The horse bears me along, like grace, making me better than what I am, and what I think or say or see is whole in these moments, is neither small nor broken. Who then is better made to say be well, be glad,
or who to long that we, as one, might course over the entire valley, over all valleys, as a bird in a great embrace of flight, who presses against her breast, in grief and tenderness, the whole weeping body of the world? ~Linda McCarriston from “Riding Out At Evening”
“Last Light” photo of Twin Sisters at dusk by Joel de Waard
We all need to remember transcendent moments in our lives, those brief times when all was well, our worries left behind in the dust.
Wounds healed, hearts full, senses filled with wonder, feeling whole rather than broken.
The summer evening rides of my younger years were just such a time: lifted by such powerful grace and transported to another time and place. It can feel like flying but mostly it feels like an embrace, one creature with another, exploring the world together.
All these years later, I am held fast by the memories and in remembering, I weep.
Surely, someday, heaven will be something like this.
Sure on this shining night Of star made shadows round, Kindness must watch for me This side the ground. The late year lies down the north. All is healed, all is health. High summer holds the earth. Hearts all whole. Sure on this shining night I weep for wonder wand’ring far alone Of shadows on the stars. ~James Agee
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Old-fashioned flowers! I love them all: The morning-glories on the wall, The pansies in their patch of shade, The violets, stolen from a glade, The bleeding hearts and columbine, Have long been garden friends of mine; But memory every summer flocks About a clump of hollyhocks.
The mind’s bright chambers, life unlocks Each summer with the hollyhocks. ~Edgar Guest from “Hollyhocks”
The endless well of summer lies deep in the heart of old-fashioned flowers, but no well is so deep as hollyhocks – the veins of their petals pumping color as they sway on long-nubbined stems, carefree in the breeze.
My mind is suddenly unlocked, opened by a hollyhock key.
hollyhock
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The true harvest of my daily life is somewhat as intangible and indescribable as the tints of morning or evening. It is a little star-dust caught, a segment of the rainbow which I have clutched. ~Henry David Thoreau from Walden
I don’t know about you, but there are some days I wake up just longing for my life to be all puppies and rainbows.
I hope to find sparkling magic around every corner, little wiggly fur balls surrounding me, happy tails a-wagging with a promise of glee and glitter. I’m eager to feel pure joy untainted by the realities of every day.
Perhaps I’m clutching at a kind of cartoon version of life without considering the wicked witches and monsters present in the ever-present dark forbidding woods of our human existence. Life just isn’t all puppies and rainbows. I know this…
Of course, puppies grow up. Rainbows fade and become just a memory. And I am growing older with all the aches and pains and uncertainties of aging. Even so, I still tend to clutch a “puppies and rainbows” state of mind when I open my eyes in the morning and when I close my eyes for sleep – hoping for a bit of stardust to hold.
I believe in promises. I believe in the God who made those promises. He is who I can hold onto and know with certainty, He won’t ever let go of me.
photo by Nate Gibsonphoto by Brandon Dielemanphoto by Nate Gibson
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Serene the silver fishes glide, Stern-lipped, and pale, and wonder-eyed! As through the aged deeps of ocean, They glide with wan and wavy motion. They have no pathway where they go, They flow like water to and fro, They watch with never-winking eyes, They watch with staring, cold surprise, The level people in the air, The people peering, peering there: Who wander also to and fro, And know not why or where they go, Yet have a wonder in their eyes, Sometimes a pale and cold surprise. ~ Max Eastman, “At the Aquarium” Max Eastman: A Life
The fish are drifting calmly in their tank between the green reeds, lit by a white glow that passes for the sun. Blindly, the blank glass that holds them in displays their slow progress from end to end, familiar rocks set into the gravel, murmuring rows of filters, a universe the flying fox and glass cats, Congo tetras, bristle-nose pleocostemus all take for granted. Yet the platys, gold and red, persist in leaping occasionally, as if they can’t quite let alone a possibility—of wings, maybe, once they reach the air? They die on the rug. We find them there, eyes open in surprise. ~Kim Addonizio “Aquarium,” from The Philosopher’s Club
Our shadows bring them from the shadows: a yolk-yellow one with a navy pattern like a Japanese woodblock print of fish scales. A fat 18-karat one splashed with gaudy purple and a patch of gray. One with a gold head, a body skim-milk-white, trailing ventral fins like half-folded fans of lace. A poppy-red, faintly disheveled one, and one, compact, all indigo in faint green water. They wear comical whiskers and gather beneath us as we lean on the cement railing in indecisive late-December light, and because we do not feed them, they pass, then they loop and circle back. Loop and circle. Loop. “Look,” you say, “beneath them.” Beneath them, like a subplot or a motive, is a school of uniformly dark ones, smaller, unadorned, perhaps another species, living in the shadow of the gold, purple, yellow, indigo, and white, seeking the mired roots and dusky grasses, unliveried, the quieter beneath the quiet. ~Susan Kolodny “Koi Pond, Oakland Museum”
The water going dark only makes the orange seem brighter, as you race, and kiss, and spar for food, pretending not to notice me. For this gift of your indifference, I am grateful. I will sit until the pond goes black, the last orange spark extinguished. ~Robert Peake from “Koi Pond”
…the kingdom of heaven is like a net that was let down into the lake and caught all kinds of fish.When it was full, the fishermen pulled it up on the shore. Then they sat down and collected the good fish in baskets, but threw the bad away. Matthew 13: 47-48
I caught a tremendous fish and held him beside the boat half out of water, with my hook fast in a corner of his mouth. He didn’t fight. He hadn’t fought at all. He hung a grunting weight, battered and venerable and homely. I looked into his eyes which were far larger than mine but shallower, and yellowed, the irises backed and packed with tarnished tinfoil seen through the lenses of old scratched isinglass. They shifted a little, but not to return my stare. – It was more like the tipping of an object toward the light. I admired his sullen face, the mechanism of his jaw, and then I saw that from his lower lip – if you could call it a lip grim, wet, and weaponlike, hung five old pieces of fish-line, or four and a wire leader with the swivel still attached, with all their five big hooks grown firmly in his mouth. Like medals with their ribbons frayed and wavering, a five-haired beard of wisdom trailing from his aching jaw. I stared and stared and victory filled up the little rented boat, from the pool of bilge where oil had spread a rainbow around the rusted engine to the bailer rusted orange, the sun-cracked thwarts, the oarlocks on their strings, the gunnels- until everything was rainbow, rainbow, rainbow! And I let the fish go. ~Elizabeth Bishop from “The Fish”
All my life, I’ve taken care of a variety of fish in tanks and ponds. As a child, I would watch, mesmerized, as our tropical fish glided around, happily exploring their little ten gallon world. I willingly cleaned away the algae, rinsed the gravel and changed the filter. As a teenager, I boasted at least three different tanks aerating away in my bedroom, my own little aqua-cultural world of bubbles and fins.
During college and medical school, I chose to share my room with goldfish and bettas, thriving on their apparent contentment within a clear glass bowl. I didn’t think of them as emotional support animals, but there was a joy obvious in their albeit limited existence: they still thrived when I was away, not missing me, but were always thrilled when I fed them, and tolerated my messing with their home maintenance.
My current thirty gallon aquarium is decades old and boasts over two dozen fish and plenty of furry algae and plants. Some of my watery friends have lived ten years or more and when they pass, I miss them. Even the dozen koi and goldfish in our farm pond have expressive faces and individual personalities that I’ve gotten to know well as they come when I call.
I know the heart of compassion I feel for any creature I’m responsible for, as I know and have experienced the compassion of our Creator.
I would hope when the time comes that I end up in His net, that He’ll look me in the eye, see the wonder there as I gape at Him. He’ll count my blemishes and wounds and the number of hooks in my mouth from the times I’ve been caught and escaped, and if He’s not yet ready to take me home, or deems me not yet ready to leave this world, He’ll throw me back rather than throw me away to keep trying to get it right.
He has promised us that.
Rainbows, rainbows, rainbows indeed…
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All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered. ~Kenneth Grahame, The Wind in the Willows
He saw clearly how plain and simple – how narrow, even – it all was; but clearly, too, how much it all meant to him, and the special value of some such anchorage in one’s existence. He did not at all want to abandon the new life and its splendid spaces, to turn his back on sun and air and all they offered him and creep home and stay there; the upper world was all too strong, it called to him still, even down there, and he knew he must return to the larger stage. But it was good to think he had this to come back to, this place which was all his own, these things which were so glad to see him again and could always be counted upon for the same simple welcome. ~Kenneth Grahame, from Wind in the Willows about the Mole and his home at Mole End
Folks need a safe place to call home, where everybody knows their name, and they’re always glad you came – that same simple welcome is a given.
I, for one, am mighty grateful for this place I can wander and wonder about what I see and hear around me. I am gladly anchored here to everything that is meaningful to me.
Too many around the world wander homeless without an anchor – settling randomly wherever there is cover, or a clear grassy spot, or within the hidden-away seclusion of a woods. Even when offered secure housing, they often reject being anchored, not wanting to be subject to rules when home is about making compromises necessary to get along with others.
How do we make “home-more” for the home-less? How can we be convincing that more “anchorage” is a special value?
May we offer the same simple welcome to all.
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Life is a stream On which we strew Petal by petal the flower of our heart; The end lost in dream, They float past our view, We only watch their glad, early start.
Freighted with hope, Crimsoned with joy, We scatter the leaves of our opening rose; Their widening scope, Their distant employ, We never shall know. And the stream as it flows Sweeps them away, Each one is gone Ever beyond into infinite ways. We alone stay While years hurry on, The flower fared forth, though its fragrance still stays. ~Amy Lowell “Petals”
It is at the edge of a petal that love waits. ~William Carlos Williams from Spring and All (1923)
Here is the fringy edge where elements meet and realms mingle, where time and eternity spatter each other with foam. ~Annie Dillard from Holy the Firm
It is common to look for love only inside the heart of things, watching it pulse as both showpiece and show off, reverberating from deep within, yet loud enough for all the world to bear witness.
But as I advance on life’s road, I find love lying waiting at the periphery of my heart, fragile and easily torn as a petal edge – clinging to the fringe of my life, holding on through storms and trials.
This love is ever-present, protects and cherishes, fed by fine little veins which branch from the center to the tender margins of infinity.
It is on that delicate edge of forever I dwell, waiting to be fed and trembling with anticipation.
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The children have gone to bed. We are so tired we could fold ourselves neatly behind our eyes and sleep mid-word, sleep standing warm among the creatures in the barn, lean together and sleep, forgetting each other completely in the velvet, the forgiveness of that sleep.
Then the one small cry: one strike of the match-head of sound: one child’s voice: and the hundred names of love are lit as we rise and walk down the hall.
One hundred nights we wake like this, wake out of our nowhere to kneel by small beds in darkness. One hundred flowers open in our hands, a name for love written in each one. ~Annie Lighthart “The Hundred Names of Love”
In the lull of evening, your son nested in your arms becomes heavier and with a sigh his body sloughs off its weight like an anchor into deep sleep, until his small breath is the only thing that exists.
And as you move the slow dance through the dim hall to his bedroom and bow down to deliver his sleeping form, arms parting, each muscle defining its arc and release— you remember the feeling of childhood,
traveling beneath a full moon, your mother’s unmistakable laugh, a field of wild grass, windows open and the night rushing in as headlights trace wands of light across your face—
there was a narrative you were braiding, meanings you wanted to pluck from the air, but the touch of a hand eased it from your brow and with each stroke you waded further
into the certainty of knowing your sleeping form would be ushered by good and true arms into the calm ocean that is your bed. — Alexandra Lytton Regalado, “The T’ai Chi of Putting a Sleeping Child to Bed” author of Matria
Each of those countless nights of a child wakening, each of the hundreds of hours of lulling them in the moonlit dark, leading them back to the soft forgiveness of sleep.
I remember the moves of that hypnotic dance, a head nestled snug into my neck, their chest pressed into mine, our hearts beating in synchrony as if they were still inside.
Even when our sleep was spare and our rest was sparse, those night times rocking in unison were worth every waking moment, trusting we’re in this together, no matter what, no matter how long.
We’re in this together.
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photo by Josh Scholtendragonfly wings photo by Josh Scholten
…God’s attention is indeed fixed on the little things. But this is not because God is a great cosmic cop, eager to catch us in minor transgressions, but simply because God loves us–loves us so much that the divine presence is revealed even in the meaningless workings of daily life. It is in the ordinary, the here-and-now, that God asks us to recognize that the creation is indeed refreshed like dew-laden grass that is “renewed in the morning” or to put it in more personal and also theological terms, “our inner nature is being renewed everyday”. ~Kathleen Norrisfrom The Quotidian Mysteries
Whether it is in a favorite book of fiction or poetry, or from the Word itself, or as I keep my eyes open to the daily wonders around me, I feel compelled to share the good parts with those of you who visit here.
It is easy to be ground to a pulp by the little things: waiting in line too long, heavy traffic, an insistent alarm clock, a mouse (or more) in the house, miserable spring-time pollen allergies, wearing a face mask though we no longer want to.
God is in the details, from dew drop to tear drop and even to nose snot. His ubiquitous presence is in all things, large and small, not just the “good parts” of His exquisite grandeur.
It isn’t all elegance from our limited perspective, but still, they are all good parts worthy of His divine attention.
The time has come to be refreshed and renewed by His care revealed in the tiniest ways.
He has my attention and I hope I now have yours.
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In spring there’s hope, in fall the exquisite, necessary diminishing, in winter I am as sleepy as any beast in its leafy cave, but in summer there is everywhere the luminous sprawl of gifts, the hospitality of the Lord and my inadequate answers as I row my beautiful, temporary body through this water-lily world. ~Mary Oliver from “Six Recognitions of the Lord”
what I want in my life is to be willing to be dazzled— to cast aside the weight of facts
and maybe even to float a little above this difficult world. I want to believe I am looking
into the white fire of a great mystery. ~Mary Oliver from “The Ponds”
I admit to being oblivious to the wonders going on beneath my feet, around my middle and above my head. My nose is to the grindstone, doing what needs to be done.
When a moment comes out of nowhere and I’m dazzled by something I’ve seen or heard or smelled, it shouldn’t come as a surprise. It has always been there; I’m simply waking to it.
Lord, lift my head in the midst of my blind hunger to see what you have already prepared for me.
Translation from Icelandic:
Hear, smith of heavens. The poet seeketh. In thy still small voice Mayest thou show grace. As I call on thee, Thou my creator. I am thy servant, Thou art my true Lord.
God, I call on thee; For thee to heal me. Bid me, prince of peace, Thou my supreme need. Ever I need thee, Generous and great, O’er all human woe, City of thy heart.
Guard me, my savior. Ever I need thee, Through ev’ry moment In this world so wide. Virgin–born, send me Noble motives now. Aid cometh from thee, To my deepest heart.
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I don’t need to have places to be, things to do, people to see.
It is enough to stand ajar like an unlocked door, looking in and wondering what or who might pass through.
Who knows what might happen next?
the wardrobe from C.S. Lewis’ childhood home built by his grandfather, later to serve as his inspiration for “The Lion, the Witch and the Wardrobe” from his home “The Kilns” at Oxford. Now at the Marion Wade Center at Wheaton College, Illinois
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