Company of the Living

The maple leaves abscond
with summer’s green rain
on such little stems
connecting to spring’s essence,
summer twigs’ foliage,
the company of the living.

But now they shrug off
their red-gold existence
as if they’d never inhabited
the verdure of the undead,
drifting to a ground
hardened by sudden frost.
~Donna Pucciani “One Minute”

I was standing lost, sunk, my hands in my pockets, gazing toward Tinker Mountain and feeling the earth reel down. All at once, I saw what looked like a Martian spaceship whirling towards me in the air. It flashed borrowed light like a propeller. Its forward motion greatly outran its fall. As I watched, transfixed, it rose, just before it would have touched a thistle, and hovered pirouetting in one spot, then twirled on and finally came to rest. I found it in the grass; it was a maple key…Hullo. I threw it into the wind and it flew off again, bristling with animate purpose, not like a thing dropped or windblown, pushed by the witless winds of convection currents hauling round the world’s rondure where they must, but like a creature muscled and vigorous, or a creature spread thin to that other wind, the wind of the spirit that bloweth where it listeth, lighting, and raising up, and easing down. O maple key, I thought, I must confess I thought, o welcome, cheers.

And the bell under my ribs rang a true note, a flourish of blended horns, clarion, sweet, and making a long dim sense I will try at length to explain. Flung is too harsh a word for the rush of the world. Blown is more like it, but blown by a generous, unending breath. That breath never ceases to kindle, exuberant, abandoned; frayed splinters spatter in every direction and burgeon into flame. And now when I sway to a fitful wind, alone and listing, I will think, maple key. When I see a photograph of earth from outer space, the planet so startlingly painterly and hung, I will think, maple key. When I shake your hand or meet your eyes, I will think two maple keys. If I am maple key falling, at least I can twirl.
~Annie Dillard from Pilgrim at Tinker Creek

If only there were living words as plentiful
as the maple keys that twirl from each branch,
words that release us from our dry roots,
ready to unlock life’s secrets, unlatch
and push ajar the doors to heavy hearts.

Who can ever be ready to go
from vibrant and alive,
colorful and mobile,
to dropped and still?

The reality of another spent season
is a slug to the gut.
Time is passing.
I’m wasting time.
There is no stopping it
without stopping me.

Let’s dwell in the company of the living
until we fall away together.

Live well, fellow leaves
and we’ll let go together:
swaying to a fitful wind,
giving a gentle shrug and drifting,
easing into settling down
when the time comes.

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Like a Mist Drying

Morning glories, pale as a mist drying,
fade from the heat of the day, but already
hunchback bees in pirate pants and with peg-leg
hooks have found and are boarding them.


This could do for the sack of the imaginary
fleet. The raiders loot the galleons even as they
one by one vanish and leave still real
only what has been snatched out of the spell.


I’ve never seen bees more purposeful except
when the hive is threatened. They know
the good of it must be grabbed and hauled
before the whole feast wisps off.


They swarm in light and, fast, dive in,
then drone out, slow, their pantaloons heavy
with gold and sunlight. The line of them,
like thin smoke, wafts over the hedge.


And back again to find the fleet gone.
Well, they got this day’s good of it. Off
they cruise to what stays open longer.
Nothing green gives honey. And by now


you’d have to look twice to see more than green
where all those white sails trembled
when the world was misty and open
and the prize was there to be taken.
~John Ciardi “Bees and Morning Glories” from The Collected Poems of John Ciardi.

Happiness is like a morning glory:
yesterday’s won’t bloom again;
tomorrow’s hasn’t opened yet.
Only today’s flower can be enjoyed today.
Be happy this very moment,
and you’ll learn how to be happy always.
~ Goswami Kriyananda

I am alive — I guess —
The Branches on my Hand
Are full of Morning Glory —

~Emily Dickinson

Now I’m at seventy,
no longer defined by ambition or career,
I open up misty every morning with a new bloom,
aware what I’ve left undone before wilting away.

A daily unfurling is a chance to:
Start afresh.
Welcome visitors.
Hold hearts gently.
Hum as I walk.
Sometimes just sit in awed silence.
Watch out the window.
Feed those who look hungry.

Each new opening, each new day,
so to leave a little less left undone.

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Cold Water on a Tender Tooth

Last evening,
As I drove into this small valley,
I saw a low-hanging cloud
Wandering through the trees.
It circled like a school of fish
Around the dun-colored hay bales.
Reaching out its foggy hands
To stroke the legs of a perfect doe
Quietly grazing in a neighbor’s mule pasture.

  I stopped the car
And stepping out into the blue twilight,
A wet mist brushed my face,
And then it was gone.
It was not unfriendly,
But it was not inclined to tell its secrets.

  I am in love with the untamed things,
The cloud, the doe,
Water, air and light.
I am filled with such tenderness
For ordinary things:
The practical mule, the pasture,
A perfect spiral of gathered hay.
And although I should not be,
Consistent as it is,
I am always surprised
By the way my heart will open
So completely and unexpectedly,
With a rush and an ache,
Like a sip of cold water
On a tender tooth.
~Carrie Newcomer “In the Hayfield” from A Permeable Life: Poems & Essays

deer running in the foreground

Cool water on a tender tooth describes it exactly:

a moment of absolute wonder
brings exquisite tears to my eyes.
I’m so opened and exposed as to be painful,
feeling a clarity of being both sharp and focused.

it’s gone as quickly as it came,
but knowing it was there – unforgettable –
and knowing it is forever
only a memory,
both hurts,
and comforts…

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Approaching the End of September

it rained in my sleep
and in the morning the fields were wet

I dreamed of artillery
of the thunder of horses

in the morning the fields were strewn
with twigs and leaves

as if after a battle
or a sudden journey

I went to sleep in the summer
I dreamed of rain

in the morning the fields were wet
and it was autumn
~Linda Pastan “September”

I can choose to fight the inevitable march of time
with sourness, sighs and sorrow,
thus arm myself with bitterness for what is no more,

or I can flow unmoved for as long as I can stay afloat,
barely aware of the passage of all taking place around me,

or I can smile at awaking each morning,
whether to sun or wind or rain and thunder,
grateful I’ve been given one more day to get it right,

or at least care enough to keep trying.

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Beautiful Changes

One wading a Fall meadow finds on all sides   
The Queen Anne’s Lace lying like lilies
On water; it glides
So from the walker, it turns
Dry grass to a lake, as the slightest shade of you   
Valleys my mind in fabulous blue Lucernes.


The beautiful changes as a forest is changed   
By a chameleon’s tuning his skin to it;   
As a mantis, arranged
On a green leaf, grows
Into it, makes the leaf leafier, and proves   
Any greenness is deeper than anyone knows.

Your hands hold roses always in a way that says   
They are not only yours; the beautiful changes   
In such kind ways,   
Wishing ever to sunder
Things and things’ selves for a second finding, to lose   
For a moment all that it touches back to wonder.
~Richard Wilbur “The Beautiful Changes”

I am changed again, as I blend into autumn.

We can’t help but be transformed by everything around us, you know.

Beautiful is the dying meadow, the shedding of dry reddened leaves,
the tidal wave of wildflowers nodding goodbye until next summer.

Beauty is beheld with wonder and then lost to the ages. We cannot change what we see, but treasure its transience, as we cherish our own brief moments here.

We hold on lightly, ready to let go when the time comes.
What comes next is beautiful beyond imagining.

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Here I Am…

I must go in; the fog is rising…
~Emily Dickinson, her last words

And when it lifts, the fog lifts
what it buried, the tall pines
stand taller, the valley breathes
a magnanimous air, the green
grass hills stir in wonder,
the fleeting white clouds flee
with their shadows, a bale
of hay makes the case for being
alone, and what was erased
and briefly forgotten retrieves
its mother tongue, speaking
truth to the hour. And to be
a witness to such plumes of mist
dissolve into the vastness
is to be the vastness, the Earth’s
step our step, the observer
and the observed holding hands
with time, blankets of grief
the years have cottoned over
uncovered, the pallbearer––
coffin on shoulder––in view
of the mound of soil up ahead
summoned to his depths;
dear father, here I am.

~Howard Altmann “The Fog”
from In This House

Fog swallows us whole, not unlike being lowered into the depths of the grave.

Immersed so thoroughly, surrounded and muffled,
yet still breathing in the chill mist.

But then the fog lifts. It rises. And takes us with it.

Father, here I am, holding hands with time.

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The Oldest Tree

Lately, when I awake desolate
feeling half-swamped
by runaway currents I name—
dread, for my children, and theirs,
and this planet—I backstroke
through time to rest my palms
against the delicate skin
of the gingko tree, the one
and only, in my home town.
Rooted in siltish sand,
come autumn, it flaunted
10,000 golden fans:
a waving descendant my uncle said,
of the oldest tree
to inhabit the earth. Memory
replays three fluting sighs
of a mourning dove, high in the canopy,
that vast fretwork alive again
with rustling endearments—yet
ghostly, too, as his unseen hand
almost rocks my skiff of a self.
~Laurie Klein “Lately, when I awake desolate”

So many reasons to awake in the night,
eyes wide open, searching the dark seas of trouble
for some sign of hope
for calm and peace in this stormy world.

Rocked to sleep again, I float among abundant
golden gingko leaves, each waving like a sail in the breeze,
before it tumbles, swirling, to the ground, forming
deeply cushioned and comforting pools of yellow.

Navigating these brutal times, desperate to
anchor within some safer harbor – I treasure
the old ginkgo as it reaches over each cherished child
with its golden cloak of love and protection.

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So Rare a Grace

we know what is coming behind the crocus…
the great thing is that the corner has been turned.
It remains with us to follow or not,
to die in this winter,
or to go on into that spring and that summer.
C.S. Lewis from God in the Dock

In the high woods that crest our hills,
Upon a steep, rough slope of forest ground,
Where few flowers grow, sweet blooms today I found
Of the Autumn Crocus, blowing pale and fair.
Dim falls the sunlight there;
And a mild fragrance the lone thicket fills.


Languidly curved, the long white stems
Their purple flowers’ gold treasure scarce display:
Lost were their leaves since in the distant spring,

Their February sisters showed so gay.
Roses of June, ye too have followed fleet!
Forsaken now, and shaded as by thought,
As by the human shade of thought and dreams,
They bloom ‘mid the dark wood, whose air has wrought
With what soft nights and mornings of still dew!
Into their slender petals that clear hue,
Like paleness in fresh cheeks; a thing
On earth, I vowed, ne’er grew
More delicately pure, more shyly sweet.

Child of the pensive autumn woods!
So lovely, though thou dwell obscure and lone,
And though thy flush and gaiety be gone;
Say, among flowers of the sad, human mind,
Where shall I ever find
So rare a grace? in what shy solitudes?

~Robert Laurence Binyon “Autumn Crocus”

The emergence of autumn crocus is unexpected,
surprising even when I know where the bulbs hide
in the shade of spent peony bushes.

They lie waiting beneath of the surface of our waning summer dreams,
triggered by retreating light from above,
summoned forth from cooling soil
to remind us summer’s end
is not the end of them or us.

A luminous gift of hope and grace
borne from a humble bulb;
plain and only soil-adorned.

In a hurry, unfurling on a pale leggy stem,
the tender lavender petals reveal golden crowns of saffron,
brazenly blooming as all else is dying back.

In the end, they quickly wilt, deeply bruised and purple –
our lives made manifest
as they fall defeated, inglorious, and frail,
melting back to dust.

Yet we are assured – these blossoms remind us –
they will rise again,
as will we.

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The Running Down of Life’s Clock

sphere of pillowed sky
one faceless gathering of blue.
..

… I’m tethered, and devoted
to your raw and lonely bloom

my lavish need to drink
your world of crowded cups to fill.
~Tara Bray “hydrangea” from Image Journal

Like in old cans of paint the last green hue,
these leaves are sere and rough and dull-complected
behind the blossom clusters in which blue
is not so much displayed as it’s reflected;

They do reflect it imprecise and teary,
as though they’d rather have it go away,
and just like faded, once blue stationery,
they’re tinged with yellow, violet and gray;

As in an often laundered children’s smock,
cast off, its usefulness now all but over,
one senses running down a small life’s clock.

Yet suddenly the blue revives, it seems,
and in among these clusters one discovers
a tender blue rejoicing in the green.
~Rainer Maria Rilke “Blue Hydrangea” Translation by Bernhard Frank

Dwelling within a mosaic of dying colors,
these petals fold and collapse
under the weight of the sky’s tears.

This hydrangea bears a rainbow of hues,
once-vibrant promises of blue
now fading to rusts and grays.

I know what this is like:
the running out of the clock,
feeling the limits of vitality.

Withering and drying,
I’m drawn, thirsty for the beauty,
to this waning artist’s palette.

To quench my thirst:
from an open cup, an invitation,
an everlasting visual sacrament.

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One Season Too Many

The foliage has been losing its freshness
through the month of August,
and here and there a yellow leaf shows itself
like the first gray hair amidst the locks
of a beauty who has seen one season too many.
~Oliver Wendell Holmes
from Songs of Many Seasons 1862-1874

I remember a day before I turned 30 when a barber pulled a gray hair from my head and handed it to me.  “Here you go, ” she said,  “this is only the beginning.”

Indeed.  My mother was totally gray by 32 and my hope was to hold onto my mousy brown hair until at least 50.

It didn’t seem possible I could be losing my “freshness” so young as 29, but over the next 41 years, there is an exponential increase in the number of gray (and white!) hairs, and I must face facts.

Ages ago on my 45th birthday, as I was walking down the sidewalk at work, a middle-aged woman stopped me mid-stride and asked me what brand hair coloring I used. I was taken completely off-guard.  All I could respond was that I used no hair coloring other than what God Himself applied. She laughed and said she would have to keep looking then, as she was hoping I could direct her to a hair color that would make her hair look like “champagne” just like mine.  

I floated for three days on that thought alone.

Champagne. So I wasn’t “one season too many” after all. I was “well-aged.”

I sympathize with the not-so-fresh foliage on our farm in late summer. In anticipation of autumn, some of the yellow leaves simply give up and let go, flying in the wind to their final resting place, even in early September.  Others decide to hang on until the bitter end ~yellowing, goldening, reddening and browning in a shimmering kaleidoscope of exhausted pigment.

For now, I am one of those hanging on, quaking at times in the breezes, bedraggled in the drizzle, tattered on the edges, with some age spots here and there. I’m determined to make the best of the gray and am proud of every strand I’ve earned over the years and hope to earn a bunch more before I’m done.

After all…it isn’t really gray. It is champagne, well aged, with bubbles sparkling in the sun.

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