God’s Dust

…war spreading,
families dying,
the world in danger,
I walk the rocky hillside,
sowing clover…
~Wendell Berry “February 2, 1968”

However you may come, 
You’ll see it suddenly
Lie open to the light
Amid the woods: a farm
Little enough to see
Or call across—cornfield,

Hayfield, and pasture, clear
As if remembered, dreamed
And yearned for long ago,
Neat as a blossom now
With all the pastures mowed
And the dew fresh upon it,
Bird music all around.
That is the vision, seen
As on a Sabbath walk:
The possibility
Of human life whose terms
Are Heaven’s and this earth’s.

The land must have its Sabbath
Or take it when we starve.
The ground is mellow now,
Friable and porous: rich.
Mid-August is the time
To sow this field in clover
And grass, to cut for hay
Two years, pasture a while,
And then return to corn.

This way you come to know
That something moves in time
That time does not contain.
For by this timely work
You keep yourself alive
As you came into time,
And as you’ll leave: God’s dust,
God’s breath, a little Light.

~Wendell Berry from The Farm

These are fragrant acres where
Evening comes long hours late
And the still unmoving air
Cools the fevered hands of Fate.

Meadows where the afternoon
Hangs suspended in a flower
And the moments of our doom
Drift upon a weightless hour.

And we who thought that surely night
Would bring us triumph or defeat
Only find that stars are white
Clover at our naked feet.

~Tennessee Williams “Clover”

Farming is daily work outside of the constraints of time –
labor done this day is caring for what is eternal,
despite weather, war, uncertainty.

There is a timelessness about summer:
the preparing and planting and preserving,
a cycle of living and dying repeating through generations.

We, like our farming forebears, will become God’s dust again.

I’m reminded, walking through our pasture’s clover,
I become seed and soil for the next generation.
Like a blossom so plain and unnoticed during its life,
I enfolds myself back to the ground, sighing and dying.

Perhaps it is the breath of clover
we should remember at the last,
as God’s own breath.

Inhale deeply of Him in the dust of the clover field.

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Get Up, All of You!

He took her by the hand and said to her, “Talitha koum!” (which means “Little girl, I say to you, get up!”).  Immediately the girl stood up and began to walk around (she was twelve years old). At this they were completely astonished. 
Mark 5:41-43

Little girl. Old girl. Old boy.
Old boys and girls with high blood pressure and arthritis,
and young boys and girls with tattoos and body piercing.

You who believe, and you who sometimes believe
and sometimes don’t believe much of anything,
and you who would give almost anything to believe
if only you could.

You happy ones and you who can hardly remember
what it was like once to be happy.
You who know where you’re going and how to get there
and you who much of the time aren’t sure you’re getting anywhere.

“Get up,” he says, all of you – all of you!
– and the power that is in him is the power to give life
not just to the dead like the child,
but to those who are only partly alive,
which is to say to people like you and me
who much of the time live with our lives closed
to the wild beauty and miracle of things,
including the wild beauty and miracle
of every day we live
and even of ourselves.
~Frederick Buechner from Secrets in the Dark

I worried a lot. Will the garden grow, will the rivers
flow in the right direction, will the earth turn
as it was taught, and if not how shall
I correct it?

Was I right, was I wrong, will I be forgiven,
can I do better?

Will I ever be able to sing, even the sparrows
can do it and I am, well,
hopeless.

Is my eyesight fading or am I just imagining it,
am I going to get rheumatism,
lockjaw, dementia?

Finally I saw that worrying had come to nothing.
And I gave it up. And took my old body
and went out into the morning,
and sang.
~Mary Oliver “I Worried” from Swan: Poems and Prose Poems

Christ said to the dead girl, “Get up.” And she did.

He also tells us to get up, get moving – despite everything that holds us back.

I know there are times when I feel immobilized from tiredness, worry, hopelessness, fear. I hear His reminder: get up and go anyway.

God has given us a world of wild beauty and miraculous things;
time to get up and take our place in it.

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Making Daisies

…perhaps God is strong enough to exult in monotony.
It is possible that God says every morning, “Do it again” to the sun;
and every evening, “Do it again” to the moon.
It may not be automatic necessity that makes all daisies alike;
it may be that God makes every daisy separately,
but has never got tired of making them.
~G.K. Chesterton
from Orthodoxy

Over  the shoulders and slopes of the dune  
I saw the white daisies go down to the sea,  
A host in the sunshine, an army in June,  
The people God sends us to set our hearts free.  

~Bliss William Carman from “Daisies”

As I get older, my daily routine can seem mundane and repetitive to the point of being boring. When our grown children call us to see how we’re doing, I don’t have much new to report (which is just fine with me). It must seem like we’re in a rut. I’m tempted to make stuff up, just to make my day sound more interesting…

Yet, I’ve discovered, if I don’t keep to a steadfast routine, I truly flounder in an unpredictable wilderness of my own making. The sun rises every morning, even if I’m not awake to witness it. It sets every evening without my standing on the hill to watch it go down.

But there is something very comforting about making an effort to be there, my eyes open, treasuring the passage of another day.

Surely God celebrates the predictability of His design and enjoys repetition, whether it is another sunrise or sunset or the reappearance every June of an infinite number of identical daisies?

He remains consistent, persistent and insistent. We need His steadfast reliability to lead us out of our personal chaotic wilderness.

Do it again, God.  Please — please do it again.

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Startled By the Sun, Not By the Eclipse

We should always endeavour to wonder at the permanent thing, not at the mere exception. We should be startled by the sun, and not by the eclipse. We should wonder less at the earthquake, and wonder more about the earth.
~ G.K. Chesterton
from ILLUSTRATED LONDON NEWS, October 21, 1905

As a physician, I was trained to perform physical examinations by learning first what was normal about the human body. As young, theoretically healthy, medical students, we practiced physical examinations on each other, and then had to demonstrate our skills in front of a professor for our class grade in physical assessments.

Since I went to medical school at a time when fewer than 1 in 5 students was a woman, each female student was placed in a physical exam group of three men, taught by a male physician, and then evaluated by a male professor. These were full examinations, including internal assessments, conducted in a typical open-backed hospital gown, in a classroom with long black lab tables to substitute for exam tables.

It was the ultimate feeling of vulnerability to be exposed to one’s classmates, supervisors and evaluators in such a way. Yet, it helped me understand the naked vulnerability of a patient undressing for a physician’s evaluation in the exam room.

After learning to assess and document what was normal in the physical exam, I was then trained to take note of the exceptions –
the human body equivalent of
an eclipse or an earthquake,
a wildfire or drought,
a hurricane or flood,
or merely an annoying pothole or molehill.

A physician’s attention is rarely focused on everything that is going well with the human body, but instead concentrating on what is aberrant, failing, or could be made better.

This is unfortunate; there is much beauty and amazing design to behold in every person I meet, especially those with chronic illness who feel nothing is as it should be — they feel despair and frustration at how their mind or body is aging, failing or faltering.

To counter this tendency to just find what’s wrong and needed fixing, I learned over the years to talk out loud as I was trained to do during those medical school physical assessments:
you have no concerning skin lesions,
your eardrums look clear,
your eyes react normally,
your tonsils are fine,
your thyroid feels smooth,
your lymph nodes are tiny,
your lungs auscultate clear,
your heart sounds are perfect,
your breasts reveal no palpable lumps,
your belly exam is reassuring,
your reflexes are symmetrical,
your prostate is smooth and normal,
your cervix, uterus and ovaries are healthy,
your emotional response to your stress level and
your tears are completely understandable.

I also wrote messages to patients meant to reassure:
your labs are in a typical range
or are getting better
or at least maintaining,
your xray shows no concerns,
or isn’t getting worse,
those medication side effects are to be expected and could go away.

I chose to acknowledge what was working well before attempting to intervene in what is not.

I’m not sure how much difference it made to my patient.
But it made a difference to me to wonder first at who this whole patient was before I focused in on what was broken and causing dis-ease.

I remain startled nearly 50 years later, and always astonished, by the sheer wonder that is our bodies – the Artist’s masterpiece.

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What I’m Looking For

For some reason we like to see days pass,
even though most of us claim we don’t want to reach our last one for a long time.

We examine each day before us with barely a glance and say,
no,
this isn’t one I’ve been looking for,
and wait in a bored sort of way for the next,

when we are convinced,
our lives w
ill start for real.

Meanwhile, this day is going by perfectly well-adjusted,
as some days are,
with the right amounts of sunlight and shade,
and a light breeze scented with a perfume made

from the mixture of fallen apples,
corn stubble, d
ry oak leaves,
and the faint odor of last night’s meandering skunk.
~Tom Hennen from “T
he Life of a Day”

I am ashamed to admit I squander time shamelessly,
waiting for that particularly special day I always dreamed of,
tossing off these mundane but precious hours
as somehow not measuring up nor exciting enough.

The shock is:
there have been over thirty-five years
of such days on this farm,
one passing by after another,
emerging fresh each morning from the duff and stuff of life,
and wouldn’t you know…
every single one has ended up being exactly what I’m looking for.


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Ascending Together

At the gate, I sit in a row of blue seats
with the possible company of my death,
this sprawling miscellany of people—
carry-on bags and paperbacks—

that could be gathered in a flash
into a band of pilgrims on the last open road.
Not that I think
if our plane crumpled into a mountain

we would all ascend together,
holding hands like a ring of skydivers,
into a sudden gasp of brightness,
or that there would be some common place

for us to reunite to jubilize the moment,
some spaceless, pillarless Greece
where we could, at the count of three,
toss our ashes into the sunny air.

It’s just that the way that man has his briefcase
so carefully arranged,
the way that girl is cooling her tea,
and the flow of the comb that woman

passes through her daughter’s hair . . .
and when you consider the altitude,
the secret parts of the engines,
and all the hard water and the deep canyons below . . .

well, I just think it would be good if one of us
maybe stood up and said a few words,
or, so as not to involve the police,
at least quietly wrote something down.

~Billy Collins “Passengers”

I don’t spend much time in airports these days, but I know many who must depend on airplanes to get them where they need to go to see the people they need to see.

Due to some recent horrifying airplane mishaps in the news, I know many say prayers as they sit in airports awaiting their flights and their fates.

Instead of dealing with airports and the sad necessity of leaving on jet planes, I walk on my own two feet out to our farm’s hilly fields, noticing many more jets passing overhead than I remember from past years. Most aren’t as low as I would expect for take offs and landings from Vancouver (B.C.) International Airport an hour north of us or descending for an approach to SeaTac International 100 miles to the south. They are in mid-flight mode, at least 35,000-45,000 feet above us, carrying their loads and passengers in almost guaranteed safety.

I have found a website that shows real-time location of flights all over the world. I can literally stand on our hill looking at a flight overhead while checking my phone to see where it has come from and where it is going. In some high tech way, I feel linked with those people so far above me in that plane, strangers though they be.

Most of these flights are from, or bound for Japan or Korea, to or from the east coast or midwest United States. Apparently these flights are taking a longer circuit over the Pacific Ocean to avoid going too close to Russian air space. They have a long flight ahead as they pass the coastline here in northwest Washington and over Vancouver Island. My husband and I have made that trek over the Pacific to Japan a half dozen times. I can easily imagine myself seated in the economy section, trying to keep my legs from stiffening up over 10+ hours, distracting myself watching movies on the inflight channels.

Instead of having leg cramps, I am here with my dogs and farm cat leaving a trail of footprints in a frosty winter field. Above me, a plane leaves a condensation trail which blurs, fades and disappears in the evening light.

I stand on a hillside at home, someone living out my days in this spot; those flying above are in transit, each with an individual story with joys and tribulations of their own. Though we are miles apart, the passengers in the plane above me connect with me for a brief few minutes.

It makes sense for me to pray these people fly safely to their destination. Someday, someone may look up at a plane I am belted into, and pray for my safety. Or maybe write something down to remember the moment.

We all find our way home eventually, leaving our transient and temporary trails behind us. Surely, that home will be breathtaking and beautiful – and just exactly where we belong.

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Cemented For Eternity

The juncture of twig and branch,
scarred with lichen, is a gate
we might enter, singing.

~Jane Kenyon from “Things” from Collected Poems

Who’s this –alone with stone and sea?
It’s just the lowly Lichen We:
the alga I, the fungus me;
together, blooming quietly.
What do we share–we two together?
A brave indifference to the weather.
A slow but steady growing pace.
Resemblance to both mud and lace.
As we now, so we shall be
(if air clear and water free):
the proud but lowly Lichen We,
cemented for eternity.

~Joyce Sidman “The Lichen We” from Ubiquitous

All these years I overlooked them in the
racket of the rest, this
symbiotic splash of plant and fungus feeding
on rock, on sun, a little moisture, air —
tiny acid-factories dissolving
salt from living rocks and
eating them.

Here they are, blooming!
Trail rock, talus and scree, all dusted with it:
rust, ivory, brilliant yellow-green, and
cliffs like murals!

Huge panels streaked and patched, quietly
with shooting-stars and lupine at the base.
Closer, with the glass, a city of cups!

Clumps of mushrooms and where do the
plants begin? Why are they doing this?
In this big sky and all around me peaks &
the melting glaciers, why am I made to
kneel and peer at Tiny?
~Lew Welch, “Springtime in the Rockies,Lichen” from Ring of Bone: Collected Poems

Back then, what did I know?

Uptown and downtown.
Not north, not south, not you.

When I saw you, later, seaweed reefed in the air,
you were grey-green, incomprehensible, old.
What you clung to, hung from: old.
Trees looking half-dead, stones.

Marriage of fungi and algae,
chemists of air,
changers of nitrogen-unusable into nitrogen-usable.

Like those nameless ones
who kept painting, shaping, engraving,
unseen, unread, unremembered.
Not caring if they were no good, if they were past it.

Rock wools, water fans, earth scale, mouse ears, dust,
ash-of-the-woods.
Transformers unvalued, uncounted.
Cell by cell, word by word, making a world they could live in.
~Jane Hirshfield from “For the Lichens” from Come, Thief

But what is life to a lichen?
Yet its impulse to exist, to be,
is every bit as strong as ours —
arguably even stronger.
If I were told that I had to spend decades
being a furry growth on a rock in the woods,
I believe I would lose the will to go on. Lichens don’t.
Like virtually all living things, they will suffer any hardship,
endure any insult, for a moment’s additional existence.
Life, in short, just wants to be.
~Bill Bryson from A Short History of Nearly Everything

I’ve lived in the Pacific Northwest for nearly 70 years – this farm for 30 years. The grandeur of the snow-capped mountains to the north and east and the peaceful shore to the west overwhelms everything in between. Autumn after autumn, I’ve walked past these antique apple trees, but had never stopped to really look at the landscape growing on their bare shoulders and arms. There is a whole other ecosystem on each tree, a fairy land of earth bound dryland seaweed, luxuriant in the fall rains, colorful in the winter, hidden behind leaves and fruit in the hot summer. I had never really noticed the varied color and texture all around me.

This is the world of lichen, a mixed up symbiotic cross between algae and fungus, opportunistic enough to thrive on rock faces, but simply ecstatic on absorbent bark.

It hasn’t bothered them not to be noticed as they are busy minding their own business. As poet John McCullough writes in his poem “Lichen”:

It is merely
a question of continuous
adjustment, of improvising a life.

When I’m far from friends
or the easing of a wind
against my back, I think of lichen—
never and always true to its essence,
never and always at home.

Instead of lifting my eyes to the hills and the bay for a visual feast, I need only open the back gate to gaze on this landscape found on the ancient branches in my own back yard.

It’s a rich life of improvisation indeed.

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Moments Out of Sight

A neighborhood.
At dusk.

Things are getting ready
to happen
out of sight.

Stars and moths.
And rinds slanting around fruit.

But not yet.

One tree is black.
One window is yellow as butter.

A woman leans down to catch a child
who has run into her arms
this moment.

Stars rise.
Moths flutter.
Apples sweeten in the dark.

~Eavan Boland “This Moment” from In a Time of Violence

photo by Nate Gibson

At times, particularly at night, I’m keenly aware of all the unknowable and uncountable lives happening behind closed doors and curtained windows, each one living their own sacred moment in time.

So many meals being eaten, baths taken, tears shed, stories told, prayers recited, kisses shared.

These moments are the blessings of a quotidian predictability that we try to pass on to our children. In our routines, we may become oblivious to the mysteries happening all around us: innumerable stars shining, fragile moths fluttering and sweetening apples hanging heavy — yet there is mystery within each of us as well.

In the dark of night, despite our weariness:
We are remarkably loved and loving.
We try our best in difficult times and circumstances.
We grieve losses while struggling to survive sorrows.
We seek purpose and meaning, despite feeling unworthy.

Each passing moment becomes one to cherish.
Each moment mysteriously holy and sweet.

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A Fading Rainbow of Hues

Like in old cans of paint the last green hue,
these leaves are sere and rough and dull-complected
behind the blossom clusters in which blue
is not so much displayed as it’s reflected;

They do reflect it imprecise and teary,
as though they’d rather have it go away,
and just like faded, once blue stationery,
they’re tinged with yellow, violet and gray;

As in an often laundered children’s smock,
cast off, its usefulness now all but over,
one senses running down a small life’s clock.

Yet suddenly the blue revives, it seems,
and in among these clusters one discovers
a tender blue rejoicing in the green.
~Rainer Maria Rilke “Blue Hydrangea” Translation by Bernhard Frank

… I’m tethered, and devoted
to your raw and lonely bloom

my lavish need to drink
your world of crowded cups to fill.
~Tara Bray “hydrangea” from Image Journal

Dwelling within a mosaic of dying colors,
these petals fold and collapse
under the weight of the sky’s tears.

This hydrangea bears a rainbow of hues,
once-vibrant promises of blue
now fading to rusts and grays.

I know what this is like:
the running out of the clock,
feeling the limits of vitality.

Withering and drying,
I’m drawn, thirsty for the beauty,
to this waning artist’s palette.

To quench my thirst:
from an open cup, an invitation,
an everlasting visual sacrament.

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Singing in the Leaves


Now constantly there is the sound,
quieter than rain,
of the leaves falling.

Under their loosening bright
gold, the sycamore limbs
bleach whiter.

Now the only flowers
are beeweed and aster, spray
of their white and lavender
over the brown leaves.

The calling of a crow sounds
Loud — landmark — now
that the life of summer falls
silent, and the nights grow.
~Wendell Berry “October 10” from New Collected Poems.

If I were a color, I would be green, turning to gold,
turning to bronze, turning to dust.
If I were a sound, I would patter like raindrops and children’s feet.
If I were a smell, I would be dry earth soaking up a shower.
If I were a touch, I would be a leaf landing softly.
If I were a taste, I would be a bit sweet and a bit sour.
If I were a season, I would be the wistful goodbye hug of autumn.
But I am none of these, being enough for now.
Singing in the leaves,
I will come rejoicing,
Singing in the leaves.

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