Astonishingly Free

It’s an early summer day, going to be a hot one.
I’m away from home, I’m working; the sky is solidly blue
with just a chalk smear of clouds. So why this melancholy?
Why these blues? Nothing I’ve done seems to matter; I
could leave tomorrow and no one would notice, that’s how
invisible I feel. But look, there’s a pair of cardinals
on the weathered table, pecking at sunflower seeds
which I’ve brought from home. They don’t seem
particularly grateful. Neither does the sky, no matter
how I transcribe it. I wanted to do more in this life,
not the elusive prizes, but poems that astonish. A big flashy jay
lands on the table, scattering seeds and smaller birds.
They regroup, continue to hunt and peck on the lawn.
~Barbara Crooker, “Melancholia” from Some Glad Morning

photo by Josh Scholten

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the green heron feeds.

I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
~Wendell Berry “The Peace of Wild Things” from The Selected Poems of Wendell Berry

Three years ago, I laid awake thinking about our son and his family’s ten hour overnight flight from Tokyo in progress. Our two young grandchildren were arriving here after 30 months of pandemic separation – to them, we were just faces on a screen.

They said a sorrowful sayonara to their grandparents and family there, arriving here to a new life thanks to my daughter-in-law’s newly issued green card after two years of waiting, new jobs, new language, new everything, with all their worldly belongings in suitcases.

From the largest city in the world to our little corner of the middle of nowhere.

Over the past three years,
I have watched them discover for themselves
the joys and sorrows of this part of the world.
When I look at things through their eyes,
I am reminded of the light beyond the darkness I fear,
there is peace amid the chaos,
there is a smile behind the tears,
there is stillness within the noisiness
there is rest despite our restlessness,
there is grace as we who are older give way to the younger.

I have given up on astonishing others.
Instead, astonishing is happening all around me;
I need only be a witness.

Measure me, sky!
    Tell me I reach by a song
Nearer the stars;
    I have been little so long.

Weigh me, high wind!
    What will your wild scales record?
Profit of pain,
    Joy by the weight of a word.

Horizon, reach out!
    Catch at my hands, stretch me taut,
Rim of the world:
    Widen my eyes by a thought.

Sky, be my depth,
    Wind, be my width and my height,
World, my heart’s span;
    Loveliness, wings for my flight.

~Leonora Speyer “Measure Me, Sky”

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What to Say Next

I’ve placed her favorites—
fresh raspberries, string cheese,
a glass of milk in the giraffe cup—
on her highchair tray.

As she munches away,
swinging her short legs,
she asks thoughtfully,
Grandma, are you
pooping?

I continue my bite of oatmeal,
take a sip of coffee,
respond—No darling.
How about you?

She isn’t either—
as we both wonder
what to say next.
~Laura Foley “Breakfast Conversation” from It’s This

I heard an old man speak once,
someone who had been sober for fifty years,
a very prominent doctor.
He said that he’d finally figured out a few years ago
that his profound sense of control,
in the world and over his life,
is another addiction and a total illusion.
He said that when he sees little kids sitting in the back seat of cars,
in those car seats that have steering wheels,
with grim expressions of concentration on their faces,
clearly convinced that their efforts are causing the car
to do whatever it is doing,
he thinks of himself
and his relationship with God:
God who drives along silently,
gently amused,
in the real driver’s seat.

~Anne Lamott from Operating Instructions

The conversations I have with my grandchildren
are the most unexpected and creative I have with anyone.

They lead, and I follow.
Just to see where they are going to take me next.

They are curious what I think about things.
And I want to know what they’ll say and do next,
today and in the decades to come.

All the while, God, always in control, smiles at all He has made…

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Something Is Calling…

Something is calling to me
from the corners of fields,
where the leftover fence wire
suns its loose coils, and stones
thrown out of the furrow
sleep in warm litters;
where the gray faces
of old No Hunting signs
mutter into the wind,
and dry horse tanks
spout fountains of sunflowers;
where a moth
flutters in from the pasture,
harried by sparrows,
and alights on a post,
so sure of its life
that it peacefully opens its wings.

~Ted Kooser “In the Corners of Fields” from Flying at Night.


I am a visitor here,
even though we’ve lived here
for more than 30 years.

There is something to be discovered in the field
each day if I make an effort to look and listen.

My Merlin app on my phone tells me
the birds I hear around me.
A photo of a wildflower or weed
is identified by Google.
The jet flight tracks overhead
are pinpointed by another app
saying who is flying where.

Yet I’m placed right here by my Maker.
He knows where I am at all times,
the words I write,
the thoughts I pray.

I try to be at peace in these turbulent times:
to be sure of this life I’m given,
to be sure to Whom I belong,
to simply open my wings to the light,
to be ready to fly when my time comes.

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The Dangerous Business of Going Out Your Door

Roads go ever ever on,
Over rock and under tree,
By caves where never sun has shone,
By streams that never find the sea;
Over snow by winter sown,
And through the merry flowers of June,
Over grass and over stone,
And under mountains in the moon.

Roads go ever ever on,
Under cloud and under star.
Yet feet that wandering have gone
Turn at last to home afar.
Eyes that fire and sword have seen,
And horror in the halls of stone
Look at last on meadows green,
And trees and hills they long have known.

The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with weary feet,
Until it joins some larger way,
Where many paths and errands meet.
And whither then? I cannot say.

The Road goes ever on and on
Out from the door where it began.
Now far ahead the Road has gone.
Let others follow, if they can!
Let them a journey new begin.
But I at last with weary feet
Will turn towards the lighted inn,
My evening-rest and sleep to meet.

Still ’round the corner there may wait
A new road or secret gate;
And though I oft have passed them by,
A day will come at last when I
Shall take the hidden paths that run
West of the Moon, East of the Sun.
~J.R.R. Tolkien “Bilbo’s Walking Song”

It’s a dangerous business, Frodo, going out of your door. You step into the Road, and if you don’t keep your feet, there is no knowing where you might be swept off too.
~J.R.R. Tolkien – Bilbo to Frodo in Fellowship of the Rings

I love these country roads in June, at dawn or dusk,
the light and shadow playing over the path,
promising summer breezes and simple joys.

When we walk these roads,
we pass by deep ditches,
hop the potholes and avoid the bumps.

Still it’s a dangerous business,
walking out the front door into life,
not knowing just where we may be swept off to.

Passing by secret gates and overgrown paths,
I take the familiar route that leads me home,
following the Master Guide so I don’t lose my way.

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Just a Pinch of God Inside

To be blessed
said the old woman
is to live and work
so hard
God’s love
washes right through you
like milk through a cow

To be blessed
said the dark red tulip
is to knock their eyes out
with the slug of lust
implied by
your up-ended
skirt

To be blessed
said the dog
is to have a pinch
of God
inside you
and all the other dogs
can smell it

~Alicia Suskin Ostriker “The Blessing of the Old Woman, the Tulip, and the Dog” from The Book of Seventy

Some claim the origin of song
was a war cry
some say it was a rhyme
telling the farmers when to plant and reap
don’t they know the first song was a lullaby
pulled from a mother’s sleep
said the old woman


A significant
factor generating my delight in being
alive this springtime
is the birdsong
that like a sweeping mesh has captured me
like diamond rain I can’t
hear it enough said the tulip


Lifetime after lifetime
we surged up the hill
I and my dear brothers
thirsty for blood
uttering
our beautiful songs
said the dog

~Alicia Suskin Ostriker “Song” from The Old Woman, the Tulip, and the Dog

To be blessed is to know
God is inside all created things,
even those seemingly hopeless.

To be blessed is to sing
a lullaby of loving kindness
that settles a restless heart.

To be blessed is to become a blessing
so contagious, there is no hope of cure.

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Lyrics:
Oh! Hush thee, my baby, the night is behind us,
And black are the waters that sparkled so green.
The moon, o’er the combers, looks downward to find us,
At rest in the hollows that rustle between.

Where billow meets billow, then soft be thy pillow,
Oh weary wee flipperling, curl at thy ease!
The storm shall not wake thee, nor shark overtake thee,
Asleep in the arms of the slow swinging seas!
~Rudyard Kipling “The White Seal”

translated lyrics from the Lakota:
Ah I say, I say to you I am speaking to you…
Ah I say, I say to you To you I am saying it
My kind-hearted boy go to sleep
Tomorrow will be nice
I am speaking to you

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No Reason to Fear

I remember the long orange carp you once scooped
from the neighbor’s pond, bounding beyond
her swung broom, across summer lawns

to lay the fish on my stoop. Thanks
for that. I’m not one to whom offerings
often get made. You let me feel

how Christ might when I kneel,
weeping in the dark
over the usual maladies: love and its lack.

Only in tears do I speak
directly to him and with such
conviction. And only once you grew frail

did you finally slacken into me,
dozing against my ribs like a child.
You gave up the predatory flinch

that snapped the necks of so many
birds and slow-moving rodents.
Now your once powerful jaw

is malformed by black malignancies.
It hurts to eat. So you surrender in the way
I pray for: Lord, before my own death,

let me learn from this animal’s deep release
into my arms. Let me cease to fear
the embrace that seeks to still me.
~Mary Karr “For a Dying Tomcat Who’s Relinquished His Former Hissing and Predatory Nature”

José was our front porch cat for years.

Not our garage cat, our upper barn cat, our lower barn cat or those that come and go on the farm because we’re a hospitable place where food is always on the table.

He was the king of the farm cats.  No one questioned him (usually) and no one occupied his front porch bench/throne without his express permission. His Majesty showed mercy to any who showed proper submission, and every once in awhile, that included the dogs.

He trained every pup here over the years.

He was the official front porch farm greeter, rising from his throne cushion to investigate any newcomer walking up the sidewalk, mewing a cheerful little “chirp” of a meow in welcome. Then he turned around and returned to his perch.

José was a performance cat, having been trained in his younger years to ride on a bareback pad on our Haflingers, at walk, trot and over jumps (sorry, no pictures). This once again proved his ability to get any creature, large or small, to submit to his will.

The only love of his life was our daughter, Lea. As José arrived to our farm at an indeterminate age, we didn’t really know how many years he would be with us. Before Lea headed off to college, and when home on breaks, they had many happy snuggles together for nearly 15 years.

During our harsh winter storms, José would move to a warm farm building with all the necessary provisions until the storm was done, then reclaim his favorite spot on the front porch when he deemed it cozy enough to be worthy of him.

After one particularly nasty storm, when the cold northeast wind went away, José didn’t return from his hiding place.

I looked, I called, I left goodies out. But no José. No chirpy meow, no yellow-eyed gaze, no black velvet fur to stroke, no rumbly purr to vibrate in my lap. I think this tough cat chose a bad winter to leave for warmer quarters far far away.

I suspect – as I still keep an eye out for it — there must be a velvety black coat he abandoned somewhere here on the farm.

He simply didn’t need it any more and unafraid, he left it behind.

On our last visit, when Lucy was fifteen
And getting creaky herself,
One of the nurses said to me,
“Why don’t you take the cat to Mrs. Harris’ room
— poor thing lost her leg to diabetes last fall —
she’s ninety, and blind, and no one comes to see her.”

The door was open. I asked the tiny woman in the bed
if she would like me to bring Lucy in, and she turned her head
toward us. “Oh, yes, I want to touch her.”

“I had a cat called Lily — she was so pretty, all white.
She was with me for twenty years, after my husband died too.
She slept with me every night — I loved her very much.
It’s hard, in here, since I can’t get around.”

Lucy was settling in on the bed.
“You won’t believe it, but I used to love to dance.
I was a fool for it! I even won contests.
I wish I had danced more.
It’s funny, what you miss when everything…..is gone.”

This last was a murmur. She’d fallen asleep.
I lifted the cat
from the bed, tiptoed out, and drove home.
I tried to do some desk work
but couldn’t focus.

I went downstairs, pulled the shades,
put on Tina Turner
and cranked it up loud
and I danced.

I danced.
~Alice N. Persons
Meadowbrook Nursing Home From Don’t Be A Stranger  (Sheltering Pines Press, 2007)

photo by Lea
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The Velvet of Sleep

The children have gone to bed.
We are so tired we could fold ourselves neatly
behind our eyes and sleep mid-word, sleep standing
warm among the creatures in the barn, lean together
and sleep, forgetting each other completely in the velvet,
the forgiveness of that sleep.

Then the one small cry:
one strike of the match-head of sound:
one child’s voice:
and the hundred names of love are lit
as we rise and walk down the hall.

One hundred nights we wake like this,
wake out of our nowhere
to kneel by small beds in darkness.
One hundred flowers open in our hands,
a name for love written in each one.
~Annie Lighthart “The Hundred Names of Love”

In the lull of evening, your son nested in your arms
becomes heavier and with a sigh his body
sloughs off its weight like an anchor into deep sleep,
until his small breath is the only thing that exists.

And as you move the slow dance through the dim hall
to his bedroom and bow down to deliver his sleeping form,
arms parting, each muscle defining its arc and release—
you remember the feeling of childhood,

traveling beneath a full moon,
your mother’s unmistakable laugh, a field of wild grass,
windows open and the night rushing in
as headlights trace wands of light across your face—

there was a narrative you were braiding,
meanings you wanted to pluck from the air,
but the touch of a hand eased it from your brow
and with each stroke you waded further

into the certainty of knowing your sleeping form
would be ushered by good and true arms
into the calm ocean that is your bed.
 — Alexandra Lytton Regalado, “The T’ai Chi of Putting a Sleeping Child to Bed” author of Matria

Each of those countless nights of a child wakening,
each of the hundreds of hours of lulling them in the moonlit dark,
leading them back to the soft forgiveness of sleep.

I remember the moves of that hypnotic dance,
a head nestled snug into my neck,
their chest pressed into mine,
our hearts beating in synchrony
as if they were still inside.

Even when our sleep was spare and true rest was sparse,
those night times rocking in unison
were worth every waking moment, trusting
we’re in this together, no matter what,
no matter how long it takes.

We’re in this together.

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Maybe Stop Breathing

once
i saw my grandmother hold out
her hand cupping a small offering
of seed to one of the wild sparrows
that frequented the bird bath she
filled with fresh water every day


she stood still
maybe stopped breathing
while the sparrow looked
at her, then the seed
then back as if he was
judging her character


he jumped into her hand
began to eat
she smiled


a woman holding
a small god

~Richard Vargas “why i feed the birds” from Guernica, Revisited.


Of course I love the sparrows,
Those dun-colored darlings,
So hungry and so many.
I am a God-fearing feeder of birds,
I know he has many children,
Not all of them bold in spirit…
~Mary Oliver from “The Red Bird”

Through the year, I put seed and suet out for the sparrows and grosbeaks, the woodpeckers and chickadees, the juncos and finches, and yes — even the red-winged blackbirds and starlings. They would be fine without my daily contribution to their well-being, but in return for my provision of seeds, I am able to enjoy their spirited liveliness and their gracious ability to share the bounty with one another.

These birds give back to me simply by showing up, without ever realizing what their presence means to me. I don’t want to try to feed them from my hand – our communion is in my watching closely from my window.

How much more does God lay out for me on a daily basis to sustain me as I show up for Him? How oblivious am I to His gracious and profound gifts? How willingly do I share His gifts with others?

Unlike the birds, I could never survive on my own without His watchful care.

When life feels overwhelming, when I am filled with worries, sorrow, regrets and pain, I seek out this God who cares even for sparrows.
He knows how to quiet my troubles and strengthen my faith and perseverance, a comfort that extends far beyond a few thistle seeds.

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I’m Comfortable in this Spot

There are no creatures you cannot love.
A frog calling at God
From the moon-filled ditch
As you stand on the country road in the June night.
The sound is enough to make the stars weep
With happiness.
In the morning the landscape green
Is lifted off the ground by the scent of grass.
The day is carried across its hours
Without any effort by the shining insects
That are living their secret lives.
The space between the prairie horizons
Makes us ache with its beauty.
Cottonwood leaves click in an ancient tongue
To the farthest cold dark in the universe.
The cottonwood also talks to you
Of breeze and speckled sunlight.
You are at home in these
great empty places
along with red-wing blackbirds and sloughs.
You are comfortable in this spot
so full of grace and being
that it sparkles like jewels
spilled on water.

~Tom Hennen “From a Country Overlooked”, from Darkness Sticks to Everything

There are some God’s creatures I struggle to love –
fleas, chiggers, mosquitoes, ticks, slugs, yellow jackets among them. Also poisonous snakes, spiders and scorpions come to mind.
And then there are pathogenic bacteria, parasites and viruses…

It is not their fault I struggle to find their value –
only God knows why He made them as He did.

What I have learned over 7 decades is to try to look for beauty wherever I am.

To listen to the breezes and the birds, to look for how the light plays with leaves and water and how it is all created to help us feel at home for the time we are here.

Yet, this is an imperfect world where beauty doesn’t provide shelter to those with their basic needs unfulfilled – where there is no comfort, no safety, no hope.

God, deliver us from being too comfortable when others suffer.
Help us feel Your love to pass on to those in need.
Help us to know how to make a difference for them.
We know that makes a difference to You.

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Rising Up From the Darkness

My father taught me how to eat breakfast
those mornings when it was my turn to help
him milk the cows. I loved rising up from

the darkness and coming quietly down
the stairs while the others were still sleeping.
I’d take a bowl from the cupboard, a spoon

from the drawer, and slip into the pantry
where he was already eating spoonfuls
of cornflakes covered with mashed strawberries

from our own strawberry fields forever.
Didn’t talk much—except to mention how
good the strawberries tasted or the way

those clouds hung over the hay barn roof.
Simple—that’s how we started up the day.

~Joyce Sutphen, “Breakfast” from First Words, Red Dragonfly.

By the time I was four years old, my family owned several Guernsey and Jersey dairy cows my father milked by hand twice a day. My mother pasteurized the milk on our wood stove and we grew up drinking the best milk on earth, as well as enjoying home-made butter and ice cream.

One of my fondest early memories is getting up early with my dad, before he needed to be at school teaching FFA agriculture students (Future Farmers of America). I would eat breakfast with him and then walk out into the foggy fall mornings with our dog to bring in the cows for milking. He would boost me up on top of a very bony-backed chestnut and white patchwork cow while he washed her udder and set to work milking.

I would sometimes sing songs from up there on my perch and my dad would whistle since he didn’t sing.

I can still hear the rhythmic sound of the milk squirting into the stainless steel bucket – the high-pitched metallic whoosh initially and then a more gurgling low wet sound as the bucket filled up. I can see my dad’s capped forehead resting against the flank of the cow as he leaned into the muscular work of squeezing the udder teats, each in turn. I can hear the cow’s chewing her breakfast of alfalfa and grain as I balanced on her prominent spine feeling her smooth hair over her ribs. The barn cats circulated around us, mewing, attracted by the warm milky fragrance in the air.

Those were preciously simple starts to the day for me and my father, whose thoughts he didn’t articulate nor I could ever quite discern. But I did know I wasn’t only his daughter on mornings like that – I was one of his future farmers of America he dedicated his life to teaching.

Dad, even without you saying much, those were mornings when my every sense was awakened. I’ve never forgotten that- the best start to the day.

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