The Grandest Spectacle

There is one spectacle grander than the sea, that is the sky; there is one spectacle grander than the sky, that is the interior of the soul.
~Victor Hugo
from Les Misérables

There is not one blade of grass, there is no color in this world that is not intended to make us rejoice.
~John Calvin
 quoted in John Calvin: A Sixteenth Century Portrait 

Already the end of August.
As another summer wraps up, I am blinded to the glory surrounding me in the seemingly commonplace.

I can’t remember the last time I celebrated a blade of grass, given how focused I am at mowing it into conformity.

I didn’t notice how the morning light was illuminating our walnut tree until I saw the perfect reflection of it in our koi pond — why had I marveled at a reflection instead of the real thing itself?

I mistook a spider’s overnight artwork in the grass: from a distance, it looked like a dew-soaked tissue draped like a tent over the green blades. When I went to go pick it up to throw it away in the trash, I realized I was staring at a small creature’s masterpiece.

I miss opportunities to rejoice innumerable times a day. It takes only a moment of recognition and appreciation to feel the joy, and in that moment time stands still. Life stretches a little longer when I stop to acknowledge the intention of creation as an endless reservoir of rejoicing. 

If the sea and the sky, a blade of grass, a leaf turning color, a chance reflection, a delicately woven web — if all this is made for joy, then maybe so am I.

Colorless, plain and commonplace me – created an image-bearer and intended reflector of Light?

Grandest of all is the spectacle of the interior of the soul;
yes then, so am I.

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Incandescence

There are white birches outside my building. On a clear afternoon, 
     the west sides of the slender trunks blaze with sunlight; the east
     sides glow with soft light reflected from the building windows. 
     There is no darkness around these trees. Moss will never grow on  them.

I hold up a sheet of paper, and it kindles bright on both sides.

I hold up a poem, and one side is lit by reflection from the faces of 
     listeners. The other side is brilliant with divine radiance. In this 
     transaction I illuminate nothing. My fingerprint on the paper is 
     only a shadow. The poem is incandescent. The poem is a white 
     birch.

~Tiel Aisha Ansari “Paper Birches” from Dervish Lions

So was I once myself a swinger of birches.
And so I dream of going back to be.
It’s when I’m weary of considerations,
And life is too much like a pathless wood
Where your face burns and tickles with the cobwebs
Broken across it, and one eye is weeping
From a twig’s having lashed across it open.

I’d like to get away from earth awhile
And then come back to it and begin over.
May no fate willfully misunderstand me
And half grant what I wish and snatch me away
Not to return. Earth’s the right place for love:
I don’t know where it’s likely to go better.

I’d like to go by climbing a birch tree,
And climb black branches up a snow-white trunk
Toward heaven, till the tree could bear no more,
But dipped its top and set me down again.
That would be good both going and coming back.
One could do worse than be a swinger of birches.
~Robert Frost from “Birches”

I ask them to take a poem
and hold it up to the light
like a color slide
or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,
or walk inside the poem’s room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.
They begin beating it with a hose
to find out what it really means.
~Billy Collins “Introduction to Poetry”

I’ve considered writing a poem down on the peeling birch paper still attached to the tree.

Although it tends to peel off the trunk in scroll-like rolls, I would leave it in place on the tree to see what eventually happens to my words. They may simply bleach out in the sun, melt in the rains, or blow away with the winter winds to eventually randomly land in someone’s field or in a nearby stream.

Or the words may hang tight to the trunk, waiting in place for a new bark skin to grow wrinkly over it, creating a new surface to compose something anew.

The reality is anything I write here on this blog, or on a notebook page, or on the paper of a birch tree, is faint shadow compared to the Words spoken and written by the Author of us all – birch trees and humans.

Incandescent
divine
radiant
eternal
Words of Love.

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As August Breaks

My mother, who hates thunder storms,
Holds up each summer day and shakes
It out suspiciously, lest swarms
Of grape-dark clouds are lurking there;
But when the August weather breaks
And rains begin, and brittle frost
Sharpens the bird-abandoned air,
Her worried summer look is lost,

And I her son, though summer-born
And summer-loving, none the less
Am easier when the leaves are gone
Too often summer days appear
Emblems of perfect happiness
I can’t confront: I must await
A time less bold, less rich, less clear:
An autumn more appropriate.

~Philip Larkin “Mother, Summer, I”

August rushes by like desert rainfall,
A flood of frenzied upheaval,
Expected,
But still catching me unprepared.
Like a match flame
Bursting on the scene,
Heat and haze of crimson sunsets.
Like a dream
Of moon and dark barely recalled,
A moment,
Shadows caught in a blink.
Like a quick kiss;
One wishes for more
But it suddenly turns to leave,
Dragging summer away.
– Elizabeth Maua Taylor
 “August”

The endless clear skies of August
have been broken with clouds,
rain falling in warm gusts,
leaves landing on browned ground.

This summer ended up being simply too much –
an excess of everything bright and beautiful,
meant to make us joyful
yet bold and exhausting in its riches.

From endless hours of daylight,
to high rising temperatures,
to palettes of exuberant clouds
to fruitfulness and abundant blooms.

While summer always fills an empty void
after enduring cold spare dark days
the rest of the year,
I still depend on autumn returning.

I welcome darkening times back,
knowing how much I miss
those drear twilight months of longing
for the overwhelming fullness of summer.

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This song and video fits so well today – maybe a little weepy…

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Singing the Morning In

I’ll know the names of all of the birds
and flowers, and not only that, I’ll
tell you the name of the piano player
I’m hearing right now on the kitchen
radio, but I won’t be in the kitchen,


I’ll be walking a street in
New York or London, about
to enter a coffee shop where people
are reading or working on their
laptops. They’ll look up and smile.


Next time I won’t waste my heart
on anger; I won’t care about
being right. I’ll be willing to be
wrong about everything and to
concentrate on giving myself away.


Next time, I’ll rush up to people I love,
look into their eyes, and kiss them, quick.
I’ll give everyone a poem I didn’t write,
one specially chosen for that person.
They’ll hold it up and see a new
world. We’ll sing the morning in,


and I will keep in touch with friends,
writing long letters when I wake from
a dream where they appear on the
Orient Express. “Meet me in Istanbul,”
I’ll say, and they will.
~Joyce Sutphen “Next Time” from After Words

Oh sure – there are many things I would do differently if I could go back for a do-over. A lifetime is inevitably shot through with mistakes, poor choices and unfortunate opinions; mine is no different.

Yet there isn’t a “next time” or a “do-over.” It’s up to me with the time I have left to correct where I’ve been wrong and avoid repeating history.

Most important, I want to bask in the abundant blessings of the here and now.

I still have time to smile and laugh more, hug more, give myself away more, forgive more, sing more, be more grateful.

With this approach to the world I now occupy, I can share what delights me as it might delight others.

That’s still plenty to ponder and try to get right in this life.
I best get to it.
Sing the morning in with me, whoever and wherever you are.

courtesy of WWU Communications
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I Love Color

I love color.
I love flaming reds,
And vivid greens,
And royal flaunting purples.
I love the startled rose of the sun at dawning,
And the blazing orange of it at twilight.

I love color.
I love the drowsy blue of the fringed gentian,
And the yellow of the goldenrod,
And the rich russet of the leaves
That turn at autumn-time….
I love rainbows,
And prisms,
And the tinsel glitter
Of every shop-window.

I love color.
And yet today,
I saw a brown little bird
Perched on the dull-gray fence
Of a weed-filled city yard.
And as I watched him
The little bird
Threw back his head
Defiantly, almost,
And sang a song
That was full of gay ripples,
And poignant sweetness,
And half-hidden melody.

I love color….
I love crimson, and azure,
And the glowing purity of white.
And yet today,
I saw a living bit of brown,
A vague oasis on a streak of gray,
That brought heaven
Very near to me.
~Margaret E. Sangster “Colors”

photo by Harry Rodenberger

My eye always seeks out color
because there is so much gray as background and foreground.

My ear listens for the singing of sweet melodies
in the midst of mourning and sorrow.

My heart longs for hints of heaven in the daily ordinary
because this sad world wants to believe in the promises.

photo by Harry Rodenberger
Andrew Wyeth – Wind from the Sea, 1947
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God’s Dust

…war spreading,
families dying,
the world in danger,
I walk the rocky hillside,
sowing clover…
~Wendell Berry “February 2, 1968”

However you may come, 
You’ll see it suddenly
Lie open to the light
Amid the woods: a farm
Little enough to see
Or call across—cornfield,

Hayfield, and pasture, clear
As if remembered, dreamed
And yearned for long ago,
Neat as a blossom now
With all the pastures mowed
And the dew fresh upon it,
Bird music all around.
That is the vision, seen
As on a Sabbath walk:
The possibility
Of human life whose terms
Are Heaven’s and this earth’s.

The land must have its Sabbath
Or take it when we starve.
The ground is mellow now,
Friable and porous: rich.
Mid-August is the time
To sow this field in clover
And grass, to cut for hay
Two years, pasture a while,
And then return to corn.

This way you come to know
That something moves in time
That time does not contain.
For by this timely work
You keep yourself alive
As you came into time,
And as you’ll leave: God’s dust,
God’s breath, a little Light.

~Wendell Berry from The Farm

These are fragrant acres where
Evening comes long hours late
And the still unmoving air
Cools the fevered hands of Fate.

Meadows where the afternoon
Hangs suspended in a flower
And the moments of our doom
Drift upon a weightless hour.

And we who thought that surely night
Would bring us triumph or defeat
Only find that stars are white
Clover at our naked feet.

~Tennessee Williams “Clover”

Farming is daily work outside of the constraints of time –
labor done this day is caring for what is eternal,
despite weather, war, uncertainty.

There is a timelessness about summer:
the preparing and planting and preserving,
a cycle of living and dying repeating through generations.

We, like our farming forebears, will become God’s dust again.

I’m reminded, walking through our pasture’s clover,
I become seed and soil for the next generation.
Like a blossom so plain and unnoticed during its life,
I enfolds myself back to the ground, sighing and dying.

Perhaps it is the breath of clover
we should remember at the last,
as God’s own breath.

Inhale deeply of Him in the dust of the clover field.

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Get Up, All of You!

He took her by the hand and said to her, “Talitha koum!” (which means “Little girl, I say to you, get up!”).  Immediately the girl stood up and began to walk around (she was twelve years old). At this they were completely astonished. 
Mark 5:41-43

Little girl. Old girl. Old boy.
Old boys and girls with high blood pressure and arthritis,
and young boys and girls with tattoos and body piercing.

You who believe, and you who sometimes believe
and sometimes don’t believe much of anything,
and you who would give almost anything to believe
if only you could.

You happy ones and you who can hardly remember
what it was like once to be happy.
You who know where you’re going and how to get there
and you who much of the time aren’t sure you’re getting anywhere.

“Get up,” he says, all of you – all of you!
– and the power that is in him is the power to give life
not just to the dead like the child,
but to those who are only partly alive,
which is to say to people like you and me
who much of the time live with our lives closed
to the wild beauty and miracle of things,
including the wild beauty and miracle
of every day we live
and even of ourselves.
~Frederick Buechner from Secrets in the Dark

I worried a lot. Will the garden grow, will the rivers
flow in the right direction, will the earth turn
as it was taught, and if not how shall
I correct it?

Was I right, was I wrong, will I be forgiven,
can I do better?

Will I ever be able to sing, even the sparrows
can do it and I am, well,
hopeless.

Is my eyesight fading or am I just imagining it,
am I going to get rheumatism,
lockjaw, dementia?

Finally I saw that worrying had come to nothing.
And I gave it up. And took my old body
and went out into the morning,
and sang.
~Mary Oliver “I Worried” from Swan: Poems and Prose Poems

Christ said to the dead girl, “Get up.” And she did.

He also tells us to get up, get moving – despite everything that holds us back.

I know there are times when I feel immobilized from tiredness, worry, hopelessness, fear. I hear His reminder: get up and go anyway.

God has given us a world of wild beauty and miraculous things;
time to get up and take our place in it.

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Making Daisies

…perhaps God is strong enough to exult in monotony.
It is possible that God says every morning, “Do it again” to the sun;
and every evening, “Do it again” to the moon.
It may not be automatic necessity that makes all daisies alike;
it may be that God makes every daisy separately,
but has never got tired of making them.
~G.K. Chesterton
from Orthodoxy

Over  the shoulders and slopes of the dune  
I saw the white daisies go down to the sea,  
A host in the sunshine, an army in June,  
The people God sends us to set our hearts free.  

~Bliss William Carman from “Daisies”

As I get older, my daily routine can seem mundane and repetitive to the point of being boring. When our grown children call us to see how we’re doing, I don’t have much new to report (which is just fine with me). It must seem like we’re in a rut. I’m tempted to make stuff up, just to make my day sound more interesting…

Yet, I’ve discovered, if I don’t keep to a steadfast routine, I truly flounder in an unpredictable wilderness of my own making. The sun rises every morning, even if I’m not awake to witness it. It sets every evening without my standing on the hill to watch it go down.

But there is something very comforting about making an effort to be there, my eyes open, treasuring the passage of another day.

Surely God celebrates the predictability of His design and enjoys repetition, whether it is another sunrise or sunset or the reappearance every June of an infinite number of identical daisies?

He remains consistent, persistent and insistent. We need His steadfast reliability to lead us out of our personal chaotic wilderness.

Do it again, God.  Please — please do it again.

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Startled By the Sun, Not By the Eclipse

We should always endeavour to wonder at the permanent thing, not at the mere exception. We should be startled by the sun, and not by the eclipse. We should wonder less at the earthquake, and wonder more about the earth.
~ G.K. Chesterton
from ILLUSTRATED LONDON NEWS, October 21, 1905

As a physician, I was trained to perform physical examinations by learning first what was normal about the human body. As young, theoretically healthy, medical students, we practiced physical examinations on each other, and then had to demonstrate our skills in front of a professor for our class grade in physical assessments.

Since I went to medical school at a time when fewer than 1 in 5 students was a woman, each female student was placed in a physical exam group of three men, taught by a male physician, and then evaluated by a male professor. These were full examinations, including internal assessments, conducted in a typical open-backed hospital gown, in a classroom with long black lab tables to substitute for exam tables.

It was the ultimate feeling of vulnerability to be exposed to one’s classmates, supervisors and evaluators in such a way. Yet, it helped me understand the naked vulnerability of a patient undressing for a physician’s evaluation in the exam room.

After learning to assess and document what was normal in the physical exam, I was then trained to take note of the exceptions –
the human body equivalent of
an eclipse or an earthquake,
a wildfire or drought,
a hurricane or flood,
or merely an annoying pothole or molehill.

A physician’s attention is rarely focused on everything that is going well with the human body, but instead concentrating on what is aberrant, failing, or could be made better.

This is unfortunate; there is much beauty and amazing design to behold in every person I meet, especially those with chronic illness who feel nothing is as it should be — they feel despair and frustration at how their mind or body is aging, failing or faltering.

To counter this tendency to just find what’s wrong and needed fixing, I learned over the years to talk out loud as I was trained to do during those medical school physical assessments:
you have no concerning skin lesions,
your eardrums look clear,
your eyes react normally,
your tonsils are fine,
your thyroid feels smooth,
your lymph nodes are tiny,
your lungs auscultate clear,
your heart sounds are perfect,
your breasts reveal no palpable lumps,
your belly exam is reassuring,
your reflexes are symmetrical,
your prostate is smooth and normal,
your cervix, uterus and ovaries are healthy,
your emotional response to your stress level and
your tears are completely understandable.

I also wrote messages to patients meant to reassure:
your labs are in a typical range
or are getting better
or at least maintaining,
your xray shows no concerns,
or isn’t getting worse,
those medication side effects are to be expected and could go away.

I chose to acknowledge what was working well before attempting to intervene in what is not.

I’m not sure how much difference it made to my patient.
But it made a difference to me to wonder first at who this whole patient was before I focused in on what was broken and causing dis-ease.

I remain startled nearly 50 years later, and always astonished, by the sheer wonder that is our bodies – the Artist’s masterpiece.

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What I’m Looking For

For some reason we like to see days pass,
even though most of us claim we don’t want to reach our last one for a long time.

We examine each day before us with barely a glance and say,
no,
this isn’t one I’ve been looking for,
and wait in a bored sort of way for the next,

when we are convinced,
our lives w
ill start for real.

Meanwhile, this day is going by perfectly well-adjusted,
as some days are,
with the right amounts of sunlight and shade,
and a light breeze scented with a perfume made

from the mixture of fallen apples,
corn stubble, d
ry oak leaves,
and the faint odor of last night’s meandering skunk.
~Tom Hennen from “T
he Life of a Day”

I am ashamed to admit I squander time shamelessly,
waiting for that particularly special day I always dreamed of,
tossing off these mundane but precious hours
as somehow not measuring up nor exciting enough.

The shock is:
there have been over thirty-five years
of such days on this farm,
one passing by after another,
emerging fresh each morning from the duff and stuff of life,
and wouldn’t you know…
every single one has ended up being exactly what I’m looking for.


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