Frightening the foliage from its sleep, we travel along the Quinault Lake Loop in our big red truck.
Roofed by dank rainforest, we know we are not alone, though we see no bird, no beast.
You say, It’s beautiful, but do we really belong here where creatures hide? Then an elk herd stomps across
the dirt road, and you brake, shocked. The fattest turns to stare over his long beard. To know or warn us.
Yes, my love, we belong, but on soil-stained knees, asking for each wild thing’s consent to stand. ~Lauren Davis, Home Beneath the Church
I’ve been to the temperate rainforest on the Olympic Peninsula, only a short ferry ride and two hour drive away, where 300 year old trees tethered to one another with connecting crepe of dangling moss, hiding the creatures within, taking all down with them if they someday fall to the wind, lying still, nursing the growth of the next generation’s seeds from long rotting trunks.
We can only pass through this place, having been banished from the Garden.
We are not to dwell or cut or shoot or burn or slash, at risk of being ensnared by reaching fingers of moss seeking yet another woody heart to soften
Whispering grassfeet steal through us fir-fingers touch one another where the paths meet thick dripping resin glues us together summer-greedy woodpeckers hammer at hardy seed-hiding hearts ~Inger Christensen trans. Susanna Nied
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It can be a gift or a private kind of distress, depending on if you’ve found your purpose. My friend, a physician and farmer, blends her two passions into a life of caring.
Leaving her surgical gloves in the treatment room, she dons leather work gloves when she returns to the farm. This evening the old work gloves are nestled together on a bench by the back door
as if one couldn’t function without the other. They hold the form of her hands. The gloves are dirty, the leather wrinkled, a hole worn through the tip of the index finger, right hand.
Over years of service, gloves have protected her hands as she treated deep wounds in the clinic and in the barn. This gift! Dare I say, her work fits her like a glove? ~Lois Edstrom “Gift of Work” from A Fragile Light
Nothing much to look at lying on the shelf, one on top of the other, an old man resting his hands on a cane. Dried-out yellow cowhide, lines cut deep into the palms from stones, weeds pulled. Fingers crumpled, swollen like grub worms shoveled up in planting. An extra pair of hands helping with lawn work, flower beds, shrubs, whatever else comes along. A grief pulled on to bury the old cat some kid in a speeding pickup knocked out of the street like he’d kick a can. Or kneeling last fall to unearth the blooming rose suddenly plucked by an ice storm, then shaking rich compost loose from its twisted fingers still clenched, holding on for dear life. ~Ron Stottlemyer “Work Gloves”
My farm work gloves tend to look ragged at the end of a year of service. I always depend on being gifted a new pair at Christmas to start afresh. It can take awhile to break them in to the point where they feel like a “second skin.”
These gloves keep me from blistering while forking innumerable loads of smelly manure into wheelbarrows, but also help me unkink frozen hoses, tear away blackberry vines from fencing, pull thistle from the field and heavy hay bales from the haymow.
Over the years, I’ve gone through a few dozen work gloves which have protected my hands as I’ve cleaned and bandaged deep wounds on legs and hooves, pulled on foals during the hard contractions of difficult births, held the head of dying animals as they fall asleep one final time.
Without wearing my protective farm gloves over the years, my hands would be looking very much scarred up like my tired gloves do, full of rips and holes from the thorns and barbs of the world, sustaining scratches, callouses and blisters from the hard work of life.
But they don’t.
Thanks to these gloves, before I retired, I was presentable for my “day” work as a doctor where I would don a different set of gloves many times a day as I tended to my patients’ wounds and worry.
But my work gloves don’t tell my whole story of gratitude.
I’m thankful to a Creator God who doesn’t wear gloves when He goes to work in our world: -He gathers us up even when we are dirty, smelly, and unworthy. -He eases us into this life when we are vulnerable and weak, and carries us gently home as we leave this world, weak and vulnerable. -He holds us as we bleed from self and other-inflicted wounds. -He won’t let us go, even when we fight back, or try not to pay attention, or care who He is.
He hangs on to us for dear life.
And this God came to live beside us with hands just like ours~ tender, beautiful, easy-to-wound hands that bled because He didn’t need or want to wear gloves for what He came to do~
His hands bear evidence of His love…
photo of a plowman teamster’s hand by Joel De WaardAI image created for this post
contains these lyrics by Kim Andre Arnesen: Moving like the rise and fall of wings Hands that shape our calling voice On the edge of answers You’ve heard our cry, you’ve known our cry…
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Some claim the origin of song was a war cry some say it was a rhyme telling the farmers when to plant and reap don’t they know the first song was a lullaby pulled from a mother’s sleep said the old woman
A significant factor generating my delight in being alive this springtime is the birdsong that like a sweeping mesh has captured me like diamond rain I can’t hear it enough said the tulip
Lifetime after lifetime we surged up the hill I and my dear brothers thirsty for blood uttering our beautiful songs said the dog ~Alicia Suskin Ostriker “Song” from The Old Woman, the Tulip, and the Dog
To be blessed is to know God is inside all created things, even those seemingly hopeless.
To be blessed is to sing a lullaby of loving kindness that settles a restless heart.
To be blessed is to become a blessing so contagious, there is no hope of cure.
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Lyrics: Oh! Hush thee, my baby, the night is behind us, And black are the waters that sparkled so green. The moon, o’er the combers, looks downward to find us, At rest in the hollows that rustle between.
Where billow meets billow, then soft be thy pillow, Oh weary wee flipperling, curl at thy ease! The storm shall not wake thee, nor shark overtake thee, Asleep in the arms of the slow swinging seas! ~Rudyard Kipling “The White Seal”
translated lyrics from the Lakota: Ah I say, I say to you I am speaking to you… Ah I say, I say to you To you I am saying it My kind-hearted boy go to sleep Tomorrow will be nice I am speaking to you
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There are no creatures you cannot love. A frog calling at God From the moon-filled ditch As you stand on the country road in the June night. The sound is enough to make the stars weep With happiness. In the morning the landscape green Is lifted off the ground by the scent of grass. The day is carried across its hours Without any effort by the shining insects That are living their secret lives. The space between the prairie horizons Makes us ache with its beauty. Cottonwood leaves click in an ancient tongue To the farthest cold dark in the universe. The cottonwood also talks to you Of breeze and speckled sunlight. You are at home in these great empty places along with red-wing blackbirds and sloughs. You are comfortable in this spot so full of grace and being that it sparkles like jewels spilled on water. ~Tom Hennen “From a Country Overlooked”, from Darkness Sticks to Everything
There are some God’s creatures I struggle to love – fleas, chiggers, mosquitoes, ticks, slugs, yellow jackets among them. Also poisonous snakes, spiders and scorpions come to mind. And then there are pathogenic bacteria, parasites and viruses…
It is not their fault I struggle to find their value – only God knows why He made them as He did.
What I have learned over 7 decades is to try to look for beauty wherever I am.
To listen to the breezes and the birds, to look for how the light plays with leaves and water and how it is all created to help us feel at home for the time we are here.
Yet, this is an imperfect world where beauty doesn’t provide shelter to those with their basic needs unfulfilled – where there is no comfort, no safety, no hope.
God, deliver us from being too comfortable when others suffer. Help us feel Your love to pass on to those in need. Help us to know how to make a difference for them. We know that makes a difference to You.
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Thou art the Iris, fair among the fairest, Who, armed with golden rod And winged with the celestial azure, bearest The message of some God. ~Henry Wadsworth Longfellow from Flower-de-Luce
At the end of my suffering there was a door.
Hear me out: that which you call death I remember.
Overhead, noises, branches of the pine shifting. Then nothing. The weak sun flickered over the dry surface.
It is terrible to survive as consciousness buried in the dark earth.
Then it was over: that which you fear, being a soul and unable to speak, ending abruptly, the stiff earth bending a little. And what I took to be birds darting in low shrubs.
You who do not remember passage from the other world I tell you I could speak again: whatever returns from oblivion returns to find a voice:
from the center of my life came a great fountain, deep blue shadows on azure sea water. ~Louise Glück“The Wild Iris”
It doesn’t have to be the blue iris, it could be weeds in a vacant lot, or a few small stones; just pay attention, then patch a few words together and don’t try to make them elaborate, this isn’t a contest but the doorway into thanks, and a silence in which another voice may speak. ~Mary Oliver “Blue Iris”
May your blooms be floriferous and in good form, Distinctive, with good substance, flare, and airborne, With standards and falls that endure, never torn. May you display many buds and blooms sublime, In graceful proportion on strong stalks each day, Gently floating above the fans and the fray. May you too reach toward the moon and stars, Bloom after bloom, many seasons in the sun, Enjoying your life, health, and each loved one, Until your living days are artfully done. ~Georgia Gudykunst “Iris Blessing”
Whenever I allow my eye to peer inside an iris, it takes all my attention.
I need a flotation device and depth finder as I’m likely to get lost, sweeping and swooning through inner space of complex tunnels, canyons and corners, then coming up for air and diving in again to journey into exotic locales draped in silken hues.
This fairy land of petals on a stem, is birthed by the creative genius of God.
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Winslow Homer’s The Veteran in a New FieldMan Scything Hay by Todd Reifers
There was never a sound beside the wood but one, And that was my long scythe whispering to the ground. What was it it whispered? I knew not well myself; Perhaps it was something about the heat of the sun, Something, perhaps, about the lack of sound— And that was why it whispered and did not speak. To the earnest love that laid the swale in rows, The fact is the sweetest dream that labor knows. My long scythe whispered and left the hay to make. ~Robert Frost in “Mowing”
Mowers, weary and brown, and blithe, What is the word methinks ye know, Endless over-word that the Scythe Sings to the blades of the grass below? Scythes that swing in the grass and clover, Something still, they say as they pass; What is the word that, over and over, Sings the Scythe to the flowers and grass?
Hush, ah hush, the Scythes are saying, Hush, and heed not, and fall asleep; Hush, they say to the grasses swaying, Hush, they sing to the clover deep! Hush – ’tis the lullaby Time is singing – Hush, and heed not, for all things pass, Hush, ah hush! and the Scythes are swinging Over the clover and over the grass! ~Andrew Lang (1844-1912) “The ScytheSong”
It is blue May. There is work to be done. The spring’s eye blind with algae, the stopped water silent. The garden fills with nettle and briar. Dylan drags branches away. I wade forward with my scythe.
There is stickiness on the blade. Yolk on my hands. Albumen and blood. Fragments of shell are baby-bones, the scythe a scalpel, bloodied and guilty with crushed feathers, mosses, the cut cords of the grass. We shout at each other each hurting with a separate pain.
From the crown of the hawthorn tree to the ground the willow warbler drops. All day in silence she repeats her question. I too return to the place holding the pieces, at first still hot from the knife, recall how warm birth fluids are. ~Gillian Clarke“Scything” from Letter from a Far Country (1982)
The grass around our orchard and yet-to-be-planted garden is now thigh-high. It practically squeaks while it grows. Anything that used to be in plain sight on the ground is rapidly being swallowed up in a sea of green: a ball, a pet dish, a garden gnome, a hose, a tractor implement, a bucket. In an effort to stem this tidal flood of grass, I grab the scythe out of the garden shed and plan my attack.
When the pastures are too wet yet for heavy hooves, I have hungry horses to provide for and there is more than plenty fodder to cut down for them.
I’m not a weed whacker kind of gal. First there is the necessary fuel, the noise necessitating ear plugs, the risk of flying particles requiring goggles–it all seems too much like an act of war to be remotely enjoyable. Instead, I have tried to take scything lessons from my husband.
Emphasis on “tried.”
I grew up watching my father scythe our hay in our field because he couldn’t afford a mower for his tractor. He enjoyed physical labor in the fields and woods–his other favorite hand tool was a brush cutter that he’d take to blackberry bushes. He would head out to the field with the scythe over this shoulder, grim reaper style. Once he was standing on the edge of the grass needing to be mowed, he would then lower the scythe, curved blade to the ground, turn slightly, positioning his hands on the two handles just so, raise the scythe up past his shoulders, and then in a full body twist almost like a golf swing, he’d bring the blade down. It would follow a smooth arc through the base of the standing grass, laying clumps flat in a tidy pile alongside the 2 inch stubble left behind. It was a swift, silky muscle movement — a thing of beauty.
Once, when I was three years old, I quietly approached my dad in the field while he was busily scything grass for our cows, but I didn’t announce my presence. The handle of his scythe connected with me as he swung it, laying me flat with a bleeding eyebrow. I still bear the scar, somewhat proudly, as he abruptly stopped his fieldwork to lift me up as I bawled and bled on his sweaty shirt. He must have felt so badly to have injured his little girl and drove my mom and I to the local doctor who patched my brow with sticky tape rather than stitches.
So I identify a bit with the grass laid low by the scythe. I forgave my father, of course, and learned never again to surprise him when he was working in the field.
Instead of copying my father’s graceful mowing technique, I tended to chop and mangle rather than effect an efficient slicing blow to the stems. I unintentionally trampled the grass I meant to cut. I got blisters from holding the handles too tightly. It felt hopeless that I’d ever perfect that whispery rise and fall of the scythe, with the rhythmic shush sound of the slice that is almost hypnotic.
Not only did I become an ineffective scything human, I also learned what it is like to be the grass laid flat, on the receiving end of a glancing blow. Over a long career, I bore plenty of footprints from the trampling. It can take awhile to stand back up after being cut down.
Sometimes it makes more sense to simply start over as the oozing stubble bleeds green, with deep roots that no one can reach. As I have grown back over the years, singing rather than squeaking or bawling, I realize, I forgave the scythe every time it came down on my head.
photo by Nate Gibson
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“Why, what’s the matter, That you have such a February face, So full of frost, of storm and cloudiness?” – William Shakespeare, Much Ado About Nothing
The wrap-up to February feels like spring is flirting with us. But will winter really ever be finished?
Our doldrums are deep; a brief respite of sun and warmth too rare.
We feel it in the barn as we go about our daily winter routine. The Haflingers are impatient and yearn for freedom, over-eager when handled, sometimes banging on the stall doors in their frustration at being shut in, not understanding that the alternative is to stand outside all day in cold rain and wind. To compensate for their confinement, we start grooming off their thick winter coats, urging their hair to loosen and curry off in sheets over parts of their bodies, yet otherwise still clinging tight.
The horses are a motley crew right now, much like a worn ’60s shag carpet, uneven and in dire need of updating. I prefer that no one see them (or me) like this. Eventually I know the shag on my horses will come off, revealing the sheen of new short hair beneath, but when I look at myself, I’m unconvinced there is such transformation in store for me.
Cranky, I put one foot ahead of the other, oblivious to the subtle seasonal renewal around me, refusing to believe even in the possibility.
It happened today. Dawn broke bright and blinding so I headed outside and stumbled across something extraordinary.
A patch of snowdrops sat blooming in a newly cleared space in our farmyard, visible now only because of bramble removal done last fall. These little white upside down flowers were planted decades ago around our house and yard. There they’ve been, year after year, harbingers of the long-awaited spring to come in a few short weeks, sometimes covered by the overgrowth and invisible to me in my self-absorbed blindness.
I was astonished that someone, many many years ago, had carried these bulbs around the farm, planting them, hoping they might bless another soul sometime somehow. The blossoms had sprung from their sleep beneath the covering of years of fallen leaves and blackberry vines.
It was as if I’d been physically hugged by this someone long dead, now flesh and blood beside me, with work-rough hands, and dirty fingernails, and broad brimmed hat, and a satisfied smile. This secret gardener is no long living, so I mentally reach back across those years in gratitude, showing my deep appreciation for the time and effort it took to place a foretaste of spring in an unexpected and hidden place.
I am thus compelled to look for ways to leave such a gift for someone to find 70 years from now as they likewise stumble blindly through too many gray days full of human drama, frailty and flaw. Though I will be long gone, I can reach across the years to grab them, hug them in their doldrums, lift them up and give them hope for what is to come.
It is the peeling away of winter’s shaggy coat, revealing the fresh smoothness of spring glistening underneath.
What an astonishing thought that it was done for me, and in reaffirming that promise of renewal, I might do it for another.
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The main thing is this– when you get up in the morning you must take your heart in your two hands. You must do this every morning. Then talk softly to your heart, don’t yell. Say anything but be respectful. Say–maybe say, Heart, little heart, beat softly but never forget your job, the blood. You can whisper also, Remember, remember. ~Grace Paley from “The Art of Growing Older” in Just As I Thought
Approaching seventy, she learns to live, at last. She realizes she has not accomplished half of what she struggled for, that she surrendered too many battles and seldom celebrated those she won. Approaching seventy, she learns to live without ambition: a calm lake face, not a train bound for success and glory. For the first time, she relaxes her hands on the controls, leans back to watch the coming end. Asked, she’d tell you her life is made out of the things she didn’t do, as much as the things she did do. Did she sing a love song? Approaching seventy, she learns to live without wanting much more than the light in the catbird window seat where, watching the voracious fist-sized tweets, she hums along. ~Marilyn Nelson “Bird Feeder”
I’ve been learning in retirement to let go by relaxing my grip on the controls on the runaway train of ambition. This is a change for someone driven for decades to succeed in various professional and personal roles.
I’m aware who I am is defined both by what I haven’t gotten done and what I managed to do. And now, at seventy years old, I hope I still have some time to explore some of those things I left undone.
Except I haven’t been as robust and healthy as I wish to be. For the past month, during very chilly weather and after a prolonged bout of bronchitis, I found I couldn’t tolerate the cold air outside or in the barn while I did daily chores. My chest strangely hurt.
I finally took myself to a cardiologist who was concerned with a number of risk factors in my family and my own history and arranged testing, which I flunked yesterday.
I ended up with two stents to open blockages in my main coronary artery, plus a night in the hospital. I spent the night thinking about blessings and what needs to happen in my life now:
Reflecting with gratitude on being alive by the grace of our Lord. Holding my heart gently and treating it well. Humming as I go. Just sitting when I wish but walking when I must. Watching out the window for the real twitters and tweeters in this crazy noisy world. Loving up those around me.
It’s sweet to remember why I’m here. I’ve been given a new chance to enjoy every moment.
So after a lifetime of getting mostly A’s, flunking isn’t always bad.
Every day after work he’d sit in his armchair with its antimacassar and its plush burgundy velour and she’d kneel on the floor to unfasten the laces, loosen the tongues, and lift out his feet. When I was ten I stayed for a week and did it for her. He thought I did it for him. ~Andrea Hollander Budy “My Grandmother Taking Off My Grandfather’s Shoes” from When She Named Fire
I did not grow up in a household that took time off. Time was redeemed by work, and work was noble and honorable and proved we had a right to exist.
Vacation road trips were rare and almost always associated with my father’s work. When he came home from his desk job in town, he would immediately change into his farm clothes and put in several hours of work outside, summer or winter, rain or shine, light or dark.
My mother did not work in town while we were children, but worked throughout her day inside and outside the house doing what farm wives and mothers need to do: growing, hoeing, harvesting, preserving, washing, cleaning, sewing, and most of all, being there for us.
As kids, we had our share of chores that were simply part of our day as our work was never done on a farm. When we turned ten, we began working for others: babysitting, weeding, barn and house cleaning, berry picking. I figure I put in over 60 years of gainful employment – there were times I worked four part-time jobs at once because that was what I could put together to keep things together.
I know I’ve missed out on much of life being a “nose to the grindstone” person.
Now retired, I try a different way to redeem my time: to notice, to record, to observe, to appreciate beauty that still exists in the midst of chaos and cataclysm..
Life isn’t all about non-stop labor, yet we get on with our work because work is about showing up when and where we are needed.
And we are always needed, by someone, somewhere, somehow. That’s the reason why we’re here.
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When it snows, he stands at the back door or wanders around the house to each window in turn and watches the weather like a lover. O farm boy, I waited years for you to look at me that way. Now we’re old enough to stop waiting for random looks or touches or words, so I find myself watching you watching the weather, and we wait together to discover whatever the sky might bring. ~Patricia Traxler “Weather Man”
My farm boy does still look at me that way, wondering if today will bring frost, damaging hail, a wind storm, a blizzard,
maybe fog or mist, or soft lazy snowflakes, a scorcher, or a deluge.
I reassure him as best I can, because he knows me so well in our many years together:
today, like most other days will be partly cloudy with a snow shower or two and occasional sun breaks.
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