Been Gone So Long

Just a piano playing plainly, not even for long,
and yet I suddenly think of fields of timothy
and how a cow and I once studied each other over a fence
while the car ticked and cooled behind me.
When I turned around I was surprised that it had not
sprouted tall grass from its hood, I had been gone
so long. Time passes in crooked ways in some tales,
and though the cow and I were relatively young
when we started our watching, we looked
a bit younger when I left. The cow had downed a good
steady meal and was full of milk for the barn.
I drove away convinced of nothing I had been
so sure of before, with arms full of splinters
from leaning on the fence. There was no music—
I was not even humming—but just now the piano
played the exact sound of that drive.

~Annie Lighthart “The Sound of It” from Iron String.

Our brains remember the past in odd ways – from a smell, a sound, a bit of music, a taste - it is as if we are teleported to another place.

Senses can distort time passage and slant the present moment:
Smelling cinnamon, I find myself in my grandmother’s kitchen with her apple pie.
Hearing the sad “cooing” of mourning doves, I’m waking up in my cousins’ farmhouse during a summer visit in the Palouse.
Listening to Joni Mitchell’s “River,” I’m deep in thick books in my study carrel at the library, melancholy and wishing myself to be anywhere else.

As our children were growing up on this farm, I wanted to intentionally “imprint” home on them in similar ways, with familiar smells and tastes and sounds, hoping they would mentally find their way back in myriad ways over the course of their lives. Now I find myself wanting to create the same brain memories for our visiting grandchildren. Perhaps this is why I invite them out to the barn with me as I clean stalls and throw hay and fill water buckets. I want them to never forget the smells and sounds and feelings of taking care of animals dependent on our care.

Which reminds me of long-ago sensations when I was four years old:
sitting on top of a bony Guernsey cow’s back as she chewed her grain,
listening to the shush shush shush of milk being squirted into a metal bucket as my dad milked her, the rich smell of the warm milk froth,
clucking hens searching the barn floor for dropped pieces of corn.

Every day, there is so much to see, to smell, to hear, to taste, to feel – all of which is worthy of space in our brain. I have been gone so long, thinking how much I’ve forgotten, yet it just takes a trick of time and sensation to bring it back and experience it anew.

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Holding on for Dear Life

Nothing much to look at
lying on the shelf, one on
top of the other, an old man
resting his hands on a cane.
Dried-out yellow cowhide,
lines cut deep into the palms
from stones, weeds pulled.
Fingers crumpled, swollen
like grub worms shoveled
up in planting. An extra pair
of hands helping with lawn
work, flower beds, shrubs,
whatever else comes along.
A grief pulled on to bury
the old cat some kid in a
speeding pickup knocked
out of the street like he’d
kick a can. Or kneeling last
fall to unearth the blooming
rose suddenly plucked by
an ice storm, then shaking
rich compost loose from its
twisted fingers still clenched,
holding on for dear life.

~Ron Stottlemyer “Work Gloves”

My farm work gloves tend to look ragged at the end of a year of service. I always depend on being gifted a new pair at Christmas to start afresh. It can take awhile to break them in to the point where they feel like a “second skin.”

These gloves keep me from blistering while forking innumerable loads of smelly manure into wheelbarrows, but also help me unkink frozen hoses, tear away blackberry vines from fencing, pull thistle from the field and heavy hay bales from the haymow. Over the years, I’ve gone through a few dozen work gloves which have protected my hands as I’ve cleaned and bandaged deep wounds on legs and hooves, pulled on foals during the hard contractions of difficult births, held the head of dying animals as they fall asleep one final time.

Without wearing my protective farm gloves over the years, my hands would be looking very much scarred up like my tired gloves do, full of rips and holes from the thorns and barbs of the world, sustaining scratches, callouses and blisters from the hard work of life.

But they don’t.

Thanks to these gloves, before I retired, I was presentable for my “day” work as a doctor where I would don a different set of gloves many times a day.

But my work gloves don’t tell my whole story of gratitude.

I’m thankful to a Creator God who doesn’t wear gloves when He goes to work in our world:
-He gathers us up even when we are dirty, smelly, and unworthy.
-He eases us into this life when we are vulnerable and weak,
and carries us gently home as we leave this world, weak and vulnerable.
-He holds us as we bleed from self and other-inflicted wounds.
-He won’t let us go, even when we fight back, or try not to pay attention, or care who He is.

He hangs on to us for dear life.

And this God came to live beside us
with hands just like ours~
tender, beautiful, easy-to-wound hands
that bled
because He didn’t need or want to wear gloves
for what He came to do~

His hands bear evidence of His love…

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The Sunrise Shall Visit Us: The Uneasy Manger

The whole of Christ’s life was a continual passion; others die martyrs, but Christ was born a martyr. He found a Golgotha, where he was crucified, even in Bethlehem, where he was born; for to his tenderness then the straws were almost as sharp as the thorns after, and the manger as uneasy at first as the cross at last. His birth and his death were but one continual act, and his Christmas Day and his Good Friday are but the evening and the morning of one and the same day. From the creche to the cross is an inseparable line. Christmas only points forward to Good Friday and Easter. It can have no meaning apart from that, where the Son of God displayed his glory by his death.
~John Donne, opening words in his sermon on Christmas Day 1626

O dying souls! behold your living spring!
O dazzled eyes! behold your sun of grace!
Dull ears attend what word this word doth bring!
Up, heavy hearts, with joy your joy embrace!
From death, from dark, from deafness, from despairs,
This life, this light, this word, this joy repairs.

Man altered by sin from man to beast;
Beast’s food is hay, hay is all mortal flesh.
Now God is flesh and lies in manger pressed
As hay, the brutish sinner to refresh.
O happy field wherein this fodder grew,
Whose taste doth us from beasts to men renew.
~Robert Southwell from The Nativity of the Christ,Jesuit poet (1561-1595)

Our neighborhood hay crew

remembered on

frosty mornings before dawn

when bales are broken for feed

and fragrant summer spills forth.

In the dead of winter

during the darkest blowing icy nights

the bales open like a picture book

illustrating how life once was,

and will be again~

Rainy spring nights’ hay

becomes bedding

for new foals’ sleep 

to guarantee sunshine

in the uneasy manger

on the darkest of days:

Communion.

Advent 2023 theme
because of the tender mercy of our God,
whereby the sunrise shall visit us from on high 
to give light to those who sit in darkness
and in the shadow of death,
to guide our feet into the way of peace.
Luke 1: 78-79 from Zechariah’s Song

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God is in the Details

Thanksgiving starts with thanks for mere survival,
Just to have made it through another year
With everyone still breathing. But we share
So much beyond the outer roads we travel;
Our interweavings on a deeper level,
The modes of life embodied souls can share,
The unguessed blessings of our being here,
The warp and weft that no one can unravel.

So I give thanks for our deep coinherence
Inwoven in the web of God’s own grace,
Pulling us through the grave and gate of death.
I thank him for the truth behind appearance,
I thank him for his light in every face,
I thank him for you all, with every breath.

~Malcolm Guite “Thanksgiving: A Sonnet”

Poetry is what you find
in the dirt in the corner,

overhear on the bus,
God in the details,

the only way to get from here to there.
Poetry (and now my voice is rising)

is not all love, love, love,
and I’m sorry the dog died.

Poetry (here I hear myself loudest)
is the human voice,

and are we not of interest to each other?
~Elizabeth Alexander from “Ars Poetica #100: I Believe”

photo of old Dylan by Nate Gibson

I started writing over twenty years ago as a way to explain who I am for descendants I will never know. I am beyond grateful for those of you who have shown an interest in what I share, whether photography, poetry or prose.

What you find here is my voice of thankfulness for the way God somehow finds His way into the details of my days – especially into the dustiest corners.

I try to preserve what challenges, shapes and molds me:
the beauty I witness in sunrises and sunsets,
this farm that blooms and often bears unexpected fruit,
the animals, those who live here and those passing through,
my mistakes and missteps, buoyed by a loving God,
my family and good folks surrounding me.

I want to say thank you on this Thanksgiving Day to each one of you who take a few minutes from your day to follow my stories. Some of you have become precious friends despite our never having met.

I am honored to hear from you whenever you have a moment.
Your details matter to me, and especially to God.

So when will I hear you tell your story?

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Remembering This Gladness

Every now and then, I forget to turn off the lights in the barn. I usually notice just before I go to bed, when the farm’s boundaries seem to have drawn in close. That light makes the barn seem farther away than it is — a distance I’m going to have to travel before I sleep. The weather makes no difference. Neither does the time of year.

Usually, after turning out that forgotten barn light, I sit on the edge of the tractor bucket for a few minutes and let my eyes adjust to the night outside. City people always notice the darkness here, but it’s never very dark if you wait till your eyes owl out a little….I’m always glad to have to walk down to the barn in the night, and I always forget that it makes me glad. I heave on my coat, stomp into my barn boots and trudge down toward the barn light, muttering at myself. But then I sit in the dark, and I remember this gladness, and I walk back up to the gleaming house, listening for the horses.
~Verlyn Klinkenborg  from A Light in the Barn

I sometimes forget to turn the lights off in the barn. If I try to finish chores in too big a rush before it gets dark before 5 PM, I might leave the barn too distracted, assuming the illumination inside is from the setting sun, not light bulbs.

Later, after dinner, I look out my kitchen window to see the barn is still lit up. The horses won’t rest easy (and I won’t either) until I shut off the lights above them. So I throw on my barn jacket, put on my boots and head down to the barn again, all a-mutter.

Then I remember I am glad for this moment. I like owls flying almost noiselessly overhead, the dogs sticking close at my side, horses chewing hay and blowing sweet breath, barn cats circling for a late night treat.

Then my favorite thing is walking back up from the barn at night and looking at the lights in our house, knowing my life and love happens there, though each of our children and their families now live elsewhere in gleaming houses of their own. Dan and I have adjusted to a “just two again” life together, hoping we can stay on the farm as many years as God grants us.

It is our home, it is work, it is light, it is love. If all it takes is a walk from a darkened barn to remind me of this, I’ll leave the lights on in the barn at night more often.

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Autumn’s Flannel Nightie

Season of ripening fruit and seeds, depart;
There is no harvest ripening in the heart
.

Bring the frost that strikes the dahlias down
In one cruel night.The blackened buds, the brown
And wilted heads, the crippled stems, we crave –
All beauty withered, crumbling to the grave.
Wind, strip off the leaves, and harden, ground,
Till in your frozen crust no break is found
.

Then only, when man’s inner world is one
With barren earth and branches bared to bone,
Then only can the heart begin to know
The seeds of hope asleep beneath the snow;
Then only can the chastened spirit tap
The hidden faith still pulsing in the sap.
~Anne Morrow Lindbergh
from The Unicorn and Other Poems

After the ranks of stubble have laid bare,
And field mice and finches’ beaks have found
The last spilled seed corn left upon the ground;
And no more swallows miracle in air;

When the green tuft no longer hides the hare,
And dropping starling flights at evening come;
When birds, except the robin, have gone dumb,
And leaves are rustling downwards everywhere;

Then out, with the great horses, come the ploughs,
And all day long the slow procession goes,
Darkening the stubble fields with broadening strips.
Grey sea-gulls settle after to carouse:

Harvest prepares upon the harvest’s close,
Before the blackbird pecks the scarlet hips.
~John Masefield “Autumn Ploughing”

photo by Joel De Waard

Our farm has been changing gradually over the past several weeks, each day moving a little closer to the reality of winter around the corner. Most of the fruit which is not residing in our freezer has fallen from the trees, and the walnut husks are hanging lonesome and bulbous as a windstorm pulled many leaves to the ground creating a multi-colored carpet everywhere I walk.

Readying for winter’s sleep is quite a glamorous affair for some trees on our farm–they are clothed in rich crimson and gold like the most alluring and ostentatious negligee. However the majority of tree leaves turn drab yellow or brown, as if donning a practical flannel nightgown or an oversized t-shirt without any pretense of grandeur. Even our Haflinger horses laze about, comfortable in their soft winter woolie coats and feathered slippers, happy with their gift of hay. I understand their contentment as I prefer fluffy flannel myself.

I’m ill at ease with the autumnal transition, as unready as a small child who resists the approach of bedtime, even when exhausted to the point of meltdown. It takes someone to quietly sit down with me to read a good bedtime story and to sing a soft hymn of lullaby. I keep leaping up, eyes propped open, pushing on, aware there are still too many “miles to go before I sleep”.

Yet I know the nighttimes of autumn and winter are the best time to be contemplative, to be still, to have eyes closed in prayer.

The time to sleep will come. Just as a storm brings the leaves to the ground, so I too shall be laid to rest, waiting to be restored in fullness and light when the time is right.

Maybe I should think about wearing that bright red flannel nightie.

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The Cellar’s Portion

In October of the year,
he counts potatoes dug from the brown field, counting the seed, counting the cellar’s portion out,   
and bags the rest on the cart’s floor.

He packs wool sheared in April, honey
in combs, linen, leather   
tanned from deerhide,   
and vinegar in a barrel
hooped by hand at the forge’s fire.

He walks by his ox’s head, ten days
to Portsmouth Market, and sells potatoes,   
and the bag that carried potatoes, flaxseed, birch brooms, maple sugar, goose feathers, yarn.

When the cart is empty he sells the cart.   
When the cart is sold he sells the ox,   
harness and yoke, and walks
home, his pockets heavy
with the year’s coin for salt and taxes,

and at home by fire’s light in November cold   
stitches new harness for next year’s ox in the barn,

and he carved a new yoke and sawed
planks for a new cart and split shingles all
winter, while his wife made flax into linen all
winter, and his daughter embroidered linen all
winter, and his son carved Indian brooms from
birch all winter, and everybody made candles,


and in March they tapped the sugar maple trees
and boiled the sap down, and in April they
sheared the sheep, spun yarn, and wove and
knitted, and in May they planted potatoes,
turnips, and cabbages, while apple blossoms
bloomed and fell, while bees woke up, starting to
make new honey, and geese squawked in the
barnyard, dropping feathers as soft as clouds.
~Donald Hall “The Oxcart Man”

Come inside now.
Stand beside the warming stove.
Watch out through the windows as
a cold rain tears down
the last leaves.

The larder full of dried herbs,
hot peppers, chutneys,
jellies, jams, dill pickles,
pickled relishes,
pickled beets.

The freezer full of frozen greens—
chard and spinach, collards, kale—
green beans, basil, red sauces,
applesauce, and
smoked meats.

The woodshed dry and full of wood,
winter squashes stashed away.
Down cellar: potatoes, carrots,
crock of sauerkraut.

Come inside now.
Stand beside the warming stove.
Listen. Wait.

~David Budbill “Come Inside Now” from Happy Life

Nothing would sleep in that cellar, dank as a ditch,
Bulbs broke out of boxes hunting for chinks in the dark,
Shoots dangled and drooped,
Lolling obscenely from mildewed crates,
Hung down long yellow evil necks, like tropical snakes.
And what a congress of stinks!
Roots ripe as old bait,
Pulpy stems, rank, silo-rich,
Leaf-mold, manure, lime, piled against slippery planks.
Nothing would give up life:
Even the dirt kept breathing a small breath.

~Theodore Roetke “Root Cellar” from The Collected Poems

Even in the cold wet chill of November, our garden continues breathing, guarded by the furry fellow on a stalk below until a heavy windstorm topples him over.

When I descend the steps into our root cellar, I find a still life of empty jars, no longer in use for produce to be preserved until spring. I no longer preserve produce through canning, as I used to. Instead we dry and freeze fruits and vegetables for storage. The cellar, though not as full as in years past, remains a place of quiet fecundity with its rich and earthy smells – a reminder of how things were done before the conveniences of today. We still keep apples, potatoes and onions in safe-keeping below ground – some of this farm’s orchard and garden harvest has been stored fresh in the cellar, year after year, for decades.

Until the last century, all of a farm family’s energy and effort was to preserve and store what was necessary to survive another year. Today, in too many places in the world, simple survival remains a family’s necessary and noble goal.

Surrounded by the relative comfort and privilege of a bountiful garden, orchard and woodpile, I never want to forget that.

Come inside. Warm up by the fire. Listen. Wait. Pray for lasting peace.

My artichoke “pup”

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The Whole Dream

I am a feather on the bright sky

I am the blue horse that runs in the plain

I am the fish that rolls, shining, in the water

I am the shadow that follows a child

I am the evening light, the lustre of meadows

I am an eagle playing with the wind

I am a cluster of bright beads

I am the farthest star

I am the cold of dawn

I am the roaring of the rain

I am the glitter on the crust of the snow

I am the long track of the moon in a lake

I am a flame of four colors

I am a deer standing away in the dusk

I am a field of sumac and the pomme blanche

I am an angle of geese in the winter sky

I am the hunger of a young wolf

I am the whole dream of these things
You see, I am alive, I am alive

I stand in good relation to all that is beautiful
You see, I am alive, I am alive

~N.Scott Momaday from “The Delight Song of Tsoai-talee” from In the Presence of the Sun: Stories and Poems

I wonder if, in the dark night of the sea, the octopus dreams of me.
~N. Scott Momaday

If I am brutally honest with myself, one of my worst fears is to have lived on this earth for a few decades and then pass away forgotten, inconsequential, having left behind no legacy of significance whatsoever. I know it is self-absorbed to feel the need to leave a mark, but my search for purpose and meaning lasting beyond my time here provides new momentum for each day.

The forgetting can happen so fast. Most people know very little about their great great grandparents, if they even know their names. A mere four generations, a century, renders us dust, not just in flesh, but in memory as well. There may be a yellowed photograph in a box somewhere, perhaps a tattered postcard or letter written in elegant script, but the essence of who this person was is long lost and forgotten. We owe it to our descendants to write down or record the stories about who we were while we lived on this earth. We need to share why we lived, for whom we lived, for what we lived.

I suspect however, unless I try every day to record some part of who I am, it will be no different with me and those who come after me.  Whether or not we are remembered by great great grandchildren or become part of the dreams of creatures in the depths of the seas:
we came from dust and will return to dust-
there is no changing that.

Good thing this is not our only home.  
Good thing we are created to be more than memory and dreams. 
Good thing there is an eternity that transcends good works
or long memories or legacies left behind. 
Good thing we are loved that much and always will be,
Forever and ever, Amen.

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If I Choose to Fly…

If I had a yellow breast, I would perch in high shadows.
And in my dreams, if I had to fly, I would fly quickly

because if I shone, the tabby on the ground would
not be fooled. He knows these trees do not flower.

Above me, bark rains down. And as his lifting paw
reaches me I sense Don’t move. And I don’t. 

~Lola Haskins “Goldfinch” from Homelight

The bird flying up at the windowpane
aspired to the blue sky reflected in it
but learned the hard truth and flew off again.
Was it a finch, a blue tit or a linnet?
I couldn’t quite identify the strain.


Checking a pocket guide to get it right
(The Birds of lreland, illustrated text)
I note the precise graphic work and definite
descriptions there, and yet I’m still perplexed.
I only glimpsed the bird in busy flight:


a bit like a goldfinch, like the captive one
perched on a rail, by Rembrandt’s young disciple,
except for the colouring, blue, yellow and green.
A tit so, one of those from the bird table
who whirr at hanging nuts and grain.


Off he flew. Now there’s a mist out there
and a mist in here that wouldn’t interest him
since what he wants is sky and open air.
He’s in the trees; I’m trying one more time
to find an opening in the stratosphere.

~Derek Mahon “At the Window”

In this world full of predators and prey,
even perching high on a tree branch,
motionless as a leaf or a bird-like blossom,
is risking a sharp-eyed hunter’s detection.

Or flying, oblivious, head-long into an enticing
reflection of blue sky might take me down

– any move I make could be my last –

So perhaps the moves I make,
whether subtle or grand,
must mean more than simply avoiding
being eaten by the eater.

Instead, I move with grace and purpose
to forage to feed my young,
to offer a bit of flashing gold to a gray landscape,
or fly with abandon because it is exactly
what my wings are created to do –

even when I’m aware hungry whiskers twitch below…

“handkerchief” tree in Northern Ireland
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The Dew Looks Up

Now in the blessed days of more and less
when the news about time is that each day
there is less of it I know none of that
as I walk out through the early garden
only the day and I are here with no
before or after and the dew looks up
without a number or a present age

~W.S. Merwin “Dew Light” from The Moon Before Morning

A walk around our farm in October is
more or less, before or after, now and then,
a timelessness of shifting seasons and fading days.

A prayer becomes like dew from above,
me looking up to the God
who was, is and ever will be,
who already knows what I am about to say.
He knows I don’t tend to say anything new.

He blesses me with the light of His dew.

I write every day to explain myself to people I will never meet. Perhaps, every day, I am trying to explain myself to God.

God is,
(if I stop to look and listen),
yesterday, today, tomorrow –
more or less, before or after, now and then,
but most especially
forever and ever.

Amen.

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