Come and See: Grasping a Rainbow of Words

The true harvest of my daily life is somewhat as intangible and indescribable as the tints of morning or evening.  It is a little star-dust caught, a segment of the rainbow which I have clutched.
~Henry David Thoreau
from Walden

In the beginning was the Word, 
and the Word was with God, 
and the Word was God.

John 1:1

Painting the indescribable with words necessitates subtlety, sound and rhythm.

The best word color portraits I know are by Gerard Manley Hopkins who created pictures through startling word combinations: 

“crimson-cresseted”,
“couple-colour”,
“rose-moles”,
“fresh-firecoal”,
“adazzle, dim”,
“dapple-dawn-drawn”,
“blue-bleak embers”,
“gash gold-vermillion”.

I understand how difficult it is to harvest daily life using ordinary words. Like grasping ephemeral star trails or the transient rainbow that moves away as I approach, what I hold on the page is intangible —
yet nevertheless very real.

I keep reaching for understanding, searching for the best words to share here: those that are ephemeral color yet eternal, and very very real.

After all, in the beginning was the Word, and there is no better place to start with its promise.

I’ll be reading slowly through the words in the Book of John over the next year. Once a week, I will invite you to “come and see” what those words might mean as we explore the promise together.

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Time to Say Grace

You say grace before meals. All right. But I say grace before the concert and the opera, and grace before the play and pantomime, and grace before I open a book, and grace before sketching, painting, swimming, fencing, boxing, walking, playing, dancing and grace before I dip the pen in the ink.
~G.K. Chesterton

Norman Rockwell’s 1951 painting Saying Grace

Chesterton has it right.  No matter what I embark on, I should say grace first.  Even my breathing, my waking, and my sleeping. Even the brilliance right outside my back door.

Continual and constant thanks and praise to the Creator for all things bright and beautiful, and helping us through the dark times. 

Instead I am plagued with inconstancy and inconsistency, with a stubborn tendency to take it all for granted.

As I “dip pen in ink” this morning, join me in saying grace:

He is worthy. Amen and Amen.

Even more so.  Ever more now.

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A Halloween Forty Years Ago

In the quiet misty morning
When the moon has gone to bed
When the sparrows stop their singing
And the sky is clear and red
When the summer ceased it’s gleaming
When the corn is past its prime
When adventures lost its meaning
I’ll be homeward-bound in time
~Marta Keen from “Homeward Bound”

On Halloween day in 1985, I packed up a roll-up mattress pad, grabbed one lonely pumpkin from our small garden, locked our rental house door for the last time, then climbed in my car to head two hours north out of Seattle.

I don’t recall looking back in the rear view mirror at the skyline after nine years living in the city. My husband had moved to Whatcom County two months earlier to start his new job. I had stayed behind to wrap up my Group Health family practice in the Rainier Valley of central Seattle.

I was leaving the city for our new rural home and a very uncertain professional future.

I knew two things for sure: I was finally several months pregnant after a miscarriage and two years of trying to conceive, so our family was on its way, and we were going to live in our own house with a few acres and a barn.

A real (sort of) starter farm and starter family, a dream we both shared.
Our home sits in the midst of woods and corn fields, with deer strolling through the fields at dawn, coyotes howling at night, Canadian geese and trumpeter swans calling from overhead and salmon thriving in nearby streams. The snowy Cascades greet us in the morning to the east, the Canadian Coastal range majestic to the north and not far to the west, the Salish Sea/Puget Sound.

Since it wouldn’t be a farm without animals, I stopped at the first pet store I drove past and found two tortoise shell calico kitten sisters peering up at me, just waiting for new adventures in farmland. Their box was packed into the one spot left beside me in my little Mazda.

With that simple commitment to raise and nurture those kittens alongside the life growing inside me, life seemed very complete.

I will never forget the freedom I felt on that drive north. The highway seemed more open, the fall colors more vibrant, the wind more energizing, our baby kicking my belly, the kittens mewing from their box. There seemed so much potential even though I had just left behind the greatest family practice found in any urban setting (at the time, it was the most ethnically diverse zip code in the United States) with patients from all over the world: alongside the multi-racial inner city population living in subsidized housing developments, my patients included Muslim immigrants from the Middle East and Indonesia, Orthodox Jews, Italian Catholics, and refugees from Cambodia, Laos, and Vietnam.

I will never know so much variety of ethnic background and perspective again. If I could have packed them all into my little car and driven them north with me, I would have.

Despite what I was leaving behind, there was certainly a feeling of freedom that rainy Halloween day as the big city disappeared in the rear view mirror.

No longer would I sit captive in freeway rush-hour bumper to bumper traffic jams. I traded that for a new rural commute winding through farm fields while watching eagles fly overhead. I could become part of a community in a way I never could manage in the city, visiting with friends at the grocery store, playing piano and teaching Sunday School at church and serving on various community boards.

After the new kittens, dubbed Nutmeg and Oregano, arrived on our farm, we added even more diversity: a Belgian Tervuren dog Tango, a Haflinger horse Greta, Toggenburg goats Tamsin and her kids, a few Toulouse geese, Araucana chickens, Fiona the Scottish Highland cow, then another Haflinger Hans and another, Tamara. I worked as a fill-in doctor in four different clinics before our first baby was born, then settled into part-time practice in several different clinics for most of my career.

With those new commitments, life was fulfilling and busy – we soon added a little brother and seven years later, a sister. Then it felt like our family was complete.

Forty years later, our children have grown and gone to homes of their own, all married to wonderful spouses, raising six delightful children for us to lavish love on.

Somehow life now feels even more complete.

A few cats, a Cardigan Corgi, and three ponies still live at the farm with us. Now retired from our professional lives “in town”, we enjoy the freedom of slower and quieter days, nurtured and nurturing.

It all started October 31, 1985 with two orange and black kittens and a pumpkin sitting beside me in a little Mazda, my husband awaiting my homecoming 100 miles north. Now, forty years later, we celebrate this Halloween anniversary of farm and family, still pregnant with the possibility that life is never truly complete when there is always a new day just around the corner.

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The Dialect of Pure Being

The world does not need words.
It articulates itself in sunlight, leaves, and shadows.
The stones on the path are no less real
for lying uncatalogued and uncounted.
The fluent leaves speak only 
the dialect of pure being…

The sunlight needs no praise piercing the rainclouds, 
painting the rocks and leaves with light, then dissolving
each lucent droplet back into the clouds that engendered it.
The daylight needs no praise, and so we praise it always–
greater than ourselves and all the airy words we summon.
~Dana Giola from “Words”

The words the world needs
is only the Word itself;
we exist
because He breathed breath into us,
saying it was good.

Whatever we have to say about His Creation
pales compared to His
it is good

But we try
over and over again
to use words of wonder and praise
to express our awe and gratitude and amazement
while painted golden by His breath of Light.

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Kicking Up Leaves

Just as, when you keep watch
on the ground ahead of where your boots
kick up the leaves, the path
goes vague and blurred, while

if you lift your eyes the far
reach of the trail comes lucid
as map; so when you look
at tomorrow through next year,

the way, otherwise
so tangled and burdensome,
clears. And if the leaves
are, as they likely are,

fallen from the trees around you,
then you get to look
deeper into things
than spring allowed.

~Charles O. Hartman “Autumn Ordinance”

I remember it
as October days are always remembered,
cloudless, maple-flavored,
the air gold and so clean
it quivers.
~Leif Enger, from Peace Like a River 

The air tastes like autumn,
quivering on my tongue –
no need for pumpkin-spice flavoring
to feel the change.

Revel in the gold and bronze tint to the sky,
the cinnamon nutmeg dusting of the trees,
the heavy sprinkling of hanging dew drops,
the crisp and shivery breezes,
the new landscape peering through bony branches.

Soon the ground will be frosty instead of dusty,
leaving a crunchy carpet rather than shady veil.

October is always a much-needed transition,
keeping us fresh gazing at new horizons,
reminding us to breathe deeply when life feels shallow,
remembering we are immersed
in the glory of a new day we have never lived before.

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Hushed October Morning

O hushed October morning mild,
Thy leaves have ripened to the fall;
Tomorrow’s wind, if it be wild,
Should waste them all.
The crows above the forest call;
Tomorrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow.
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know.
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away.
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!

~Robert Frost from “October”

After yesterday’s travel through curtains of heavy rainfall,
we abandoned plans to meet with family across state
for today’s memorial service, so returned home,
defeated, weary with sadness.

October is enough reminder of mortality,
with winds stripping trees to bare bones,
birds flocking and vacating,
bright leaves reduced to rusting dust.

This morning, the rain suspended,
its gray curtain pulled back briefly
to view what awaits beyond the haze:
this luminous brilliance, radiance, promise.

Slow down to look. Slow down to live. Slow.

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The Sound of Leaves Falling

l(a

le
af
fa
ll

s)
one
l

iness
~e.e.cummings “a leaf falls on loneliness”

Now constantly there is the sound,
quieter than rain,
of the leaves falling.

Under their loosening bright
gold, the sycamore limbs
bleach whiter.

Now the only flowers
are beeweed and aster, spray
of their white and lavender
over the brown leaves.

The calling of a crow sounds
Loud — landmark — now
that the life of summer falls
silent, and the nights grow.
~Wendell Berry “October 10” from New Collected Poems.

Know’st thou not at the fall of the leaf
How the heart feels a languid grief
Laid on it for a covering,
And how sleep seems a goodly thing
In Autumn at the fall of the leaf?


And how the swift beat of the brain
Falters because it is in vain,
In Autumn at the fall of the leaf
Knowest thou not? and how the chief
Of joys seems — not to suffer pain?


Know’st thou not at the fall of the leaf
How the soul feels like a dried sheaf
Bound up at length for harvesting,
And how death seems a comely thing
In Autumn at the fall of the leaf?

~Dante Rossetti “Autumn Song”

If I were a color, I am green, turning to gold,
turning to bronze, becoming dust.

If I were a sound, I patter like raindrops and children’s feet.
If I were a smell, I would be dry earth soaking up rain.
If I were a touch, I am a leaf letting go, landing softly.
If I were a taste, I would be warm and bittersweet.
If I were a season, I am the wistful goodbye hug of autumn.

But I am none of these, being enough for now;
this is enough for now.

Singing in the falling leaves,
I will come rejoicing,
Singing in the leaves.

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Longing to Be a Passenger Again

I want to be a passenger
in your car again
and shut my eyes
while you sit at the wheel,


awake and assured
in your own private world,
seeing all the lines
on the road ahead,


down a long stretch
of empty highway
without any other
faces in sight.

I want to be a passenger
in your car again
and put my life back
in your hands.
~Michael Miller “December”

I heard an old man speak once,
someone who had been sober for fifty years,
a very prominent doctor.
He said that he’d finally figured out a few years ago
that his profound sense of control,
in the world and over his life,
is another addiction and a total illusion.
He said that when he sees little kids sitting in the back seat of cars,
in those car seats that have steering wheels,
with grim expressions of concentration on their faces,
clearly convinced that their efforts are causing the car
to do whatever it is doing,
he thinks of himself
and his relationship with God:
God who drives along silently,
gently amused,
in the real driver’s seat.
~Anne Lamott from Operating Instructions

Up north, the dashboard lights of the family car
gleam in memory, the radio
plays to itself as I drive
my father plied the highways
while my mother talked, she tried to hide
that low lilt, that Finnish brogue,
in the back seat, my sisters and I
our eyes always tied to the Big Dipper
I watch it still
on summer evenings, as the fireflies stream
above the ditches and moths smack
into the windshield and the wildlife’s
red eyes bore out from the dark forests
we flew by, then scattered like the last bit of star
light years before.
It’s like a different country, the past
we made wishes on unnamed falling stars
that I’ve forgotten, that maybe were granted
because I wished for love.

~Sheila PackaDriving At Night” from The Mother Tongue

The moon was like a full cup tonight,
too heavy, and sank in the mist
soon after dark, leaving for light

faint stars and the silver leaves
of milkweed beside the road,
gleaming before my car.

Yet I like driving at night
the brown road through the mist

of mountain-dark, among farms
so quiet
and the roadside willows
opening out where I saw

the cows. Always a shock
to remember them there, those
great breathings close in the dark.

I stopped, and took my flashlight
to the pasture fence. They turned
to me where they lay, sad

and beautiful faces in the dark,
and I counted them-forty
near and far in the pasture

I switched off my light.

But I did not want to go,
not yet, nor knew what to do
if I should stay, for how

in that great darkness could I explain
anything, anything at all.
I stood by the fence. And then

very gently it began to rain.
~Hayden Carruth from “The Cows at Night”

Some of my most cherished childhood memories come from long rides home in the car at night from holiday gatherings. My father always drove, my mother hummed “I See the Moon” in the front passenger seat, and we three kids sat in the back seat, drowsy and full of feasting.

The night world hypnotically passed by outside the car window. I wondered whether the rest of the world was as safe and content as I felt at that moment.

On clear nights, the moon followed us down the highway, shining a light on the road.

Now as a driver at night, transporting grandchildren from a family gathering, I want them to feel the same peaceful contentment that I did as a child. As an older driver, I don’t enjoy driving at night, especially dark rural roads in pouring rain. I understand the enormous responsibility I bear, transporting those whom I dearly love and want to keep safe.

In truth, I long to be a passenger again, with no worries or pressures – just along for the ride, watching the moon and the world drift by, knowing I’m well-cared for.

But of course, I fret about the immense burden I feel to make things right in this dark and troubled world.

I am a passenger on a planet that has a Driver who feels great responsibility and care for all He transports through the black night of the universe. He loves me and I can rest content in the knowledge that I am safe in His vigilant hands.

I am not the driver – He knows how to safely bring me home, even in the rain.

I see the moon, it’s shining from far away, Beckoning with ev‘ry beam.
And though all the start above cast down their light, Still the moon is all that I see
And it’s calling out, “Come run a way!
And we’ll sail with the clouds for our sea,
And we’ll travel on through the black of the night, ‘til we float back home on a dream!”
The moon approaches my window pane, stretching itself to the ground.
The moon sings softly and laughs and smiles, and yet never makes a sound!
I see the moon! I see the moon!
Part A
And it’s calling out, “Come run a way!
And we’ll sail with the clouds for our sea,
And we’ll travel on through the black of the night, ‘til we float back home on a dream!”
Part B
I see the moon, it’s shining from far away, Beckoning with ev‘ry beam.
And though all the stars above cast down their light, Still the moon is all that I see
~Douglas Beam

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Alone Together

Think of this – that the writer wrote alone, and the reader read alone, and they were alone with each other.
~A.S. Byatt from Possession

If librarians were honest,
they would say, No one
spends time here without being
changed. Maybe you should
go home. While you still can.

~Joseph Mills from “If Librarians Were Honest”

Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed?

Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts?

Why are we reading, if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage and the hope of meaningfulness, and press upon our minds the deepest mysteries, so we may feel again their majesty and power?
~Annie Dillard from “Write Till You Drop”

…for people who love books and need
To touch them, open them, browse for a while,
And find some common good––that’s why we read.
Readers and writers are two sides of the same gold coin.
You write and I read and in that moment I find
A union more perfect than any club I could join:
The simple intimacy of being one mind.
     Here in a book-filled sun-lit room below the street,
     Strangers––some living, some dead––are hoping to meet.

~Garrison Keillor 

The mere brute pleasure of reading–the sort of pleasure a cow has in grazing.
~G.K. Chesterton

photo by Kate Steensma

Each day as I decide what to share here, I think of each of you who might open my email, or click on a link to see what I have to say.

We are alone together, you and I, for only a few minutes. I consider that precious time you are entrusting to me and want to make it worthwhile.

When you read this, you may be eating breakfast, or in the middle of your workday at the computer, or on your phone during a commute, or sitting in a waiting room wondering when your name will be called.

Or maybe you are sitting in the bathroom, or past ready to fall asleep in bed.

I am honored and humbled to hear from you after our alone time together each day.

I too spend reading time alone every day, grateful for what writers write while alone. I don’t tell them often enough how they change my day for the better.

Some are long gone from this world, so I’ll never have the chance.

Like infinite blades of grass in a pasture, I find far too many words to read — so much to consume, so little time. I nibble away, blade by blade, page by page, word by word, but the greatest pleasure of all is to settle down into a good long cud-chewing session, redigesting and mulling over what all I’ve taken in.

It is brute pleasure to take in words that grow roots so deep they never go away, words that sustain and make me grow and keep me alive.   Words to illuminate from without and within.

That is something to chew on.

So from me to you, tell me how I’m doing…

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For a Moment, the World Wakes Up

                       1

Every October it becomes important, no, necessary
to see the leaves turning, to be surrounded
by leaves turning; it’s not just the symbolism,
to confront in the death of the year your death,
one blazing farewell appearance, though the irony
isn’t lost on you that nature is most seductive
when it’s about to die, flaunting the dazzle of its
incipient exit, an ending that at least so far
the effects of human progress (pollution, acid rain)
have not yet frightened you enough to make you believe
is real; that is, you know this ending is a deception
because of course nature is always renewing itself—

        the trees don’t die, they just pretend,
go out in style, and return in style: a new style.

                        3

You’ll be driving along depressed when suddenly
a cloud will move and the sun will muscle through
and ignite the hills. It may not last. Probably
won’t last. But for a moment the whole world
comes to. Wakes up. Proves it lives. It lives—
red, yellow, orange, brown, russet, ocher, vermilion,
gold. Flame and rust. Flame and rust, the permutations
of burning. You’re on fire. Your eyes are on fire.
It won’t last, you don’t want it to last. You
can’t stand any more. But you don’t want it to stop.
It’s what you’ve come for. It’s what you’ll
come back for. It won’t stay with you, but you’ll

        remember that it felt like nothing else you’ve felt
or something you’ve felt that also didn’t last.
~Lloyd Schwarz from “Leaves”

The world wakes up and comes to, with vivid, overwhelming color
for a moment before it dies.

The landscape is simply acting out its part, perhaps just pretending.
Nothing is really dying, just taking a nap under a brilliant blanket.

Rest well. See you next year.

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