Category: Father

Clinging to the Present Out of Wariness of the Past

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I wondered if that was how forgiveness budded;
not with the fanfare of epiphany,
but with pain gathering its things, packing up,
and slipping away unannounced in the middle of the night.
— Khaled Hosseini from The Kite Runner

The time is ripe for looking back over the day, the week, the year, and trying to figure out where we have come from and where we are going to, for sifting through the things we have done and the things we have left undone for a clue to who we are and who, for better or worse, we are becoming.

We cling to the present out of wariness of the past.

But there is a deeper need yet, I think, and that is the need—not all the time, surely, but from time to time—to enter that still room within us all where the past lives on as a part of the present, where the dead are alive again, where we are most alive ourselves to turnings and to where our journeys have brought us.

The name of the room is Remember—the room where with patience, with charity, with quietness of heart, we remember consciously to remember the lives we have lived.
~Frederick Buechner from A Room Called Remember

age nine
age 14
age 15

Something went wrong, says the empty house
in the weed-choked yard. Stones in the fields
say he was not a farmer; the still-sealed jars
in the cellar say she left in a nervous haste.
And the child? Its toys are strewn in the yard
like branches after a storm—a rubber cow,
a rusty tractor with a broken plow,
a doll in overalls. Something went wrong, they say.
~Ted Kooser, from “Abandoned Farmhouse” from Sure Signs: New and Selected Poems. 

In 1959, when I was five years old, my father took a new job so our family moved from a large 3 story farm house in a rural community to a 1950’s newer rambler-style home just outside the city limits of the state capitol.

It was a big adjustment to move to a much smaller house without a basement or upper story, no garage, and no large haybarn nor chicken coop. It meant most things we owned didn’t make the move with us.

The rambler had two side-by-side mirror image rooms as the primary central living space between the kitchen/dining area on one side and the hallway to the bedrooms on the other. The living room could only be entered through the front door and the family room was accessed through the back door with a shared sandstone hearth in the center, containing a fireplace in each room. The only opening between the rooms had a folding door shut most of the year. In December, the door was opened to accommodate a Christmas tree, so it sat partially in the living room and depending on its generous width, spilled over into the family room.  That way it was visible from both rooms, and didn’t take up too much floor space.

The living room, because it contained the only carpeting in the house, and our “best” furniture, was strictly off-limits. In order to keep our two matching sectional knobby gray fabric sofas,  a green upholstered chair and gold crushed velvet covered love seat in pristine condition, the room was to be avoided unless we had company. The carpet was never to develop a traffic pattern, there would be no food, beverage, or pet ever allowed in that room, and the front door was not to be used unless a visitor arrived. The hearth never saw a fire lit on that side because of the potential of messy ashes or smoke smell.

This was not a room for toys or games. The chiming clock next to the hearth, wound with weighted cones on the end of chains, called out the hours without an audience.

One week before Christmas, a tree was chosen to fit in the space where it could overflow into the family room. I particularly enjoyed decorating the “family room” side of the tree, using all my favorite ornaments that were less likely to break if they fell on the linoleum floor on that side of the door.

It was almost as if the Christmas tree itself became divided, with a “formal” side in the living room and a “real life” face on the other side where the living (and hurting) was actually taking place.

The tree straddled more than just two rooms. Every year that tree’s branches reached out to shelter a family that was slowly, almost imperceptibly, falling apart, like the fir needles dropping to the floor to be swept away.

Something was going wrong, only I didn’t see it at the time.

Each year since, our Christmas tree, bearing those old ornaments from my childhood, reminds me of that still room of memories. 

No longer am I wary of the past. As I sweep up the fir needles that inevitably drop, I no longer weep.

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An Advent Threshold: When All the Doors are Opened

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Bethlehem in Germany,
Glitter on the sloping roofs,
Breadcrumbs on the windowsills,
Candles in the Christmas trees,
Hearths with pairs of empty shoes:
Panels of Nativity
Open paper scenes where doors
Open into other scenes,
Some recounted, some foretold.
Blizzard-sprinkled flakes of gold
Gleam from small interiors,
Picture-boxes in the stars
Open up like cupboard doors
In a cabinet Jesus built.

Leaning from the cliff of heaven,
Indicating whom he weeps for,
Joseph lifts his lamp above
The infant like a candle-crown.
Let my fingers touch the silence
Where the infant’s father cries.
Give me entrance to the village
From my childhood where the doorways
Open pictures in the skies.
But when all the doors are open,
No one sees that I’ve returned.
When I cry to be admitted,
No one answers, no one comes.
Clinging to my fingers only
Pain, like glitter bits adhering,
When I touch the shining crumbs.
~Gjertrud Schnackenberg,from “Advent Calendar” from Supernatural Love: Poems 1976-1992. 

He will come like last leaf’s fall.
One night when the November wind
has flayed the trees to the bone, and earth
wakes choking on the mould,
the soft shroud’s folding.

He will come like frost.
One morning when the shrinking earth
opens on mist, to find itself
arrested in the net
of alien, sword-set beauty.

He will come like dark.
One evening when the bursting red
December sun draws up the sheet
and penny-masks its eye to yield
the star-snowed fields of sky.

He will come, will come,
will come like crying in the night,
like blood, like breaking,
as the earth writhes to toss him free.
He will come like child.
~Rowan Williams “Advent Calendar”

Who has not considered Mary
And who her praise would dim,
But what of humble Joseph
Is there no song for him?

If Joseph had not driven
Straight nails through honest wood
If Joseph had not cherished
His Mary as he should;

If Joseph had not proved him
A sire both kind and wise
Would he have drawn with favor
The Child’s all-probing eyes?

Would Christ have prayed, ‘Our Father’
Or cried that name in death
Unless he first had honored
Joseph of Nazareth ?
~Luci Shaw “Joseph The Carpenter”

The hero of the story this season is the man in the background of each creche, the old master Nativity paintings, and the Advent Calendar doors that open each day.

He is the adoptive father
who does the right thing rather than what he has legal right to do,
who listens to his dreams and believes,
who leads the way over dusty roads to be counted,
who searches valiantly for a suitable place to stay,
who does whatever he can to assist her labor,
who stands tall over a vulnerable mother and infant
while the poor and curious pour out of the hills,
the wise and foreign appear bringing gifts,
who takes his family to safety when the innocents are slaughtered.

He is only a carpenter, not born for heroics,
but strong and obedient,
stepping up when called.

He is a humble man teaching his son a living,
until his son leaves to save the dying.

This man Joseph is the Chosen father,
the best Abba a God could possibly hope for.

My 2025 Advent theme:
On the threshold between day and night

On that day there will be neither sunlight nor cold, frosty darkness. 
It will be a unique day—a day known only to the Lord—
with no distinction between day and night. 
When evening comes, there will be light.
Zechariah 14:6-7

So once in Israel love came to us incarnate, stood in the doorway between two worlds, and we were all afraid.
~Annie Dillard in Teaching a Stone to Talk

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The Happiest Girl Alive

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I wanted a horse. This was long after
we sold the work horses, and I was feeling

restless on the farm. I got up early
to help my father milk the cows, talking

a blue streak about TV cowboys
he never had time to see and trying to

convince him that a horse wouldn’t cost
so much and that I’d do all the work.

He listened while he leaned his head
against the flank of a Holstein, pulling

the last line of warm milk into
the stainless bucket. He kept listening

while the milk-machine pumped like an engine,
and the black and silver cups fell off and

dangled down, clanging like bells when he
stepped away, balancing the heavy milker

against the vacuum hose and the leather belt.
I knew he didn’t want the trouble

of a horse, but I also knew there was nothing
else I wanted the way I wanted a horse—

another way of saying I wanted
to ride into the sunset and (maybe)

never come back—I think he knew that too.
We’ll see, he said, we’ll see what we can do.
Joyce Sutphen – “What Every Girl Wants”

I once was a skinny freckled eleven year old girl who wanted nothing more than to have her own horse. Every inch of my bedroom wall had posters of horses, all my shelves were filled with horse books and horse figurines and my bed was piled with stuffed horses.

I suffered an extremely serious case of horse fever. I wished for a horse more than anything.

I had learned to ride my big sister’s horse while my sister was off to college, but the little mare had pushed down a hot wire to get into a field of spring oats which resulted in a terrible case of colic and had to be put down. I was inconsolable until I set my mind to buy another horse. We had only a small shed, not a real barn, and no actual fences other than the electric hot wire. Though I was earning money as best I could picking berries at 3 cents a pound and babysitting at 30 cents an hour, I was a long way away from the $150 it would take to buy a trained horse back in 1965.

I pestered my father about my dreams of another horse, and since he was the one to dig the hole for my sister’s horse to be buried, he was not enthusiastic.  “We’ll see,”  he said. “We will see what we can do.”

So I dreamed my horsey dreams, mostly about golden horses with long white manes, hoping one day those dreams might come true.

In fall 1965, the  local radio station KGY’s Saturday morning horse news program announced their “Win a Horse” contest. I knew I had to try. The prize was a weanling bay colt, part Appaloosa, part Thoroughbred, and the contest was only open to youth ages 9 to 16 years old. All I had to do was write a 250 word or less essay on “Why I Should Have a Horse”.

I worked and worked on my essay, crafting the right words and putting all my heart into it, hoping the judges would see me as a worthy potential owner. My parents took me to visit the five month old colt named “Prankster”, a fuzzy engaging little fellow who was getting plenty of attention from all the children coming to visit him, and that visit made me even more determined.

When I read these words now, I realize there is nothing quite like the passion of an eleven year old girl:

“Why I Should Have a Horse”

When God created the horse, He made one of the best creatures in the world. Horses are a part of me. I love them and want to win Prankster for the reasons which follow:

To begin with, I’m young enough to have the time to spend with the colt.  My older sister had a horse when she was in high school and her school activities kept her too busy to really enjoy the horse.  I’ll have time to give Prankster the love and training needed.

Another reason is that I’m shy.  When I was younger I found it hard to talk to anybody except my family.  When my sister got the horse I soon became a more friendly person.  When her horse recently died (about when Prankster was born), I became very sad.  If I could win that colt, I couldn’t begin to describe my happiness. 

Also I believe I should have a horse because it would be a good experience to learn how to be patient and responsible while teaching Prankster the same thing. 

When we went to see Prankster, I was invited into the stall to brush him. I was never so thrilled in my life! The way he stood there so majestically, it told me he would be a wonderful horse. 

If I should win him, I would be the happiest girl alive.  I would work hard to train him with love and understanding. If I could only get the wonderful smell and joy of horses back in our barn!

I mailed in my essay and waited.

Sixty years ago on November 27, 1965, my mother and I listened to the local horse program that was always featured on the radio at 8 AM on Saturday mornings. They said they had over 300 essays to choose from, and it was very difficult for them to decide who the colt should go to. I knew then I didn’t have a chance. They had several consolation prizes for 2nd through 4th place, so they read several clever poems and heartfelt essays, all written by teenagers.  My heart was sinking by the minute.

The winning essay was next. The first sentence sounded very familiar to me, but it wasn’t until several sentences later that we realized they were reading my essay, not someone else’s. My mom was speechless, trying to absorb the hazards of her little girl owning a young untrained horse.

I woke up my dad, who was sick in bed with an early season flu bug. He opened one eye, looked at me, and said, “I guess I better get a fence up today, right?” Somehow, fueled by the excitement of a daughter whose one wish had just come true, he pulled himself together and put up a wood corral that afternoon, despite feeling so miserable.

That little bay colt came home to live with me the next day. Over the next few months he and I did learn together, as I checked out horse training books from the library, and joined a 4H group with helpful leaders to guide me. I made plenty of mistakes along the way, learning from each one, including those that left behind scars I still bear.

Prankster was a typical adolescent gelding who lived up to his name — full of mischief with a sense of humor and a penchant for finding trouble, but he was mine and that was all that mattered.

Dreams do come true.

…that and a dad who saw what he needed to do for his passionate kid.  I’ll never forget how he showed his love for me by doing what was needed in that moment.

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A Bleak and Bitter Remembrance

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When you go home tell them of us and say –
“For your tomorrow we gave our today”
~John Maxwell Edmonds from “The Kohima Epitaph” 

They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.
~Lawrence Binyon from “For the Fallen” (1914)

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.
~LtCol (Dr.) John McCrae from “In Flanders Fields”

We who are left, how shall we look again
Happily on the sun, or feel the rain,
Without remembering how they who went
Ungrudgingly, and spent
Their all for us, loved, too, the sun and rain?

A bird upon the rain-wet lilac sings —
But we, how shall we turn to little things
And listen to the birds and winds and streams
Made holy by their dreams,
Nor feel the heartbreak in the heart of things?
~Wilfred Wilson Gibson “A Lament”

November pierces with its bleak remembrance
Of all the bitterness and waste of war.
Our silence tries but fails to make a semblance
Of that lost peace they thought worth fighting for.
Our silence seethes instead with wraiths and whispers,
And all the restless rumour of new wars,
The shells are falling all around our vespers,
No moment is unscarred, there is no pause,
In every instant bloodied innocence
Falls to the weary earth ,and whilst we stand
Quiescence ends again in acquiescence,
And Abel’s blood still cries in every land
One silence only might redeem that blood
Only the silence of a dying God.
~Malcolm Guite “Silence: a Sonnet for Remembrance Day”

To our military veterans here and abroad –
in deep appreciation and gratitude–
for the freedoms you have defended on behalf of us all:

No one is left untouched and unscarred in the bitterness of war.

My father was one of the fortunate ones who came home, returning to a quiet farm life after three years serving in the Pacific with the Marines Corp from 1942 to 1945.  Hundreds of thousands of his colleagues didn’t come home, dying on beaches and battlefields.  Tens of thousands more came home forever marked, through physical or psychological injury, by the experience of war and witness of death and mayhem all around them.

No matter how one views wars our nation has fought and may be obligated to fight in the future, we must support and care for the men and women who have made, on our behalf, the commitment and sacrifice to be on the front line for freedom’s sake.

Even our God died so we could stop fighting each other (and Him). What a waste we have not stopped to listen and understand His sacrifice enough to finally lay down our weapons against one another forever.

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Support for wounded veterans:

Disabled American Veterans

Disabled Veterans National Foundation

Wounded Warrior Project

A Thing or Two

barnstormingblog4 Comments

My father always knew the secret
name of everything—
stove bolt and wing nut,
set screw and rasp, ratchet
wrench, band saw, and ball—
peen hammer. He was my
tour guide and translator
through that foreign country
with its short-tempered natives
in their crewcuts and tattoos,
who suffered my incompetence
with gruffness and disgust.
Pay attention, he would say,
and you’ll learn a thing or two.

Now it’s forty years later,
and I’m packing up his tools
(If you know the proper
names of things you’re never
at a loss) tongue-tied, incompetent,
my hands and heart full
of doohickeys and widgets,
whatchamacallits, thingamabobs.
~Ronald Wallace “Hardware” from Time’s Fancy

“Hold on,” she said, “I’ll just run out and get him.
The weather here’s so good, he took the chance
To do a bit of weeding.”

So I saw him
Down on his hands and knees beside the leek rig,
Touching, inspecting, separating one
Stalk from the other, gently pulling up
Everything not tapered, frail and leafless,
Pleased to feel each little weed-root break,
But rueful also . . . 

Then found myself listening to
The amplified grave ticking of hall clocks
Where the phone lay unattended in a calm
Of mirror glass and sunstruck pendulums . . . 

And found myself then thinking: if it were nowadays,
This is how Death would summon
Everyman.

Next thing he spoke and I nearly said I loved him.
~Seamus Heaney “A Call” from ‘Poems That Make Grown Men Cry’

Between my finger and my thumb   
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound   
When the spade sinks into gravelly ground:   

My father, digging. I look down
By God, the old man could handle a spade.   

Just like his old man.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.
~Seamus Heaney from “Digging” from Death of a Naturalist

My father was a complex man. As I’ve aged, I understand better where my own complicated nature comes from.

As inscrutable as he could be, there were things I absolutely understood about him:

he was a man of action
– he never just sat, never took a nap, never wasted a day of his life without accomplishing something tangible.

he was a man of the soil
– he plowed and harrowed and sowed and fertilized and weeded and cut brush and harvested

he was a man of inventiveness
– he figured out a better way, he transformed tools and buildings, he started from scratch and built the impossible

he didn’t explain himself
– and never felt the need to.

Time keeps ticking on without him here, now 30 years since he took his last breath as the clock pendulum swung back and forth in his bedroom. He was taken too young for all the projects he still had in mind.

He handed off a few to me.
Some I have done.
Some still wait, I’m not sure why.

My regret is not understanding how much he needed to hear how loved he was. He seemed fine without it being said.

But he wasn’t fine. And neither was I.

I wish I had said it when I had the chance.
I guess I am digging it out from the soil of my heart now.

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That’s You

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She wasn’t looking
when they took this picture:
sitting on the grass
in her bare feet
wearing a cotton dress,
she stares off to the side
watching something on the lawn
the camera didn’t catch.
What was it?
A ladybug? A flower?
Judging from her expression,
possibly nothing at all,
or else
the lawn was like a mirror,
and she sat watching herself,
wondering who she was
and how she came to be there
sitting in this backyard,
wearing a cheap, white dress,
imagining that tomorrow
would be like all her yesterdays,
while her parents chatted
and watched, as I do
years later,
too distantly to interfere.
~Dana Gioia, “Photograph of My Mother as a Young Girl” from Daily Horoscope

Seeing photos
of ancestors
a century past

is like looking
at your own
fingerprints—

circles 
and lines
you can’t 
recognize

until someone else
with a stranger’s eye
looks close and says
that’s you.
~Joseph Bruchac, “Prints” from Sing: Poetry from the Indigenous Americas.

Growing up, it was never obvious to me that I looked like either one of my parents. Once, as a naughty kid, I told them I thought I was adopted as there wasn’t a single photo to be found of my mother looking pregnant (never mind that few women in the 50’s allowed themselves to be photographed pregnant).

Searching the faces of extended family in old photographs, others would comment on the facial similarities between my young mother and me.

And indeed, the older I have become, the more I see my mother looking back at me in the mirror.

The characteristics I inherited from my father aren’t as obvious in the mirror: his persistence and problem-solving, his inability to ever fully relax, his drive to get things done and not give up.

So, yes, that is me in the photos of my mother taken nearly a century ago, as well as those taken not so long ago.

I now recognize me in those photos, grateful to resemble such a loving and lovely mom.

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Calling from the Wind Phone

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The pain I feel now is the happiness I had before. That’s the deal.
~C.S. Lewis from A Grief Observed

the rubble still piled on the beach at Tohoku, Japan, a year after the 3/11/11 tsunami

In the wrecked landscape
of Fukushima

a white telephone booth
shines

with many panes of glass
in the hinged door

and a man steps in
dials the cell number

of his wife’s phone,
of course unanswering—

she was swept away
in the tsunami,

a photo in the paper
shows her sitting outside

on a blanket, knees
up, rocking back in laughter.

I pick up the black
receiver, still warm

from his hand, dialing
my sister’s number I used

to know by heart.
No answer from the sea

or her, just the whirling sound
of blood pounding in my ear.
~Patricia Clark “The Wind Phone”

photo by Nate Gibson at Sendai, Japan
photo by Nate Gibson 11/11
photo by Nate Gibson 11/11
photo by Nate Gibson of Sendai rubble pile 11/11

My life closed twice before its close;
It yet remains to see
If immortality unveil
A third event to me

So huge, so hopeless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.
~Emily Dickinson “Parting”

Original windphone is Otsuchi Garden, Japan

In 2012, we stayed with our friends Brian and Bette at their cabin on a bluff just above the Pacific Ocean at Sendai, Japan, just a few dozen feet above the devastation that wiped out an entire fishing village below during the 3/11/11 earthquake and tsunami.

As we walked that stretch of beach, we heard the stories of the people who had lived there, some of whom did not survive the waves that swept their houses and cars away before they could escape. We walked past the footprints of foundations of hundreds of demolished homes, humbled by the rubble mountains yet to be hauled away a year later, to be burned or buried. There were acres of wrecked vehicles piled one on another, waiting to become scrap metal.

It was visual evidence of life so suddenly and dramatically disrupted and carried away.

This had been a place of recreation and respite for some who visited regularly, commerce and livelihood for others who stayed year round and, in ongoing recovery efforts, struggling to be restored to something familiar. Yet it looked like a foreign ghostly landscape. Many trees perished, lost, broken off, fish nets still stuck high on their scarred trunks. There were small memorials to lost family members within some home foundations, with stuffed animals and flowers wilting from the recent anniversary observance.

Tohoku is a powerful place of memories for those who still live there and know what it once was, how it once looked and felt, and painfully, what it became in a matter of minutes on 3/11/11. The waves swept in inexplicable suffering, then carried their former lives away. Happiness gave ground to such terrible pain that could never have hurt as much without the joy and contentment that preceded it.

We are tempted to ask God why He doesn’t do something about the suffering that happened in this place or anywhere a disaster occurs –but if we do, He will ask us the same question right back. We need to be ready with our answer and our action.

God knows suffering. Far more than we do. He took it all on Himself, feeling His pain amplified, as it was borne out of His love and joy in His creation.

This beautiful place, and its dedicated survivors have slowly recovered, but the inner and outer landscape is forever altered. What remains the same is the pulsing tempo of the waves, the tides, and the rhythm of the light and the night, happening just as originally created.

With that realization, pain will finally give way, unable to stand up to His love, His joy, and our response to His sacrifice.

We can call Him up anytime and anywhere.

bent gate at Sendai beach -2012
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The Healing Crack in the Coil

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Needing them still, I come
when I can, this time to the sea
where we share a room: their double bed,
my single. Morning fog paints the pale
scene even paler. Lace curtains breathing,
the chenille spread folded back,
my father’s feet white sails furled
at the edge of blue pajamas.
Every child’s dream, a parent
in each hand, though this child is fifty.
Their bodies fit easily, with room
to spare. When did they grow
so small? Grow so small—
as if it were possible to swell
backwards into an earlier self.

One more year, I ask the silence.
Last night to launch myself
into sleep I counted their breaths, the tidal
rise and fall I now put my ear to,
the coiled shell of their lives.
~Rebecca McClanahan from “Watching my Parents Sleeping Beside an Open Window Near the Sea” from Deep Light: New and Selected Poems.

“Her Room” by Andrew Wyeth in the Farnsworth Art Museum

My parents have been gone now for some time, my father 30 years, my mother, nearly 17 years. Their dying was a long process of counted breaths and pauses. I witnessed their bodies curling into themselves, shrinking smaller, worn down by illness and age.

I still miss them as I’m reminded of them by the events of my own life, still wanting them to take me by the hand as I navigate my own daily path.

After mom’s death, those possessions not distributed to family members have remained packed up and stored in our barn buildings. I know it is well past time to deal with their stuff as I become keenly aware of my own graying and aging.

In the house, next to where I write, is a box of over 500 letters written by my mother and father between 1941 and 1945. The letters began as they were getting to know each other at college, going from “pinned” to “engaged” and continue for three and a half more years after a hurried wedding Christmas Eve 1942. By mid-January 1943, my newly minted Marine officer father shipped out to spend the next three years of his life fighting on the battlefields of Saipan, Tinian and Tarawa in the Pacific Ocean, not to return again to the states until late summer of 1945.

My mother wrote her letters from the small rural eastern Washington community of Colville, living in a “teachers’ cottage” with other war wives who taught school while waiting for their husbands to return home – or not.

It took me a decade to find the courage and time to devote to reading these letters they treasured and never threw away. I sorted them unopened by postmark date into some semblance of order and sat down to start at the very beginning, which, of course, is my beginning as well. I opened each one with some trepidation and a lump in my throat about what I might find written there. I worried I may find things I didn’t want to know. I hoped I would find things that I desperately needed to know.

Most of all I wanted to understand the two people who became my parents within the coiled shell of their forty years together, though broken by a painful divorce which lasted a decade. Having lived through that awful time with them, I want to understand the origin of a love which eventually mended their cracked shell of companionship, gluing them back together for five more years before my father died.

As I ponder their words, I too cross a bridge back to them both, my ear pressed to the coiled shell of those fading voices, as if I might still hear the sea, at times bringing them closer, then pulling them farther away.

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Where We Could Not Reach

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My father would lift me
to the ceiling in his big hands
and ask, How’s the weather up there?
And it was good, the weather
of being in his hands, his breath
of scotch and cigarettes, his face
smiling from the world below.
O daddy, was the lullaby I sang
back down to him as he stood on earth,
my great, white-shirted father, home
from work, his gold wristwatch
and wedding band gleaming
as he held me above him
for as long as he could,
before his strength failed
down there in the world I find myself
standing in tonight, my little boy
looking down from his flight
below the ceiling, cradled in my hands,
his eyes wide and already staring
into the distance beyond the man
asking him again and again,
How’s the weather up there?
~George Bilgere “Weather”.

It was hard work, dying, harder
than anything he’d ever done.

Whatever brutal, bruising, back-
breaking chore he’d forced himself

to endure—it was nothing
compared to this. And it took

so long. When would the job
be over? Who would call him

home for supper? And it was
hard for us (his children)—

all of our lives we’d heard
my mother telling us to go out,

help your father, but this
was work we could not do.

He was way out beyond us,
in a field we could not reach.
~Joyce Sutphen “My Father, Dying”

Deep in one of our closets is an old film reel of me about 16 months old sitting securely held by my father on his shoulders. I am bursting out with giggles as he repeatedly bends forward, dipping his head and shoulders down. I tip forward, looking like I am about to fall off, and when he stands back up straight, my mouth becomes a large O and I can almost remember the tummy tickle I feel. I want him to do it again and again, taking me to the edge of falling off and then bringing me back from the brink.

My father was a tall man, so being swept up onto his shoulders felt a bit like I was touching heaven.

It was as he lay dying 30 years ago this summer that I realized again how tall he was — his feet kept hitting the foot panel of the hospital bed my mother had requested for their home. We cushioned his feet with padding so he wouldn’t get abrasions even though he would never stand on them again, no longer towering over us.

His helplessness in dying was startling – this man who could build anything and accomplish whatever he set his mind to was unable to subdue his cancer. Our father, who was so self-sufficient he rarely asked for help, did not know how to ask for help now.

So we did what we could when we could tell he was uncomfortable, which wasn’t often. He didn’t say much, even though there was much we could have been saying. We didn’t reminisce. We didn’t laugh and joke together. We just were there, taking shifts catching naps on the couch so we could be available if he called out, which he never did.

This man:
who had grown up dirt poor,
fought hard with his alcoholic father
left abruptly to go to college – the first in his family –
then called to war for three years in the South Pacific.

This man:
who had raised a family on a small farm while he was a teacher,
then a supervisor, then a desk worker.

This man:
who left our family to marry another woman
but returned after a decade to ask forgiveness.

This man:
who died in a house he had built completely himself,
without assistance, from the ground up.

He didn’t need our help – he who had held tightly to us and brought us back from the brink when we went too far – he had been on the brink himself and was rescued, coming back humbled.

No question the weather is fine for him up there. I have no doubt.

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You Can Have an Abundant August

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But you can have the fig tree and its fat leaves like clown hands
gloved with green. You can have the touch of a single eleven-year-old finger on your cheek, waking you at one a.m. to say the hamster is back.

You can have the purr of the cat and the soulful look
of the black dog, the look that says, If I could I would bite
every sorrow until it fled, and when it is August,
you can have August and abundantly so. You can have love,
though often it will be mysterious, like the white foam
that bubbles up at the top of the bean pot over the red kidneys
until you realize foam’s twin is blood.

You can speak a foreign language, sometimes,
and it can mean something. You can visit the marker on the grave
where your father wept openly. You can’t bring back the dead,
but you can have the words forgive and forget hold hands
as if they meant to spend a lifetime together.

You can have your grandfather sitting on the side of your bed,
at least for a while, you can have clouds and letters, the leaping
of distances, and Indian food with yellow sauce like sunrise.

You can’t count on grace to pick you out of a crowd
but here is your friend to teach you how to high jump,
how to throw yourself over the bar, backwards,
until you learn about love, about sweet surrender,
and here are periwinkles, buses that kneel, farms in the mind
as real as Africa.

And when adulthood fails you,
you can still summon the memory of the black swan on the pond
of your childhood, the rye bread with peanut butter and bananas
your grandmother gave you while the rest of the family slept.
There is the voice you can still summon at will, like your mother’s,
it will always whisper, you can’t have it all,
but there is this.
~Barbara Ras from “You Can’t Have It All” from Bite Every Sorrow

My pragmatic mother gave up her teaching career for marriage and family so would remind me regularly that I couldn’t have it all:
there was no way a woman can have a husband and children and a farm and a garden and animals and a profession and write and travel and volunteer in the community and not make a mess of it all and herself.

My father would listen to her and say to me softly under his breath: “you do whatever you put your mind to…you know what you are here for.”

They were both right.

The alluring abundance of this life has invited me to want to touch and feel and taste it all, not unlike another woman who was placed with purpose in the Garden to be a side-by-side companion and co-worker. Yet she demonstrated what happens when you want more than you are given and yes, she indeed made a mess of things.

Yet there is this:
despite wanting it all and working hard for it all
and believing I could do it all,
I missed the point altogether.

Life is all gift, never earned.
Life is all grace, not deserved.
It is all August abundance,
it is right now,
sustaining us through the year’s
droughts and floods and storms and drab gray weather.

And there is this:
I know what I am here for.

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