Remembering Jane

photo of Jane Goodall in 2018, smiling as I came up to give her a hug, courtesy of WWU University Communications

I wasn’t prepared to hear yesterday that my professor, mentor, and friend Dr. Jane Goodall had passed away at age 91, while in the midst of her lecture tour in the United States.

I nearly believed Jane would be immortal; she lived as if she were.
She had a message to deliver and as long as she could, she would. She truly “died in the harness” after decades and decades of traveling the world, recruiting people to her cause to save the world for the next generation of plants, animals and humans, and the next and the next…

She was a born observer and storyteller, able to reach and move us with her verbal and writing ability to help place us in her shoes in the wild as she witnessed what no one else had. This was, of course, aided by Hugo van Lawick’s compelling wildlife photography and video every child of the 1950s and 60s grew up watching.

As a college student taking her class on non-human primate behavior, I was riveted by the content of her course lectures about the work she was doing at Gombe. I hoped I could somehow help in the long-term study there, and was ready to commit to a year of training preparation: recording captive chimpanzee behavior at Stanford, while learning Swahili.

On a spring day in May 1974:

Standing outside a non-descript door in a long dark windowless hallway of offices at the Stanford Medical Center, I took a deep breath and swallowed several times to clear my dry throat. I hoped I had found the correct office, as there was only a number– no nameplate to confirm who was inside.

I was about to meet my childhood hero, someone whose every book I’d read and every TV documentary I had watched. I knocked with what I hoped was the right combination of assertiveness (“I want to be here to talk with you and prove my interest”) and humility (“I hope this is a convenient time for you as I don’t want to intrude”).

I heard a soft voice on the other side say “Come in” so I slowly opened the door.

It was a bit like going through the wardrobe to enter Narnia.

Bright sunlight streamed into the dark hallway as I stepped over the threshold. Squinting, I stepped inside and quickly shut the door behind me as I realized there were at least four birds flying about the room. They were taking off and landing, hopping about feeding on bird seed on the office floor and on the window sill. The windows were flung wide open with a spring breeze rustling papers on the desk. The birds were very happy occupying the sparsely furnished room, which contained only one desk, two chairs and Dr. Jane Goodall.

She stood up and extended her hand to me, saying, quite unnecessarily, “Hello, I’m Jane” and offered me the other chair when I told her my name. She was slighter than she appeared when speaking up at a lectern, or on film. Sitting back down at her desk, she busied herself reading and marking her papers, seemingly occupied for a bit and not to be disturbed.

It was as if I was not there at all.

It was disorienting. In the middle of a bustling urban office complex containing nothing resembling plants or a natural environment, I had unexpectedly stepped into a bird sanctuary instead of sitting down for a job interview. I wasn’t sure what I was supposed to do or say. Jane didn’t really ever look directly at me, yet I was clearly being observed.

So I waited, watching the birds making themselves at home in her office, and slowly feeling more at home myself. I felt my tight muscles start to relax and I loosened my grip on the arms of the chair.

There was silence except for the twittering of the finches as they flew about our heads.

Then she spoke, her eyes still perusing papers:
“It really is the only way I can tolerate being here for any length of time. They keep me company. But don’t tell anyone; the people here at the medical center would think this is rather unsanitary.”

I said the only thing I could think of:
“I think it is magical. It reminds me of home.”

Only then did she look at me.
“Now tell me why you’d like to come work at Gombe…”

The next day I received a note from her letting me know I was accepted for the research assistant-ship to begin a year later, once I had completed all aspects of the training.

I had proven I could sit silently and expectantly, waiting for something, or perhaps nothing at all, to happen. For a farm girl who had never before traveled outside the United States, I had stepped through the wardrobe into Jane’s amazing world, about to embark on an adventure far beyond the barnyard.

(This essay was published in The Jane Effect in 2015 in honor of Jane’s 80th birthday)

giving Jane a hug, courtesy of WWU Communications
45 years since we met in her Stanford office full of wild birds

True to Jane’s tradition of impeccable graciousness, she sent me a hand-written note after her last visit in 2018 when she came to speak at Western Washington University in Bellingham.

I recommend the documentary “Jane” as the best review of Jane’s Gombe work. The Jane Goodall Institute will continue her legacy for decades to come.

Follow a Drop’s Path

For this you may see no need,
You may think my aim
Dead set on something

 
Devoid of conceivable value:
An Anthology of Rain,
A collection of voices

 
Telling someone somewhere
What it means to follow a drop
Traveling to its final place of rest.

 
By opening anywhere, a drop
And its story reappear
As air turns to water, water to air.
~Phyllis Levin – excerpt from “An Anthology of Rain”

A drop fell on the apple tree,
Another on the roof;
A half a dozen kissed the eaves,
And made the gables laugh.

A few went out to help the brook,
That went to help the sea.
Myself conjectured, Were they pearls,
What necklaces could be

~Emily Dickinson

At first glance, this soppiness is melancholic.

Yet, when studied up close,
rain droplets glisten like jewels.

The onset of rainy season isn’t all sadness~
there is solace in knowing
the landscape and I share
an inner world of change:
though sodden,
these are the promises of renewal
within our tears.

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Watchers in the Sun

We are walking with the month
To a quiet place.
See, only here and there the gentians stand!
Tonight the homing loon
Will fly across the moon,
Over the tired land. 
We were the idlers and the sowers,
The watchers in the sun,
The harvesters who laid away the grain.
Now there’s a sign in every vacant tree,
Now there’s a hint in every stubble field,
Something we must not forget
When the blossoms fly again.
Give me your hand!


There were too many promises in June.
Human-tinted buds of spring
Told only half the truth.
The withering leaf beneath our feet,
That wrinkled apple overhead,
Say more than vital boughs have said
When we went walking
In this growing place. 
There is something in this hour 
More honest than a flower 
Or laughter from a sunny face.
~Scudder Middleton “Song in the Key of Autumn”

I walk through the scant remainder of September
wistful~~
a witness to the harvest of
unfulfilled spring promises.

Watching sunlit days fade to
blustery rain-filled nights.

I knew the growing season wouldn’t last.
I knew the time to lie fallow would come.

Give me your hand.
We’ll walk through this darkening time together,
waiting, watching,
for, once more, the promises of spring.

Winslow Homer – Veteran in a New Field, Metropolitan Museum of Art, New York City
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Softer Than Rain

Teach me to walk
with tender feet,
as the wild ones do.
Let me be the cinder-glow
of the fox in her burrow, wreathed
around the honey-spark fur
of her sleeping kits.

Let me be the shaded pools
of the doe’s eyes
in winter, when the snow falls,
when the stars lean down to listen,
when the world is darker
and softer
than rain.

Let me be the swallow
after flight, when she is
perched upon the branch
where the petals of the lilacs used to be,
and she is just still, and quiet,
her downy head inclined, as though
she is praying
for their return.

~Kimberly Beck “Tender Feet”

As the weather changes,
softening in the mists of autumn,
I walk each step with careful feet,
my tender heart singing songs in the rain.
I pray for peace in this troubled land,
for protection from harm until spring comes again.

May God grant a gentle night’s sleep for all His creatures.

video by Harry Rodenberger

Lyrics for Aragorn’s Sleepsong:
Lay down your head and I’ll sing you a lullaby
Back to the years of loo-li lai-lay
And I’ll sing you to sleep and I’ll sing you tomorrow

Bless you with love for the road that you go
May you sail far to the far fields of fortune
With diamonds and pearls at your head and your feet
And may you need never to banish misfortune

May you find kindness in all that you meet
May there always be angels to watch over you
To guide you each step of the way
To guard you and keep you safe from all harm
Loo-li, loo-li, lai-lay

May you bring love and may you bring happiness
Be loved in return to the end of your days
Now fall off to sleep, I’m not meaning to keep you
I’ll just sit for a while and sing loo-li, lai-lay

May there always be angels to watch over you
To guide you each step of the way
To guard you and keep you safe from all harm
Loo-li, loo-li, lai-lay

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Heavens’ Embroidered Cloths

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To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the Palm of your Hand,
and Eternity in an Hour.

When the Soul Slept in Beams of Light 
God Appears & God is Light
To those poor Souls who dwell in Night 
But does a Human Form Display
To those who Dwell in Realms of day
~William Blake from “Auguries of Innocence”

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Had I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
~William Butler Yeats “Aedh Wishes for the Cloths of Heaven”

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If I look closely enough underfoot,
I might find the extraordinary
in the commonplace things of life.

So I keep my eyes alert;
my heart open to infinite possibilities
and try to tread softly.

Sometimes what I see is so beautiful,
it is uncovering heaven come to earth,
when the cosmos is contained
within the commonplace.

The God of Light and Living Water
is no further away
than my back yard.

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To Yield to Change

I went out to cut a last batch of zinnias this
morning from the back fencerow and got my shanks
chilled for sure: furrowy dark gray clouds with
separating fringes of blue sky-grass: and the dew

beaded up heavier than the left-overs of the rain:
in the zinnias, in each of two, a bumblebee
stirring in slow motion. Trying to unwind
the webbed drug of cold, buzzing occasionally but

with a dry rattle: bees die with the burnt honey
at their mouths, at least: the fact’s established:
it is not summer now and the simmering buzz is out of
heat: the zucchini blossoms falling show squash

overgreen with stunted growth: the snapdragons have
suckered down into a blossom or so: we passed
into dark last week the even mark of day and night
and what we hoped would stay we yield to change.
~A.R. Ammons  “Equinox” from Complete Poems

I yield now
to the heaviness of transition
from summer to autumn –
the soaking morning fog, with
dew clinging like teardrops,
a chill in the air
means I sweater-wrap my days.

It is time for change, reluctant as I may be;
both day and night now compete equally for my time
and each will win.

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End of Summer’s Waiting Room

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fallyard1

For today, I will memorize
the two trees now in end-of-summer light

and the drifts of wood asters as the yard slopes away toward
the black pond, blue

dragonflies
in the clouds that shine and float there, as if risen

from the bottom, unbidden. Now, just over the fern—
quick—a glimpse of it,

the plume, a fox-tail’s copper, as the dog runs in ovals and eights,
chasing scent.

The yard is a waiting room. I have my chair. You, yours.

The hawk has its branch in the pine.

White petals ripple in the quiet light. 
~Margaret Gibson from “Solitudes”

photo by Josh Scholten
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I want to memorize it all before it changes:
the shift of sun from north to south barely
balances on our east- west road at equinox.

The flow of geese overhead, honking while waving farewell,
the hawks’ screams in the firs,
dragonflies trapped in the barn light fixtures
several generations of coyotes hollering at dusk.

The pond quiets with cooler nights,
hair thickens on horses, cats and dogs,
dying back of the garden vines reveals
what lies unharvested beneath.

And so we part again, Summer –
your gifts were endless
until you now have parted ways.

I sit silenced, brooding, waiting for what comes next.

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Extravagant Sky

You were the one for skylights. I opposed
Cutting into the seasoned tongue-and-groove
Of pitch pine. I liked it low and closed,
Its claustrophobic, nest-up-in-the-roof
Effect. I liked the snuff-dry feeling,
The perfect, trunk-lid fit of the old ceiling.
Under there, it was all hutch and hatch.
The blue slates kept the heat like midnight thatch.

But when the slates came off, extravagant
Sky entered and held surprise wide open.
For days I felt like an inhabitant
Of that house where the man sick of the palsy
Was lowered through the roof, had his sins forgiven,
Was healed, took up his bed and walked away.
~Seamus Heaney
“The Skylight” from Opened Ground.

The last moments of summer are revealed
as if the roof has been ripped open
to let the sky be lowered in ~
the veil torn down,
the dark corners lit in extravagant morning glow~

suddenly sky enters into unexpected spaces
we preferred to keep hidden.
The miraculous happens
when we are bold enough to
accept the invitation
and take a chance on the Light.

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That’s You

She wasn’t looking
when they took this picture:
sitting on the grass
in her bare feet
wearing a cotton dress,
she stares off to the side
watching something on the lawn
the camera didn’t catch.
What was it?
A ladybug? A flower?
Judging from her expression,
possibly nothing at all,
or else
the lawn was like a mirror,
and she sat watching herself,
wondering who she was
and how she came to be there
sitting in this backyard,
wearing a cheap, white dress,
imagining that tomorrow
would be like all her yesterdays,
while her parents chatted
and watched, as I do
years later,
too distantly to interfere.
~Dana Gioia, “Photograph of My Mother as a Young Girl” from Daily Horoscope

Seeing photos
of ancestors
a century past

is like looking
at your own
fingerprints—

circles 
and lines
you can’t 
recognize

until someone else
with a stranger’s eye
looks close and says
that’s you.
~Joseph Bruchac, “Prints” from Sing: Poetry from the Indigenous Americas.

Growing up, it was never obvious to me that I looked like either one of my parents. Once, as a naughty kid, I told them I thought I was adopted as there wasn’t a single photo to be found of my mother looking pregnant (never mind that few women in the 50’s allowed themselves to be photographed pregnant).

Searching the faces of extended family in old photographs, others would comment on the facial similarities between my young mother and me.

And indeed, the older I have become, the more I see my mother looking back at me in the mirror.

The characteristics I inherited from my father aren’t as obvious in the mirror: his persistence and problem-solving, his inability to ever fully relax, his drive to get things done and not give up.

So, yes, that is me in the photos of my mother taken nearly a century ago, as well as those taken not so long ago.

I now recognize me in those photos, grateful to resemble such a loving and lovely mom.

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A Light of Beginnings

For seasons the walled meadow
south of the house built of its stone
grows up in shepherd’s purse and thistles
the weeds share April as a secret
finches disguised as summer earth
click the drying seeds
mice run over rags of parchment in August
the hare keeps looking up remembering 
a hidden joy fills the songs of the cicadas

two days’ rain wakes the green in the pastures
crows agree and hawks shriek with naked voices
on all sides the dark oak woods leap up and shine
the long stony meadow is plowed at last and lies
all day bare
I consider life after life as treasures
oh it is the autumn light

that brings everything back in one hand
the light again of beginnings
the amber appearing as amber
~ W. S. Merwin, “September Plowing” from Flower & Hand

photo by Joel De Waard

When you are already here
you appear to be only
a name that tells of you
whether you are present or not


and for now it seems as though
you are still summer
still the high familiar
endless summer
yet with a glint
of bronze in the chill mornings
and the late yellow petals
of the mullein fluttering
on the stalks that lean
over their broken
shadows across the cracked ground

but they all know
that you have come
the seed heads of the sage
the whispering birds
with nowhere to hide you
to keep you for later

you
who fly with them

you who are neither
before nor after
you who arrive
with blue plums
that have fallen through the night

perfect in the dew
~W.S. Merwin “To the Light of September”

Now that it has rained a bit, the light of September is a filtered, more gentle illumination than we have experienced for the past several months of dry summer glare.

It is more lambent: a soft radiance that simply glows at certain times of the day when the angle of the sun is just right, and the clouds are in position to soften and cushion the luminence.

It is also liminal: it is neither before or after, on the threshold between seasons when there is both promise and caution in the air.

Sometimes I think I can breathe in light like this, if not through my lungs, then through my eyes.

It is a temptation to bottle it up with a stopper somehow, stow it away hidden in a back cupboard. Then I can bring it out on the darkest days, pour a bit into a glass, and imbibe.

But for now, I fill myself full to the brim. And my only means of preservation is with a camera and a few words.

So I share it now with all of you to tuck away for a future day.
Perhaps you too will be thirsty for a lambent light.

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