October’s bellowing anger breaks and cleaves The bronzed battalions of the stricken wood In whose lament I hear a voice that grieves For battle’s fruitless harvest, and the feud Of outraged men. Their lives are like the leaves Scattered in flocks of ruin, tossed and blown Along the westering furnace flaring red. O martyred youth and manhood overthrown, The burden of your wrongs is on my head. ~Siegfried Sassoon “Autumn”(about his time in the trenches in WWI)
Over more than a century, we have learned little about how to resolve the bellows of outraged men.
The fruitless harvest of battle, counting up each violent death, as warships gather for unsanctioned war games.
Lament the tossing and blowing of lives like October leaves, in a show of force as transient and arbitrary as the wind, merely to make a fruitless point…
to what end are the feuds of angry men?
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O hushed October morning mild, Thy leaves have ripened to the fall; Tomorrow’s wind, if it be wild, Should waste them all. The crows above the forest call; Tomorrow they may form and go. O hushed October morning mild, Begin the hours of this day slow. Make the day seem to us less brief. Hearts not averse to being beguiled, Beguile us in the way you know. Release one leaf at break of day; At noon release another leaf; One from our trees, one far away. Retard the sun with gentle mist; Enchant the land with amethyst. Slow, slow! ~Robert Frost from “October”
After yesterday’s travel through curtains of heavy rainfall, we abandoned plans to meet with family across state for today’s memorial service, so returned home, defeated, weary with sadness.
October is enough reminder of mortality, with winds stripping trees to bare bones, birds flocking and vacating, bright leaves reduced to rusting dust.
This morning, the rain suspended, its gray curtain pulled back briefly to view what awaits beyond the haze: this luminous brilliance, radiance, promise.
Slow down to look. Slow down to live. Slow.
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~Lustravit lampade terras~ (He has illumined the world with a lamp) The weather and my mood have little connection. I have my foggy and my fine days within me; my prosperity or misfortune has little to do with the matter. – Blaise Pascal from “Miscellaneous Writings”
And so you have a life that you are living only now, now and now and now, gone before you can speak of it, and you must be thankful for living day by day, moment by moment … a life in the breath and pulse and living light of the present… ~Wendell Berry from Hannah Coulter
Early morning, everything damp all through. Cars go by. A ripping sound of tires through water. For two days the air Has smelled like salamanders. The little lake on the edge of town hidden in fog, Its cattails and island gone. All through the gloom of the dark week Bright leaves have been dropping From black trees Until heaps of color lie piled everywhere In the falling rain. ~Tom Hennen “Wet Autumn” from Darkness Sticks to Everything.
An absolute patience. Trees stand up to their knees in fog. The fog slowly flows uphill. White cobwebs, the grass leaning where deer have looked for apples. The woods from brook to where the top of the hill looks over the fog, send up not one bird. So absolute, it is no other than happiness itself, a breathing too quiet to hear. – Denise Levertov “The Breathing“
Worry and anger and angst can be more contagious than the flu.
I want to mask up and wash my hands of it throughout the day. There should be a vaccination against the fear of reading headlines.
I want to say to myself: Stop now, this moment in time. Stop and stop and stop.
Stop needing to be numb to all discomfort. Stop resenting the gift of each breath. Just stop. Instead, simply be still, in this moment
I want to say to myself: this moment, foggy or fine, is yours alone, this moment of weeping and sharing and breath and pulse and light.
Shout for joy in it. Celebrate it. I am alive in it, even in worry.
Be thankful for tears that flow over grateful lips just as rain clears the fog. Stop holding them back.
Just be– be blessed in both the fine and the foggy days– in the now and now and now.
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The rolling spheres of sun and moon, particularly sublime in October as we wander awed from dawn to dusk.
We are witnesses with only one word to describe it: ~ineffable~ a word that means there are no words.
Only Him.
Lyrics: The barren land around me lies My flame is burning low Cold and pale the winter skies And I am far from home. With my light that burns so dim, Am I visible to Him? Does He hear the fragile song of creatures here below?
He wakes the lark and bids her fly To greet the coming spring, Wakes our hearts and bids us rise Then gives our spirits wing. He speaks, and winter melts away, Hears us when we come to pray, Turns our nighttime into day – Our Light, our Life, our King.
Glorious joy of summer sun, The gentle healing rain, Banishing our tears and sighs, With beauty for our pain. Earth and sky, lay glory by- Christ the Lord is drawing nigh! All creation, bow to Him From whom all blessings flow!
Blows the wind, and soon will come The autumn of the year With its golden light of love Still shining ever clear. From the rising of the sun To the place where day is done, Peace on earth has now begun To cast away our fear.
[Praise God from whom all blessings flow Praise Him all creatures here below Praise Him above ye heavenly host Praise Father, Son, and Holy Ghost.]
-Johanna Anderson, 2018
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Now constantly there is the sound, quieter than rain, of the leaves falling.
Under their loosening bright gold, the sycamore limbs bleach whiter.
Now the only flowers are beeweed and aster, spray of their white and lavender over the brown leaves.
The calling of a crow sounds Loud — landmark — now that the life of summer falls silent, and the nights grow. ~Wendell Berry “October 10” from New Collected Poems.
Know’st thou not at the fall of the leaf How the heart feels a languid grief Laid on it for a covering, And how sleep seems a goodly thing In Autumn at the fall of the leaf?
And how the swift beat of the brain Falters because it is in vain, In Autumn at the fall of the leaf Knowest thou not? and how the chief Of joys seems — not to suffer pain?
Know’st thou not at the fall of the leaf How the soul feels like a dried sheaf Bound up at length for harvesting, And how death seems a comely thing In Autumn at the fall of the leaf? ~Dante Rossetti “Autumn Song”
If I were a color, I am green, turning to gold, turning to bronze, becoming dust.
If I were a sound, I patter like raindrops and children’s feet. If I were a smell, I would be dry earth soaking up rain. If I were a touch, I am a leaf letting go, landing softly. If I were a taste, I would be warm and bittersweet. If I were a season, I am the wistful goodbye hug of autumn.
But I am none of these, being enough for now; this is enough for now.
Singing in the falling leaves, I will come rejoicing, Singing in the leaves.
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I want to be a passenger in your car again and shut my eyes while you sit at the wheel,
awake and assured in your own private world, seeing all the lines on the road ahead,
down a long stretch of empty highway without any other faces in sight.
I want to be a passenger in your car again and put my life back in your hands. ~Michael Miller “December”
I heard an old man speak once, someone who had been sober for fifty years, a very prominent doctor. He said that he’d finally figured out a few years ago that his profound sense of control, in the world and over his life, is another addiction and a total illusion. He said that when he sees little kids sitting in the back seat of cars, in those car seats that have steering wheels, with grim expressions of concentration on their faces, clearly convinced that their efforts are causing the car to do whatever it is doing, he thinks of himself and his relationship with God: God who drives along silently, gently amused, in the real driver’s seat. ~Anne Lamott from Operating Instructions
Up north, the dashboard lights of the family car gleam in memory, the radio plays to itself as I drive my father plied the highways while my mother talked, she tried to hide that low lilt, that Finnish brogue, in the back seat, my sisters and I our eyes always tied to the Big Dipper I watch it still on summer evenings, as the fireflies stream above the ditches and moths smack into the windshield and the wildlife’s red eyes bore out from the dark forests we flew by, then scattered like the last bit of star light years before. It’s like a different country, the past we made wishes on unnamed falling stars that I’ve forgotten, that maybe were granted because I wished for love. ~Sheila Packa “Driving At Night” from The Mother Tongue
The moon was like a full cup tonight, too heavy, and sank in the mist soon after dark, leaving for light
faint stars and the silver leaves of milkweed beside the road, gleaming before my car.
Yet I like driving at night… the brown road through the mist
of mountain-dark, among farms so quiet, and the roadside willows opening out where I saw
the cows. Always a shock to remember them there, those great breathings close in the dark.
I stopped, and took my flashlight to the pasture fence. They turned to me where they lay, sad
and beautiful faces in the dark, and I counted them-forty near and far in the pasture…
I switched off my light.
But I did not want to go, not yet, nor knew what to do if I should stay, for how
in that great darkness could I explain anything, anything at all. I stood by the fence. And then
Some of my most cherished childhood memories come from long rides home in the car at night from holiday gatherings. My father always drove, my mother hummed “I See the Moon” in the front passenger seat, and we three kids sat in the back seat, drowsy and full of feasting.
The night world hypnotically passed by outside the car window. I wondered whether the rest of the world was as safe and content as I felt at that moment.
On clear nights, the moon followed us down the highway, shining a light on the road.
Now as a driver at night, transporting grandchildren from a family gathering, I want them to feel the same peaceful contentment that I did as a child. As an older driver, I don’t enjoy driving at night, especially dark rural roads in pouring rain. I understand the enormous responsibility I bear, transporting those whom I dearly love and want to keep safe.
In truth, I long to be a passenger again, with no worries or pressures – just along for the ride, watching the moon and the world drift by, knowing I’m well-cared for.
But of course, I fret about the immense burden I feel to make things right in this dark and troubled world.
I am a passenger on a planet that has a Driver who feels great responsibility and care for all He transports through the black night of the universe. He loves me and I can rest content in the knowledge that I am safe in His vigilant hands.
I am not the driver – He knows how to safely bring me home, even in the rain.
I see the moon, it’s shining from far away, Beckoning with ev‘ry beam. And though all the start above cast down their light, Still the moon is all that I see And it’s calling out, “Come run a way! And we’ll sail with the clouds for our sea, And we’ll travel on through the black of the night, ‘til we float back home on a dream!” The moon approaches my window pane, stretching itself to the ground. The moon sings softly and laughs and smiles, and yet never makes a sound! I see the moon! I see the moon! Part A And it’s calling out, “Come run a way! And we’ll sail with the clouds for our sea, And we’ll travel on through the black of the night, ‘til we float back home on a dream!” Part B I see the moon, it’s shining from far away, Beckoning with ev‘ry beam. And though all the stars above cast down their light, Still the moon is all that I see ~Douglas Beam
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It happens in an instant. My grandma used to say someone is walking on your grave.
It’s that moment when your life is suddenly strange to you as someone else’s coat
you have slipped on at a party by accident, and it is far too big or too tight for you.
Your life feels awkward, ill fitting. You remember why you came into this kitchen, but you
feel you don’t belong here. It scares you in a remote numb way. You fear that you—
whatever you means, this mind, this entity stuck into a name like mercury dropped into water—
have lost the ability to enter your self, a key that no longer works. Perhaps you will be locked
out here forever peering in at your body, if that self is really what you are. If you are at all. ~Marge Piercy “Dislocation” from The Crooked Inheritance
This Self—Hispanic, Latin, blond, black, olive-skinned, native and immigrant— dispersed far and wide was here with everyone, yesterday and again today;
I am large, I contain multitudes. They will not manage to deny me or ignore me or declare me undocumented: I am written in you, in all, as all are in me… ~Luis Alberto Ambroggio from We Are All Whitman: #2:Song of/to/My/Your/Self
Each of us a work of art, heaven-sent, called to reflect on our own creation, placed in this world to feel grace when we stumble, unsure where we are to go, who we are meant to be, as if we don’t really belong here, a feeling of jamais vu when the familiar becomes strange.
This is who we are: called to act out that grace – to praise goodness, to protest evil, to grapple with reality, to respond to injustice, to change the direction we’re heading fearing who we become if we don’t .
A traditional Catalan Song from Pablo Casals, a symbol of peace and freedom worldwide
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Love means to learn to look at yourself The way one looks at distant things For you are only one thing among many. And whoever sees that way heals his heart, Without knowing it, from various ills— A bird and a tree say to him: Friend.
Then he wants to use himself and things So that they stand in the glow of ripeness. It doesn’t matter whether he knows what he serves: Who serves best doesn’t always understand. ~Czeslaw Milosz “Love” from New and Collected Poems: 1931-2001
Let him kneel down, lower his face to the grass, And look at light reflected by the ground. There he will find everything we have lost… ~Czeslaw Milosz from “The Sun”
It’s not easy to subdue the needy ego and let the life-giving soul take control, even though doing so saves us grief and serves the world well. So if you see me on the street one day, quietly muttering, “Only one thing among many, only one thing among many…,” you’ll know I’m still working on it, or it’s still working on me. ~Parker Palmer “The Big Question: Does My Life Have Meaning?”
It is always tempting to be self-absorbed; since my heart stent placement nearly 8 months ago, I tend to analyze every sensation in my chest, fuss over how many steps I take daily, and get discouraged when the scale doesn’t register the sacrifices I think I’m making in my diet.
In other words, in my efforts to heal my physically-broken heart, I become the center of my attention, rather than just one among many things in the days/months/years I have left. I need to look at myself from a distance rather than under a microscope.
It is a skewed and futile perspective, seeking meaning and purpose in life by navel gazing.
Instead, I should be concentrating on the ripeness of each day. I’ve been given a second chance to recalibrate my journey through the time I have left, focusing outward, gazing at the wonders around me, sometimes getting down on my knees.
I don’t fully understand how I might serve others by what I share here online, or what I do in my local community with my hands and feet. I now know not to miss the moments basking in the glow of loving those around me, including you friends I may never meet on this side of the veil.
May you glow in ripeness as well.
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Think of this – that the writer wrote alone, and the reader read alone, and they were alone with each other. ~A.S. Byatt from Possession
If librarians were honest, they would say, No one spends time here without being changed. Maybe you should go home. While you still can. ~Joseph Mills from “If Librarians Were Honest”
Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed?
Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts?
Why are we reading, if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage and the hope of meaningfulness, and press upon our minds the deepest mysteries, so we may feel again their majesty and power? ~Annie Dillard from “Write Till You Drop”
…for people who love books and need To touch them, open them, browse for a while, And find some common good––that’s why we read. Readers and writers are two sides of the same gold coin. You write and I read and in that moment I find A union more perfect than any club I could join: The simple intimacy of being one mind. Here in a book-filled sun-lit room below the street, Strangers––some living, some dead––are hoping to meet. ~Garrison Keillor
The mere brute pleasure of reading–the sort of pleasure a cow has in grazing. ~G.K. Chesterton
Each day as I decide what to share here, I think of each of you who might open my email, or click on a link to see what I have to say.
We are alone together, you and I, for only a few minutes. I consider that precious time you are entrusting to me and want to make it worthwhile.
When you read this, you may be eating breakfast, or in the middle of your workday at the computer, or on your phone during a commute, or sitting in a waiting room wondering when your name will be called.
Or maybe you are sitting in the bathroom, or past ready to fall asleep in bed.
I am honored and humbled to hear from you after our alone time together each day.
I too spend reading time alone every day, grateful for what writers write while alone. I don’t tell them often enough how they change my day for the better.
Some are long gone from this world, so I’ll never have the chance.
Like infinite blades of grass in a pasture, I find far too many words to read — so much to consume, so little time. I nibble away, blade by blade, page by page, word by word, but the greatest pleasure of all is to settle down into a good long cud-chewing session, redigesting and mulling over what all I’ve taken in.
It is brute pleasure to take in words that grow roots so deep they never go away, words that sustain and make me grow and keep me alive. Words to illuminate from without and within.
The rain falls and falls cool, bottomless, and prehistoric falls like night — not an ablution not a baptism just a small reason to remember all we know of Heaven to remember we are still here with our love songs and our wars…
Here too in the wet grass half a shell of a robin’s egg shimmers blue as a newborn star fragile as a world. ~Maria Popova from “Spell Against Indifference”
…I had sat down to rest with my back against a stump. Through accident I was concealed from the glade, although I could see into it perfectly.
The sun was warm there, and the murmurs of forest life blurred softly away into my sleep. When I awoke, dimly aware of some commotion and outcry in the clearing, the light was slanting down through the pines in such a way that the glade was lit like some vast cathedral. I could see the dust motes of wood pollen in the long shaft of light, and there on the extended branch sat an enormous raven with a red and squirming nestling in his beak.
The sound that awoke me was the outraged cries of the nestling’s parents, who flew helplessly in circles about the clearing. The sleek black monster was indifferent to them. He gulped, whetted his beak on the dead branch a moment, and sat still. Up to that point the little tragedy had followed the usual pattern.
But suddenly, out of all that area of woodland, a soft sound of complaint began to rise. Into the glade fluttered small birds of half a dozen varieties drawn by the anguished outcries of the tiny parents.
No one dared to attack the raven. But they cried there in some instinctive common misery, the bereaved and the unbereaved. The glade filled with their soft rustling and their cries. They fluttered as though to point their wings at the murderer. There was a dim intangible ethic he had violated, that they knew. He was a bird of death.
And he, the murderer, the black bird at the heart of life, sat on there, glistening in the common light, formidable, unmoving, unperturbed, untouchable.
The sighing died. It was then I saw the judgment. It was the judgment of life against death. I will never see it again so forcefully presented. I will never hear it again in notes so tragically prolonged.
For in the midst of protest, they forgot the violence.
There, in that clearing, the crystal note of a song sparrow lifted hesitantly in the hush. And finally, after painful fluttering, another took the song, and then another, the song passing from one bird to another, doubtfully at first, as though some evil thing were being slowly forgotten. Till suddenly they took heart and sang from many throats joyously together as birds are known to sing.
They sang because life is sweet and sunlight beautiful. They sang under the brooding shadow of the raven. In simple truth they had forgotten the raven, for they were the singers of life, and not of death. ~Loren Eiseley from The Star Thrower
Each of us at times are as vulnerable as a nestling, just hatched. The world is full of those who would eat us for lunch and do.
The world is also full of those who grieve and lament the violence that surrounds us, the tragedy of lives lost, the unending wars, the bullies and the bullied.
But the bird of death does not have the final word. He will soon be forgotten, forever sidelined as we reject what he and others like him represent.
Our cries of lament, our protests of violence transform into a celebration of life – we do not abandon all we have lost, but no longer allow any more to be stolen from us.
Only then may grief’s shadow be overwhelmed by joy.
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