Through Many Dangers, Toils, and Snares…

Eighteen years ago this week, a college student was brought to our university health clinic by his concerned roommates, as he seemed to be getting sicker with that winter’s seasonal influenza. His family gave permission for his story to be told.

Nothing was helping.  Everything had been tried for a week of the most intensive critical care possible.  A twenty year old man – completely healthy only two weeks previously – was dying and nothing could stop it.

The battle against a sudden MRSA (Methicillin Resistant Staph Aureus) pneumonia precipitated by a routine seasonal influenza infection had been lost. Despite aggressive hemodynamic, antibiotic, antiviral and ventilator management, he was becoming more hypoxic and his renal function was deteriorating.  He was no longer responsive to stimuli.

The intensivist looked weary and defeated. The nurses were staring at their laps, unable to look up, their eyes tearing. The hospital chaplain reached out to hold this young man’s mother’s shaking hands.

After a week of heroic effort and treatment, there was now clarity about the next step.

Two hours later, a group gathered in the waiting room outside the ICU doors. The average age was about 21; they assisted each other in tying on the gowns over their clothing, distributed gloves and masks. Together, holding each other up, they waited for the signal to gather in his room after the ventilator had been removed and he was breathing without assistance. They entered and gathered around his bed.

He was ravaged by this sudden illness, his strong body beaten and giving up. His breathing was now ragged and irregular, sedation preventing response but not necessarily preventing awareness. He was surrounded by silence as each individual who had known and loved him struggled with the knowledge that this was the final goodbye.

His father approached the head of the bed and put his hands on his boy’s forehead and cheek.  He held this young man’s face tenderly, bowing in silent prayer and then murmuring words of comfort:

It is okay to let go. It is okay to leave us now.
We will see you again. We’ll meet again.
We’ll know where you will be.

His mother stood alongside, rubbing her son’s arms, gazing into his face as he slowly slowly slipped away. His father began humming, indistinguishable notes initially, just low sounds coming from a deep well of anguish and loss.

As the son’s breaths spaced farther apart, his dad’s hummed song became recognizable as the hymn of praise by John Newton, Amazing Grace.  The words started to form around the notes. At first his dad was singing alone, giving this gift to his son as he passed, and then his mom joined in as well. His sisters wept. His friends didn’t know all the words but tried to sing through their tears. The chaplain helped when we stumbled, not knowing if we were getting it right, not ever having done anything like this before.

Amazing Grace, how sweet the sound,
That saved a wretch like me.
I once was lost but now am found,
Was blind, but now I see.

Through many dangers, toils and snares
I have already come;
‘Tis Grace that brought me safe thus far
and Grace will lead me home.

Yea, when this flesh and heart shall fail,
And mortal life shall cease,
I shall possess within the veil,
A life of joy and peace.

When we’ve been here ten thousand years
Bright shining as the sun.
We’ve no less days to sing God’s praise
Than when we’ve first begun.

And he left us.

His mom hugged each sobbing person there–the young friends, the nurses, the doctors humbled by powerful pathogens. She thanked each one for being present for his death, for their vigil kept through the week in the hospital as his flesh and heart had failed.

This young man, now lost to this mortal life, had profoundly touched people in a way he could not have ever predicted or expected. His parents’ grief, so gracious and giving to the young people who had never confronted death before, remains unforgettable.

This was their sacred gift to their son – so Grace could lead him home.

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Trying to Call You

Was it worthwhile to paint so fair
The every leaf – to vein with faultless art
Each petal, taking the boon light and air
Of summer so to heart?

To bring thy beauty unto a perfect flower,
Then like a passing fragrance or a smile
Vanish away, beyond recovery’s power –
Was it, frail bloom, worthwhile?

Thy silence answers: “Life was mine!
And I, who pass without regret or grief,
Have cared the more to make my moment fine,
Because it was so brief.

In its first radiance I have seen
The sun! – Why tarry then till comes the night?
I go my way, content that I have been
Part of the morning light!”
~Florence Earle Coates “The Morning Glory”

“. . . God does not leave us comfortless.”
Jane Kenyon

We weren’t done talking yet.
So I am trying to call you using the morning glories,
whose blue mouths are open to the sky,
whose throats are white stars,
thinking those tendrils could trellis upward,
hand over little green hand, so tenacious,
they hang on in any storm,
forgetting that the quick slap of frost
will put out those blue lights,
that the seasons will snap shut like a purse,
that this old blue world will keep on spinning,
without you.
~Barbara Crooker “Without You” from Line Dance

NASA photo

Vigil at my Mother’s bedside…

Lying still, your mouth gapes open as
I wonder if you breathe your last.
Your hair a white cloud
Your skin baby soft
No washing, digging, planting gardens
Or raising children
Anymore.

Where do your dreams take you?
At times you wake in your childhood home of
Rolling wheat fields, boundless days of freedom.
Other naps take you to your student and teaching days
Grammar and drama, speech and essays.
Yesterday you were a young mother again
Juggling babies, farm and your wistful dreams.

Today you looked about your empty nest
Disguised as hospital bed,
Wondering aloud about
Children grown, flown.
You still control through worry
and tell me:
Travel safely
Get a good night’s sleep
Take time to eat
Call me when you get there

I dress you as you dressed me
I clean you as you cleaned me
I love you as you loved me
You try my patience as I tried yours.
I wonder if I have the strength to
Mother my mother
For as long as she needs.

When I tell you the truth
Your brow furrows as it used to do
When I disappointed you~
This cannot be
A bed in a room in a sterile place
Waiting for death
Waiting for heaven
Waiting

And I tell you:
Travel safely
Eat, please eat
Sleep well
Call me when you get there.

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One Small Cry

The children have gone to bed.
We are so tired we could fold ourselves neatly
behind our eyes and sleep mid-word, sleep standing
warm among the creatures in the barn, lean together
and sleep, forgetting each other completely in the velvet,
the forgiveness of sleep.

Then the one small cry:
one strike of the match-head of sound:
one child’s voice:
and the hundred names of love are lit
as we rise and walk down the hall.

One hundred nights we wake like this,
wake out of our nowhere
to kneel by small beds in darkness.
One hundred flowers open in our hands,
a name for love written in each one.
~Annie Lighthart,“The Hundred Names of Love” from Iron String

I thought I had forgotten how to wake to the sound of a baby’s cry or a child’s voice calling out in the night.

I thought I wouldn’t remember how to gently open their bedroom door, entering their darkness from my own darkness, sorting out what was distressing them, sensing how to soothe them back to slumber, wondering if I might sing or pray the words they needed to hear, bringing a blossoming peace and stillness to their night.

When our son’s family arrived three years ago from thousands of miles away, staying with us until they could settle in their own place, I was reminded my nights were never meant to be mine alone.

As a child myself, I had such frequent night-wakenings that I’m sure my mother despaired that I would ever sleep through the night. She would come when I called, sitting beside my bed, rubbing my back until I forgot what woke me in the first place. She was patient and caring despite her own weariness, sleep problems and worriedness. She loved me and forgave me for needing her presence in the night; her nights were never her own.

So I too responded with compassion when my own children called out in the night. As part of my doctoring life, I woke regularly to phone calls from the ER or hospital and from patients during forty-two years of medical practice; I listened and tried my best to answer anxious questions with gentle understanding.

And when a grandchild sleeps here overnight, I’m on call again, remembering the sweetness of someone responding in the dark; the fears of the night need the promise of the Lord staying with us until the new day comes, usually only a few hours away.

Little child, be not afraid
Though rain pounds harshly against the glass
Like an unwanted stranger, there is no danger
I am here tonight

Little child, be not afraid
Though thunder explodes and lightning flash
Illuminates your tear-stained face
I am here tonight

And someday you’ll know
That nature is so
The same rain that draws you near me
Falls on rivers and land
On forests and sand
Makes the beautiful world that you’ll see
In the morning

Little child, be not afraid
Though storm clouds mask your beloved moon
And its candlelight beams, still keep pleasant dreams
I am here tonight

Little child, be not afraid
Though wind makes creatures of our trees
And their branches to hands, they’re not real, understand
And I am here tonight

And someday you’ll know
That nature is so
The same rain that draws you near me
Falls on rivers and land
On forests and sand
Makes the beautiful world that you’ll see
In the morning

For you know, once even I was a
Little child, and I was afraid
But a gentle someone always came
To dry all my tears, trade sweet sleep for fears
And to give a kiss goodnight

Well now I am grown
And these years have shown
That rain’s a part of how life goes
But it’s dark and it’s late
So I’ll hold you and wait
‘Til your frightened eyes do close

And I hope that you’ll know
That nature is so
The same rain that draws you near me
Falls on rivers and land
On forests and sand
Makes the beautiful world that you’ll see
In the morning

Everything’s fine in the morning
The rain’ll be gone in the morning
But I’ll still be here in the morning

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A Snowdrift Baby Who is Mending Hearts

May the wind always be in her hair
May the sky always be wide with hope above her
And may all the hills be an exhilaration
the trials but a trail,
all the stones but stairs to God.

May she be bread and feed many with her life and her laughter
May she be thread and mend brokenness and knit hearts…
~Ann Voskamp from “A Prayer for a Daughter”

Nate and Ben and brand new baby Lea
Daddy and Lea
Mommy and Lea

“I have noticed,” she said slowly, “that time does not really exist for mothers, with regard to their children. It does not matter greatly how old the child is – in the blink of an eye, the mother can see the child again as she was when she was born, when she learned to walk, as she was at any age — at any time, even when the child is fully grown….”
~Diana Gabaldon from Voyager

Just checking to see if she is real…

Your rolling and stretching had grown quieter that stormy winter night
thirty-three years ago, but still no labor came as it should.

Already a week overdue post-Christmas,
you clung to amnion and womb, not yet ready.
Then as the wind blew more wicked
and snow flew sideways, landing in piling drifts,
the roads became more impassable, nearly impossible to traverse.

So your dad and I tried to drive to the hospital,
concerned about your stillness and my advanced age,
worried about being stranded on the farm far from town.
When a neighbor came by tractor to stay with your brothers overnight,
we headed down the road and our car got stuck in a snowpile
in the deep darkness, our tires spinning, whining against the snow.

Another neighbor’s earth mover dug us out to freedom.

You floated silent and still, knowing your time was not yet.

Creeping slowly through the dark night blizzard,
we arrived to the warm glow of the hospital,
your heartbeat checked out steady, all seemed fine.

I slept not at all.

The morning’s sun glistened off sculptured snow as
your heart ominously slowed.
You and I were jostled, turned, oxygenated, but nothing changed.
Your heart beat even more slowly,
threatening to let go your tenuous grip on life.

The nurses’ eyes told me we had trouble.
The doctor, grim faced, announced
delivery must happen quickly,
taking you now, hoping we were not too late.
I was rolled, numbed, stunned,
clasping your father’s hand, closing my eyes,
not wanting to see the bustle around me,
trying not to hear the shouted orders,
the tension in the voices,
the quiet at the moment of opening
when it was unknown what would be found.

And then you cried. A hearty healthy husky cry,
a welcomed song of life uninterrupted.
Perturbed and disturbed from the warmth of womb,
to the cold shock of a bright lit operating room,
your first vocal solo brought applause
from the surrounding audience who admired your purplish pink skin,
your shock of damp red hair, your blue eyes squeezed tight,
then blinking open, wondering and wondrous,
emerging and saved from a storm within and without.

You were brought wrapped for me to see and touch
before you were whisked away to be checked over thoroughly,
your father trailing behind the parade to the nursery.
I closed my eyes, swirling in a brain blizzard of what-ifs.

If no snow storm had come,
you would have fallen asleep forever within my womb,
no longer nurtured by my failing placenta,
cut off from what you needed to stay alive.
There would have been only our soft weeping,
knowing what could have been if we had only known,
if only God had provided a sign to go for help.

So you were saved by a providential storm sent from God
and we were dug out from a drift:
I celebrate whenever I hear your voice –
your students love you as their teacher and mentor,
you are a thread born to knit and mend hearts,
all because of the night God sent drifting snow.

My annual retelling of a most remarkable day::
Thirty-three years ago today, our daughter Lea Gibson was born in an emergency C-section, hale and hearty because the good Lord sent a wind and snow storm to blow us into the hospital in time to save her.

Thanks to that blizzard, Lea is a school teacher, serves the youth ministry in her church, and will soon receive her Masters in School Counseling.

She is married to her true love Brian– he also is a blessing sent from the Lord. Together they have their own miracle child, happily born in the middle of the summer rather than snow-drift season.

The Lord wanted her in this world:
May she be bread and feed many with her life and her laughter
May she be thread and mend brokenness and knit hearts…

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Clinging to the Present Out of Wariness of the Past

I wondered if that was how forgiveness budded;
not with the fanfare of epiphany,
but with pain gathering its things, packing up,
and slipping away unannounced in the middle of the night.

— Khaled Hosseini from 
The Kite Runner

The time is ripe for looking back over the day, the week, the year, and trying to figure out where we have come from and where we are going to, for sifting through the things we have done and the things we have left undone for a clue to who we are and who, for better or worse, we are becoming.

We cling to the present out of wariness of the past.

But there is a deeper need yet, I think, and that is the need—not all the time, surely, but from time to time—to enter that still room within us all where the past lives on as a part of the present, where the dead are alive again, where we are most alive ourselves to turnings and to where our journeys have brought us.

The name of the room is Remember—the room where with patience, with charity, with quietness of heart, we remember consciously to remember the lives we have lived.
~Frederick Buechner from A Room Called Remember

age nine
age 14
age 15

Something went wrong, says the empty house
in the weed-choked yard. Stones in the fields
say he was not a farmer; the still-sealed jars
in the cellar say she left in a nervous haste.
And the child? Its toys are strewn in the yard
like branches after a storm—a rubber cow,
a rusty tractor with a broken plow,
a doll in overalls. Something went wrong, they say.

~Ted Kooser, from “Abandoned Farmhouse” from Sure Signs: New and Selected Poems. 

In 1959, when I was five years old, my father took a new job so our family moved from a large 3 story farm house in a rural community to a 1950’s newer rambler-style home just outside the city limits of the state capitol.

It was a big adjustment to move to a much smaller house without a basement or upper story, no garage, and no large haybarn nor chicken coop. It meant most things we owned didn’t make the move with us.

The rambler had two side-by-side mirror image rooms as the primary central living space between the kitchen/dining area on one side and the hallway to the bedrooms on the other. The living room could only be entered through the front door and the family room was accessed through the back door with a shared sandstone hearth in the center, containing a fireplace in each room. The only opening between the rooms had a folding door shut most of the year. In December, the door was opened to accommodate a Christmas tree, so it sat partially in the living room and depending on its generous width, spilled over into the family room.  That way it was visible from both rooms, and didn’t take up too much floor space.

The living room, because it contained the only carpeting in the house, and our “best” furniture, was strictly off-limits. In order to keep our two matching sectional knobby gray fabric sofas,  a green upholstered chair and gold crushed velvet covered love seat in pristine condition, the room was to be avoided unless we had company. The carpet was never to develop a traffic pattern, there would be no food, beverage, or pet ever allowed in that room, and the front door was not to be used unless a visitor arrived. The hearth never saw a fire lit on that side because of the potential of messy ashes or smoke smell.

This was not a room for toys or games. The chiming clock next to the hearth, wound with weighted cones on the end of chains, called out the hours without an audience.

One week before Christmas, a tree was chosen to fit in the space where it could overflow into the family room. I particularly enjoyed decorating the “family room” side of the tree, using all my favorite ornaments that were less likely to break if they fell on the linoleum floor on that side of the door.

It was almost as if the Christmas tree itself became divided, with a “formal” side in the living room and a “real life” face on the other side where the living (and hurting) was actually taking place.

The tree straddled more than just two rooms. Every year that tree’s branches reached out to shelter a family that was slowly, almost imperceptibly, falling apart, like the fir needles dropping to the floor to be swept away.

Something was going wrong, only I didn’t see it at the time.

Each year since, our Christmas tree, bearing those old ornaments from my childhood, reminds me of that still room of memories. 

No longer am I wary of the past. As I sweep up the fir needles that inevitably drop, I no longer weep.

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An Advent Threshold: When All the Doors are Opened

Bethlehem in Germany,
Glitter on the sloping roofs,
Breadcrumbs on the windowsills,
Candles in the Christmas trees,
Hearths with pairs of empty shoes:
Panels of Nativity
Open paper scenes where doors
Open into other scenes,
Some recounted, some foretold.
Blizzard-sprinkled flakes of gold
Gleam from small interiors,
Picture-boxes in the stars
Open up like cupboard doors
In a cabinet Jesus built.

Leaning from the cliff of heaven,
Indicating whom he weeps for,
Joseph lifts his lamp above
The infant like a candle-crown.
Let my fingers touch the silence
Where the infant’s father cries.
Give me entrance to the village
From my childhood where the doorways
Open pictures in the skies.
But when all the doors are open,
No one sees that I’ve returned.
When I cry to be admitted,
No one answers, no one comes.
Clinging to my fingers only
Pain, like glitter bits adhering,
When I touch the shining crumbs.
~Gjertrud Schnackenberg,from “Advent Calendar” from Supernatural Love: Poems 1976-1992. 

He will come like last leaf’s fall.
One night when the November wind
has flayed the trees to the bone, and earth
wakes choking on the mould,
the soft shroud’s folding.

He will come like frost.
One morning when the shrinking earth
opens on mist, to find itself
arrested in the net
of alien, sword-set beauty.

He will come like dark.
One evening when the bursting red
December sun draws up the sheet
and penny-masks its eye to yield
the star-snowed fields of sky.

He will come, will come,
will come like crying in the night,
like blood, like breaking,
as the earth writhes to toss him free.
He will come like child.

~Rowan Williams “Advent Calendar”

Who has not considered Mary
And who her praise would dim,
But what of humble Joseph
Is there no song for him?

If Joseph had not driven
Straight nails through honest wood
If Joseph had not cherished
His Mary as he should;

If Joseph had not proved him
A sire both kind and wise
Would he have drawn with favor
The Child’s all-probing eyes?

Would Christ have prayed, ‘Our Father’
Or cried that name in death
Unless he first had honored
Joseph of Nazareth ?
~Luci Shaw “Joseph The Carpenter”

The hero of the story this season is the man in the background of each creche, the old master Nativity paintings, and the Advent Calendar doors that open each day.

He is the adoptive father
who does the right thing rather than what he has legal right to do,
who listens to his dreams and believes,
who leads the way over dusty roads to be counted,
who searches valiantly for a suitable place to stay,
who does whatever he can to assist her labor,
who stands tall over a vulnerable mother and infant
while the poor and curious pour out of the hills,
the wise and foreign appear bringing gifts,
who takes his family to safety when the innocents are slaughtered.

He is only a carpenter, not born for heroics,
but strong and obedient,
stepping up when called.

He is a humble man teaching his son a living,
until his son leaves to save the dying.

This man Joseph is the Chosen father,
the best Abba a God could possibly hope for.

My 2025 Advent theme:
On the threshold between day and night

On that day there will be neither sunlight nor cold, frosty darkness. 
It will be a unique day—a day known only to the Lord—

with no distinction between day and night. 
When evening comes, there will be light.
Zechariah 14:6-7

So once in Israel love came to us incarnate, stood in the doorway between two worlds, and we were all afraid.
~Annie Dillard in Teaching a Stone to Talk

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A Thing or Two

My father always knew the secret
name of everything—
stove bolt and wing nut,
set screw and rasp, ratchet
wrench, band saw, and ball—
peen hammer. He was my
tour guide and translator
through that foreign country
with its short-tempered natives
in their crewcuts and tattoos,
who suffered my incompetence
with gruffness and disgust.
Pay attention, he would say,
and you’ll learn a thing or two.


Now it’s forty years later,
and I’m packing up his tools
(If you know the proper
names of things you’re never
at a loss)
 tongue-tied, incompetent,
my hands and heart full
of doohickeys and widgets,
whatchamacallits, thingamabobs.

~Ronald Wallace “Hardware” from Time’s Fancy

“Hold on,” she said, “I’ll just run out and get him.
The weather here’s so good, he took the chance
To do a bit of weeding.”


So I saw him
Down on his hands and knees beside the leek rig,
Touching, inspecting, separating one
Stalk from the other, gently pulling up
Everything not tapered, frail and leafless,
Pleased to feel each little weed-root break,
But rueful also . . . 


Then found myself listening to
The amplified grave ticking of hall clocks
Where the phone lay unattended in a calm
Of mirror glass and sunstruck pendulums . . . 


And found myself then thinking: if it were nowadays,
This is how Death would summon
Everyman.

Next thing he spoke and I nearly said I loved him.
~Seamus Heaney “A Call” from ‘Poems That Make Grown Men Cry’

Between my finger and my thumb   
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound   
When the spade sinks into gravelly ground: 
  

My father, digging. I look down
By God, the old man could handle a spade.
   

Just like his old man.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

~Seamus Heaney from “Digging” from Death of a Naturalist

My father was a complex man. As I’ve aged, I understand better where my own complicated nature comes from.

As inscrutable as he could be, there were things I absolutely understood about him:

he was a man of action
– he never just sat, never took a nap, never wasted a day of his life without accomplishing something tangible.

he was a man of the soil
– he plowed and harrowed and sowed and fertilized and weeded and cut brush and harvested

he was a man of inventiveness
– he figured out a better way, he transformed tools and buildings, he started from scratch and built the impossible

he didn’t explain himself
– and never felt the need to.

Time keeps ticking on without him here, now 30 years since he took his last breath as the clock pendulum swung back and forth in his bedroom. He was taken too young for all the projects he still had in mind.

He handed off a few to me.
Some I have done.
Some still wait, I’m not sure why.

My regret is not understanding how much he needed to hear how loved he was. He seemed fine without it being said.

But he wasn’t fine. And neither was I.

I wish I had said it when I had the chance.
I guess I am digging it out from the soil of my heart now.

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That’s You

She wasn’t looking
when they took this picture:
sitting on the grass
in her bare feet
wearing a cotton dress,
she stares off to the side
watching something on the lawn
the camera didn’t catch.
What was it?
A ladybug? A flower?
Judging from her expression,
possibly nothing at all,
or else
the lawn was like a mirror,
and she sat watching herself,
wondering who she was
and how she came to be there
sitting in this backyard,
wearing a cheap, white dress,
imagining that tomorrow
would be like all her yesterdays,
while her parents chatted
and watched, as I do
years later,
too distantly to interfere.
~Dana Gioia, “Photograph of My Mother as a Young Girl” from Daily Horoscope

Seeing photos
of ancestors
a century past

is like looking
at your own
fingerprints—

circles 
and lines
you can’t 
recognize

until someone else
with a stranger’s eye
looks close and says
that’s you.
~Joseph Bruchac, “Prints” from Sing: Poetry from the Indigenous Americas.

Growing up, it was never obvious to me that I looked like either one of my parents. Once, as a naughty kid, I told them I thought I was adopted as there wasn’t a single photo to be found of my mother looking pregnant (never mind that few women in the 50’s allowed themselves to be photographed pregnant).

Searching the faces of extended family in old photographs, others would comment on the facial similarities between my young mother and me.

And indeed, the older I have become, the more I see my mother looking back at me in the mirror.

The characteristics I inherited from my father aren’t as obvious in the mirror: his persistence and problem-solving, his inability to ever fully relax, his drive to get things done and not give up.

So, yes, that is me in the photos of my mother taken nearly a century ago, as well as those taken not so long ago.

I now recognize me in those photos, grateful to resemble such a loving and lovely mom.

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The Healing Crack in the Coil

Needing them still, I come
when I can, this time to the sea
where we share a room: their double bed,
my single. Morning fog paints the pale
scene even paler. Lace curtains breathing,
the chenille spread folded back,
my father’s feet white sails furled
at the edge of blue pajamas.
Every child’s dream, a parent
in each hand, though this child is fifty.
Their bodies fit easily, with room
to spare. When did they grow
so small? Grow so small—
as if it were possible to swell
backwards into an earlier self.


One more year, I ask the silence.
Last night to launch myself
into sleep I counted their breaths, the tidal
rise and fall I now put my ear to,
the coiled shell of their lives.
~Rebecca McClanahan from “Watching my Parents Sleeping Beside an Open Window Near the Sea” from Deep Light: New and Selected Poems.

“Her Room” by Andrew Wyeth in the Farnsworth Art Museum

My parents have been gone now for some time, my father 30 years, my mother, nearly 17 years. Their dying was a long process of counted breaths and pauses. I witnessed their bodies curling into themselves, shrinking smaller, worn down by illness and age.

I still miss them as I’m reminded of them by the events of my own life, still wanting them to take me by the hand as I navigate my own daily path.

After mom’s death, those possessions not distributed to family members have remained packed up and stored in our barn buildings. I know it is well past time to deal with their stuff as I become keenly aware of my own graying and aging.

In the house, next to where I write, is a box of over 500 letters written by my mother and father between 1941 and 1945. The letters began as they were getting to know each other at college, going from “pinned” to “engaged” and continue for three and a half more years after a hurried wedding Christmas Eve 1942. By mid-January 1943, my newly minted Marine officer father shipped out to spend the next three years of his life fighting on the battlefields of Saipan, Tinian and Tarawa in the Pacific Ocean, not to return again to the states until late summer of 1945.

My mother wrote her letters from the small rural eastern Washington community of Colville, living in a “teachers’ cottage” with other war wives who taught school while waiting for their husbands to return home – or not.

It took me a decade to find the courage and time to devote to reading these letters they treasured and never threw away. I sorted them unopened by postmark date into some semblance of order and sat down to start at the very beginning, which, of course, is my beginning as well. I opened each one with some trepidation and a lump in my throat about what I might find written there. I worried I may find things I didn’t want to know. I hoped I would find things that I desperately needed to know.

Most of all I wanted to understand the two people who became my parents within the coiled shell of their forty years together, though broken by a painful divorce which lasted a decade. Having lived through that awful time with them, I want to understand the origin of a love which eventually mended their cracked shell of companionship, gluing them back together for five more years before my father died.

As I ponder their words, I too cross a bridge back to them both, my ear pressed to the coiled shell of those fading voices, as if I might still hear the sea, at times bringing them closer, then pulling them farther away.

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The Irony of the Search

On Sundays,
when the rain held off,
after lunch or later,
I would go with my twelve year old
daughter into town,
and put down the time
at junk sales, antique fairs.

There I would
lean over tables,
absorbed by
lace, wooden frames,
glass. My daughter stood
at the other end of the room,
her flame-coloured hair
obvious whenever—
which was not often—


I turned around.
I turned around.
She was gone.
Grown. No longer ready
to come with me, whenever
a dry Sunday
held out its promises
of small histories. Endings.


Spirit of irony,
my caustic author
of the past, of memory,—


and of its pain, which returns
hurts, stings—reproach me now,
remind me
that I was in those rooms,
with my child,
with my back turned to her,
searching—oh irony!—
for beautiful things.

~Eavan Boland from “The Necessity for Irony” in The Lost Land.

How is it we look past the golden treasure
right in front of us,
the beauty gifted generously to us,
to pursue the glittery with no value in the long run?

If my history of misplaced focus be forgiven,
it is only because of your own golden and generous grace –
ironically, always the most beautiful object of my searching.

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