Bowing Low to Wind and Rain

Light and wind are running
over the headed grass
as though the hill had
melted and now flowed.
~Wendell Berry “June Wind” from New Collected Poems

The rain to the wind said,
‘You push and I’ll pelt.’
They so smote the garden bed
That the flowers actually knelt,
And lay lodged–though not dead.
I know how the flowers felt.
~Robert Frost “Lodged”

All that I serve will die, all my delights,
the flesh kindled from my flesh, garden and field,
the silent lilies standing in the woods,
the woods, the hill, the whole earth, all
will burn in man’s evil, or dwindle
in its own age. Let the world bring on me
the sleep of darkness without stars, so I may know
my little light taken from me into the seed
of the beginning and the end, so I may bow
to mystery, and take my stand on the earth
like a tree in a field, passing without haste
or regret toward what will be, my life
a patient willing descent into the grass.
~Wendell Berry “The Wish to be Generous” from Collected Poems

The abundant grasses in the surrounding hay fields were hit hard with heavy rainfall and wind yesterday, collapsing under the weight of the pelting moisture.  Countless four foot tall tender stems are now lodged and flattened in undulating bent-over waves of green, embracing the earth from which they arose.  If the rain continues as predicted over the next several days, the grass may not recover, unable to dry out enough to stand upright again, nor are the fields dry enough to bring tractors and equipment to the rescue. 

It is ironic to lose a crop from too much of a good thing– lush growth demands, but often cannot withstand, quenching rains.  It has matured too fast, rising up too lush, too overcome with itself so that it can no longer stand. The grass keels over in community, broken and crumpled, likely now unsuitable for cutting or baling into hay, and unless chopped quickly into silage to ferment for winter cattle feed, it must melt back into the soil again.

However–if there are dry spells amid the showers over the next few days, with a breeze to lift the soaked heads and squeeze out the wet sponge created by layered forage–the lodged crop may survive and rise back up. It may be raised and lifted again, pushing up to meet the sun, its stems strengthening and straightening.

What once was so heavy laden and down-trodden might lighten;
what was silent could once again move and sing and wave with the wind.

The hill pasture, an open place among the trees,
tilts into the valley. The clovers and tall grasses
are in bloom. Along the foot of the hill
dark floodwater moves down the river.
The sun sets. Ahead of nightfall the birds sing.
I have climbed up to water the horses
and now sit and rest, high on the hillside,
letting the day gather and pass. Below me
cattle graze out across the wide fields of the bottomlands,
slow and preoccupied as stars. In this world
men are making plans, wearing themselves out,
spending their lives, in order to kill each other.

~Wendell Berry “In This World” from Farming: A Handbook

What stood will stand, though all be fallen,
The good return that time has stolen.
Though creatures groan in misery,
Their flesh prefigures liberty
To end travail and bring to birth
Their new perfection in new earth.
At word of that enlivening
Let the trees of the woods all sing
And every field rejoice, let praise
Rise up out of the ground like grass.
What stood, whole in every piecemeal
Thing that stood, will stand though all
Fall–field and woods and all in them
Rejoin the primal Sabbath’s hymn.
~Wendell Berry, from “Sabbaths” (North Point Press, 1987)
.

From The Nicene Creed

Et expecto resurrectionem motuorum.
Et vitam venturi saeculi. Amen. Alleluia. 

And I look for the resurrection of the dead,
And the life of the world to come. Amen. Alleluia

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To Seek the Whole…

… why should I not sit, every morning of my life,
on the hillside, looking into the shining world?
Can one be passionate about the just, the
ideal, the sublime, and the holy, and yet commit
to no labor in its cause? I don’t think so.

 
Be ignited, or be gone.
~Mary Oliver from “What I Have Learned So Far”

How often do we miss the fainter note
Or fail to see the more exquisite hue,
Blind to the tiny streamlet at our feet,
Eyes fixed upon some other, further view.
What chimes of harmonies escape our ears,
How many rainbows must elude our sight,
We see a field but do not see the grass,
Each blade a miracle of shade and light.
How then to keep the greater end in eye
And watch the sunlight on the distant peak,
And yet not tread on any leaf of love,
Nor miss a word the eager children speak?
Ah, what demand upon the narrow heart,
To seek the whole, yet not ignore the part.

~Philip Britts “Sonnet 1” from Water at the Roots

We are born nearly blinded, focused solely on our emptiness – a hunger to be filled and our need to be held.  As we grow, our focus sharpens to fall in love with those who feed and nurture us.

Eventually we discover, challenge and worship He who made us. I need to seek out and harvest the beauty growing in each moment.

This world is often too much for me to take in as a whole — an exquisite view of shadow and light, color and gray, loneliness and embrace, sorrow and joy.

With more years and a broader vision, I scan for the finer details within the whole before it disappears with the changing light.  Time’s a wasting (and so am I) as I try to capture it all with the lenses of our eyes and hearts.

The end of life comes too soon, when once again my vision blurs and the world fades away from view. I will hunger yet again to be filled and held.

And then heaven itself will seem almost too much to take in – my heart full to bursting with light and promise for the rest of eternity.

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I’ll Take It

More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.
~Ada Limón  “Instructions on Not Giving Up”

I thought I was empty – hollow and irretrievable – after such a long drawn out winter. Yet here I am, here we are, still among the living and I find I am swept away and useless to accomplish anything else except breathing. 

The landscape is exploding with layers of color and shadow and standing too close, I too am ignited.  It is impossible to witness so much unfolding life and light and not be engulfed and singed.

It lures me outside where flames of green lap about my ankles as I stroll the fields and each fresh breeze fans the fires until I’ve nothing left of myself but ash and shadow.

Consumed and subsumed.  Combusted and busted.

What a way to go.

I’ll take it. I’ll take it all.

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And It Was Autumn…

it rained in my sleep
and in the morning the fields were wet
I dreamed of artillery
of the thunder of horses

in the morning the fields were strewn
with twigs and leaves
as if after a battle
or a sudden journey
I went to sleep in the summer
I dreamed of rain
in the morning the fields were wet
and it was autumn
~Linda Pastan “September” from Carnival Evening

photo by Harry Rodenberger

The dogs eat hoof slivers and lie under the porch.
A strand of human hair hangs strangely from a fruit tree
like a cry in the throat. The sky is clay for the child who is past
being tired, who wanders in waist-deep
grasses. Gnats rise in a vapor,
in a long mounting whine around her forehead and ears.

The sun is an indistinct moon. Frail sticks
of grass poke her ankles,
and a wet froth of spiders touches her legs
like wet fingers. The musk and smell
of air are as hot as the savory
terrible exhales from a tired horse.

At evening a breeze dries and crumbles
the sky and the clouds float like undershirts
and cotton dresses on a clothesline. Horses
rock to their feet and race or graze.
Parents open their shutters and call
the lonely, happy child home.
The child who hates silences talks and talks
of cicadas and the manes of horses.
~Carol Frost – lines from “All Summer Long” from Love and Scorn: New and Collected Poems.

I was one of those lonely but happy youngsters who dreamt of horses all summer long, immersed in my own made-up stories of forest rides on hidden trails, of spending hours decorating long manes and tails of golden horses, of performing daring rescues and races, of battles and bravery I didn’t experience in real life. The imaginings took me beyond the mundane into the fanciful where I could be completely lost until I was called to come in for dinner or return to the confines of a school classroom.

Some dreams do come true when you want them badly enough: I’ve now had decades gazing out at fields of grass with those thundering hooves, back-dropped by endless skies of ever-changing clouds. I’ve also found that fairy tales can have broken fences and growing manure piles.

It has been worth it for a kid whose own story bloomed when I became a wife, a mother, a physician and a horse farmer. As this summer yet again has transitioned to autumn, so does my story: it is full of aging horses and tired fields, yet still I find myself dreaming like a kid as I comb out those long flowing manes.

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Sweating Under the High Arc of Midsummer

What is the hayfield in late afternoon
that it can fly in the face of time,

and light can be centuries old, and even
the rusted black truck I am driving

can seem to be an implement born
of some ancient harvest,

and the rhythmic baler, which spits out
massive bricks tied up in twine,

can seem part of a time before now
because light glitters on the hay dust,

because the sun is sinking and we sweat
under the high arc of mid-summer,

because our bodies cast such long shadows–
Rebecca, with the baby strapped to her back,

the men who throw impossible weight
to the top of the truck, the black and white

dog that races after mice or moles
whose lives have been suddenly exposed.

How does the taste of my sweat take me
down through the gate of childhood,

spinning backwards to land in a field
painted by Bruigel, where the taste of salt

is the same, and the same heat
rises in waves off a newly flattened field.

In the duskiness of slanted light, we laugh
just as we laughed then, because there is

joy in what the earth gives, allowing
our bodies to mingle with it, our voices

small on the field, our work assuring the goats
can give milk, the sheep can grow wool,

and we will have in our bones the taste
of something so old it travels in light.
~Susie Patlove “First Cutting” from Quickening

photo by Nate Gibson
photo by Nate Gibson
1994
2005
2011

There is a timelessness to mid-summer hay harvest that goes back generations on both sides of our family. The cutting, raking and gathering of hay has evolved from horse-drawn implements and gathering loose shocks of hay to 100+ horse power air-conditioned tractors and huge round bales wrapped and stored in plastic sheathing rather than in barns.

Our farm is happily stuck somewhere in-between: we still prefer filling the haybarn with bales that I can still lift and move myself to feed our animals. True hay harvest involves sweat and dust and a neighborhood coming together to preserve summer in tangible form.

I grew up on a farm with a hayfield – I still have the scar over my eyebrow where I collided with the handle of my father’s scythe when, as a toddler, I came too close behind him as he was taking a swing at cutting a field of grass one swath at a time. I remember the huge claws of the hay hook reaching down onto loose hay piled up on our wagon. The hook would gather up a huge load, lift it high in the air to be moved by pulley on a track into our spacious hay loft. It was the perfect place to play and jump freely into the fragrant memories of a summer day, even in the dark of winter.

But these days it is the slanted light of summer I remember most:
-the weightlessness of dust motes swirling down sun rays coming through the slats of the barn walls as the hay bales are stacked
-the long shadows and distant alpenglow in the mountains
-the dusk that goes on and on as owls and bats come out to hunt above us

Most of all, I will remember the sweaty days of mid-summer as I open the bales of hay in mid-winter – the light and fragrance of those grassy fields spilling forth into the chill and darkness, in communion of blessing for our animals.

photo by Tayler Rae
Pieter Bruegel “Hay Harvest”
My grandparents Leslie Polis and Kittie Lovelace standing in a hayfield with loose hay shocks — 1915

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Through Grass and Grain

Mown meadows skirt the standing wheat;
I linger, for the hay is sweet,
New-cut and curing in the sun.
Like furrows, straight, the windrows run,
Fallen, gallant ranks that tossed and bent
When, yesterday, the west wind went
A-rioting through grass and grain.
To-day no least breath stirs the plain;
Only the hot air, quivering, yields
Illusive motion to the fields
Where not the slenderest tassel swings.
Across the wheat flash sky-blue wings;
A goldfinch dangles from a tall,
Full-flowered yellow mullein; all
The world seems turning blue and gold.
Unstartled, since, even from of old,
Beauty has brought keen sense of her,
I feel the withering grasses stir;
Along the edges of the wheat,
I hear the rustle of her feet:
And yet I know the whole sea lies,
And half the earth, between our eyes.
~Sophie Jewett “In Harvest”

Autumn harvest happens outside of me
despite sudden coolness of the air,
thanks to showers that green the fields
for one more month of grazing,
midst the smell of the dying of vines and roots.

Autumn harvest is happening inside of me
as I slow down my walk,
curl up within the lengthening nights,
the color of my thoughts
turning to bronze and gold and red

before I let go
before I let go

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A Miracle of Mucus

In the waning evening light, I stood in the barnyard
holding the hose to fill the water trough,
gazing across a sunset-lit field of grass and weeds,
puzzling over an intermittent flash and glimmer thirty yards away.

Trough filled, I set out to find what glinted and blinked in the breeze,
assuming an errant piece of foil or lost piece of jewelry to be reclaimed,
somehow fallen mysteriously from the sky into the middle of a horse pasture.

As I moved closer, my body blocked the sun’s rays
so the glistening ceased. I moved aside,
hoping to allow the fading light
to re-ignite the spark that drew me there.

Doused by the advancing shadow of sunset,
it vanished as I neared the spot.
Looking closely, I found only a broad blade of grass
shimmering with a silvery trail left behind by a slug tail.

Mere mucus slime scintillating in the setting sun!
A complex mix of proteoglycans, glycosaminoglycans,
glycoprotein enzymes, hyaluronic acid, antimicrobial peptides,
and metal ions of zinc, iron, copper and manganese.

Precious trace metals flashing in the grass, masquerading as jewels.

What a fool to think only something man-made could lure me there.
Instead, this miracle of mucus trailing from a lowly slug proved
a far greater treasure is always hiding in the grass,
if I only bother to look.

Hermaphroditic slugs mating on the side of our field’s water barrel/trough,
hanging form a strand of mucus from the rim.

Girls are like slugs—they probably serve some purpose, but it’s hard to imagine what.
― Bill Watterson, in Calvin and Hobbes

From David Attenborough’s Life on our Planet
(a truly remarkable video of how slug mucus becomes integral in their reproductive cycle)

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The World is Flux

…The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~Lisel Mueller, “Monet Refuses the Operation” from Second Language

“Heaven pulls earth into its arms…”

We all see things differently, don’t we? What seems ordinary to one person is extraordinarily memorable to another. How might I help others to see the world as I do? How might I learn to adjust my focus to see things as you do?

The world is flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to gray. Perhaps the blur from the figurative (or real) cataract that impedes my vision creates a deeper understanding, as I use my imagination to fill in what I can’t discern.

My heart and mind expands exponentially to claim this world and all the beauty has to offer, while heaven – all this while – is pulling me into its arms.

In heaven, my focus will be clear. It will all be extraordinarily ordinary.

Appareled in Celestial Light

There was a time when meadow, grove, and stream,
The earth, and every common sight,
To me did seem
Apparell’d in celestial light,
The glory of a dream.

The rainbow comes and goes,
And lovely is the rose;
The moon doth with delight
Look round her when the heavens are bare;
Waters on a starry night
Are beautiful and fair;
The sunshine is a glorious birth;
But yet I know, where’er I go,
That there hath pass’d away a glory from the earth.

Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
We will grieve not, rather find
Strength in what remains behind.
~William Wordsworth from Intimations of Immortality

I woke immersed in sadness;
it doesn’t happen often.
Whether a dream surrounded me in sorrow,
or perhaps the weight of grayness of the morning,
I couldn’t tell.

I felt burdened and weepy,
wondering where hope had fled just overnight.

Even though I know true glory lies beyond this soil,
I still look for it here,
seeking encouragement in midst of trouble.
I set out to find light which clothes the ordinary,
becoming resplendent and shimmering
from celestial illumination.

Though I may sometimes grieve for what is lost,
there is enough,
there is always enough each morning
to remind me God’s gift of grace and strength
transforms this day and every day.

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Heart of the World

The mares go down for their evening feed
                                                                            into the meadow grass.
Two pine trees sway the invisible wind 
                                                                       some sway, some don’t sway.
The heart of the world lies open, leached and ticking with sunlight
For just a minute or so.
The mares have their heads on the ground,
                                           the trees have their heads on the blue sky.
Two ravens circle and twist.
                On the borders of heaven, the river flows clear a bit longer.
~Charles Wright “Miles Away”

It isn’t yet time to turn the Haflingers out on pasture.  The fields still squish from our heavy winter rains when I check the grass growth and test how firm the ground feels.

But spring is in the air, with pollens flying from the trees and the faint scent of plum and cherry blossoms wafting across the barn yard.  The Haflingers know there are green blades rising out there.

There is a waning pile of hay bales in the barn being carefully measured against the calendar.  We need to make it last until the fields are sufficiently recovered, dried out and growing well before the horses can be set free from their confinement back on the green.

Haflingers don’t care much about the calendar.  They know what they smell and they know what they see and they know what they want.

One early spring some years ago,  as I opened the gate to a paddock of Haflinger mares to take them one by one back to the barn, their usual good manners abandoned them.  Two escaped before I could shut the gate, the siren call of the green carrying them away like the wind, their tails high and their manes flying.  There is nothing quite as helpless as watching escaped horses running away as fast as their legs can carry them.

They found the nearest patch of green and stopped abruptly, trying to eat whatever the meager ground would offer up.    I approached,  quietly talking to them, trying to reassure them that, indeed,  spring is at hand and soon they will be able to eat their fill of grass.   Understandably suspicious of my motives, they leaped back into escape mode, running this time for the pasture across the road.

We live on a road that is traveled by too many fast moving cars and trucks and our farm on a hill is hampered by visibility issues –my greatest fear is one of our horses on the road would cause an accident simply because there would be no time for a driver to react after cresting a hill at 50 mph and finding a horse a mere twenty yards away.

I yelled and magically the mares turned, veering back from the road.  As I marveled at my ability to verbally redirect them from dashing into potential disaster,  they were heading back to the barn on their own, where their next most attractive feature on the farm dwelled:  our stallion.  He was calling them, knowing things were amiss, and they responded, turning away from the green to respond to the call of the heart.

So that was where I was able to nab them in their distracted posing for the guy in their lives.  Guys can do that to a gal.  You can end up completely abandoning thoughts of running away with the wind when the right guy calls your name.

Lured from the green grassy borders of heaven, we respond to the call of the heart from the world.