Dropping Leaves on Time

Late in November, on a single night
Not even near to freezing, the ginkgo trees
That stand along the walk drop all their leaves
In one consent, and neither to rain nor to wind
But as though to time alone: the golden and green
Leaves litter the lawn today, that yesterday
Had spread aloft their fluttering fans of light.

What signal from the stars? What senses took it in?
What in those wooden motives so decided
To strike their leaves, to down their leaves,
Rebellion or surrender? and if this
Can happen thus, what race shall be exempt?
What use to learn the lessons taught by time,
If a star at any time may tell us: Now.

~Howard Nemerov “The Consent” from The Collected Poems of Howard Nemerov

So many reasons these days to awake in the night,
eyes wide open, searching the dark seas of trouble
for some sign of hope,
for calm and peace in this stormy world.

When asleep again, I float among abundant
golden gingko leaves, each waving like a sail in the breeze,
before they tumble, swirling, to the ground, forming
deeply cushioned and comforting pools of yellow.

Navigating these brutal times, I am meant to be
anchored within some safer harbor – I treasure
the old ginkgo as it reaches over each cherished child
with its golden cloak of love and protection.

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Remembering Jane

photo of Jane Goodall in 2018, smiling as I came up to give her a hug, courtesy of WWU University Communications

I wasn’t prepared to hear yesterday that my professor, mentor, and friend Dr. Jane Goodall had passed away at age 91, while in the midst of her lecture tour in the United States.

I nearly believed Jane would be immortal; she lived as if she were.
She had a message to deliver and as long as she could, she would. She truly “died in the harness” after decades and decades of traveling the world, recruiting people to her cause to save the world for the next generation of plants, animals and humans, and the next and the next…

She was a born observer and storyteller, able to reach and move us with her verbal and writing ability to help place us in her shoes in the wild as she witnessed what no one else had. This was, of course, aided by Hugo van Lawick’s compelling wildlife photography and video every child of the 1950s and 60s grew up watching.

As a college student taking her class on non-human primate behavior, I was riveted by the content of her course lectures about the work she was doing at Gombe. I hoped I could somehow help in the long-term study there, and was ready to commit to a year of training preparation: recording captive chimpanzee behavior at Stanford, while learning Swahili.

On a spring day in May 1974:

Standing outside a non-descript door in a long dark windowless hallway of offices at the Stanford Medical Center, I took a deep breath and swallowed several times to clear my dry throat. I hoped I had found the correct office, as there was only a number– no nameplate to confirm who was inside.

I was about to meet my childhood hero, someone whose every book I’d read and every TV documentary I had watched. I knocked with what I hoped was the right combination of assertiveness (“I want to be here to talk with you and prove my interest”) and humility (“I hope this is a convenient time for you as I don’t want to intrude”).

I heard a soft voice on the other side say “Come in” so I slowly opened the door.

It was a bit like going through the wardrobe to enter Narnia.

Bright sunlight streamed into the dark hallway as I stepped over the threshold. Squinting, I stepped inside and quickly shut the door behind me as I realized there were at least four birds flying about the room. They were taking off and landing, hopping about feeding on bird seed on the office floor and on the window sill. The windows were flung wide open with a spring breeze rustling papers on the desk. The birds were very happy occupying the sparsely furnished room, which contained only one desk, two chairs and Dr. Jane Goodall.

She stood up and extended her hand to me, saying, quite unnecessarily, “Hello, I’m Jane” and offered me the other chair when I told her my name. She was slighter than she appeared when speaking up at a lectern, or on film. Sitting back down at her desk, she busied herself reading and marking her papers, seemingly occupied for a bit and not to be disturbed.

It was as if I was not there at all.

It was disorienting. In the middle of a bustling urban office complex containing nothing resembling plants or a natural environment, I had unexpectedly stepped into a bird sanctuary instead of sitting down for a job interview. I wasn’t sure what I was supposed to do or say. Jane didn’t really ever look directly at me, yet I was clearly being observed.

So I waited, watching the birds making themselves at home in her office, and slowly feeling more at home myself. I felt my tight muscles start to relax and I loosened my grip on the arms of the chair.

There was silence except for the twittering of the finches as they flew about our heads.

Then she spoke, her eyes still perusing papers:
“It really is the only way I can tolerate being here for any length of time. They keep me company. But don’t tell anyone; the people here at the medical center would think this is rather unsanitary.”

I said the only thing I could think of:
“I think it is magical. It reminds me of home.”

Only then did she look at me.
“Now tell me why you’d like to come work at Gombe…”

The next day I received a note from her letting me know I was accepted for the research assistant-ship to begin a year later, once I had completed all aspects of the training.

I had proven I could sit silently and expectantly, waiting for something, or perhaps nothing at all, to happen. For a farm girl who had never before traveled outside the United States, I had stepped through the wardrobe into Jane’s amazing world, about to embark on an adventure far beyond the barnyard.

(This essay was published in The Jane Effect in 2015 in honor of Jane’s 80th birthday)

giving Jane a hug, courtesy of WWU Communications
45 years since we met in her Stanford office full of wild birds

True to Jane’s tradition of impeccable graciousness, she sent me a hand-written note after her last visit in 2018 when she came to speak at Western Washington University in Bellingham.

I recommend the documentary “Jane” as the best review of Jane’s Gombe work. The Jane Goodall Institute will continue her legacy for decades to come.

The Reason for October


I have been younger in October
than in all the months of spring
walnut and may leaves the color
of shoulders at the end of summer
a month that has been to the mountain
and become light there
the long grass lies pointing uphill
even in death for a reason
that none of us knows
and the wren laughs in the early shade now
come again shining glance in your good time
naked air late morning
my love is for lightness
of touch foot feather
the day is yet one more yellow leaf
and without turning I kiss the light
by an old well on the last of the month
gathering wild rose hips
in the sun

~W.S. Merwin from “The Love of October” from Migration: New & Selected Poems, 2005

Each leaf is beautifully unique,
one of a kind, each shaped and hued differently —
except those more tattered than others,
bespeaking the harshness of
their short existence when
all life surrounding them
seems at risk of being destroyed.

At the end of their allotted life span
they return to the earth from which they came.
And the Creator-God is pleased.
His creations have served the purpose

for which He created them.
Now, they will enrich the soil,
each leaving its own special contribution
toward the next generation

where differences no longer matter.
The unseen birthing and dying mystery continues….
~Alice La Chapelle, in a comment

The wind gusts through shedding branches
stripping them bare,
carrying the leaves
far away, piling up a diverse gathering
they have never known before –
chestnut, cherry, birch, walnut, apple, katsura,
maple, parrotia, pear, oak, poplar, dogwood –
suddenly all sharing the same fate and grave,
each wearing a color of its own,
soon to blend with the others
as all slowly melt to brown.

There is lightness in the letting go,
for reasons none of us knows.

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Follow a Drop’s Path

For this you may see no need,
You may think my aim
Dead set on something

 
Devoid of conceivable value:
An Anthology of Rain,
A collection of voices

 
Telling someone somewhere
What it means to follow a drop
Traveling to its final place of rest.

 
By opening anywhere, a drop
And its story reappear
As air turns to water, water to air.
~Phyllis Levin – excerpt from “An Anthology of Rain”

A drop fell on the apple tree,
Another on the roof;
A half a dozen kissed the eaves,
And made the gables laugh.

A few went out to help the brook,
That went to help the sea.
Myself conjectured, Were they pearls,
What necklaces could be

~Emily Dickinson

At first glance, this soppiness is melancholic.

Yet, when studied up close,
rain droplets glisten like jewels.

The onset of rainy season isn’t all sadness~
there is solace in knowing
the landscape and I share
an inner world of change:
though sodden,
these are the promises of renewal
within our tears.

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Watchers in the Sun

We are walking with the month
To a quiet place.
See, only here and there the gentians stand!
Tonight the homing loon
Will fly across the moon,
Over the tired land. 
We were the idlers and the sowers,
The watchers in the sun,
The harvesters who laid away the grain.
Now there’s a sign in every vacant tree,
Now there’s a hint in every stubble field,
Something we must not forget
When the blossoms fly again.
Give me your hand!


There were too many promises in June.
Human-tinted buds of spring
Told only half the truth.
The withering leaf beneath our feet,
That wrinkled apple overhead,
Say more than vital boughs have said
When we went walking
In this growing place. 
There is something in this hour 
More honest than a flower 
Or laughter from a sunny face.
~Scudder Middleton “Song in the Key of Autumn”

I walk through the scant remainder of September
wistful~~
a witness to the harvest of
unfulfilled spring promises.

Watching sunlit days fade to
blustery rain-filled nights.

I knew the growing season wouldn’t last.
I knew the time to lie fallow would come.

Give me your hand.
We’ll walk through this darkening time together,
waiting, watching,
for, once more, the promises of spring.

Winslow Homer – Veteran in a New Field, Metropolitan Museum of Art, New York City
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Where Spirit Meets the Bone

The mail truck goes down the coast
Carrying a single letter.
At the end of a long pier
The bored seagull lifts a leg now and then
And forgets to put it down.

There is a menace in the air
Of tragedies in the making.
Last night you thought you heard television
In the house next door.
You were sure it was some new
Horror they were reporting,
So you went out to find out.
Barefoot, wearing just shorts.
It was only the sea sounding weary
After so many lifetimes
Of pretending to be rushing off somewhere
And never getting anywhere
.

This morning, it felt like Sunday.
The heavens did their part
By casting no shadow along the boardwalk
Or the row of vacant cottages,
Among them a small church
With a dozen gray tombstones huddled close
As if they, too, had the shivers.
~Charles Simic “Late September” from The Voice at 3:00 a.m.: Selected Late and New Poems 

Have compassion for everyone you meet,
even if they don’t want it. What seems conceit, 

bad manners, or cynicism is always a sign 
of things no ears have heard, no eyes have seen.
You do not know what wars are going on
down there where the spirit meets the bone.

~Miller Williams “Compassion” from The Ways We Touch: Poems

Christians are called by God to be living
so sacrificially and beautifully that the people around us, 
who don’t believe what we believe,
will soon be unable to imagine the world without us.
~Pastor Tim Keller

As we walk this life of trouble and suffering,
this Jericho Road together,
we cannot pass by the brother, the sister, the child
who lies dying in the ditch.

We must stop and help.
We cannot turn away from others’ suffering.

By mere circumstances of our place of birth,
it could be you or me there
bleeding, beaten, abandoned
until Someone, journeying along that road,
comes looking for us.

He was sent to take our place,
as Substitution
so we can get up,
cared for, loved,
made whole again,
and walk Home.

Maranatha.

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Softer Than Rain

Teach me to walk
with tender feet,
as the wild ones do.
Let me be the cinder-glow
of the fox in her burrow, wreathed
around the honey-spark fur
of her sleeping kits.

Let me be the shaded pools
of the doe’s eyes
in winter, when the snow falls,
when the stars lean down to listen,
when the world is darker
and softer
than rain.

Let me be the swallow
after flight, when she is
perched upon the branch
where the petals of the lilacs used to be,
and she is just still, and quiet,
her downy head inclined, as though
she is praying
for their return.

~Kimberly Beck “Tender Feet”

As the weather changes,
softening in the mists of autumn,
I walk each step with careful feet,
my tender heart singing songs in the rain.
I pray for peace in this troubled land,
for protection from harm until spring comes again.

May God grant a gentle night’s sleep for all His creatures.

video by Harry Rodenberger

Lyrics for Aragorn’s Sleepsong:
Lay down your head and I’ll sing you a lullaby
Back to the years of loo-li lai-lay
And I’ll sing you to sleep and I’ll sing you tomorrow

Bless you with love for the road that you go
May you sail far to the far fields of fortune
With diamonds and pearls at your head and your feet
And may you need never to banish misfortune

May you find kindness in all that you meet
May there always be angels to watch over you
To guide you each step of the way
To guard you and keep you safe from all harm
Loo-li, loo-li, lai-lay

May you bring love and may you bring happiness
Be loved in return to the end of your days
Now fall off to sleep, I’m not meaning to keep you
I’ll just sit for a while and sing loo-li, lai-lay

May there always be angels to watch over you
To guide you each step of the way
To guard you and keep you safe from all harm
Loo-li, loo-li, lai-lay

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Heavens’ Embroidered Cloths

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To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the Palm of your Hand,
and Eternity in an Hour.

When the Soul Slept in Beams of Light 
God Appears & God is Light
To those poor Souls who dwell in Night 
But does a Human Form Display
To those who Dwell in Realms of day
~William Blake from “Auguries of Innocence”

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Had I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
~William Butler Yeats “Aedh Wishes for the Cloths of Heaven”

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If I look closely enough underfoot,
I might find the extraordinary
in the commonplace things of life.

So I keep my eyes alert;
my heart open to infinite possibilities
and try to tread softly.

Sometimes what I see is so beautiful,
it is uncovering heaven come to earth,
when the cosmos is contained
within the commonplace.

The God of Light and Living Water
is no further away
than my back yard.

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A Thing or Two

My father always knew the secret
name of everything—
stove bolt and wing nut,
set screw and rasp, ratchet
wrench, band saw, and ball—
peen hammer. He was my
tour guide and translator
through that foreign country
with its short-tempered natives
in their crewcuts and tattoos,
who suffered my incompetence
with gruffness and disgust.
Pay attention, he would say,
and you’ll learn a thing or two.


Now it’s forty years later,
and I’m packing up his tools
(If you know the proper
names of things you’re never
at a loss)
 tongue-tied, incompetent,
my hands and heart full
of doohickeys and widgets,
whatchamacallits, thingamabobs.

~Ronald Wallace “Hardware” from Time’s Fancy

“Hold on,” she said, “I’ll just run out and get him.
The weather here’s so good, he took the chance
To do a bit of weeding.”


So I saw him
Down on his hands and knees beside the leek rig,
Touching, inspecting, separating one
Stalk from the other, gently pulling up
Everything not tapered, frail and leafless,
Pleased to feel each little weed-root break,
But rueful also . . . 


Then found myself listening to
The amplified grave ticking of hall clocks
Where the phone lay unattended in a calm
Of mirror glass and sunstruck pendulums . . . 


And found myself then thinking: if it were nowadays,
This is how Death would summon
Everyman.

Next thing he spoke and I nearly said I loved him.
~Seamus Heaney “A Call” from ‘Poems That Make Grown Men Cry’

Between my finger and my thumb   
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound   
When the spade sinks into gravelly ground: 
  

My father, digging. I look down
By God, the old man could handle a spade.
   

Just like his old man.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

~Seamus Heaney from “Digging” from Death of a Naturalist

My father was a complex man. As I’ve aged, I understand better where my own complicated nature comes from.

As inscrutable as he could be, there were things I absolutely understood about him:

he was a man of action
– he never just sat, never took a nap, never wasted a day of his life without accomplishing something tangible.

he was a man of the soil
– he plowed and harrowed and sowed and fertilized and weeded and cut brush and harvested

he was a man of inventiveness
– he figured out a better way, he transformed tools and buildings, he started from scratch and built the impossible

he didn’t explain himself
– and never felt the need to.

Time keeps ticking on without him here, now 30 years since he took his last breath as the clock pendulum swung back and forth in his bedroom. He was taken too young for all the projects he still had in mind.

He handed off a few to me.
Some I have done.
Some still wait, I’m not sure why.

My regret is not understanding how much he needed to hear how loved he was. He seemed fine without it being said.

But he wasn’t fine. And neither was I.

I wish I had said it when I had the chance.
I guess I am digging it out from the soil of my heart now.

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As Leaf Subsides to Leaf

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf,
So Eden sank to grief,
So dawn goes down to day
Nothing gold can stay.
~Robert Frost “Nothing Gold Can Stay”

Stay gold, Ponyboy, stay gold.
~S.E. Hinton from The Outsiders

Man’s innocence was lost
the moment we chose
knowledge over obedience.

The gold in our creation
sinks to grief as
we continue to make the same mistakes
again and again;

each dawn reenacts our beginnings
as leaf subsides to leaf
and each winter our endings.

Our only salvage is rescue
borne of selflessness,
an obedience beyond imagining.

Christ stays gold for us;
we rise illuminated like dawn.

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