They sing their dearest songs —
He, she, all of them — yea,
Treble and tenor and bass,
And one to play;
With the candles mooning each face….
Ah, no; the years O!
How the sick leaves reel down in throngs!
They clear the creeping moss —
Elders and juniors — aye,
Making the pathways neat
And the garden gay;
And they build a shady seat….
Ah, no; the years, the years;
See, the white storm-birds wing across!
They are blithely breakfasting all —
Men and maidens — yea,
Under the summer tree,
With a glimpse of the bay,
While pet fowl come to the knee….
Ah, no; the years O!
And the rotten rose is ript from the wall.
They change to a high new house,
He, she, all of them — aye,
Clocks and carpets and chairs
On the lawn all day,
And brightest things that are theirs….
Ah, no; the years, the years;
Down their carved names the rain-drop ploughs.
~Thomas Hardy “During Wind and Rain”
A waning November moon reluctantly rose,
dimming from the full globe of the night before.
I drive a darkening country road, white lines sweeping past,
aware of advancing frost in the evening haze,
anxious to return home to familiar warmth and light.
Nearing a county road corner, slowing to a stop,
I glanced aside where
a lonely rural cemetery sits expectant.
Through open iron gates and tenebrous headstones,
there in the middle path, incongruous,
car’s headlights beamed bright.
I puzzled, thinking:
lovers or vandals would seek inky cover of night.
Instead, these lights focused on one soul alone,
kneeling graveside,
a hand resting heavily on a stone, head bowed in prayer.
This stark moment of solitary sorrow,
a visible grieving of a heart
illuminated by twin beams.
This benediction of mourning
as light pierced the blackness;
gentle fingertips traced
the engraved letters of a beloved name.
Feeling touched
as uneasy witness, I pull away
to drive deeper into the night,
struggling to see despite
my eyes’ thickening mist.
~Emily Gibson – “Grief Illuminated”
Barnstorming 