Heavens’ Embroidered Cloths

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To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the Palm of your Hand,
and Eternity in an Hour.

When the Soul Slept in Beams of Light 
God Appears & God is Light
To those poor Souls who dwell in Night 
But does a Human Form Display
To those who Dwell in Realms of day
~William Blake from “Auguries of Innocence”

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Had I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
~William Butler Yeats “Aedh Wishes for the Cloths of Heaven”

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If I look closely enough underfoot,
I might find the extraordinary
in the commonplace things of life.

So I keep my eyes alert;
my heart open to infinite possibilities
and try to tread softly.

Sometimes what I see is so beautiful,
it is uncovering heaven come to earth,
when the cosmos is contained
within the commonplace.

The God of Light and Living Water
is no further away
than my back yard.

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Each Bright Drupelet

I eat these
wild red raspberries
still warm from the sun
and smelling faintly of jewelweed
in memory of my father

tucking the napkin
under his chin and bending
over an ironstone bowl
of the bright drupelets
awash in cream

my father
with the sigh of a man
who has seen all and been redeemed
said time after time
as he lifted his spoon

men kill for this.
~Maxine Kumin “Appetite” from Selected Poems: 1960-1990

I’ve always wondered if there was a name
for the small round globe, part of an aggregate berry
like a thimbleberry, raspberry or blackberry –
each so smooth and perfectly formed,
each unique yet a homogenous part of the whole.
Yet if separated all by itself, nearly invisible.

Each is called a small drupe,
or more familiar and lovingly, a drupelet.

Despite such a plain name,
a little drupelet has its own smooth shiny beauty,
a drop of flavor to be savored, unforgotten,
made sweeter by being part of the whole –
even sweeter when redeemed and consumed.

Kind of like us –
each of us a small part of the whole of life –
each sacrificed for a taste of eternity.

Kind of like us…

photo by Nate Gibson

Lyrics: I am a small part of the world
I have a small hand which to hold
But if I stand by your side
And you put your hand in mine
Together we can be so strong and bold

I am a small part of the world
I have a small dream in my eyes
But if I tell you my dreams
And you add your dreams to mine
Together we can reach up to the skies

Hand in hand, dreams combine
Voice with voice, together for all time
Hand in hand, dreams combine
Voice with voice, for all time

I am a small part of the world
I have a small voice ringing clear
But if I sing out for freedom
And you add your voice to mine

Hand in hand, dreams combine
Voice with voice for all time
I am a small part of the world
Take my hand

Writer(s): Jay Althouse, Sally Albrecht

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That Kind of Day

If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary’s cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
so they could walk out,
holding hands and squinting
into this larger dome of blue and white,
well, today is just that kind of day.
~Billy Collins  “Today”

The Truman Show was about someone stuck in a “perfect” world,
safely contained, in a perpetual snow globe.

Today I want to release the caged and captive,
to be immersed in what awaits outside.

Indeed, Someone sprung me loose to find my Spring,
in one breath-taking and breath-giving moment.

Let’s open wide the windows…

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Where You Go, I Will Go: An Ache Like Homesickness

When I was a child
I once sat sobbing on the floor
Beside my mother’s piano
As she played and sang
For there was in her singing
A shy yet solemn glory
My smallness could not hold

And when I was asked
Why I was crying
I had no words for it
I only shook my head
And went on crying

Why is it that music
At its most beautiful
Opens a wound in us
An ache a desolation
Deep as a homesickness
For some far-off
And half-forgotten country

I’ve never understood
Why this is so

But there’s an ancient legend
From the other side of the world
That gives away the secret
Of this mysterious sorrow

For centuries on centuries
We have been wandering
But we were made for Paradise
As deer for the forest

And when music comes to us
With its heavenly beauty
It brings us desolation
For when we hear it
We half remember
That lost native country

We dimly remember the fields
Their fragrant windswept clover
The birdsongs in the orchards
The wild white violets in the moss
By the transparent streams

And shining at the heart of it
Is the longed-for beauty
Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wanders where we wander.
~Anne Porter “Music” from Living Things

One evening, when our daughter was only a toddler,
just learning the words to tell us what she needed,
I was preparing dinner, humming to
a choral music piece playing in the background.

She sat on the kitchen floor, looking up at me,
her eyes welling full with tears
like pools of reflected light spilling over
from some deep-remembered reservoir.

At first I thought she was hurt or upset
but then could see she was feeling
an ache a desolation
deep as a homesickness
as she wept for wonder
at the sad beauty of the music
that spoke for her
the words she could not express:

Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wandered where we wander.

For our present troubles are small and won’t last very long. Yet they produce for us a glory that vastly outweighs them and will last forever! So we don’t look at the troubles we can see now; rather, we fix our gaze on things that cannot be seen. For the things we see now will soon be gone, but the things we cannot see will last forever
2Corinthians 4:17-18

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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Going Back and Forth

We were very tired, we were very merry —
We had gone back and forth all night on the ferry.
It was bare and bright, and smelled like a stable —
But we looked into a fire, we leaned across a table,
We lay on a hill-top underneath the moon;
And the whistles kept blowing, and the dawn came soon.

We were very tired, we were very merry —
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.

We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, “Good morrow, mother!” to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, “God bless you!” for the apples and pears,
And we gave her all our money but our subway fares.

~Edna St. Vincent Millay “Recuerdo”

Over my eight decades, I’ve taken many ferry rides between the islands and mainland in the local Salish Sea, sailed through the inland passage from Vancouver Island almost to Alaska, taken a multi-level behemoth between Ireland and Scotland, and overnighted in a bunk bed on a Lake Victoria steamship between Kenya and Tanzania.

Each ride might have been an exotic adventure, wonderfully escapist. Yet the point was always the destination. I needed to get there from here or return from there to here, rather than simply enjoying the back and forth.

I’ve been incapable of being carefree and merry, full of impulse and joy, especially when it costs me a night’s sleep.

Have I ever done anything just for the heck of it?

It’s true. Being born a stick-in-the-mud, a drudge, an “old soul” and a grind is a heavy burden to live with for seventy years.

Perhaps I’m overdue for simply cherishing the voyage without worrying about the details of how I’m getting there or whether it will be on time.

I’m not only thriving on the sweet nectar of apples and pears growing in our orchard, but must share what I don’t use with someone who needs it more than I do.

Then, at some point, having been back and forth and forth and back, I’ll be ready to head home, tired yet carefree and merry and sated, infinitely blissed and eternally blessed.

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Putting It Off

In summer, nothing happens.

What is the change in summer
of which one expects nothing?
Nature is not reborn,
nor does she perish except
in the streaks of a rare elm
that has outlived itself.
The weather conceals nothing:
the months are temperate,
even in the hardest rains
one may walk without a coat.
The gardens flourish, and bear
without a gardener’s help.

Sitting in windows at night
black cats and their masters
look out on summer; the moon
feeds their yellow visions,
the opened windows cool them…

One wants nothing to happen
forever, and thinks of those
who perhaps are ready to die,
except that it is summer
and they are putting it off.
~Robley Wilson from “In Summer, Nothing Happens”

photo of supermoon by Harry Rodenberger
photo by Harry Rodenberger

We’ve attended three memorial services so far this summer, and at least one more is on the calendar. Given a choice, all of these friends would have preferred to keep living at least through the summer, but God had other plans.

An eternal summer is in store for them, even if they wanted to put it off for a little while longer.

Each day becomes an unwarranted gift of time, summertime or not.
I would like to sit and watch while nothing whatsoever happens.

Now I’m aware: nothing happening is actually something very special.

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Thoughts We Cannot Say

A hundred thousand birds salute the day:–
        One solitary bird salutes the night:
Its mellow grieving wiles our grief away,
        And tunes our weary watches to delight;
It seems to sing the thoughts we cannot say,
        To know and sing them, and to set them right;
Until we feel once more that May is May,
        And hope some buds may bloom without a blight.
This solitary bird outweighs, outvies,
        The hundred thousand merry-making birds
Whose innocent warblings yet might make us wise
Would we but follow when they bid us rise,
        Would we but set their notes of praise to words
And launch our hearts up with them to the skies.
~Christina Rossetti “A Hundred Thousand Birds”

photo by Harry Rodenberger

Birds afloat in air’s current,
sacred breath? No, not breath of God,
it seems, but God
the air enveloping the whole
globe of being.
It’s we who breathe, in, out, in, the sacred,
leaves astir, our wings
rising, ruffled—but only saints
take flight…
But storm or still,
numb or poised in attention,
we inhale, exhale, inhale,
encompassed, encompassed.

~Denise Levertov from “In Whom We Live and Move and Have Our Being” from The Stream and the Sapphire

As if reluctant to let go the setting sun last night,
one lone bird still sang a twilight song,
long after the others fell asleep,
their heads tucked neatly under their wings.

This lone bird had not yet finished with the day,
breathing in and out its plaintive melody,
articulating my thoughts I could not say.

And before a hint of light this May morning,
I am swept from my dreams
by a full chorus singing from the same perch,
no longer a lone voice, but hundreds.

My day is launched by the warbling songs,
but I cannot forget twilight’s one reluctant bird
who fought the impending darkness using only its voice.

I too fight back the darkness with what I write here,
if I can keep it at bay:
inhaling, exhaling, encompassed in Breath.
I want to sing out light to Light and live light in Light.

No darkness here.

I hear a bird chirping, up in the sky
I’d like to be free like that spread my wings so high I
see the river flowing water running by
I’d like to be that river, see what I might find

I feel the wind a blowin’, slowly changing time
I’d like to be that wind, I’d swirl and the shape sky
I smell the flowers blooming, opening for spring
I’d like to be those flowers, open to everything

I feel the seasons change, the leaves, the snow and sun
I’d like to be those seasons, made up and undone
I taste the living earth, the seeds that grow within
I’d like to be that earth, a home where life begins

I see the moon a risin’, reaching into night
I’d like to be that moon, a knowing glowing light
I know the silence as the world begins to wake
I’d like to be that silence as the morning breaks

He doesn’t know the world at all
Who stays in his nest and doesn’t go out.
He doesn’t know what birds know best
Nor what I sing about, Nor what I sing about, Nor what sing about:
That the world is full of loveliness.

When dew-drops sparkle in the grass
And earth is aflood with morning light. light
A blackbird sings upon a bush
To greet the dawning after night,
the dawning after night,
the dawning after night.
Then I know how fine it is to live.

Hey, try to open your heart to beauty;
Go to the woods someday
And weave a wreath of memory there.
Then if tears obscure your way
You’ll know how wonderful it is
To be alive.

~Paul Read

An Everlasting Quietness

The simple words no longer work.
Neither do the grand ones.
Something about
The hanging bits of dark
Mixed with your hair.
The everlasting quietness
Attached to the deserted barn
Made me think I’d discovered you
But you already knew all about yourself
As we stood on the edge of a forest
With your dress as languid as the air,
The day made of spring wind and daffodils.
Then the sky appeared in blue patches
Among slow clouds,
Oak leaves came out on the trees,
Grass suddenly became green,
Filled with small animals that sing.
All the parts of spring were gathering,
The earth was being created all over again
One piece at a time
Just for you.

~Tom Hennen “Found on the Earth” From Darkness Sticks To Everything

I’m waking from wintry doldrums,
to earlier mornings, longer evenings,
healing from weeks of cold and weariness.

It is as if all has been rebirthed,
vivid with light and songs and color and smells –
I cannot imagine not sharing it all.

This renewal feels so personal,
as if just for me –
yet I know others are waking too.

I face the morning sun in silence,
my eyelids closed and glowing,
warming in the light.

So I offer up this blessed cup of quiet,
steeped and ready to pour out,
just for you.

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Sweet and Sour

In Summer, in a burst of summertime
Following falls and falls of rain,
When the air was sweet-and-sour of the flown fineflower of
Those goldnails and their gaylinks that hang along a lime
~Gerard Manley Hopkins from “Cheery Beggar”

What I wanted
wasn’t to let in the wetness.
That can be mopped.

Nor the cold.
There are blankets.

What I wanted was
the siren, the thunder, the neighbor,
the fireworks, the dog’s bark.

Which of them didn’t matter?

Yes, this world is perfect,
all things as they are.

But I wanted
not to be
the one sleeping soundly, on a soft pillow,
clean sheets untroubled,
dreaming there still might be time,

while this everywhere crying
~Jane Hirshfield “I Open the Window” from The Asking

Sweet and sour extends far beyond a Chinese menu; it is the air we breathe.  Dichotomy is in our life and times – the bittersweet of simple pleasures laced with twinges and tears.

I am but a cheery beggar in this world, desiring to hang tight to the overwhelming sweetness of each glorious moment:

the startling late summer sunrise,
the renewed green coming through the dead of spent fields,
the warm hug of a compassionate word,
a house filled with love and laughter.

But as beggars aren’t choosers, I can’t only have sweet alone;
I must endure the sour that comes as part of the package —

the deepening dark of a sleepless and restless night,
the muddy muck that comes after endless rain,
the sting of a biting critique,
the emptiness when younger ones head home.

So I slog through sour to revel some day in sweet. 

Months of manure-permeated air is overcome one miraculous morning by the unexpected and undeserved fragrance of apple blossoms, so sweet, so pure, so full of promise of the wholesome fruit to come.

The manure makes the sweet sweeter months later, long after the stench is gone.

And I breathe in deeply now, content and grateful for this moment of grace and bliss, wanting to hold it in the depths of my lungs forever, its mercy overwhelming the power of sour.

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Browsing and Chewing Sweet Hay

To Bring the Horse Home…

after Philip Larkin

Is all I’ve wanted past wanting
since I was six and delirious with fever,
an infinitive forged from a night
when giant ladybugs with toothpick
antennae patrolled my wicker nightstand.
Yes, I’ve been with horses since, 
travelled illegally with them in trailers,
known certain landscapes only framed
by alert ears, and with one in particular,
spent whole afternoons with her big jaw
heavy on my shoulder. Still, I hatched
plots to bring a horse to the house, to ride 
to school, to pasture one or even three
in the garden, shaded by that decorative
willow, which could have used a purpose.
But there were city bylaws in two languages,
and over the years, a dog, stray cats,
turtles, and many fish. They lived, they died.
It wasn’t the same. Fast-forward, I brought
the baby home in a molded bucket seat, but she
lacked difference, attuned as I was, checking
her twenty-four-seven. Now that she’s 
grown, I’m reduced to walking city parks
with this corrosive envy of mounted police,
though I’m too old for the ropes test,
wouldn’t know what to do with a gun.
If there’s a second act, let me live
like the racetrack rat in a small room
up the narrow stairs from the stalls,
the horse shifting comfortably below,
browsing and chewing sweet hay.
A single bed with blanket the color
of factory-sweepings will suffice,
each day shaped to the same arc, 
because days can only end when
the lock slides free on the stall’s
Dutch door, and I lead the horse in,
then muscle the corroded bolt shut.
That’s what days are for: I cannot rest
until the horse comes home.

~Julie Bruck “To Bring the Horse Home”

photo by Breanna Randall

The best moment in the barn is in the evening just following the hay feeding, as the animals are settling down to some serious chewing. I linger in the center aisle, listening to the rhythmic sounds coming from six stalls. It is a most soothing contented cadence, first their lips picking up the grass, then the chew chew chew chew and a pause and it starts again. It’s even better in the dark, with the lights off.

I’ve enjoyed listening to the eating sounds at night from the remote vantage point of my bedroom TV monitor system set up to watch my very pregnant mares before foaling. A peculiar lullaby of sorts, strange as that seems, but when all my farm animals are chewing and happy, I am at peace and sleep better.

It reminds me of those dark deep nights of feeding my own newborns, rocking back and forth with the rhythm of their sucking. It is a moment of being completely present and peaceful, and knowing at that moment, nothing else matters–nothing else at all.

If I am very fortunate, each day I live has a rhythm that is reassuring and steady, like the sounds of hay chewing, or rocking a baby. I awake thinking about where my next step will bring me,  and then the next, like each chew of sweet hay. I try to live in each moment fully, without distraction by the worry of the unknown.

But the reality is:
life’s rhythms are often out of sync,
the cadence is jarring,
the sounds are discordant,
sometimes I’m the one being chewed on, so pain replaces peacefulness.

Maybe that is why this lullaby in the barn~~this sanctuary~~is so treasured. It brings me home to that doubting center of myself that needs reminding that pain is fleeting, and peace, however elusive now, is forever. I always know where to find it for a few minutes at the end of every day, in a pastoral symphony of sorts.

Someday my hope for heaven will be angel choruses of glorious praise, augmenting a hay-chewing lullaby.

So simple yet so grand.

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