of vertical rivers, roll
the shredded waters out of the cloud
and dump them puddling to the ground.
Like sticks half-drowned the trees
lean so my eyes snap some into
lightning shapes, bent & bent.

Whatever crosses over
through the wall of rain
changes; old leaves are
now gold. The wall is
continuous, doorless. True,
to get past this wall
there’s no need for a door
since it closes around me
as I go through.
~Marie Ponsot from “End of October”

What is melancholy at first glance
glistens bejeweled
when studied up close.

It isn’t all sadness~
there is solace in knowing
the landscape and I share
an inner world of tears.

1031drops7
1031drops1
fog1021
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Hushed October Morning

O hushed October morning mild,
Thy leaves have ripened to the fall;
Tomorrow’s wind, if it be wild,
Should waste them all.
The crows above the forest call;
Tomorrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow.
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know.
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away.
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!

~Robert Frost from “October”

After yesterday’s travel through curtains of heavy rainfall,
we abandoned plans to meet with family across state
for today’s memorial service, so returned home,
defeated, weary with sadness.

October is enough reminder of mortality,
with winds stripping trees to bare bones,
birds flocking and vacating,
bright leaves reduced to rusting dust.

This morning, the rain suspended,
its gray curtain pulled back briefly
to view what awaits beyond the haze:
this luminous brilliance, radiance, promise.

Slow down to look. Slow down to live. Slow.

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In the Light-Charged Air

When I saw the figure on the crown of the hill,
high above the city, standing perfectly still


against a sky so saturated with the late-
afternoon, late-summer Pacific light


that granules of it seemed to have come out
of solution, like a fine precipitate


of crystals hanging in the brightened air,
I thought whoever it was standing up there


must be experiencing some heightened state
of being, or thinking—or its opposite,


thoughtlessly enraptured by the view.
Or maybe, looking again, it was a statue


of Jesus or a saint, placed there to bestow
a ceaseless blessing on the city below.


Only after a good five minutes did I see
that the figure was actually a tree—


some kind of cypress, probably, or cedar.
I was both amused and let down by my error.


Not only had I made the tree a person,
but I’d also given it a vision,


which seemed to linger in the light-charged air
around the tree’s green flame, then disappear.

~Jeffrey Harrison “The Figure on the Hill” from Into Daylight

Who was it who suggested that the opposite of war
Is not so much peace as civilisation? He knew
Our assassinated Catholic greengrocer who died
At Christmas in the arms of our Methodist minister,
And our ice-cream man whose continuing requiem
Is the twenty-one flavours children have by heart.
Our cobbler mends shoes for everybody; our butcher
Blends into his best sausages leeks, garlic, honey;
Our cornershop sells everything from bread to kindling.
Who can bring peace to people who are not civilised?
All of these people, alive or dead, are civilised.

~Michael Longley “All of These People”  from Collected Poems

Who among us appear
in the light-charged air,
visible on the crown of the hill of life –
who might be mistaken
for a martyr or a saint or a visionary,
when each one of us is
merely a person
responsible to a family,
committed to help friends,
dedicated to serve a community,
placed in this world to steady a broken civilization.

There is the simple truth that we need a person
with roots deep in the ground,
branches that reach up and out,
bearing fruit to share with those around us.

But surely not
this misery, not this blight, not this trouble,
certainly not these murders,
which only bears and shares
a heart-rending, horrible grief.

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No Stomach For It…

The thing is
to love life, to love it even
when you have no stomach for it
and everything you’ve held dear
crumbles like burnt paper in your hands,
your throat filled with the silt of it.
When grief sits with you, its tropical heat
thickening the air, heavy as water
more fit for gills than lungs;
when grief weights you like your own flesh
only more of it, an obesity of grief,
you think, How can a body withstand this?
Then you hold life like a face
between your palms, a plain face,
no charming smile, no violet eyes,
and you say, yes, I will take you
I will love you, again.
~Ellen Bass, “The Thing Is” from Mules of Love

...everything here
seems to need us
—Rainer Maria Rilke

It’s a hard time to be human. We know too much
and too little. Does the breeze need us?
If you’ve managed to do one good thing,
the ocean doesn’t care.
But when Newton’s apple fell toward the earth,
the earth, ever so slightly, fell
toward the apple.

~Ellen Bass from “The World Has Need of You” from Like a Beggar

Fallen leaves will climb back into trees.
Shards of the shattered vase will rise
and reassemble on the table.
Plastic raincoats will refold
into their flat envelopes. The egg,
bald yolk and its transparent halo,
slide back in the thin, calcium shell.
Curses will pour back into mouths,
letters un-write themselves, words
siphoned up into the pen. My gray hair
will darken and become the feathers
of a black swan. Bullets will snap
back into their chambers, the powder
tamped tight in brass casings. Borders
will disappear from maps. Rust
revert to oxygen and time. The fire
return to the log, the log to the tree,
the white root curled up
in the un-split seed. Birdsong will fly
into the lark’s lungs, answers
become questions again.
When you return, sweaters will unravel
and wool grow on the sheep.
Rock will go home to mountain, gold
to vein. Wine crushed into the grape,
oil pressed into the olive. Silk reeled in
to the spider’s belly. Night moths
tucked close into cocoons, ink drained
from the indigo tattoo. Diamonds
will be returned to coal, coal
to rotting ferns, rain to clouds, light
to stars sucked back and back
into one timeless point, the way it was
before the world was born,
that fresh, that whole, nothing
broken, nothing torn apart.

~Ellen Bass “When You Return” from Like a Beggar

There is so much grief these days
so much anger,
so much loss of life,
so much weeping.

How can we withstand this?
How can we know, now,
when we are barely able to breathe
that we might know – at some point –
we might have the stomach to love life again?

This time of year, no matter which way I turn,  autumn’s kaleidoscope displays new patterns, new colors, new empty spaces as I watch the world die into itself once again. 

Some dying is flashy, brilliant, blazing – a calling out for attention. Then there is the hidden dying that happens without anyone taking notice: just a plain, tired, rusting away letting go.

I spent this morning adjusting to the change in season by occupying myself with the familiar task of moving manure. Cleaning barn is a comforting chore, allowing me to transform tangible benefit from something objectionable and just plain stinky to the nurturing fertilizer of the future.

It feels like I’ve actually accomplished something.

As I scoop and push the wheelbarrow, I recalled another barn cleaning 24 years ago, just days before the world changed on 9/11/01.

I was one of three or four friends left cleaning over ninety stalls after a Haflinger horse event that I had organized at our local fairgrounds. Some people had brought their horses from over 1000 miles away to participate for several days, including a Haflinger parade through our town on a quiet Sunday morning.

There had been personality clashes and harsh words among some participants along with criticism directed at me as the organizer that I had taken very personally. As I struggled with the umpteenth wheelbarrow load of manure, tears stung my eyes and my heart. 

I was miserable with regret, feeling my work had been futile and unappreciated.

One friend had stayed behind with her young family to help clean up the large facility and she could see I was struggling to keep my composure. Jenny put herself right in front of my wheelbarrow and looked me in the eye, insisting I stop for a moment and listen:

“You know,  none of these troubles and conflicts will amount to a hill of beans years from now. People will remember a fun event in a beautiful part of the country, a wonderful time with their Haflingers, their friends and family, and they’ll be all nostalgic about it, not giving a thought to the infighting or the sour attitudes or who said what to whom. So don’t make this about you and whether you did or didn’t make everyone happy. You loved us all enough to make it possible to meet here and the rest was up to us. So quit being upset about what you can’t change. There’s too much you can still do for us.”

Jenny had no idea how wise her words were, even two days later, on 9/11.

During tough times since (and there have been plenty), Jenny’s advice replays, reminding me to cease seeking appreciation from others or feeling hurt when harsh words come my way. 

She was right about the balm found in the tincture of time. She was right about giving up the upset in order to die to self and self absorption, and instead to focus outward.

I have remembered.

Jenny herself did not know that day she would subsequently spend six years dying while still loving life every day, fighting a relentless cancer that was only slowed in the face of her faith and intense drive to live.

She became a rusting leaf gone holy, fading imperceptibly over time, crumbling at the edges until she finally had to let go. Her dying did not flash brilliance, nor draw attention at the end. Her intense focus during the years of her illness had always been outward to others, to her family and friends, to the healers she spent so much time with in medical offices, to her firm belief in the plan God had written for her and those who loved her.

So Jenny let go her hold on life here. And we reluctantly let her go.   Brilliance cloaks her as her focus is now on things eternal.

You were so right, Jenny. The hard feelings from a quarter century ago don’t amount to a hill of beans now. The words you spoke to me that day taught me to love life even when I have no stomach for it.

All of us did have a great time together a few days before the world changed. And manure transforms over time to rich, nurturing compost.

I promise I am no longer upset that I can’t change what is past nor the fact that you and so many others have now left us.

But we’ll catch up later.

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Calling from the Wind Phone

The pain I feel now is the happiness I had before. That’s the deal.
~C.S. Lewis
from A Grief Observed

the rubble still piled on the beach at Tohoku, Japan, a year after the 3/11/11 tsunami

In the wrecked landscape
of Fukushima

a white telephone booth
shines

with many panes of glass
in the hinged door

and a man steps in
dials the cell number

of his wife’s phone,
of course unanswering—

she was swept away
in the tsunami,

a photo in the paper
shows her sitting outside

on a blanket, knees
up, rocking back in laughter.

I pick up the black
receiver, still warm

from his hand, dialing
my sister’s number I used

to know by heart.
No answer from the sea

or her, just the whirling sound
of blood pounding in my ear.
~Patricia Clark “The Wind Phone”

photo by Nate Gibson at Sendai, Japan
photo by Nate Gibson 11/11
photo by Nate Gibson 11/11
photo by Nate Gibson of Sendai rubble pile 11/11

My life closed twice before its close;
It yet remains to see
If immortality unveil
A third event to me

So huge, so hopeless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.

~Emily Dickinson “Parting”

Original windphone is Otsuchi Garden, Japan

In 2012, we stayed with our friends Brian and Bette at their cabin on a bluff just above the Pacific Ocean at Sendai, Japan, just a few dozen feet above the devastation that wiped out an entire fishing village below during the 3/11/11 earthquake and tsunami.

As we walked that stretch of beach, we heard the stories of the people who had lived there, some of whom did not survive the waves that swept their houses and cars away before they could escape. We walked past the footprints of foundations of hundreds of demolished homes, humbled by the rubble mountains yet to be hauled away a year later, to be burned or buried. There were acres of wrecked vehicles piled one on another, waiting to become scrap metal.

It was visual evidence of life so suddenly and dramatically disrupted and carried away.

This had been a place of recreation and respite for some who visited regularly, commerce and livelihood for others who stayed year round and, in ongoing recovery efforts, struggling to be restored to something familiar. Yet it looked like a foreign ghostly landscape. Many trees perished, lost, broken off, fish nets still stuck high on their scarred trunks. There were small memorials to lost family members within some home foundations, with stuffed animals and flowers wilting from the recent anniversary observance.

Tohoku is a powerful place of memories for those who still live there and know what it once was, how it once looked and felt, and painfully, what it became in a matter of minutes on 3/11/11. The waves swept in inexplicable suffering, then carried their former lives away. Happiness gave ground to such terrible pain that could never have hurt as much without the joy and contentment that preceded it.

We are tempted to ask God why He doesn’t do something about the suffering that happened in this place or anywhere a disaster occurs –but if we do, He will ask us the same question right back. We need to be ready with our answer and our action.

God knows suffering. Far more than we do. He took it all on Himself, feeling His pain amplified, as it was borne out of His love and joy in His creation.

This beautiful place, and its dedicated survivors have slowly recovered, but the inner and outer landscape is forever altered. What remains the same is the pulsing tempo of the waves, the tides, and the rhythm of the light and the night, happening just as originally created.

With that realization, pain will finally give way, unable to stand up to His love, His joy, and our response to His sacrifice.

We can call Him up anytime and anywhere.

bent gate at Sendai beach -2012
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Where His Happiness Has Been

Now a red, sleepy sun above the rim
Of twilight stares along the quiet weald,
And the kind, simple country shines revealed
In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light,
Then stretches down his head to crop the green.
All things that he has loved are in his sight;
The places where his happiness has been
Are in his eyes, his heart, and they are good.
~Siegfried Sassoon from “Break of Day”

My husband and I grow old along with our horses – we are now past 70, just as a couple of our horses in “horse” years.

None of us, horses or humans, need to climb in the harness or put on the saddle to pull or carry the heavy loads of our former work lives.

It is a good life – each day treasured for its ordinariness.

Our retired horses feel the morning sun on their withers and the green blades under their feet, they scan the pasture for the sweetest tender patch to munch in the fields they know and love so well. They nap more now than in their younger years, taking breaks to let their heads hang relaxed and nodding, their tails slowly swishing at flies.

This morning was not so ordinary.

Waldheer van de Wortel (Wally), imported from Holland as a foal 27 years ago to be our herd stallion, let me know he wasn’t feeling well. He repeatedly pawed at the ground and the pasture gates, biting at his flank, trying to lie down and then get back up, not eating – clearly experiencing colicky belly pain that was getting worse.

I wondered if Wally’s time had come to bid him farewell. I had made a promise to my geriatric horses that I would not allow them to live in pain just because I didn’t want to let them go.

The vet came quickly and we talked about Wally’s options. She remarked about how he didn’t look his age, was holding weight well, his coat so sleek and shiny, his long-lashed eyes still bright and curious. But she said an older horse could often have repeated bouts of colic before the end, even if they temporarily improve with medical treatment.

I decided it was the right time to let him go to Haflinger heaven on a sunny summer morning, nibbling a mouthful of clover I offered him.

He was laid to sleep where he had lived nearly three decades.

He leaves behind two sons who were his pasture buddies, a couple dozen offspring scattered around the country, and people who loved his ambassadorship for the Haflinger breed. In his younger days, he was an enthusiastic eventer in the northwest region, ridden by his trainer Jessica Heidemann. They both had an enthusiastic fan-following.

In his later years, Wally was patient and loving with our grandchildren and with us. He lived a good life in his place of happiness. I wanted him to die peacefully at home, without a worry.

It just doesn’t get much better than that.

Waldheer van de Wortel, 1998 foal in Holland
27 year old Wally
Art work made by a fan of Waldheer
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As Gloom and Brightness Meet

In the grey summer garden I shall find you 
With day-break and the morning hills behind you. 
There will be rain-wet roses; stir of wings; 
And down the wood a thrush that wakes and sings. 
Not from the past you’ll come, but from that deep
Where beauty murmurs to the soul asleep: 
And I shall know the sense of life re-born 
From dreams into the mystery of morn 
Where gloom and brightness meet. And standing there 
Till that calm song is done, at last we’ll share
The league-spread, quiring symphonies that are 
Joy in the world, and peace, and dawn’s one star. 
~Siegfried Sassoon “Idyll”

Seventy-one years ago today was a difficult day for both my mother and me.

She remembered it was a particularly hot July 4 with the garden coming on gangbusters and she having quite a time keeping up with summer farm chores. With three weeks to go in her pregnancy, her puffy legs were aching and she wasn’t sleeping well.

She was almost done gestating, with the planned C-section scheduled a few days before my due date of August 1.

She and my dad and my sister had waited eight long years for this pregnancy, having given up hope, having already chosen an infant boy to adopt, the papers signed and waiting on the court for the final approval. They were ready to bring him home when she discovered she was pregnant and the adoption agency gave him to another family.

I’ve always wondered where that little boy ended up, his life trajectory suddenly changed by my unexpected conception. I feel responsible, hoping and praying his life was blessed in another adoptive home.

Every subsequent July 4, my mother would tell me about July 4, 1954 when I was curled upside down inside her impatiently kicking her ribs in my attempts to stretch, hiccuping when she tried to nap, and dozing as she cooked the picnic meal they took to eat while waiting for the local fireworks show to start.

As I grew up, she would remind me as I cringed and covered my ears as fireworks shells boomed overhead, that in 1954 I leapt, startled, inside her with each explosion. She wondered if I might jump right out of her, so she held onto her belly tight, trying to calm and reassure me. Perhaps I was justifiably fearful about what chaos was booming on the outside, as I remained securely inside until the doctor opened Mom up three weeks later.

Now I know I am meant for quieter things, greeting the mystery of each morning with as much calm as I can muster. I still cringe and jump at fireworks and recognize I was blessed to be born to a family who wanted me and waited for me, in a country that had just fought a terrible war. Each child born in those post-war years was a testament to the survival of the American spirit and hope for the future.

Our country now has lost its way in caring first and foremost
for the poor, the ill, the hungry, the helpless, the homeless,
not only within our borders, but as an outreach beyond our shores to those countries where our help has saved millions of lives.

Will there ever come a day when a baby born in this world will not be threatened with starvation, potentially fatal yet preventable pathogens, or the devastation of war?

Where gloom and brightness meet:
defining the drawn lines and borders
around and within our country right now…

partial lyrics:
And I don’t know a soul who’s not been battered
I don’t have a friend who feels at ease
I don’t know a dream that’s not been shattered
Or driven to its knees

But it’s alright, it’s alright
For we lived so well so long
Still, when I think of the
Road we’re traveling on
I wonder what’s gone wrong
I can’t help it, I wonder what has gone wrong

Text: Where charity and love are, God is there.

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Renewed Pulse

The cold remote islands
And the blue estuaries
Where what breathes, breathes
The restless wind of the inlets,
And what drinks, drinks
The incoming tide;


Where shell and weed
Wait upon the salt wash of the sea,
And the clear nights of stars
Swing their lights westward
To set behind the land;


Where the pulse clinging to the rocks
Renews itself forever;
Where, again on cloudless nights,
The water reflects
The firmament’s partial setting;

—O remember
In your narrowing dark hours
That more things move
Than blood in the heart.

Louise Bogan “Night” from The Blue Estuaries

 I know what my heart is like
Since your love died:
It is like a hollow ledge
Holding a little pool
Left there by the tide,
A little tepid pool,
Drying inward from the edge.
~Edna St. Vincent Millay “Ebb”

My mother was 58 when my father left her for a younger woman. 

For months, she withered,
her heart broken, her pulse erratic,
crying until there were no more tears left.

She began drying inward from her edges
despite the ebbing and flowing
of her heartbeat.

It took ten years,
but he came back like an overdue high tide.  

She was sure her love had died
but that tepid pool refilled
with water cool to the touch,
yet overflowing.

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