Tag: nature

Not So Sure…

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The roofs are shining from the rain,
The sparrows twitter as they fly,
And with a windy April grace
The little clouds go by.

Yet the back yards are bare and brown
With only one unchanging tree–
I could not be so sure of Spring
Save that it sings in me.
–  Sara Teasdale, “April”

The snow piles in dark places are gone.
Pools by the railroad tracks shine clear.
The gravel of all shallow places shines.
A white pigeon reels and somersaults.

Frogs plutter and squdge-and frogs beat the air with a recurring thin steel sliver of melody.
Crows go in fives and tens;
they march their black feathers past a blue pool;
they celebrate an old festival.
A spider is trying his webs,
a pink bug sits on my hand washing his forelegs.
I might ask: Who are these people? 
~Carl Sandburg from “Just Before April Came”

And so Spring asks:

Who are these people?

Here we are, closing in on mid-April and our weather continues to be unpredictable.  I am not so sure of Spring.

Yet it sings in me.  Yes it sings.

The calendar does not lie, nor does my nose.  The pollen counts are rising despite the rains and as I step outside in early dawn, I can catch the slightest fragrance of just-opening cherry and apple blossoms in the orchard.  Within a week there will be sweet perfume in the air everywhere and the fruit trees become clothed in white puffy clouds of blossom before bursting full into green.

In defiance of the calendar, our oak trees cling stubbornly to their brown bedraggled fall leaves as if ashamed to ever appear naked, even for a week. In May they will go straight from brown to green without a moment of bare knobby branches.

Even so, it sings in me.  Yes it sings.

A morning bird symphony tunes up ever earlier including the “scree” and chatter from bald eagles high up in the fir trees surrounding our house. Nesting has begun despite the wet and cold and wind because their nest is the secure home that calls them back, again and again, year after year.

Like them, it sings in me.  Yes it sings.

I rise opening like a bud,
I dress my nakedness to cover up my knobbiness,
I wander about outside exulting in the free concert,
I manage to do chores despite the distractions —
this routine of mine which is so unchanging through the calendar days becomes glorious gift and privilege.

Hopefulness sings in me in Spring.  Yes it sings.

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Sing, Voice of Spring

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I wonder if the sap is stirring yet,
If wintry birds are dreaming of a mate,
If frozen snowdrops feel as yet the sun
And crocus fires are kindling one by one:
     Sing, robin, sing;
I still am sore in doubt concerning Spring.

I wonder if the springtide of this year
Will bring another Spring both lost and dear;
If heart and spirit will find out their Spring,
Or if the world alone will bud and sing:
     Sing, hope, to me;
Sweet notes, my hope, soft notes for memory.

The sap will surely quicken soon or late,
The tardiest bird will twitter to a mate;
So Spring must dawn again with warmth and bloom,
Or in this world, or in the world to come:
     Sing, voice of Spring,
Till I too blossom and rejoice and sing.
~Christina Rossetti “The First Spring Day”

A Light exists in Spring
Not present on the Year
At any other period —
When March is scarcely here

A Color stands abroad
On Solitary Fields
That Science cannot overtake
But Human Nature feels.

It waits upon the Lawn,
It shows the furthest Tree
Upon the furthest Slope you know
It almost speaks to you.

Then as Horizons step
Or Noons report away
Without the Formula of sound
It passes and we stay —

A quality of loss
Affecting our Content
As Trade had suddenly encroached
Upon a Sacrament.
~ Emily Dickinson “A Light exists in Spring”

Maybe it is the particular tilt of our globe on its axis,
or the suffusion of clouds damp with moisture
or perhaps only the winter darkness can no longer overwhelm…

The light of spring as it melts from March into April
is immersive with sweet-scented dawn and twilight moments

Surrounded in sacrament without and within,
a renewed life lived in the Lord:
gently glowing.

Lux,
Calida gravisque pura velut aurum
Et canunt angeli molliter
modo natum.

Light
Warm and heavy, pure as gold
And the angels sing softly to
The just born

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Anything is Possible

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I planted the daffodils in early fall,
never thinking much about it.
Having planted so many fall seasons,
one year fell away from another.

During the year, you died.
I thought too much of it—
all we never did together;
it was too late to get more days back.

Sooner or later, grief buried itself deeper
and deeper. My heart needed rest.
There is a love that tears us to pieces
like yellow petals of grief.

And then one day, minding my business,
I pass by where the daffodils were.
I remembered that you had loved them,
and you came back to me.

Do not say second chances are not possible;
surely as one daffodil is different than another,
each launching silent boats of forgiveness,
anything is possible.
~Martin Willitts Jr., “Daffodils in Light – Narcissus Poeticus” from Leave Nothing Behind

Fair Daffodils, we weep to see
You haste away so soon;
As yet the early-rising sun
Has not attain’d his noon.

Stay, stay,
Until the hasting day
Has run
But to the even-song;
And, having pray’d together, we
Will go with you along.
 
We have short time to stay, as you,
We have as short a spring;
As quick a growth to meet decay,
As you, or anything.

We die
As your hours do, and dry
Away,
Like to the summer’s rain;
Or as the pearls of morning’s dew,
Ne’er to be found again.
~Robert Herrick “To Daffodils”

Thou yellow trumpeter of laggard Spring!
Thou herald of rich Summer’s myriad flowers!
The climbing sun with new recovered powers
Does warm thee into being, through the ring
Of rich, brown earth he woos thee, makes thee fling
Thy green shoots up, inheriting the dowers
Of bending sky and sudden, sweeping showers,
Till ripe and blossoming thou art a thing
To make all nature glad, thou art so gay;
To fill the lonely with a joy untold;
Nodding at every gust of wind to-day,
To-morrow jewelled with raindrops. Always bold
To stand erect, full in the dazzling play
Of April’s sun, for thou hast caught his gold.
~Amy Lowell “To An Early Daffodil”

Our farm was owned by the Lawrence family over one hundred years ago. At some point, perhaps as a remembrance of a loved one who passed, someone decided to bury daffodil bulbs scattered around the yard. All these decades later, dozens of faithful heralds of spring still come up as the sun and extra hours of light call them forth. Some years they bloom in February, but most typically they wait for a more predictable welcome from the weather in March.

They are very tender, easily injured by a strong wind, heavy rain or hailstorm or late snowfall – mostly an old antique variety of fluffy double blooms, but some traditional trumpet blossoms still come up called forth by the calling of the geese and swans passing over far above them.

For me, their blooming with abandon is a reminder of faithfulness and persistence, especially because of the 44 weeks per year they remain silent and buried out of sight. I have a general sense where they will appear each February, but am still surprised and impressed when they do push up through the icy ground. I walk around them carefully, knowing I could crush them with one firm inadvertent boot step if I am not cautious.

Once the daffodils are blooming, they encourage my hope that anything is possible: a promise of the spring just ahead. When the blooms wither and fade, the green spiky stems must gather the strength the bulb needs for another cycle of dormancy, so I mow around them to allow as much time as needed to replenish before disappearing underground again.

I still don’t understand how these gentle blooms somehow manage to pull me down with them into the bulb, waiting my turn alongside them buried deep in the dark. Perhaps it is because God plants each one of us here in His holy ground, to await the ultimate wakening that calls us forth to bloom everlasting.

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A Celebration of Resilience

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Spring comes quickly: overnight
the plum tree blossoms,
the warm air fills with bird calls.

In the plowed dirt, someone has drawn a picture of
the sun
with rays coming out all around
but because the background is dirt, the sun is black.
There is no signature.

Alas, very soon everything will disappear:
the bird calls, the delicate blossoms. In the end,
even the earth itself will follow the artist’s name into
oblivion.

Nevertheless, the artist intends
a mood of celebration.

How beautiful the blossoms are — emblems of the
resilience of life.
The birds approach eagerly.
~Louise Glück “Primavera”

“Plowing the Field” by Joyce Lapp

Nothing is so beautiful as Spring –         
When weeds, in wheels, shoot long and lovely and lush;         
Thrush’s eggs look little low heavens, and thrush         
Through the echoing timber does so rinse and wring         
The ear, it strikes like lightnings to hear him sing;
The glassy peartree leaves and blooms, they brush         
The descending blue; that blue is all in a rush         
With richness; the racing lambs too have fair their fling.         

What is all this juice and all this joy?         
A strain of the earth’s sweet being in the beginning
In Eden garden. – Have, get, before it cloy,         
Before it cloud, Christ, lord, and sour with sinning,         
Innocent mind and Mayday in girl and boy,         
Most, O maid’s child, thy choice and worthy the winning.   
~Gerard Manley Hopkins “Spring”

And he who was seated on the throne said, “Behold, I am making all things new.” Also he said, ‘Write this down, for these words are trustworthy and true. ”
Revelation 21:5

Given a choice, humanity chose sour
over the sweetness we were created for ~
giving up walks together in the cool of the day
to feed an appetite that could never be sated.

God made a choice to bring us back with His own blood
as if we are worthy of Him.

He says we are.
He dies to prove it.

Every day I choose to believe
earth can be sweet and beautiful again.
Each spring becomes a celebration of our resilience.

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Ye Winged Seraphs Fly: Standing Ready

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Simple and fresh and fair from winter’s close
   emerging,
As if no artifice of fashion, business, politics,
   had ever been,
Forth from its sunny nook of shelter’d grass—
   innocent, golden, calm as the dawn,
The spring’s first dandelion shows its trustful
   face.
~Walt Whitman “The First Dandelion”

As the days warm and lengthen, the grass
is getting happy almost overnight.
Under my window the first star of spring
opens its eye on the front lawn. Yellow
as butter, it is only one. But it is one,
and in the nature of things, and like
the multiple asterisks seeding the night sky,
it will flourish and take over every
grassy bank in town. I long to be prolific
as the dandelion, spinning pale parachutes
of words, claiming new territory by
the power of fluff. The stars in their courses
have bloomed an unending glory
across the heavens, but here in my yard
a local constellation prepares to launch
multiple, short-lived, radiant coronas
to proclaim the new-sprung season.
~Luci Shaw “Dandelion”

This dandelion has long ago surrendered its golden petals, and has reached its crowning stage of dying – the delicate seed-globe must break up now – it gives and gives till it has nothing left.

The hour of this new dying is clearly defined to the dandelion globe:  it is marked by detachment.  There is no sense of wrenching:  it stands ready, holding up its little life, not knowing when or where or how the wind that bloweth where it listeth may carry it away.

It holds itself no longer for its own keeping, only as something to be given; a breath does the rest…
~Lillias Trotter from  “Parables of the Cross”

It is spring: soon a field of new dandelions will stand ready in full-puff; their seeds detach as I walk through, flying to their next life.

My own readiness feels very much like the peak of labor in childbirth,
a moment feeling as if time has stopped –
an inevitability that one can never go back to the way things were.

This “crowning” of the new life as it emerges means the surrender and emptying of the old life.

So, like the dandelion, I turn my face full on to the breeze, giving and releasing, until I have nothing left.

Only then – only then – is there a moment of detachment,
a flying to whatever is next,
leading me to eternity.

Now finish the work, so that your eager willingness to do it may be matched by your completion of it, according to your means.
2 Corinthians 8:11

This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”

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When From Death I’m Free: Made Happy By Simple Things

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I know a bleeding-heart plant that has thrived
for sixty years if not more, and has never
missed a spring without rising and spreading
itself into a glossy bush, with many small red
hearts dangling. Don’t you think that deserves
a little thought? The woman who planted it
has been gone for a long time, and everyone
who saw it in that time has also died or moved
away and so, like so many stories, this one can’t
get finished properly. Most things that are
important, have you noticed, lack a certain
neatness. More delicious, anyway, is to
remember my grandmother’s pleasure when
the dissolve of winter was over and the green
knobs appeared and began to rise, and to cre-
ate their many hearts. One would say she was
a simple woman, made happy by simple
things. I think this was true. And more than
once, in my long life, I have wished to be her.
~Mary Oliver “The Bleeding-Heart” from New and Selected Poems
Volume Two

My Grandma Kittie grew flowers–lots of them. Her garden stretched along both sides of the sidewalk to her old two story farm house, in window boxes and beds around the perimeter, in little islands scattered about the yard anchored by a tree, or a piece of driftwood, a gold fish pond or a large rock. Wisteria hung like a thick curtain of purple braids from the roof of her chicken coop, and her greenhouse, far bigger than her home, smelled moist and mossy with hanging fuschia baskets. For her it was full time joy disguised as a job: she sold seedlings, and ready-to-display baskets, and fresh flower arrangements. 

She often said she was sure heaven would be full of flowers needing tending, and she was just practicing for the day when she could make herself useful as a gardener for God.

Visiting Grandma meant spending summer evenings in her yard heavy with wafting flower perfume. She especially loved her bleeding hearts bushes that returned every spring, dripping their red blossoms over her unruly lawn.

Another of her favorite flowers was the evening primrose.  It was one of a few night blooming plants meant to attract pollinating moths. Its tall stems were adorned by lance shaped leaves, with multiple buds and blooms per stem.  Each evening, and it was possible to set one’s watch by its punctuality, only one green wrapped bud per stem would open, revealing a bright yellow blossom with four delicate veined petals, a rosette of stamens and a cross-shaped stigma in the center, rising far above the blossom.  The yellow was so vivid and lively, it seemed almost like a drop of sun had been left on earth to light the night.  By morning, the bloom would begin to wither and wilt under the real sunlight, somehow overcome with the brightness, and would blush a pinkish orange as it folded upon itself, ready to die and drop from the plant in only a day or two, leaving a bulging seed pod behind.

I would settle down on the damp lawn at twilight, usually right before dusk fell, to watch the choreography of opening of blossoms on stem after stem of evening primrose. Whatever the trigger was for the process of unfolding, there would be a sudden loosening of the protective green calyces, in an almost audible release. Then over the course of about a minute, the overlapping yellow petals would unfurl, slowly, gently, purposefully, revealing their pollen treasure trove inside.  It was like watching time lapse cinematography, only this was an accelerated, real time flourish of beauty, happening right before my eyes. I always felt privileged to witness each unveiling as Grandma liked to remind me that few flowers ever allowed us to behold both their birth and death. The evening primrose was not at all shy about sharing itself and it would enhance the show with a sweet lingering fragrance.

Grandma knew how much I enjoyed the evening primrose display, so she saved seeds from the seed pods for me, and helped me plant them at our house during one of her spring time visits. I remember scattering the seeds with her in a specially chosen spot, in anticipation of the “drops of sun” that would grace our yard come summertime.  However, Grandma was more tired than usual on this particular visit, taking naps and not as eager to go for walks or eat the special meals cooked in honor of her visit. Her usually resonant laughing brown eyes appeared dull, almost muddy.

The day she was to return to her home, she came into the kitchen at breakfast time, wearily setting down her packed bags.  She gave me a hug and I looked at her.  Something was dreadfully wrong.  Grandma’s eyes were turning yellow.

Instead of returning home that day, she went to the hospital. Within a day, she had surgery and within two days, was told she had terminal pancreatic cancer.  She did not last long, her skin becoming more jaundiced by the day, her eyes more icteric and far away.  She soon left her earthly gardens to cultivate those in heaven.

I’ve kept bleeding hearts and evening primrose in my garden ever since. Grandma’s heart dangles from the bushes and she is released from each primrose bloom as it unfolds precipitously in the evening. She wafts across the yard in its perfume. Her spirit, a drop of sun coming to rest, luminous, for a brief stay upon the earth, only to fall before we’re ready to let it go. But as the wilted bloom lets go, its seeds have already begun to form.

I’m sure Grandma is still growing flowers. And my soil-covered hands look more like hers every day.

The grass withers and the flowers fall,
    because the breath of the Lord blows on them.
    Surely the people are grass.
 The grass withers and the flowers fall,
    but the word of our God endures forever.
Isaiah 40: 7-8

This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”

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Who is the Great I Am: A Curving and Soaring World

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…yesterday I heard a new sound above my head
a rustling, ruffling quietness in the spring air

and when I turned my face upward
I saw a flock of blackbirds
rounding a curve I didn’t know was there
and the sound was simply all those wings,
all those feathers against air, against gravity
and such a beautiful winning:
the whole flock taking a long, wide turn
as if of one body and one mind.

How do they do that?

If we lived only in human society
what a puny existence that would be

but instead we live and move and have our being
here, in this curving and soaring world
that is not our own
so when mercy and tenderness triumph in our lives
and when, even more rarely, we unite and move together
toward a common good,

we can think to ourselves:

ah yes, this is how it’s meant to be.
~Julie Cadwallader Staub from “Blackbirds” from Wing Over Wing

Out of the dimming sky a speck appeared,
then another, and another.
It was the starlings going to roost. 
They gathered deep in the distance,  flock sifting into flock,
and strayed towards me, transparent and whirling, like smoke.
They seemed to unravel as they flew,
lengthening in curves, like a loosened skein. 
I didn’t move; they flew directly over my head for half an hour. 

Each individual bird bobbed and knitted up and down
in the flight at apparent random, for no known reason except
that that’s how starlings fly, yet all remained perfectly spaced.
The flocks each tapered at either end
from a rounded middle, like an eye.
Overhead I heard a sound of beaten air,
like a million shook rugs, a muffled whuff.
Into the woods they sifted without shifting a twig,
right through the crowns of trees, intricate and rushing, like wind.

Could tiny birds be sifting through me right now,
birds winging through the gaps between my cells,
touching nothing, but quickening in my tissues, fleet?
~Annie Dillard from Pilgrim at Tinker Creek

Chunky and noisy,
but with stars in their black feathers,
they spring from the telephone wire
and instantly

they are acrobats
in the freezing wind.
And now, in the theater of air,
they swing over buildings,

dipping and rising;
they float like one stippled star
that opens,
becomes for a moment fragmented,

then closes again;
and you watch
and you try
but you simply can’t imagine

how they do it
with no articulated instruction, no pause,
only the silent confirmation
that they are this notable thing,

this wheel of many parts, that can rise and spin
over and over again,
full of gorgeous life.

Ah, world, what lessons you prepare for us,
even in the leafless winter,
even in the ashy city.
I am thinking now
of grief, and of getting past it;

I feel my boots
trying to leave the ground,
I feel my heart
pumping hard. I want

to think again of dangerous and noble things.
I want to be light and frolicsome.
I want to be improbable beautiful and afraid of nothing,
as though I had wings.
~Mary Oliver “Starlings in Winter” from Owls and Other Fantasies: Poems and Essays

Watching a winter starlings’ murmuration is a visceral experience – my heart leaps to see the looping amoebic folding and unfolding path.

Thousands of individual birds move in sync with one another to form one massive organism existing solely because each tiny component anticipates and cooperates to avoid mid-air collisions. 

It could explode into chaos but it doesn’t.
It could result in massive casualties but it doesn’t. 
They could avoid each other altogether but they don’t –
they come together with a purpose and reasoning beyond our imagining.

Even the whooshing of their wing movements is exhilarating.

We humans are made up of similar cooperating component parts, deep in our tissues, programmed in our DNA. Yet we don’t exercise such unity from our designed and carefully constructed building blocks. We are frighteningly disparate and independent creatures, going our own way, bumping and crashing without care, leaving so much bodily and spiritual wreckage behind.

What has happened to our place in this curving, soaring world?
To where has flown our mercy and tenderness,
our compassion and caring for the position of others?

We have corporately lost our internal moral compass. Indeed, the sound of our movements is muffled weeping.

Therefore I tell you, do not be anxious about your life, what you will eat or what you will drink, nor about your body, what you will put on. Is not life more than food, and the body more than clothing? Look at the birds of the air: they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they?
Matthew 6: 25-26


This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”
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To that Bright World We Go: Winter’s Grip

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This morning’s sun is not the honey light
of summer, thick with golden dust and slow
as syrup pouring from a jug. It’s bright,
but thin and cold, and slanted steep and low
across the hillsides. Frost is blooming white,
these flowers forced by icy winds that blow
as hard this morning as they blew all night.
Too cold for rain, but far too dry for snow.

And I am restless, pacing to and fro
enduring winter’s grip that holds us tight.
But my camellias, which somehow know
what weather to expect—they’re always right—
have broken bud. Now scarlet petals glow
outside the window where I sit and write.
~Tiel Aisha Ansari “Camellias” from Dervish Lions

Near a shrine in Japan he’d swept the path
and then placed camellia blossoms there.

Or — we had no way of knowing — he’d swept the path
between fallen camellias.
~Carol Snow “Tour”

Camellia and crocus blossoms are hardy enough to withstand our current low temperatures, defying freezing winds and hard frosts with their resilience.

Inevitably, their petals eventually will begin to brown at the edges and wither.

On windy days, the full camellia blooms plop to the ground without warning, scattering about like a nubby floral throw rug. They are too bulky to step on, so the tendency is to pick a path around them, allowing them the dignity of a few more days before being swept off the sidewalks.

These fallen winter blossoms become almost sacred, gracing the paths the living still must navigate. They are indeed grounding for the passersby, a reminder that our time to let go will soon come too. As we restlessly pursue our days and measure our steps, we try to carefully make our way around their fading beauty.

As a reminder to us, there is an unexpected blessing bestowed
in their budding,
in their blooming,
in their ebbing away.

Mortals, born of woman,
    are of few days and full of trouble.
They spring up like flowers and wither away;
    like fleeting shadows, they do not endure.
Do you fix your eye on them?
Job 14: 1-3

The grass withers and the flowers fall,
    because the breath of the Lord blows on them.
    Surely the people are grass.
The grass withers and the flowers fall,
    but the word of our God endures forever.
Isaiah 40:7-8

This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”

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When to That Bright World We Arise: Listen, Watch, Wait

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Rain. An excuse to stand at the window
And listen, watch, wait. Listen: to the hush
Of the house as still as a dark burrow
Where an animal hides. Listen: the rush
Of occasional gusts, then the stillness.

Watch: the wrens hopping from stem to wet stem
Their happy bearing in contrast to titmice
Who always seem afraid. Watch: the mayhem
That strikes when the grumpy bluejay, twice
As big as the rest, frumps onto a branch.

Wait: for what? For the steady rain to cease.
Wait: for the fair sunlight to avalanche
Down from space and remake the world again.
Then let my steps be fearless, like the wren.
~Andrew Peterson “Lenten Sonnet”

bluejay photo by Josh Scholten

I’m the child of rainy Sundays.
I watched time crawl
Like an injured fly
Over the wet windowpane.
Or waited for a branch
On a tree to stop shaking,
While Grandmother knitted
Making a ball of yarn
Roll over like a kitten at her feet.
I knew every clock in the house
Had stopped ticking
And that this day will last forever.
~Charles Simic “To Boredom”

I’m never bored on a quiet rainy Sunday.

My list of to-do’s
and want-to-do’s
and hope-to-do’s
and someday-maybe-if-I’m-lucky-to-do’s
is longer than the days still left to me.

I cherish these Sabbaths
when the clock stops, and “to-do’s” will wait.
Time suspends itself above me,
~dangling~
and the day lasts forever.

Sunday evening scaries in anticipation of Monday
are prayed away.

On a drizzly day of rest and gratitude, the world is remade,
eternity moves a little closer, my steps become more fearless
and the new week is yet another part of the journey.

Does the rain have a father?
    Who fathers the drops of dew?
Job 38:28

This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”

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Hearts and Voices Sing: Anticipate Revival

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March. I am beginning
to anticipate a thaw. Early mornings
the earth, old unbeliever, is still crusted with frost
where the moles have nosed up their
cold castings, and the ground cover
in shadow under the cedars hasn’t softened
for months, fogs layering their slow, complicated ice
around foliage and stem
night by night,

but as the light lengthens, preacher
of good news, evangelizing leaves and branches,
his large gestures beckon green
out of gray. Pinpricks of coral bursting
from the cotoneasters. A single bee
finding the white heather. Eager lemon-yellow
aconites glowing, low to the ground like
little uplifted faces. A crocus shooting up
a purple hand here, there, as I stand
on my doorstep, my own face drinking in heat
and light like a bud welcoming resurrection,
and my hand up, too, ready to sign on
for conversion.
~Luci Shaw “Revival” from What the Light was Like

The earth invalid, dropsied, bruised, wheeled
Out in the sun,
After frightful operation.
She lies back, wounds undressed to the sun,
To be healed,
Sheltered from the sneapy chill creeping North wind,
Leans back, eyes closed, exhausted, smiling
Into the sun. Perhaps dozing a little.
While we sit, and smile, and wait, and know
She is not going to die. 
~Ted Hughes from ” A March Morning Unlike Others” from Ted Hughes. Collected Poems

Spring is emerging slowly from this haggard and droopy winter. All growing things are still stuck in morning frost for another week at least. Then, like the old “Wizard of Oz” movie, the landscape will suddenly turn from monochrome to technicolor, the soundtrack from forlorn to glorious birdsong.

Yearning for spring to commence, I tap my foot impatiently as if owed a timely seasonal transformation from dormant to verdant.  We all have been waiting for the Physician’s announcement that this patient survived some intricate life-changing procedure: “I’m happy to say the Earth is alive after all, now revived and restored, wounded but healing, breathing on her own but too sedated for a visit just yet.”

I wait impatiently to celebrate her return to health, knowing this temporary home of ours is still very much alive. She breathes, she thrives, blooming and singing with everything she’s got.
And so will I.

He sends his command to the earth;
    his word runs swiftly.
16 He spreads the snow like wool
    and scatters the frost like ashes.
17 He hurls down his hail like pebbles.
    Who can withstand his icy blast?
18 He sends his word and melts them;
    he stirs up his breezes, and the waters flow.
Psalm 147: 15-18

This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”

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