Where His Happiness Has Been

Now a red, sleepy sun above the rim
Of twilight stares along the quiet weald,
And the kind, simple country shines revealed
In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light,
Then stretches down his head to crop the green.
All things that he has loved are in his sight;
The places where his happiness has been
Are in his eyes, his heart, and they are good.
~Siegfried Sassoon from “Break of Day”

My husband and I grow old along with our horses – we are now past 70, just as a couple of our horses in “horse” years.

None of us, horses or humans, need to climb in the harness or put on the saddle to pull or carry the heavy loads of our former work lives.

It is a good life – each day treasured for its ordinariness.

Our retired horses feel the morning sun on their withers and the green blades under their feet, they scan the pasture for the sweetest tender patch to munch in the fields they know and love so well. They nap more now than in their younger years, taking breaks to let their heads hang relaxed and nodding, their tails slowly swishing at flies.

This morning was not so ordinary.

Waldheer van de Wortel (Wally), imported from Holland as a foal 27 years ago to be our herd stallion, let me know he wasn’t feeling well. He repeatedly pawed at the ground and the pasture gates, biting at his flank, trying to lie down and then get back up, not eating – clearly experiencing colicky belly pain that was getting worse.

I wondered if Wally’s time had come to bid him farewell. I had made a promise to my geriatric horses that I would not allow them to live in pain just because I didn’t want to let them go.

The vet came quickly and we talked about Wally’s options. She remarked about how he didn’t look his age, was holding weight well, his coat so sleek and shiny, his long-lashed eyes still bright and curious. But she said an older horse could often have repeated bouts of colic before the end, even if they temporarily improve with medical treatment.

I decided it was the right time to let him go to Haflinger heaven on a sunny summer morning, nibbling a mouthful of clover I offered him.

He was laid to sleep where he had lived nearly three decades.

He leaves behind two sons who were his pasture buddies, a couple dozen offspring scattered around the country, and people who loved his ambassadorship for the Haflinger breed. In his younger days, he was an enthusiastic eventer in the northwest region, ridden by his trainer Jessica Heidemann. They both had an enthusiastic fan-following.

In his later years, Wally was patient and loving with our grandchildren and with us. He lived a good life in his place of happiness. I wanted him to die peacefully at home, without a worry.

It just doesn’t get much better than that.

Waldheer van de Wortel, 1998 foal in Holland
27 year old Wally
Art work made by a fan of Waldheer
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Afraid Our Words Will Not Be Heard

And when the sun rises we are afraid
it might not remain

when the sun sets we are afraid
it might not rise in the morning
when our stomachs are full we are afraid
of indigestion
when our stomachs are empty we are afraid
we may never eat again
when we are loved we are afraid
love will vanish
when we are alone we are afraid
love will never return
and when we speak we are afraid
our words will not be heard
nor welcomed
but when we are silent
we are still afraid

So it is better to speak
remembering
we were never meant to survive.
~Audre Lorde from “A Litany for Survival”

We are all here so briefly, just trying to survive.

Although designed to live forever,
we are fallen,
running the clock out as long as we can.

Just one day more, we say. Give us just one more.

From the first, there has been struggle –
the pain of our birth, the cry of our laboring mother,
then feeding and protection of our children,
keeping them safe from the bombs of war
and the ravages of disease,
followed by weakening of our frail aging bodies.

If there is a reason for all this (and there is):
life’s struggles redeem us.

Heaven knows,
each life means something to God,
each death echoes His sorrow.

We fear we fail to make a difference
in such a short time.
So we speak.
Hear our voices.
Just one day more, Lord.
Please – one day more.

Tomorrow we’ll discover
What our God in Heaven has in store
One more dawn
One more day
One day more

~from Les Miserable

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Turned to Stone

Our shadows bring them from the shadows:
a yolk-yellow one with a navy pattern
like a Japanese woodblock print of fish scales.
A fat 18-karat one splashed with gaudy purple
and a patch of gray. One with a gold head,

a body skim-milk-white, trailing ventral fins
like half-folded fans of lace.
A poppy-red, faintly disheveled one,
and one, compact, all indigo in faint green water.
They wear comical whiskers and gather beneath us
as we lean on the cement railing
in indecisive late-December light,
and because we do not feed them, they pass,
then they loop and circle back. Loop and circle. Loop.
“Look,” you say, “beneath them.” Beneath them,
like a subplot or a motive, is a school
of uniformly dark ones, smaller, unadorned,
perhaps another species, living in the shadow
of the gold, purple, yellow, indigo, and white,
seeking the mired roots and dusky grasses,
unliveried, the quieter beneath the quiet.
~Susan Kolodny “Koi Pond, Oakland Museum”

The boardwalk,
a treachery of feathers ready
to receive another broken bone,
looms just above the surface.
Step deliberately when approaching.
With few exceptions,
ice has claimed this part of the pond.

This is where you see her,
moving through what
free water remains:
a sluggish ghost in the shadows,
slow, conserving the fragile heat
she still has in this late winter.
A canopy of juniper dressed with light snow
overhangs, watching.

Last year, a quorum of her kind was lost,
turned to stone, to frigid silence.
She doesn’t know that story,
but some instinct guides her to keep
what warmth she can, to cruise
in stubborn torpor.

In her drift, she remembers the summer,
her long, languid vowels,
the accompanying texts of her companions.
How they interwove manuscripts,
narrations of sky, tree, sun, and moon.
Warm days are a memory now,
and thoughts rest lightly in her body.

She has held the same posture for an hour.
Her bones have reached a conclusion—
an idea about hope itself—
there, near the indifferent bridge,
inches from the force that will take her
~Carolyn Adams, “Koi Pond” from Going Out to Gather

The water going dark only
makes the orange seem brighter,
as you race, and kiss, and spar
for food, pretending not
to notice me. For this gift
of your indifference, I am
grateful. I will sit until
the pond goes black, the last
orange spark extinguished.
~Robert Peake from “Koi Pond”

Koi and goldfish thrived in our pond after we covered it with netting, finally thwarting the herons arriving at dawn for breakfast.

Thus protected, our fish grew huge, celebrating each feeding with a flurry of tail flips and gaping mouths as I tossed pellets to them each evening.

When the pond cooled in the fall and sometimes ice-covered in winter, the fish settled at the bottom, barely moving silhouettes of color in the darkness. Spring would warm them to action again. As the water temperature rose, so did they, eager and hungry to flash their color and fins again.

Two winters ago, the chill winds and low temperatures lasted longer than usual. As the pond ice began to melt, the fish at the bottom remained still as stones. Netting them for burial felt like burying the sun and the moon and the stars, relegating their rainbows of light and color deep into the earth.

No longer would their colorful glory shine, an illumination now extinguished.

I haven’t had the heart to try again. I need a pond heater, a new filter system, and a total clean out of the pond if I am going to restock.

But then I remember the joy of feeding those flashes of fins and fish mouths, so I just might try again.

Rainbows promise to return, even from buried stone.

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Lyrics
From the love of my own comfort
From the fear of having nothing
From a life of worldly passions
Deliver me O God
From the need to be understood
From the need to be accepted
From the fear of being lonely
Deliver me O God
And I shall not want I shall not want
When I taste Your goodness
I shall not want
From the fear of serving others
From the fear of death or trial
From the fear of humility
Deliver me O God

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Wondering Where Life Has Gone

For to come upon warblers in early May was to forget time and death.—Theodore Roethke

Every poem of death        
should start
with my mother’s love        
for birds.
Finches and waxwings        
her favorites,
though she wasn’t        
one to quibble;
an eagle dragging a carp        
across the sky
would do.

There are worse things        
than being dead.
You might be swallowed   
by the daily minutia
of the great mundane,        
to be spit up
years later        
wondering where
your life has gone.


But loving something        
can save you:
the way finches        
stack a feeder,
meddle in each other’s        
business until
a woodpecker crashes in,       
littering surrounding
shrubs with wings.

Last summer my wife        
found a hummingbird
on Mount Pisgah.        
Its emerald wings trembled
as its feet tried to grasp        
her fingers.
A ranger said        
that their lives
are so short anyway.        
What a curious reply,
I thought, but later        
reconsidered.
Perhaps any time       
 being a hummingbird
is enough.
~Bill Brown “With the Help of Birds”

photo by Josh Scholten
photo by Josh Scholten

That long-ago morning at Ruth’s farm
when I hid in the wisteria
and watched hummingbirds. I thought
the ruby or gold that gleamed on their throats
was the honeyed blood of flowers.
They would stick their piercing beaks
into a crown of petals until their heads
disappeared. The blossoms blurred into wings,
and the breathing I heard
was the thin, moving stems of wisteria.
That night, my face pressed against the window,
I looked out into the dark
where the moon drowned in the willows
by the pond. My heart, bloodstone,
turned. That long night, the farm,
those jeweled birds, all these gone years.
The horses standing quiet and huge
in the moon-crossing blackness.
~Joseph Stroud “First Song”

Birds are everywhere this time of year – I keep my phone handy with the Merlin App open from Cornell Lab, so I know who I’m hearing.
From the robins and sparrows, to warblers and thrushes, along with the chittering bald eagles nesting by the pond across the road, it is quite a symphony to witness in the early morning and at sunset.

The app even tries to identify a woodpecker’s rapping and a hummingbird’s buzz.

There was a time not long ago when I was too busy with daily details to pay much attention to the awesome variety of creatures around me.

Once it hit me what I was missing, I started watching, listening and being part of all this life rather than wondering too late where life had gone.

How sobering one day to find a hummingbird dead in the dirt,
once a dear little bird of motor and constant motion,
lying stilled and silenced
as if simply dropped from the sky,
a wee bit of fluff and stardust.

Then a friend pointed out a hummingbird nest high in a tree.
And so it is the way of things…

We are here and gone.
Beauty hatched, grown and flown, then grounded.
…but not forgotten.

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More Precious than Roses

I am not resigned to the shutting away
of loving hearts in the hard ground.
So it is, and so it will be, for so it has been, time out of mind:
Into the darkness they go, the wise and the lovely. Crowned
With lilies and with laurel they go; but I am not resigned.

Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.
A fragment of what you felt, of what you knew,
A formula, a phrase remains,—but the best is lost.

The answers quick and keen, the honest look,
the laughter, the love,—
They are gone. They are gone to feed the roses.

Elegant and curled
Is the blossom.

Fragrant is the blossom. I know.
But I do not approve. 
More precious was the light in your eyes

than all the roses in the world.

Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned.

~Edna St. Vincent Millay “Dirge Without Music”

Each Memorial Day weekend without fail,
we gather with family, have lunch, reminisce,
and trek to a cemetery high above Puget Sound
to catch up with our relatives who lie there, still.

Some for over 110 years, some for barely more than a decade,
some we knew and loved and miss every day,
others not so much as they are unknown to us
except on genealogy charts,
names and dates and stones and stories:

the red-haired great-grandmother who died too young,
the aunt who was eight when lymphoma took her,
the grandmother who dreamed of world travel too late,
the great-grandfather Yukon river boat captain,
the grandfather logger and stump farmer,
the great aunt unmarried school teacher who hid an oil well,
the two in-laws who forever lie next to each other
but could not co-exist in the same room while they lived and breathed.

Yet we know each of these
(as we know ourselves and others)

could be tender and kind, though flawed and broken,
had been beautiful and strong, though wrinkled and frail,
was hopeful and faithful, though too soon in the ground.

We know this about them
as we know it about ourselves:
someday we too will feed roses,
the light in our eyes transformed into elegant swirls
emitting the fragrant scent of heaven.

No one asks if we approve.
Nor am I resigned to this
though I know:
So it is, so it has been, so it will be for me
someday.

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Burned Up With Beauty

i was talking to a moth
the other evening
he was trying to break into
an electric light bulb
and fry himself on the wires

why do you fellows
pull this stunt i asked him
because it is the conventional
thing for moths or why
if that had been an uncovered
candle instead of an electric
light bulb you would
now be a small unsightly cinder
have you no sense

plenty of it he answered
but at times we get tired
of using it
we get bored with the routine
and crave beauty
and excitement
fire is beautiful
and we know that if we get
too close it will kill us
but what does that matter
it is better to be happy
for a moment
and be burned up with beauty
than to live a long time
and be bored all the while
so we wad all our life up

into one little roll
and then we shoot the roll
that is what life is for
it is better to be a part of beauty
for one instant and then cease to
exist than to exist forever
and never be a part of beauty
our attitude toward life
is come easy go easy
we are like human beings
used to be before they became
too civilized to enjoy themselves

and before i could argue him
out of his philosophy
he went and immolated himself
on a patent cigar lighter
i do not agree with him
myself i would rather have
half the happiness and twice
the longevity
but at the same time i wish
there was something i wanted
as badly as he wanted to fry himself

archy (the cockroach)

~Don Marquis “The Lesson of the Moth”

One night a moth flew into the candle, was caught, burned dry, and held. I must have been staring at the candle, or maybe I looked up when a shadow crossed my page; at any rate, I saw it all…

Her moving wings ignited like tissue paper…

And then this moth essence, this spectacular skeleton, began to act as a wick. She kept burning. The wax rose in the moth’s body from her soaking abdomen to her thorax to the jagged hole where her head should be, and widened into flame, a saffron-yellow flame that robed her to the ground like any immolating monk. That candle had two wicks, two flames of identical height, side by side. The moth’s head was fire. She burned for two hours, until I blew her out.
~Annie Dillard from “The Death of the Moth” from Holy the Firm

The struggle was over.

The insignificant little creature now knew death. As I looked at the dead moth, this minute wayside triumph of so great a force over so mean an antagonist filled me with wonder. Just as life had been strange a few minutes before, so death was now as strange.

The moth having righted himself now lay most decently and uncomplainingly composed. O yes, he seemed to say, death is stronger than I am.
~Virginia Woolf from “The Death of a Moth”

I too would take half the happiness and twice the longevity over one moment of ecstasy.

But I admire the blind passion of a tiny creature who will beat itself senseless on a light bulb, or fly into a flame to become cinders, or struggle so hard to live upright rather than upside down, that it dies in the struggle.

Why are famous poets and essayists fascinated by the tiny deaths they witness on their front porches, in their kitchens or at their writing desk?

Death is never tiny at all.
Nevertheless, death is ceasing to be,
after a unique and intentional creation,
whether a moth, a mother, or ourselves.

We live today. Look for a moment of beauty to enjoy.
Let’s be sensible about what we want so badly.
As one tiny part of matter, we matter.
And when we die, it is never a tiny death.

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Lyrics:
A day may come that asks of us all we have to give:
a day we never would have sought and yet we have to live.
If it should be our destiny to live in such a day,
let our faith and love be worthy of the ones who showed the way.
The ones we now call heroes
The ones we say their memory will not die –
they were no different in their day than you or I.
They were no different in their day. than you or I.
~Grahame Davies

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Merging with the Shadows

For Nanda Devi Unsoeld: 1954–1976

Before the second summit party began the ascent
of the princess of mountains, an ominous black cloud
settled slowly around the summit block, persuading
us to take a rest day, but morale was good.
The next day at seven in the evening, my daughter
Devi was on her last pitch, and it took her until
midnight to haul up over the final lip. A long day.

Two days later, a blizzard kept us in our tents, but
the next morning, Devi was stricken, saying calmly,
“She is calling me. I am going to die,” before
she fell into unconsciousness.
I tried to revive her, mouth-to-mouth,
but felt her lips grow cold against mine.
We had lost her. My daughter was gone.
I and the other climbers wept.

Her fiancé Andy and I bundled her in her sleeping
bag and slipped her off the precipice of the North-
East face. I said we had committed her to the deep.
She had been the driving force behind this expedition,
as she was inexorably drawn to her namesake.
The Bliss-Giving Goddess had claimed her own.
An excerpt from her last diary is inscribed
on a stone placed in a high-altitude meadow of Patai:

“I stand on a windswept ridge at night with the stars
bright above and I am no longer alone but I waver
and merge with all the shadows that surround me.
I am part of the whole and I am content.”
~Eleanor Swanson, Last Light on the West Face of Nanda Devi
from Non Finito

Nanda Devi peak, courtesy of Stanford Alpine Club

The ripple effect from Nanda Devi Unsoeld’s arrival as a new junior in Olympia High School in 1970 reached me within minutes, as I felt the impact of her presence on campus immediately. One of my friends elbowed me, pointing out a new girl being escorted down the hall by the assistant principal. Students stared at the wake she left behind: Devi had wildly flowing wavy long blonde hair, a friendly smile and bold curious eyes greeting everyone she met.

From the neck up, she fit right in with the standard appearance at the time: as the younger sisters of the 60’s generation of free thinking flower children, we tried to emulate them in our dress and style, going braless and choosing bright colors and usually skirts that were too short and tight. There was the pretense we didn’t really care how we looked, but of course we did care very much, with hours spent daily preparing the “casual carefree” look that would perfectly express our freedom from fashion trends amid our feminist longings.

Practicing careful nonconformity perfectly fit our peers’ expectations and aggravated our parents.

But Devi never looked like she cared what anyone else thought of her.  The high school girls honestly weren’t sure what to make of her, speculating together whether she was “for real” and viewed her somewhat suspiciously, as if she was putting on an act.

The high school boys were mesmerized.

She preferred baggy torn khaki shorts or peasant skirts with uneven hems, loose fitting faded T shirts and ripped tennis shoes without shoelaces. Her bare legs were covered with long blonde hair, as were her armpits which she showed off while wearing tank tops. She pulled whole cucumbers from her backpack in class and ate them like cobs of corn, rind and all. She smelled like she had been camping without a shower for three days, but then riding her bike to school from her home 11 miles away in all kinds of weather accounted for that. One memorable day she arrived a bit late to school, pushing her bike through 6 inches of snow in soaking tennis shoes, wearing her usual broad smile of satisfaction.

As a daughter of two Peace Corps workers who had just moved back to the U.S. after years of service in Nepal, Devi had lived very little of her life in the United States. Her father Willi Unsoeld, one of the first American climbers to reach the summit of Mt. Everest up the difficult west face, had recently accepted a professorship in comparative religion at new local Evergreen College. He moved his wife and family back to the northwest to be near his beloved snowy peaks, suddenly immersing four children in an affluent culture that seemed foreign and wasteful.

Devi recycled before there was a word for it simply by never buying anything new and never throwing anything useful away, involved herself in social justice issues before anyone had coined the phrase, and was an activist behind the scenes more often than a leader, facilitating and encouraging others to speak out at anti-war rallies, organizing sit-ins for world hunger and volunteering in the local soup kitchen. She mentored adolescent peers to get beyond their self-consciousness and self-absorption to explore the world beyond the security of high school walls.

Regretfully, few of us followed her lead. We preferred the relative security and camaraderie of hanging out at the local drive-in to taking a shift at the local 24-hour crisis line. We showed up for our graduation ceremony in caps and gowns while the rumor was that Devi stood at the top of Mt. Rainier with her father that day.

I never saw Devi after high school but heard of her plans in 1976 to climb with an expedition to the summit of Nanda Devi, the peak in India for which she was named. She never returned, dying in her father’s arms as she suffered severe abdominal pain and irreversible high altitude sickness just below the summit. She lies forever buried in the ice on that faraway peak in India. 

Her father died in an avalanche only a few years later, as he led an expedition of Evergreen students on a climb on Mt. Rainier, only 60 miles from home. Her mother, Jolene, later served in Congress from our district in Washington state.

Had Devi lived these last 50 years, I have no doubt she would have led our generation with her combination of charismatic boldness and excitement about each day’s new adventure. She lived without pretense, without hiding behind a mask of fad and fashion and conformity and without any desire for wealth or comfort.

I wish I had learned what she had to teach me when she sat beside me in class, encouraging me by her example to become someone more than the dictates of societal expectations. I secretly admired the freedom she embodied in not being concerned in the least about fitting in. Instead, I still mourn her loss all these years later, having to be content with the legacy she has now left behind on a snowy mountain peak that called her by name.

Mt. Shuksan, Washington state
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Where You Go, I Will Go: Beaten to Death by the Whole World

frost125143

My God, my God, why have you forsaken me?
    Why are you so far from saving me,
    so far from my cries of anguish?
My God, I cry out by day, but you do not answer,
    by night, but I find no rest.

I am poured out like water,
    and all my bones are out of joint.
My heart has turned to wax;
    it has melted within me.
15 My mouth is dried up like a potsherd,
    and my tongue sticks to the roof of my mouth;
    you lay me in the dust of death.

16 Dogs surround me,
    a pack of villains encircles me;
    they pierce my hands and my feet.
17 All my bones are on display;
    people stare and gloat over me.
18 They divide my clothes among them
    and cast lots for my garment.

19 But you, Lord, do not be far from me.
    You are my strength; come quickly to help me.
~Psalm 22: 1-2, 14-19


  his appearance was so disfigured beyond that of any human being
    and his form marred beyond human likeness—
 so he will sprinkle many nations,
    and kings will shut their mouths because of him.
For what they were not told, they will see,
    and what they have not heard, they will understand.
Isaiah 52: 13-15

When I was wounded
whether by God, the devil, or myself
—I don’t know yet which—
it was seeing the sparrows again
and clumps of clover, after three days,
that told me I hadn’t died.
When I was young,
all it took were those sparrows,
those lush little leaves,
for me to sing praises,
dedicate operas to the Lord.
But a dog who’s been beaten
is slow to go back to barking
and making a fuss over his owner
—an animal, not a person
like me who can ask:
Why do you beat me?
Which is why, despite the sparrows and the clover,
a subtle shadow still hovers over my spirit.
May whoever hurt me, forgive me.
~Adelia Prado “Divine Wrath” translated from Brazilian Portuguese by Ellen Doré Watson

*************************************

“My God, My God,” goes Psalm 22, “hear me, why have you forsaken me?”  

This is the anguish all we of Godforsaken heart know well. But hear the revelation to which Christ directs us, further in the same psalm:

For He has not despised nor scorned the beggar’s supplication,
Nor has He turned away His face from me;
And when I cried out to Him, He heard me.

He hears us, and he knows, because he has suffered as one Godforsaken. Which means that you and I, even in our darkest hours, are not forsaken. Though we may hear nothing, feel nothing, believe nothing, we are not forsaken, and so we need not despair.

And that is everything.

That is Good Friday and it is hope, it is life in this darkened age, and it is the life of the world to come.
~Tony Woodlief from “We are Not Forsaken”

*******************************

Emmett Till’s mother
speaking over the radio

She tells in a comforting voice
what it was like to touch her dead boy’s face,

how she’d lingered and traced
the broken jaw, the crushed eyes

the face that badly beaten, disfigured—
before confirming his identity.

And then she compares his face to
the face of Jesus, dying on the cross.

This mother says no, she’d not recognize
her Lord, for he was beaten far, far worse

than the son she loved with all her heart.
For, she said, she could still discern her son’s curved earlobe,

but the face of Christ
was beaten to death by the whole world.
~Richard Jones “The Face” from Between Midnight and Dawn

******************************

In a daring and beautiful creative reversal,
God takes the worse we can do to Him
and turns it into the very best He can do for us.
~Malcolm Guite from The Word in the Wilderness

IMG_6229

Strangely enough~
it is the nail,
not the hammer,
that fastens us together~
becoming the glue,
the security,
the permanence of
solid foundation
and strong supports,
or protecting roof.

The hammer is only a tool
to pound in the nail
to where it binds so tightly;
the nail can’t blend in or be forgotten,
where the hole it leaves behind
is a forever wounded reminder
of what the hammer has done,
yet, how thoroughly
the hammer, and we, are forgiven.

nailhole

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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Where You Go, I Will Go: Waiting To Be Filled

Oh! hush thee, my baby, the night is behind us,
And black are the waters that sparkled so green.
The moon, o’er the combers, looks downward to find us
At rest in the hollows that rustle between.
Where billow meets billow, there soft be thy pillow;
Ah, weary wee flipperling, curl at thy ease!
The storm shall not wake thee, nor shark overtake thee,
Asleep in the arms of the slow-swinging seas.
~Rudyard Kipling “Seal Lullaby”

For you created my inmost being;
    you knit me together in my mother’s womb.
14 I praise you because I am fearfully and wonderfully made;
    your works are wonderful,
    I know that full well.
15 My frame was not hidden from you
    when I was made in the secret place,
    when I was woven together in the depths of the earth.
16 Your eyes saw my unformed body;
    all the days ordained for me were written in your book
    before one of them came to be.
17 How precious to me are your thoughts,[a] God!
    How vast is the sum of them!
18 Were I to count them,
    they would outnumber the grains of sand—
    when I awake, I am still with you.

Psalm 139: 13-18

The call came in the middle of a busy night
as we worked on a floppy baby with high fever,
a croupy toddler whose breathing squeezed and squeaked,
a pale adolescent transfusing due to leukemia bleeding.

It was an anencephalic baby just born, unexpected, unwanted
in a hospital across town, and she needed a place to die.

Our team of three puzzled how to manage a baby without a brain–
simply put her in a room, swaddled, kept warm but alone?
Hydrate her with a dropper of water to moisten her mouth?
Offer her a taste of milk?

She arrived by ambulance, the somber attendants
leaving quickly, unnerved by her mewing cries.

I took the wrapped bundle and peeled away the layers
to find a plump full term baby, her hands gripping, arms waving
once freed;  just another newborn until I pulled off her stocking cap
and looked into an empty crater — only a brainstem lumped at the base.

No textbook pictures had prepared me
for the wholeness, the holiness of this living, breathing child.

Her forehead quit above the eyebrows with the entire skull missing,
tufts of soft brown hair fringed her perfect ears,
around the back of her neck.
Her eyelids puffy, squinting tight, seemingly too big
above a button nose and rosebud pink lips.

She squirmed under my fingers, her muscles strong, breaths coming steady despite no awareness of light or touch or noise.

Yet she cried in little whimpers, mouth working, seeking,
lips tentatively gripping my fingertip. A bottle warmed,
nipple offered, a tentative suck allowing tiny flow,
then, amazing,  a gurgling swallow.

Returning every two hours, more for me than for her, I picked her up
to smell the salty sweet scent of amnion still on her skin as she grew dusky.

Her breathing weakened, her muscles loosened, giving up her grip
on a world she would never see or hear or feel to behold
something far more glorious, as I gazed
into her emptiness, waiting to be filled.

(this poem has been published in Sarah Arthur‘s wonderful Lenten and Eastertide anthology Between Midnight and Dawn)

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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Where You Go, I Will Go: The Mourning Bench

…we all suffer.
For we all prize and love;
and in this present existence of ours,
prizing and loving yield suffering.
Love in our world is suffering love.


Some do not suffer much, though,
for they do not love much.
Suffering is for the loving.
This, said Jesus, is the command of the Holy One:
“You shall love your neighbor as yourself.”
In commanding us to love, God invites us to suffer
.

Over there, you are of no help.
What I need to hear from you is that you recognize how painful it is.
I need to hear from you that you are with me in my desperation.


To comfort me, you have to come close.
Come sit beside me on my mourning bench.
~Nicholas Wolterstorff from Lament for a Son

I wondered if 7:30 AM was too early to call her. As a sleep-deprived fourth year medical student finishing a long night admitting patients in the hospital, I selfishly needed to hear her voice.

I wanted to know how Margy was doing with the latest round of chemotherapy for breast cancer; I knew she was not sleeping well these days. She was wearing a new halo brace—a metal contraption that wrapped around her head like a scaffolding to secure her degenerating cervical spine from collapsing from metastatic tumor growths in her bones.

She knew, we all knew, she was trying to buy more time from a life of rapidly diminishing days.

Each patient I had seen the previous 24 hours while working in the Emergency Room benefited from the interviewing skills Margy had taught each medical student in our class. She reminded us that each patient had an important story to tell, and no matter how pressured our time, we needed to ask questions that gave permission for that story to be told. As a former nun now married with two teenage children, Margy had become our de facto therapist at a time no medical school hired supportive counselors.

She insisted physicians-in-training remember the suffering soul thriving inside the broken body.

“Just let the patient know with certainty, through your eyes, your body language, your words, that you want to hear what they have to say. You can heal so much hurt simply by sitting beside them and caring enough to listen…”

After her diagnosis with stage 4 cancer, Margy herself became the broken vessel who needed the glue of a good listener. She continued to teach, often from her bed at home. I planned to visit her that day, maybe help out by cleaning her house, or take her for a drive as a diversion.

Her phone rang only once after I dialed her number. There was a long pause; I could hear a clearing of her throat. A deep dam of tears welled behind a muffled “Hello?”

“Margy?”

“Yes? Emily? ”

“Margy? What is it? What’s wrong?”

Her voice shattered like glass into fragments, strangling on words that struggled to form.

“Gordy’s gone, Emily. He’s gone. He’s gone forever…”

“What? What are you saying?”

“A policeman just left. He told us our boy is dead.”

I sat in stunned silence, listening to her sobs, completely unequipped to know how to respond.

None of this made sense. I knew her son was on college spring break, heading to Mexico for a missions trip.

“I’m here, what’s happened?”

“The doorbell rang about an hour ago. Larry got up to answer it. I heard him talking to someone downstairs, so I decided to try to get up and go see what was going on. There was a policeman sitting with Larry on the couch. I knew it had to be about Gordy.”

She paused and took in a shuddering breath.

“The group was driving through the night in California. He was asleep in the back of the camper. They think he was sleepwalking and walked right out of the back of the moving camper and was hit by another car.”

Silence.  A strangling choking silence.

“They’ll bring him home to me, won’t they? I need to know I can see my boy again. I need to tell him how much I love him.”

“They’ll bring him home to you, Margy.
I’m on my way to help you get ready…

God is not only the God of the sufferers
but the God who suffers. …
It is said of God that no one can behold his face and live.
I always thought this meant
that no one could see his splendor and live.
A friend said perhaps it meant
that no one could see his sorrow and live.
Or perhaps his sorrow is splendor. …
Instead of explaining our suffering, God shares it.

~Nicholas Wolterstorff from Lament for a Son

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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