Embroidered Light

Lined with light
the twigs are stubby arrows.
A gilded trunk writhes
Upward from the roots,
from the pit of the black tentacles.

In the book of spring
a bare-limbed torso
is the first illustration.

Light teaches the tree
to beget leaves,
to embroider itself all over
with green reality,
until summer becomes
its steady portrait
and birds bring their lifetime
to the boughs.

Then even the corpse
light copies from below
may shimmer, dreaming it feels
the cheeks of blossom.
~May Swenson “April Light”



This world is not defeated by death.

An unprecedented illumination
emerged from the tomb on a bright Sabbath morning
to guarantee that
we struggling people,
we who feel we are no more than bare twigs and stubs,
we who aren’t budging from where we are rooted,
are now begetting green,
ready to burst into blossom,
our glowing cheeks pink with life,
a picture of our future fruitfulness.

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Rummaging Among Clouds

The fields are snowbound no longer;
There are little blue lakes and flags of tenderest green.
The snow has been caught up into the sky—
So many white clouds—and the blue of the sky is cold.
Now the sun walks in the forest,
He touches the boughs and stems with his golden fingers;
They shiver, and wake from slumber.
Over the barren branches he shakes his yellow curls. …
Yet is the forest full of the sound of tears….
A wind dances over the fields.
Shrill and clear the sound of her waking laughter,
Yet the little blue lakes tremble
And the flags of tenderest green bend and quiver.

~Katherine Mansfield “Very Early Spring”

You might say that clouds have no nationality
Being flags of no country, flaunting their innocent neutrality
Across frontiers, ignorant of boundaries;
But these clouds are clearly foreign, such an exotic clutter
Against the blue cloth of the sky
I want to rummage among them, I want to turn them over
With eager fingers, I want to bargain
For this one or that one, I want to haggle and dicker
Over the prices, and I want to see my clouds wrapped up
In sheets of old newspapers, and give them away
To young girls to pin in their hair
Or tuck them, glossy as gardenias, behind an ear,
Or stretch one out to the length of a lacy shawl
And toss it over a shoulder, or around a waist.
~Constance Urdang “Clouds”

Our farm sits about 9 miles from an international border. The sky and clouds are oblivious to the line drawn by two governments, and don’t bother to stop at the border stations controlling access of humans across that line.

The clouds are free to go where they please, so they do, while we watch. They are both a foreign and domestic cloud of witnesses to our earthbound follies and foolishness.

No passports or IDs, no being pulled into “secondary” for more intensive searches and questioning, no being “turned back” not allowed across, no deportations.

They simply float and glide where the breezes take them, assuming whatever shape, identity or characteristics they wish.

What a beautiful day in the neighborhood if one happens to be a cloud or a cloud of witnesses…

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Let Me Go There…

And God held in his hand
A small globe. Look, he said.
The son looked. Far off,
As through water, he saw
A scorched land of fierce
Colour. The light burned
There; crusted buildings
Cast their shadows; a bright
Serpent, a river
Uncoiled itself, radiant
With slime.

                        On a bare
Hill a bare tree saddened
The sky. Many people
Held out their thin arms
To it, as though waiting
For a vanished April
To return to its crossed
Boughs. The son watched
Them. Let me go there, he said.
~R.S. Thomas “The Coming”

You have answered
us with the image of yourself
on a hewn tree, suffering
injustice, pardoning it;
pointing as though in either
direction; horrifying us
with the possibility of dislocation.
Ah, love, with your arms out
wide, tell us how much more
they must still be stretched
to embrace a universe drawing
away from us at the speed of light.
~R.S.Thomas “Tell Us”

“Let me go there”
And You did. Knowing what awaited You.

Your arms out wide
to embrace us
who try to grasp
a heaven which eludes us.

This heaven, Your heaven
You brought down to us,
knowing our terrible need.

You wanted to come here,
knowing all this.

Holding us firmly
within your wounded grip,
You the Son
handed us back to heaven.

Mostly months of dirt rows
Plain and unnoticed.
Could be corn, could be beans
Could be anything;
Drive-by fly-over dull.

Yet April ignites an explosion:
Dazzling retinal hues
Singed and scorched, crying
Grateful tears for such as this
Grounded rainbow on Earth

Transient, incandescent
Brilliance hoped for.
Remembered in dreams,
Promises realized,
Housed in crystal before shattering.

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Glimpsing Gold Beneath the Rags

April is like the raggedy, wandering gypsy lad of the fairy tale.
When he moves, streaks of gold show beneath his torn garments
and you suspect that this elfin creature is actually a prince in disguise.

April is just that.

There are raggedy, cold days, dark black ones,
but all through the month for a second, for an hour, or for three days at a stretch you glimpse pure gold.


The weeks pass and the rags slip away, a shred at a time.
Toward the end of the month his royal highness stands before you.
~Jean Hersey from The Shape of a Year

I avoid spending much time in front of mirrors now as I age. Clothed in rags, I’m thinning here, thickening there, sagging and stretching, wrinkled and patched up.

Still, if I look closely past the rags and sags, I see the same eyes as my younger self peering back at me. There are some things that age does not disguise.

The lightness and freshness of youth might be covered up with the trappings of aging, but I’m still delighted to be here, just as I am. Every once in awhile, I believe I glimpse a little gold under the surface. This farm girl isn’t a queen or a princess in disguise, but breathing in the scents of certain golden days of April can make me feel like one.

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Let April Rain

Let the rain kiss you
Let the rain beat upon your head with silver liquid drops
Let the rain sing you a lullaby
The rain makes still pools on the sidewalk
The rain makes running pools in the gutter
The rain plays a little sleep song on our roof at night
And I love the rain.

~Langston Hughes “April Rain Song”

The hills are smothered in a fog,
The sky is somber-grey,
The rain is coming in a mist,
A cheerless rainy day.

To me the trees are weeping,
With their branches drooping low,
Their tears are steady falling,
With heavy drops, yet slow.

The birds they all are silent,
And not one sweet silvery note,
Re-echoes through the forest,
From our feathered songster’s throat.

Not one thing to break the silence,
Save the rain-drops as they fall,
As I watch the clouds roll onward,
Or climb the mountain wall.

And somehow I feel so happy,
Though the world seems full of pain,
So I let my gaze go farther,
When the sun will shine again.

The trees and flowers and grasses,
They will all the fresher seem,
And the laughter will be louder
From the rippling mountain stream.

The birds will sing far sweeter
Than they did in days gone by,
The air will be the fresher,
And of bluer tint the sky.

We all do love the sunshine,
We love the moonlight, too,
We also love the twilight,
And the falling of the dew;

But I never growl or grumble,
Only this I wish to say;—
That this world would be a desert
Without you, oh! Rainy Day!

~James Whilt “The Rainy Day”

Spring is the sun shining on the rain and the rain falling on the sunshine…
~ Frances Hodgson Burnett, The Secret Garden

Some days in April, the skies start out gray with indecision and it doesn’t really rain nor does the sun really ever shine —  a truly lukewarm day.  The days that are most interesting, however, are those that declare themselves “clear” or “soaking wet” and then switch somewhere in the middle in a stormy transition.

A day can start with pouring rain — no half-hearted drizzle, this — with no hope of clearing, no peek of blue sky, no mountains on the horizon as if everything is covered in gray cotton wool.

Then in a mighty switch near sunset, a wind blows in and takes the gray away with a sweep of the hand.  The skies clear, the mountains reappear with even more snow cover than the day before, and everything around shines with the glistening wash that has taken place.

It is spring, it is April – all things are reborn wet and shimmering.  Let the rain drench with irresistible light.

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A Shimmering Evening Light

Lined with light
the twigs are stubby arrows.
A gilded trunk writhes
Upward from the roots,
from the pit of the black tentacles.

In the book of spring
a bare-limbed torso
is the first illustration.

Light teaches the tree
to beget leaves,
to embroider itself all over
with green reality,
until summer becomes
its steady portrait
and birds bring their lifetime
to the boughs.

Then even the corpse
light copies from below
may shimmer, dreaming it feels
the cheeks of blossom.
~May Swenson “April Light”

For over two years, we have been surrounded
by a shimmering corpse light hovering close,
masked and wary when we needed each other most.

Even so, the world is not defeated by death.

An unprecedented illumination
emerged from the tomb on a bright Sabbath morning
to guarantee that
we struggling people,
we who became no more than bare twigs and stubs,
we who feel at times hardly alive,
are now begetting green,
ready to burst into blossom,
our glowing cheeks pink with life,
a picture of our future fruitfulness.

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Make the Call

Just before the green begins there is the hint of green
a blush of color, and the red buds thicken
the ends of the maple’s branches and everything
is poised before the start of a new world,
which is really the same world
just moving forward from bud
to flower to blossom to fruit
to harvest to sweet sleep, and the roots
await the next signal, every signal
every call a miracle and the switchboard
is lighting up and the operators are
standing by in the pledge drive we’ve
all been listening to: Go make the call.
~Stuart Kestenbaum “April Prayer”

The buds have been poised for weeks
and then, as if responding to the conductor’s downstroke,
let go of all their pent up potential~
exploding with energy
enough to carry them to autumn
when again they let go
and are gone.

Rippling of the Land

The air was soft, the ground still cold.
In the dull pasture where I strolled
Was something I could not believe.
Dead grass appeared to slide and heave,
Though still too frozen-flat to stir,
And rocks to twitch and all to blur.
What was this rippling of the land?
Was matter getting out of hand
And making free with natural law,
I stopped and blinked, and then I saw
A fact as eerie as a dream.
There was a subtle flood of steam
Moving upon the face of things.
It came from standing pools and springs
And what of snow was still around;
It came of winter’s giving ground
So that the freeze was coming out,
As when a set mind, blessed by doubt,
Relaxes into mother-wit.
Flowers, I said, will come of it.
~Richard Wilbur “April 5, 1974”

As the ground softens with the warming sun,
so do I.
Winter freeze was comforting
as nothing appeared to change, day after day.

Neither did I,
staying stolid and fixed and frozen.

But now the fixed is flexing its muscles,
steaming in its labor,
greening and growing transformed.

So must I,
giving ground
and birth
to blooms.

Rhubarb Thinking Its Way Up

When I take the chilly tools
from the shed’s darkness, I come
out to a world made new
by heat and light.

Like a mad red brain
the involute rhubarb leaf
thinks its way up
through loam.
~Jane Kenyon from “April Chores”

Over the last two weeks, the garden is slowly reviving, and rhubarb “brains” have been among the first to appear from the garden soil, wrinkled and folded, opening full of potential, “thinking” their way into the April sunlight.

Here I am, wishing my own brain could similarly rise brand new and tender every spring from the dust rather than leathery and weather-toughened, harboring the same old thoughts and patterns. 

Indeed, more wrinkles seem to be accumulating on the outside of my skull rather than the inside.

Still, I’m encouraged by my rhubarb cousin’s return every April.  Like me, it may be a little sour that necessitates sweetening, but its blood courses bright red and it is very very much alive.

Light That Almost Speaks

A Light exists in Spring
Not present on the year
At any other period –
When March is scarcely here


A Color stands abroad
On Solitary Hills
That Science cannot overtake,
But Human Nature feels.


It waits upon the Lawn;
It shows the furthest Tree
Upon the furthest Slope we know;
It almost speaks to you.


Then as Horizons step,
Or Noons report away,
Without the Formula of sound,
It passes, and we stay:


A quality of loss
Affecting our Content,
As Trade had suddenly encroached
Upon a Sacrament.
~Emily Dickinson – 85- Part two: Nature

Maybe it is the particular tilt of the globe on its axis,
or the suffusion of clouds mixing
with the perpetually damp atmosphere
or perhaps the knowledge
darkness no longer claims us

but the lighting of March melting into April
has its own sacred whispering voice.a

We are immersed in it but it belongs
framed on gallery walls for perpetuity
to be admired at any time of the year,
whenever we need the soft cushion of golden pastels.

Surrounded by sacrament without and within,
our life in the Lord
gently glows.