Still, what I want in my life Is to be willing To be dazzled- To cast aside the weight of facts
And maybe even To float a little Above this difficult world. I want to believe I am looking
Into the white fire of a great mystery. I want to believe that the imperfectionsare nothing — that the light is everything — that it is more than the sum of each flawed blossom rising and fading. And I do. ~Mary Oliver from “The Pond”from House of Light
Tell all the truth but tell it slant — Success in Circuit lies Too bright for our infirm Delight The Truth’s superb surprise As Lightning to the Children eased With explanation kind The Truth must dazzle gradually Or every man be blind — ~Emily Dickinson
Who would have thought it possible that a tiny little flower could preoccupy a person so completely that there simply wasn’t room for any other thought? ~ Sophie Scholl from At the Heart of the White Rose
There are days we live⠀ as if death were nowhere⠀ in the background; from joy⠀ to joy to joy, from wing to wing,⠀ from blossom to blossom to⠀ impossible blossom, to sweet impossible blossom.⠀ ~Li-Young Lee from “From Blossoms”
I can’t always handle all the truth all at once, especially when it might hurt.
It is best for the truth to slowly bring me out of the shadows where I like to hunker down, a tight little bud refusing to open. Truth told slant becomes an illuminating back drop, encouraging me to open up and transform, willing to be dazzled by the light.
And then, perhaps, just maybe, I too may be dazzling to behold.
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Sunday mornings I would reach high into his dark closet while standing on a chair and tiptoeing reach higher, touching, sometimes fumbling the soft crowns and imagine I was in a forest, wind hymning through pines, where the musky scent of rain clinging to damp earth was his scent I loved, lingering on bands, leather, and on the inner silk crowns where I would smell his hair and almost think I was being held, or climbing a tree, touching the yellow fruit, leaves whose scent was that of a clove in the godsome air, as now, thinking of his fabulous sleep, I stand on this canyon floor and watch light slowly close on water I’m not sure is there. ~Mark Irwin “My Father’s Hats”
Henry Polis 1968
My father was always more comfortable working outdoors rather than at a desk. He had a nice felt hat for going to church along with the requisite suit and tie, but at home he wore a work cap with a tattered bill and a farm shop logo on the front. It hung on a hook in our breezeway, always sweat-stained from his laboring in full sun on projects on our small farm. I think he could wring it out at the end of the day.
My dad was not one for wearing aftershave or cologne, even to his office job. He had to scrub hard on Sunday mornings as his fingernails contained soil from the garden and grease from the car engines. He smelled like the woods where he slashed and piled brush, like the smoke from the burn piles he lit, like the cement he was always mixing to create his latest walkway, foundation, or support structure. And he always smelled of tobacco – his chosen vice – but never of alcohol which ruined not only his own father’s life and those around him.
I don’t think my father lost his faith even when he suffered at the end, dying of a second cancer after the first was defeated. He wasn’t one to speak of God or salvation so I simply assumed, just as I did during those decades of Sunday morning hat and suits, worshiping in church.
His light shone, even during the hard times when I wasn’t sure it was still there.
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I am what you make me; nothing more. I swing before your eyes as a bright gleam of color, a symbol of yourself. ~Franklin K. Lane, Secretary of the Interior, 1914 Flag Day address
Sometimes, as a child, when I was bored, I’d grab a step ladder, pull it into our hallway, climb half way up and carefully lift the plywood hatch that was the portal to our unlit attic. It took some effort to climb up into the attic from the ladder, juggling a flashlight at the same time, but once seated safely on the beams above our ceiling, being careful not to put my foot through the carpet of insulation, I could explore what was stowed and normally inaccessible to me.
All the usual attic-type things were put up there: Christmas ornaments and lights, baby cribs and high chairs, lamps and toys no longer used. Secrets to my parents’ past were stored away there too. It was difficult imagining them as young children growing up on opposite sides of the state of Washington, in very different circumstances, or as attractive college students who met at a dance, or as young marrieds unencumbered by the daily responsibilities of a family. The attic held those images and memories like a three dimensional photo album.
My father’s dark green Marine Corps cargo trunk was up there, the one that followed him from Officer Training in Quantico, Virginia, to beach and mountain battles on Tarawa, Tinian and Saipan in the South Pacific, and three years later back home again. It had his name and rank stenciled on the side in dark black lettering. The buckles were stiff but could be opened with effort, and in the dark attic, there was always the thrill of unlatching the lid, and shining the flashlight across the contents. His Marine Corps dress uniform lay inside underneath his stiff brimmed cap. There were books about protocol, and a photo album which contained pictures of “his men” that he led in his battalion, and the collection of photos my mother sent of herself as she worked as a teacher of high school students back home.
Most fascinating was a folded Japanese flag inside a small drawstring bag, made of thin white see-through cloth with the bold red sun in the middle. Surrounding the red sun were the delicate inked characters of many Japanese hands as if painted by artists, each wishing a soldier well in his fight for the empire. Yet there it was, a symbol of that soldier’s demise, itself buried in an American attic, being gently and curiously held by an American daughter of a Marine Corps captain. It would occur to me in the 1960s that some of the people who wrote on this flag might still be living, and certainly members of the soldier’s family would still be living. I asked my father once about how he obtained the flag, and he, protecting both me and himself, waved me away, saying he couldn’t remember. I know better now. He knew but could not possibly tell me the truth.
These flags, charms of good luck for the departing Japanese soldier as he left his neighborhood or village for war, are called Hinomaru Yosegaki (日の丸寄せ書き). Tens of thousands of these flags came home with American soldiers; it is clear they were not the talisman hoped for. A few of these flags are now finding their way back to their home country, to the original villages, to descendants of the lost soldiers. So now has this flag.
Eighty years ago doesn’t seem that long, a mere drop in the river of time. There is more than mere mementos that have flowed from the broken dam of WWII, flooding subsequent generations of Americans, Japanese, Europeans with memories that are now lost as the oldest surviving soldiers in their 90’s pass, scores of them daily, taking their stories of pain and loss and heroism with them. My father could never talk with a person of Asian descent, Japanese or not, without being visibly uneasy. As a child, I saw and felt this from him, but heard little from his mouth.
When he was twenty two years old, pressed flat against the rocks of Tarawa, trying to melt into the ground to become invisible to the bullets whizzing overhead, he could not have conceived that sixty five years later his twenty two year old grandson would disembark from a jumbo jet at Narita in Tokyo, making his way to an international school to teach Japanese children. My father would have been shocked that his grandson would settle happily into a culture so foreign, so seemingly threatening, so apparently abhorrent. Yet this irony is the direct result of the horrors of that too-long horrible bloody war of devastation: Americans and Japanese, despite so many differences, have become the strongest of allies, happily exchanging the grandchildren of those bitterly warring soldiers back and forth across the Pacific. It too was my privilege to care for Japanese exchange students daily in my University health clinic, peering intently into their open faces and never once seeing the enemy that my father feared.
Now all these decades later, our son taught for 13 years in Tokyo, with deep admiration and appreciation for each of his students, some of whom were great-grandchildren of WWII Japanese soldiers. He married a granddaughter of those my father fought. Their two children are the perfect amalgam of once warring, yet now peaceful, cultures; a symbol of blended and blending peoples overcoming the hatred of past generations, creating a new world.
Our son and daughter-in-law, having settled their family in the States, are adapting to a different language, culture and flag. I pray our son having devoted part of his life as teacher and missionary to the land of the rising sun has redeemed his grandfather, the soldier-warrior of the past century.
(U.S. Air Force photo by Staff Sgt. Peter Reft)
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A few weeks after my mother died, I dreamed that she was waiting for me in a ravine of spring-green larches. There was no worry in her eyes, and she sat there with her knees drawn up, content to be in the filtered sunlight. Funny, because she never lived among larch trees–my mom grew up on an orange grove and raised us in the Douglas fir. I do not live among them either, apart from my rare visits to the North Cascades. But when I’m there, as now I am, sitting barefoot on Cutthroat Pass among amber larches bathing every bowl and basin, I have a sense that she’s okay, and that I am too, born to witness what I can within this green and golden world which still persists, with or without us, but mostly with us, I’ve come to believe. Things and people pass away– but that’s when they become themselves. There’s a new heaven, a new earth, around and about us–and not much different from the better parts of the old. We don’t live there very often, but when we do, eternity ignites in a moment, light in the larches that shines. And shines. ~Paul J. Willis “Sustainability” from Between Midnight and Dawn
We are promised all will be new.
When I imagine a new heaven and a new earth, I can only think of the moments in my life when eternity has been ignited momentarily – the light shining just so – when I realize what it will be like forever, not just for a moment.
Forever is more than I can fathom; we were put here to witness this green and golden world, while being loved by its infinite eternal Creator.
He will wipe every tear from their eyes. And there shall be no more death neither sorrow nor crying, Neither shall there be any more pain, For the former things are passed away. (Revelation 21:4)
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I thought of happiness, how it is woven Out of the silence in the empty house each day And how it is not sudden and it is not given But is creation itself like the growth of a tree. No one has seen it happen, but inside the bark Another circle is growing in the expanding ring. No one has heard the root go deeper in the dark, But the tree is lifted by this inward work And its plumes shine, and its leaves are glittering.
So happiness is woven out of the peace of hours And strikes its roots deep in the house alone: The old chest in the corner, cool waxed floors, White curtains softly and continually blown As the free air moves quietly about the room; A shelf of books, a table, and the white-washed wall— These are the dear familiar gods of home, And here the work of faith can best be done, The growing tree is green and musical.
For what is happiness but growth in peace, The timeless sense of time when furniture Has stood a life’s span in a single place, And as the air moves, so the old dreams stir The shining leaves of present happiness? No one has heard thought or listened to a mind, But where people have lived in inwardness The air is charged with blessing and does bless; Windows look out on mountains and the walls are kind. ~May Sarton “The Work of Happiness”
Some are eager to travel and roam, experiencing new places and unfamiliar scenery.
I leave home reluctantly now. Having settled in during the COVID years, I find happiness forming concentric rings around the core of this farm with my roots growing deeper in this fertile soil. It is where I belong.
Certainly, I have belonged to other places during my life. Each built a new ring in my history, growing me taller and stronger over the years. As I have moved, I have carried along furniture from my grandparents’ homes – a rocking chair, a round top antique trunk. My great aunt’s baby grand piano followed me through three moves. My parents’ things are scattered throughout this house, storing their memories in the wood and polish and fabric.
There is peace to be found in this inwardness. When I open our windows, I sense in every way how the air is charged with blessing. There is kindness here. There is happiness woven out of time and memory and love.
No matter where I shall roam, I will always find the road home.
Tell me where is the road I can call my own, That I left, that I lost, so long ago. All these years I have wondered, oh when will I know, There’s a way, there’s a road that will lead me home.
After wind, After rain, when the dark is done, As I wake from a dream, in the gold of day, Through the air there’s a calling from far away, There’s a voice I can hear that will lead me home.
Rise up, follow me, come away is the call With (the) love in your heart as the only song There is no such beauty as where you belong Rise up, follow me, I will lead you home. ~Michael Dennis Browne
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It may be that when we no longer know what to do we have come to our real work and that when we no longer know which way to go we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings. The world, the truth, is more abounding, more delightful, more demanding than we thought. What appeared for a time perhaps to be mere dutifulness … suddenly breaks open in sweetness — and we are not where we thought we were, nowhere that we could have expected to be. ~Wendell Berry from “Poetry and Marriage: The Use of Old Forms,” in Standing By Words
Who among us knows with certainty each morning what we are meant to do that day or where we will be asked to go?
Or do we make our best guess by putting one foot ahead of the other as we were taught until the day is done and it is time to rest?
For me, over four decades, I woke baffled each day that I was allowed to eavesdrop on heartbeats, touch tender bellies, sew up broken skin, set fractured bones, listen to and through tears.
I woke humbled with commitment and duty to keep going even when too tired, my heart sometimes too dry, though to offer care even when rejected and keep striving even if impeded.
Doing that work, I learned that obstacles will slow but cannot stop the cascade of love and hope spilling over and through the rocks of life.
My days still overflow with the uncertainty of what comes next: finding my real work in this time of life is to wade in deep, tumbling over the barriers and still keep singing.
The clouds had given their all – two days of rain and then a break in which we walked,
the waterlogged earth gulping for breath at our feet as we skirted the lake, silent and apart,
until the swans came and stopped us with a show of tipping in unison. As if rolling weights down their bodies to their heads
they halved themselves in the dark water, icebergs of white feather, paused before returning again like boats righting in rough weather.
‘They mate for life’ you said as they left, porcelain over the stilling water. I didn’t reply but as we moved on through the afternoon light,
slow-stepping in the lake’s shingle and sand, I noticed our hands, that had, somehow, swum the distance between us
and folded, one over the other, like a pair of wings settling after flight. ~Owen Sheers “Winter Swans”
We are created to be folded together to one another – bound to our God and Savior.
We belong here in tandem, even when there is temptation to fly – away from what is painful and difficult away from the cold, the dark, the storm
We are called home folding our fingers and wings together as a kept promise of unity not just for now, but for ever.
This year’s Lenten theme: So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal. 2 Corinthians 4: 18
We come across a ridge and hear a cowbell in the cove beyond, a tinkle sweetening the air with vague rubato as the breeze erases tones and then the notes resume like echoes from the past or from a cave inside the cliff, a still, calm voice in dialect and keeping its own company, both out of time and long as time, both here and from a higher sphere, as if the voice of history were intimate as memory. ~Robert Morgan “Cowbell”
Over my head, I see the bronze butterfly, Asleep on the black trunk, Blowing like a leaf in green shadow. Down the ravine behind the empty house, The cowbells follow one another Into the distances of the afternoon. To my right, In a field of sunlight between two pines, The droppings of last year’s horses Blaze up into golden stones. I lean back, as the evening darkens and comes on. A chicken hawk floats over, looking for home. I have wasted my life. ~James Wright “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota”
photo by Kate Steensma from Steensma Creamery
One of the lullabies I remember hearing as a youngster were cowbells in the pasture outside my bedroom window on our family farm. Each of our three milking Guernsey cows wore a bell on her neck so my dad could tell where they were in our wooded field. He’d whistle and call “Come Bossy!” and they would walk single file into the barn, ringing and tinkling with each step, for their twice daily grain and hand-milking.
When I was old enough, I liked to perch on top of their bony backs while my dad leaned his head into their flank, whistling a tune while he milked them, the steaming stream of milk hitting the metal bucket with a high-pitched whine. The bells on their necks still chimed as the cows chewed, moving their heads up and down to finish their meal.
This was divine music that soothed and reassured me. All was right with the world, thanks to the cows and their intrinsic tunes created by their movements, as if they were created to charm their keepers. There are moments when I believe we are hearing what heaven must sound like.
Now, sixty five years later, the soft harmony of cowbells has been replaced by the random chords of wind chimes hanging outside our house. The memory of cowbell music remains a reminder: I have not wasted my life if I can taste heaven through such simple things and magical moments.
But I still need more cowbell…
This year’s Lenten theme: So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal. 2 Corinthians 4: 18
and because there is always a need for more cowbell…
Our heart wanders lost in the dark woods. Our dream wrestles in the castle of doubt. But there’s music in us. Hope is pushed down but the angel flies up again taking us with her. The summer mornings begin inch by inch while we sleep, and walk with us later as long-legged beauty through the dirty streets. It is no surprise that danger and suffering surround us. What astonishes is the singing. We know the horses are there in the dark meadow because we can smell them, can hear them breathing. Our spirit persists like a man struggling through the frozen valley who suddenly smells flowers and realizes the snow is melting out of sight on top of the mountain, knows that spring has begun. ~Jack Gilbert “Horses at Midnight Without a Moon”
As if — we are walking through the darkest valley, still stuck in the throes of winter, and catch a whiff of a floral scent, or a hint of green grass, or hear the early jingle bells song of peeper frogs in the wetlands, or feel the warm breath of horses puffing steam at night.
As if — there is hope on the other side, refreshment and renewal and rejoicing only around the corner.
As if — things won’t always be frozen or muddy or barren, that something is coming behind the snowdrops and crocus.
The snow is melting, imperceptibly, but melting nonetheless. And that, in turn, melts me…
This year’s Lenten theme: So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal. 2 Corinthians 4: 18
The earth invalid, dropsied, bruised, wheeled Out in the sun, After frightful operation. She lies back, wounds undressed to the sun, To be healed, Sheltered from the sneapy chill creeping North wind, Leans back, eyes closed, exhausted, smiling Into the sun. Perhaps dozing a little. While we sit, and smile, and wait, and know She is not going to die. ~Ted Hughes from ” A March Morning Unlike Others” from Ted Hughes. Collected Poems
March. I am beginning to anticipate a thaw. Early mornings the earth, old unbeliever, is still crusted with frost where the moles have nosed up their cold castings, and the ground cover in shadow under the cedars hasn’t softened for months, fogs layering their slow, complicated ice around foliage and stem night by night,
but as the light lengthens, preacher of good news, evangelizing leaves and branches, his large gestures beckon green out of gray. Pinpricks of coral bursting from the cotoneasters. A single bee finding the white heather. Eager lemon-yellow aconites glowing, low to the ground like little uplifted faces. A crocus shooting up a purple hand here, there, as I stand on my doorstep, my own face drinking in heat and light like a bud welcoming resurrection, and my hand up, too, ready to sign on for conversion. ~Luci Shaw “Revival” from What the Light Was Like.
Spring is emerging slowly this year from an exceptionally haggard and droopy winter. All growing things are a month behind the usual budding blooming schedule when, like the old “Wizard of Oz” movie, the landscape will suddenly turn from monochrome to technicolor, the soundtrack from forlorn to glorious birdsong.
Yearning for spring to commence, I tap my foot impatiently as if owed a timely seasonal transformation from dormant to verdant. We all have been waiting for the Physician’s announcement that this patient survived some intricate life-changing procedure: “I’m happy to say the Earth is alive after all and restored, wounded but healing, breathing on her own but too sedated for a visit just yet.”
I wait impatiently to celebrate her healing, yet I know Creation is very much alive- this temporary home of ours. No invalid this patient. She lives, she breathes, she thrives, she will bloom and sing with everything she’s got and soon, so will I.
This year’s Lenten theme: So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal. 2 Corinthians 4: 18