Tag: Darkness

The Sunrise Shall Visit Us: Try not to be Afraid of the Dark

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When the miracle happened it was not
with bright light or fire—
but a farm door with the thick smell of sheep
and a wind tugging at the shutters.

There was no sign the world had changed for ever
or that God had taken place;
just a child crying softly in a corner,
and the door open, for those who came to find.
~Kenneth Steven “Nativity”

This Advent, I’m trying not to be scared of the dark. 
~James K.A. Smith from “Waiting” (Image Journal)

Here is the world.
Beautiful and terrible things will happen.
Don’t be afraid.
~Frederich Buechner from Beyond Words

It is as if there is an echo reverberating in the first two chapters of Luke. Three different times, a messenger angel appears out of the blue, saying “do not be afraid.” Zechariah had been “startled and gripped with fear,” Mary was “troubled and wondered at his words” and the shepherds were “terrified.”

Yet the first words directly from heaven were “fear not.”

My first reaction would be: there must be plenty to fear if I’m being told not to be afraid. And this world can be a terrifying place, especially in the dark.

So it is up to us, overwhelmed by the darkness of these times, to seek out the door that has been opened a bit, where light is spilling out. We have been invited, troubled and doubtful, to come see what is inside.

Advent 2023 theme
…because of the tender mercy of our God,
whereby the sunrise shall visit us from on high 
to give light to those who sit in darkness
and in the shadow of death,
to guide our feet into the way of peace.
Luke 1: 78-79 from Zechariah’s Song

Chorus:
O come, divine Messiah!
The world in silence waits the day
When hope shall sing its triumph
And sadness flee away

Dear Savior, haste
Come, come to earth
Dispel the night and show your face
And bid us hail the dawn of grace

O Christ, whom nations sigh for
Whom priest and prophet long foretold
Come break the captive fetters
Redeem the long-lost fold

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Of Now Done Darkness

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Not, I’ll not, carrion comfort, Despair, not feast on thee;
Not untwist — slack they may be — these last strands of man
In me ór, most weary, cry I can no more. I can;
Can something, hope, wish day come, not choose not to be.
But ah, but O thou terrible, why wouldst thou rude on me
Thy wring-world right foot rock? lay a lionlimb against me? scan
With darksome devouring eyes my bruisèd bones? and fan,
O in turns of tempest, me heaped there; me frantic to avoid thee and flee?

Why? That my chaff might fly; my grain lie, sheer and clear.
Nay in all that toil, that coil, since (seems) I kissed the rod,
Hand rather, my heart lo! lapped strength, stole joy, would laugh, chéer.
Cheer whom though?
the hero whose heaven-handling flung me, fóot tród
Me? or me that fought him? O which one? is it each one?
That night, that year
Of now done darkness I wretch lay wrestling with (my God!)
my God.
~Gerard Manley Hopkins “Carrion Comfort”

Once again, the mounting deaths by one’s own hand
make grim headlines announcing solemn statistics.

I heard it over and over during decades in my clinic;
patient after patient said the same thing:
I can no more...

this agonizing struggle with despair
makes one frantic to avoid the fight and flee,
to feel no more bruising
and bleed no more,
to become nothing but chaff and ashes.

suicide seems a solution
when one can not feel the love of
a God who, in reality, cares enough to
wrestle with us relentlessly–
who heaven-handling flung us here by
breathing life into our nostrils –

and continues to breathe with us…

perhaps we can’t possibly imagine
a God caring enough to be killed for us
(He Himself created us who doubt,
us who are so sore afraid)

because He loves us,
no one is ever now,
nor ever will be,

~nothing~

My God!
such darkness
is now done
forever.

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Moments Out of Sight

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A neighborhood.
At dusk.

Things are getting ready
to happen
out of sight.

Stars and moths.
And rinds slanting around fruit.

But not yet.

One tree is black.
One window is yellow as butter.

A woman leans down to catch a child
who has run into her arms
this moment.

Stars rise.
Moths flutter.
Apples sweeten in the dark.
~Eavan Boland “This Moment” from In a Time of Violence

Photo by William Albert Allard
photo by Nate Gibson

At times, particularly at night, I’m keenly aware of all the unknowable and uncountable lives happening behind closed doors and curtained windows, each one living their own sacred moment in time.

So many meals being eaten, baths taken, tears shed, stories told, prayers recited, kisses shared.

These moments are the blessings of a quotidian predictability that we try to pass on to our children. In our routines, we may become oblivious to the mysteries happening all around us: innumerable stars shining, fragile moths fluttering and sweetening apples hanging heavy — yet there is mystery within each of us as well.

In the dark of night, despite our weariness:
We are remarkably loved and loving.
We try our best in difficult times and circumstances.
We grieve losses while struggling to survive sorrows.
We seek purpose and meaning, despite feeling unworthy.

Each passing moment becomes one to cherish.
Each moment mysteriously holy and sweet.

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A Shimmering Alphabet

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The work, not of men, but of angels. —Gerald of Wales

With quills and ink of iron gall on folded vellum, 
monks in their cells labored in hives of stone, 
producing pages that glistened like honey, 
sweetening the word of God. On this page, the chi 
commands the eye, its arm swooping to the left
in an elegant scrawl, the smaller rho and iota 
nestled to the right. Knotwork fills each letter 
to the brim. Three angels fly from the crossed
arms, heaven and earth intertwined, coiled spirals 
connected by curves. Despite the gleam, no gold 
is used, just layers of color built up like enamel.
In the interstices, creatures of air: birds and moths; 
creatures of sea: fish and otters; creatures of land: 
cats and mice. For the whole world was holy,
not just parts of it. The world was the Book of God. 
The alphabet shimmered and buzzed with beauty.
~Barbara Crooker “Book of Kells: Chi Rho”

Chi Rho page, photo credit The Book of Kells

In the summer of 2013, Dan and I wrapped up our 3 week Ireland trip with one day in Dublin before flying home. I wasn’t sure I could take in one more thing into my super-saturated brain but am grateful Dan gently led me to the exhibit of the Book of Kells at Trinity College along with the incredible library right above it.

I needed to see the amazing things of which man is capable. My weariness was paltry compared to the immense effort of these dedicated writers and artists.

The Book of Kells is an intricately illustrated ninth century version of the four Gospels on the Isle of Iona, meticulously decorated by young Irish monks with quill pens and the finest of brushes and artistic flourish. Two original pages are on display at the library, changed every eight weeks – the brief look one is allowed scarcely does justice to the painstaking detail contained in every shimmering letter and design. No photography is allowed of the book itself.

Upstairs, is the “Long Room” of 200,000 antiquarian books dating back centuries, lined by busts of writers and philosophers. It is inspiring to think of the millions of hours of illuminated thought contained within those leather bindings.

The written word is precious but so transient on earth; it takes preservationist specialists to keep these ancient books from crumbling to dust, a slowly disintegrating alphabet of letters potentially lost forever to future generations.

The original Word is even more precious, abiding forever in the hearts and minds of men, and exists everlasting sitting at the right hand of God, never to turn to dust. He is the inspiration for the intricate beauty of the illustrated Gospels we saw that day.

God is the ultimate source of wisdom for civilization’s greatest writers and poets. He alone has turned darkness into light even in man’s most desperate hours. Our weariness dissipates along with the shadows.

God is no stranger to us – He meets us in His Word and our reading is our ladder up to Him. In that meeting, we are forever His.

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Remembering This Gladness

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Every now and then, I forget to turn off the lights in the barn. I usually notice just before I go to bed, when the farm’s boundaries seem to have drawn in close. That light makes the barn seem farther away than it is — a distance I’m going to have to travel before I sleep. The weather makes no difference. Neither does the time of year.

Usually, after turning out that forgotten barn light, I sit on the edge of the tractor bucket for a few minutes and let my eyes adjust to the night outside. City people always notice the darkness here, but it’s never very dark if you wait till your eyes owl out a little….I’m always glad to have to walk down to the barn in the night, and I always forget that it makes me glad. I heave on my coat, stomp into my barn boots and trudge down toward the barn light, muttering at myself. But then I sit in the dark, and I remember this gladness, and I walk back up to the gleaming house, listening for the horses.
~Verlyn Klinkenborg  from A Light in the Barn

I sometimes forget to turn the lights off in the barn. If I try to finish chores in too big a rush before it gets dark before 5 PM, I might leave the barn too distracted, assuming the illumination inside is from the setting sun, not light bulbs.

Later, after dinner, I look out my kitchen window to see the barn is still lit up. The horses won’t rest easy (and I won’t either) until I shut off the lights above them. So I throw on my barn jacket, put on my boots and head down to the barn again, all a-mutter.

Then I remember I am glad for this moment. I like owls flying almost noiselessly overhead, the dogs sticking close at my side, horses chewing hay and blowing sweet breath, barn cats circling for a late night treat.

Then my favorite thing is walking back up from the barn at night and looking at the lights in our house, knowing my life and love happens there, though each of our children and their families now live elsewhere in gleaming houses of their own. Dan and I have adjusted to a “just two again” life together, hoping we can stay on the farm as many years as God grants us.

It is our home, it is work, it is light, it is love. If all it takes is a walk from a darkened barn to remind me of this, I’ll leave the lights on in the barn at night more often.

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The Flickering Shadow

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Be comforted; the world is very old,
  And generations pass, as they have passed,
  A troop of shadows moving with the sun;
Thousands of times has the old tale been told;
  The world belongs to those who come the last,
  They will find hope and strength as we have done.
~Henry Wadsworth Longfellow “A Shadow”

The shadow’s the thing. 
If I no longer see shadows as “dark marks,” 
as do the newly sighted,
then I see them as making some sort of sense of the light.
They give the light distance;
they put it in its place.
They inform my eyes of my location here, here O Israel,
here in the world’s flawed sculpture,
here in the flickering shade of the nothingness
between me and the light.
~Annie Dillard from Pilgrim at Tinker Creek

A shadow is hard to seize by the throat and dash to the ground.
~Victor Hugo from Les Miserables

In faith there is enough light for those who want to believe and enough shadows to blind those who don’t.
~Blaise Pascal

These days I find myself seeking safety hiding in the shadows under a rock where “not-really-conservative and not-really-liberal” moderates like me tend to gather to seek safety and commiserate together.

Extremist views predominate simply for the sake of differentiating one’s political turf from the opposition. There is barely any discussion of compromise, negotiation or collaboration as that would be perceived as a sign of weakness.

Instead it is “my way or the wrong way.”

I say “no way,” as both sides act intolerably intolerant of the other.

The chasm particularly gapes wider in any discussion of faith issues. Religion and politics have become angry neighbors constantly arguing over how high to build the fence between them, what it should be made out of, what color it should be, should there be peek holes, should it be electrified with barbed wire to prevent moving back and forth, should there be a gate with or without a lock, who pays for the labor and whether an immigrant with a work permit is available to do the labor. In a country founded on the principle of freedom of religion and the pursuit of happiness, far more people now believe our forefathers’ blood was shed for freedom from religion in order to be happy.

Give us the right to believe in nothing whatsoever or give us death. Perhaps both go together.

And so it goes. We bring out the worst in potential leaders as facts are distorted, ethics abandoned, the truth stretched or completely abandoned, unseemly pandering abounds and curried favors are served for breakfast, lunch and dinner.

Enough already.

In the midst of this morass, we who want to believe will still choose to believe and our next challenge is for believers to actually get along with one another. This is no longer a given. We have chosen to reside in the shadows of conflict, argument, and abuse of our fellow believers.

Still, there is Light for those who seek it out. No need to remain hiding in the shadowlands.

I’ll come out from under my rock to face the onslaught, if you do.

In fact…I think I just did.

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A Night of Dark Intent

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The world is its usual rich self. Disturbed news
Came before sleep, then hours before light, finally
A return to coffee and the joy of unfinished poems.
It is early October, bright leaves falling everywhere.

What could it mean that such sharp leaves fall?
Does it imply that the best are called first?

I don’t want to imply that such abundance of meaning
Exists in me. A lamppost shines over
The ocean. The waves take what they want of the
light.
The rest they give back, to the hospitals and the poor.
~Robert Bly from Morning Poems

Bellingham Bay-photo by Nate Gibson

The shattered water made a misty din.
Great waves looked over others coming in,
And thought of doing something to the shore
That water never did to land before.
The clouds were low and hairy in the skies,
Like locks blown forward in the gleam of eyes.
You could not tell, and yet it looked as if
The shore was lucky in being backed by cliff,
The cliff in being backed by continent;
It looked as if a night of dark intent
Was coming, and not only a night, an age.
Someone had better be prepared for rage.
There would be more than ocean-water broken
Before God’s last Put out the light was spoken.
~Robert Frost “Once By the Pacific”

photo by Nate Gibson at Sendai, Japan

We were staying with our friends Brian and Bette at their cabin on a bluff just above the beach at Sendai, Japan, just a few dozen feet above the devastation that wiped out an entire fishing village below during the 3/11/11 earthquake and tsunami. We walked that stretch, learning of the stories of the people who had lived there, some of whom did not survive the waves that swept their houses and cars away before they could escape. We walked past the footprints of foundations of hundreds of demolished homes, humbled by the rubble mountains yet to be hauled away to be burned or buried and scanned acres of wrecked vehicles now piled one on another, waiting to become scrap metal. It was visual evidence of life suddenly and dramatically disrupted.

This was a place of recreation and respite for some who visited regularly, commerce and livelihood for others who stayed year round. Yet it looked like a foreign ghostly landscape. Even many trees perished, lost, broken off, fish nets still stuck high on their scarred trunks. There were small memorials to lost family members within some home foundations, with stuffed animals and flowers wilting from the recent anniversary observance.

It was a powerful place of memories for those who live there and know what it once was, how it once looked and felt, and painfully, what it became in a matter of minutes on 3/11/11. The waves swept in inexplicable suffering, then carried their former lives away. Happiness gave ground to such terrible pain that could never have hurt as much without the joy that preceded it.

We want to ask God why He doesn’t do something about the suffering that happens anywhere a disaster occurs – but if we do, He will ask us the same question right back. We need to be ready with our answer and our action. He knows suffering. Far more than we do. He took it all on Himself as His Light on earth was snuffed out, despite His love and joy in His creation.

As Sendai’s citizens slowly recover, the inner and outer landscape is forever altered. What remains the same is the tempo of the waves, the tides, and the rhythm of the light and the night, happening just as originally created.

The Light returned.

In that realization, pain gives way. It cannot stand up to His love and His joy in dispelling the dark.

the rubble still piled on the beach at Tohoku, Japan, a year after the 3/11/11 tsunami
photo by Nate Gibson
Sendai
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The Dark Blooms and Sings

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Isn’t the moon dark too,
most of the time?

And doesn’t the white page
seem unfinished

without the dark stain
of alphabets?

When God demanded light,
he didn’t banish darkness.

Instead he invented
ebony and crows

and that small mole
on your left cheekbone.

Or did you mean to ask
“Why are you sad so often?”

Ask the moon.
Ask what it has witnessed.
~Linda Pastan “Why Are Your Poems So Dark?”

photo by Harry Rodenberger

To go in the dark with a light is to know the light.
To know the dark, go dark. Go without sight,
and find that the dark, too, blooms and sings,
and is traveled by dark feet and dark wings.
~Wendell Berry “To Know the Dark” from Soul Food – Nourishing Poems for Starved Minds

photo by Bob Tjoelker

(In my sleep I dreamed this poem)

Someone I loved once gave me
a box full of darkness.

It took me years to understand
that this, too, was a gift.
~Mary Oliver “The Uses of Sorrow”

When the canvas frays
In the currach of thought
And a stain of ocean
Blackens beneath you,
May there come across the waters
A path of yellow moonlight
To bring you safely home.
~John O’Donohue from “Beannacht”

photo by Josh Scholten

Ask what the moon has witnessed.
Ask what we, as fallen creatures, have witnessed.
Darkness was not banished by God in the beginning,
so we might search, blinded, for Him.

We are promised this in the Word: “and night will be no more. They will need no light of lamp or sun, for the Lord God will be their light… Revelation 22:5.

The Word in the beginning set a dark universe in motion.
The Word is both flesh and Savior to a world dwelling in darkness.
The Word as Spirit thrives eternally to enlighten our hearts, our minds and hands.

Darkness is not banished. But it is overcome.
And so, we shall have a lit pathway leading us home.

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Walking Through the Littered Layers of History

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A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life—the nation, the city, the neighborhood, the house where the family lives—as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them.

I breathed the air of history all unaware, and walked oblivious through its littered layers.
~Annie Dillard from An American Childhood

photo by Joel DeWaard

I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon

How shall the heart be reconciled
to its feast of losses?

Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.
In my darkest night,
when the moon was covered
and I roamed through wreckage,
a nimbus-clouded voice
directed me:
“Live in the layers,
not on the litter.”
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.
I am not done with my changes.
~Stanley Kunitz from “The Layers”

…we become whole by having the courage to revisit and embrace all the layers of our lives, denying none of them, so that we’re finally able to say, “Yes, all of this is me, and all of this has helped make me who I am.”

When we get to that point, amazingly, we can look at all the layers together and see the beauty of the whole.
~Parker Palmer from “Embracing All the Layers of Your Life” in On Being

My favorite photos or paintings are ones where there are several “layers” to study, whether it is a still life of petals or a deep landscape with a foreground, middle and backdrop. The challenge is to decide where to look first, what to draw into sharp focus, and how to absorb it all as a whole. In fact, if I only see one aspect, I miss the entire point of the composition. The earth is wonderfully multi-faceted and multi-layered and that is how my own life is – complex with so much diverse and subtle shading.

If I try to suppress some darker part of my own life I wish to forget and blur out, I ignore the beauty of the contrast with the light that illuminates the rest.

The layers reflect who I was created to be as an image-bearer – complex, nuanced, illuminated in the presence of darkness:

Imaginatively composed like a fugue of recurring themes,
filled with the complexity of both harmony and discord,
and ultimately transformed into layers upon layers of beauty.

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True Stars at Daybreak

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photo by Nate Gibson

On the tidal mud, just before sunset,
dozens of starfishes
were creeping. It was
as though the mud were a sky
and enormous, imperfect stars
moved across it as slowly
as the actual stars cross heaven.
All at once they stopped,
and, as if they had simply
increased their receptivity
to gravity, they sank down
into the mud, faded down
into it and lay still, and by the time
pink of sunset broke across them
they were as invisible
as the true stars at daybreak.
~Galway Kinnell “Daybreak”

photo by Nate Gibson

We know the stars,
heavenly or terrestrial,
still shine,
though made invisible by a brighter light –
hidden in plain sight at daybreak
yet always throwing sparks,
ever eternally lit,
immersed but never overwhelmed
within the muddy dark.

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