We Look Behind From Where We Came…

And the seasons they go round and round
And the painted ponies go up and down
We’re captive on the carousel of time
We can’t return, we can only look behind
From where we came
And go round and round and round
In the circle game…
~Joni Mitchell “The Circle Game”

those lovely horses,
that galloped me,
moving the world,
piston push and pull,
into the past—dream to
where? there, when
the clouds swayed by
then trees, as a tire
swing swung 
me under—rope groan.
now, the brass beam,
holds my bent face,
calliope cadence—O
where have I been?

~Rick Maxson “Carousel at Seventy”

On thin golden poles
gliding up, sliding down,
a kingdom of horses
goes spinning around.

Jumper, Brown Beauty,
Dark Thunder, Sir Snow,
a medley of ponies
parade in a row.

Settled in saddles,
their riders hold on
to reins of soft leather
while circling along

on chestnut or charcoal,
on sleek Arctic white,
on silver they gallop
in place day and night.

Such spinning is magic,
(to dream as you sail)
with lavender saddle
and ebony tail,

whirling to music
in moonlight, spellbound,
galloping, galloping,
merrily go round.

~Rebecca Kai Dotlich “Carousel”

Under its canopy, in the shade it casts,
turns a world with painted horses,
all from a land that lingers a while
before it disappears.
Some, it’s true, are harnessed to a wagon,
but all have valor in their eyes.
A fierce red lion leaps among them,
and here comes ’round a snow-white elephant.

Even a stag appears, straight from the forest,
except for the saddle he wears, and,
buckled on it, a small boy in blue.

And a boy in white rides the lion,
gripping it with small clenched hands,
while the lion flashes teeth and tongue.

And here comes ’round a snow-white elephant.

And riding past on charging horses come girls,
bright-eyed, almost too old now for this children’s play.
With the horses rising under them,
they are looking up and off to what awaits.
~Rainer Maria Rilke from “Jardin de Luxembourg”

A few July memories:

Sixty-five years ago, I was a five year old having her first ride on the historic carousel at Woodland Park Zoo before we moved from Stanwood to Olympia.
Fifty-four years ago — a teenager working in a nursing home as a nurses’ aide after three days of training.
Forty-nine years ago – returned home early from my studies in Tanzania after four chimpanzee researcher friends were held hostage for ransom and eventually released
Forty-three years ago — deep in the guts of a hospital working forty hour long shifts, thinking about the man I was soon to marry
Thirty-four years ago — my husband and I picking up bales of hay in our own farm field, two young children in tow after accepting a new position doctoring at the local university
Twenty-seven years ago — raising three children and completed farm house remodel, supporting three parents with health issues, raising Haflinger horses, helping design a new clinic building at work, playing piano and teaching Sunday School at church
Twenty-whatever years ago – life spinning faster, blurring with work at home, on the farm, at clinic, at church. I begin writing to grab and hang on to what I can.
Sixteen years ago — one son about to move to Japan to teach and the other son to teach at Pine Ridge in South Dakota, daughter at home with a new driver’s license working with migrant children, a mother slowly bidding goodbye to life at a local care center, farming less about horse raising and more about gardening, maintaining and preserving.
Ten years ago — two sons married, daughter working as a camp counselor so our first summer without children at home. Perfect time to raise a new puppy!
Five years ago – A two year old granddaughter and two new grandsons! Daughter teaching, engaged to be married.
Two years ago – completed forty-two years of non-stop doctoring so I bid it goodbye.
Now – Three more grandsons! Two retired grandparents! Big garden on the farm but we’re slowing down.

The puppy’s face and our hair are turning white…

O where have I been?
We can only look behind from where we came and await what is ahead.

The decades pass, round and round – there is comfort knowing that through the ups and downs of daily life, we still hang on. If we slip and fall, there is Someone ready to catch us.

Looking behind you, where have you been? What awaits you where you are heading?

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Empty of Air

On the green hill with the river beyond it
long ago and my father there
and my grandmother standing in her faded clothes
wrinkled high-laced black shoes in the spring grass
among the few gravestones inside their low fence
by the small white wooden church
the clear panes of its windows
letting the scene through from the windows
on the other side of the empty room
and a view of the trees over there
my grandmother hardly turned her head
staring like a cloud at the empty air
not looking at the green glass gravestone
with the name on it of the man to whom
she had been married and who had been
my father’s father she went on saying nothing
her eyes wandering above the trees
that hid the river from where we were
a place where she had stood with him one time
when they were young and the bell kept ringing

~W. S. Merwin “Widnoon” from The Moon Before Morning 

I remember my grandfather as a somber quiet man who used to slowly rock in a wooden chair that now happens to sit empty here in our home.

For most of his life, my Grandpa drank heavily but he wasn’t just any drunk.  He was a mean drunk. Surly, cursing, prone to throwing things and people, especially at home.

Grandma used to say he learned to drink in the logging camps and I suspect that is true. He started working as a logger before he was fully grown, dropping out of school, leaving home around age sixteen and heading up to the hills where real money could be made. He learned more than how to cut down huge old growth Douglas Fir trees, skid them down the hills using a team of horses, and then roll them onto waiting wagons to be hauled to the mills. He learned how to live with a group of men who surfaced once or twice a month from the hills to take a bath, bootleg booze during prohibition and maybe go to church with their womenfolk.

Mostly the loggers taught him how to curse and drink.

He headed home to the farm with muscles and attitude a few years later, and started the process of felling trees, creating a “stump farm” that was a challenge to work because huge stumps dotted the fields and hills. He slowly worked at blasting them out of the ground so the land could be tilled. It proved more than he had strength and motivation to do, so his fields were never very fruitful, mostly growing hay for his own animals. He went to work in the local saw mill to make ends meet.

He cleaned up some when he met my grandmother, who at eighteen was seven years younger, and eager to escape her role as chief cook and bottle washer for her widowed father and younger brother.  She was devout, lively and full of energy and talked constantly while he, especially when sober, preferred to let others do the talking. It was an unusual match but he liked her cooking and she was ready to escape the drudgery of her father’s household and be wooed.

They settled on the stump farm and began raising a family, trying to eke out what living they could from the land, from the sporadic work he found at the saw mill, and every Sunday, took the wagon a mile down the road to the Bible Church where they both sang with gusto.

He still drank when he had the money, blowing his pay in the local tavern, and stumbling in the back door roaring and burping, falling into bed with his shoes on. Grandma was a teetotaler and yelled into his ruddy face about the wrath of God anytime he drank, their four children hiding when the dishes started to fly, and when he would whip off his belt to hit anyone who looked sideways at him.

When their eldest daughter took sick and died of lymphoma at age eight despite the little doctoring that was available, Grandpa got sober for awhile. He saw it as punishment from God, or at least that is what Grandma told him through her sobs as she struggled to cope with her loss.

Over the years, he relapsed many times, losing fingers in his work at the mill, and losing the respect of his wife, his children and the people in the community. Grandma took the kids for several months to cook in a boarding house in a neighboring town, simply to be able to feed her family while Grandpa squandered what he had on drink. Reconciled over and over again, Grandma would come back to him, sending their only son to fetch him from the tavern for the night. My Dad would bicycle to that dark and smoky place, stand Grandpa up and guide him staggering out to their truck for the weaving drive home on country roads. On more than one occasion, Grandpa, belligerent as ever, would resist leaving and throw a punch at his boy, usually missing by a mile.

But once the boy grew taller and strong enough to fight back, managing to knock Grandpa to the ground in self-defense, the punching and resistance stopped. The boozing didn’t.

Grandpa sobered up for good while his boy fought in the war overseas in the forties, striking a bargain with God that his boy would come home safe to work the farm as long as Grandpa left alcohol alone.  It stuck and he stayed sober. His boy came home. Grandpa saw it as a promise kept and became an elder in his Bible Church, taught Sunday School and gave his extra cash to the church rather than the tavern. He and Grandma donated a house on their property to the church for a parsonage.

Some twelve years later, sitting in a Christmas Sunday School program one Christmas Eve, Grandpa leaned toward Grandma and she saw his face broken out in sweat, his face ashen.

“It’s hot in here, I need air, “ he said and collapsed in her lap. He was gone, just like that. He left the rest of his family behind while he sat in church, sober as can be, on the day before Christmas.

There is no question in my mind he knew he was forgiven. He headed home one more time, not weaving or swerving but traveling straight and narrow.

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Hold On…

photo by Joel DeWaard
photo by Joel DeWaard
photo by Joel DeWaard

Little soul,
you and I will become
the memory
of a memory of a memory.
A horse
released of the traces
forgets the weight of the wagon.
~Jane Hirshfield “Harness”

photo by Joel DeWaard
photo by Joel DeWaard
Field with Plowing Farmers by Vincent Van Gogh

My grandmothers were strong.
They followed plows and bent to toil.
They moved through fields sowing seed.
They touched earth and grain grew.
They were full of sturdiness and singing.
My grandmothers were strong.

My grandmothers are full of memories
Smelling of soap and onions and wet clay
With veins rolling roughly over quick hands
They have many clean words to say.
My grandmothers were strong.
Why am I not as they?

~Margaret Walker “Lineage”

photo by Joel DeWaard

In recognition of the history of Juneteenth...

So many years of shouldering huge burdens
while waiting for freedom from the harness:
grandmothers, grandfathers, parents, children
struggling through every ounce of sweat,
every sore muscle,
every drop of blood,
every tear.

How can one forget the weight of the plow
as it turns over the earth
where someday all will rest as dust?

The soil of strong hearts is well-tilled,
yielding to the plowshare,
furrowed deep and straight
by the hard pull of the traces.

Although black hearts and minds are still tread upon
yet do they bloom;
even when turned inside out
yet do they flourish.

Plow deep our hearts this day, oh Lord,
to celebrate freedom declared for all God’s children.

May we never forget the strength it took to hold on…
to plow, sow, grow, gather and harvest that freedom,
the steady pull on the traces
in order to raise up strong children and grandchildren
evermore and everywhere.

photo by Joel DeWaard
photo by Joel De Waard

Thank you once again to Joel DeWaard, local farmer, craftsman and photographer, who graciously shares his remarkable photos.

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A Symbol of Who We Are

I am what you make me; nothing more. I swing before your eyes as a bright gleam of color, a symbol of yourself.
~Franklin K. Lane, Secretary of the Interior, 1914 Flag Day address

Sometimes, as a child,  when I was bored, I’d grab a step ladder, pull it into our hallway, climb half way up and carefully lift the plywood hatch that was the portal to our dark attic.  It took some effort to climb up into the attic from the ladder, juggling a flashlight at the same time, but once seated safely on the beams above our ceiling, being careful not to put my foot through the carpet of insulation, I could explore what was stowed and normally inaccessible to me.

All the usual attic-type things were put up there:  Christmas ornaments and lights,  baby cribs and high chairs,  lamps and toys no longer used.  Secrets to my parents’ past were stored away there too.  It was difficult imagining them as young children growing up on opposite sides of the state of Washington, in very different circumstances, or as attractive college students who met at a dance, or as young marrieds unencumbered by the daily responsibilities of a family.  The attic held those images and memories like a three dimensional photo album.

My father’s dark green Marine Corps cargo trunk was up there, the one that followed him from Officer Training in Quantico, Virginia, to beach and mountain battles on Tarawa, Tinian and Saipan in the South Pacific, and three years later back home again.  It had his name and rank stenciled on the side in dark black lettering.  The buckles were stiff but could be opened with effort, and in the dark attic, there was always the thrill of unlatching the lid, and shining the flashlight across the contents.  His Marine Corps dress uniform lay inside underneath his stiff brimmed cap.  There were books about protocol, and a photo album which contained pictures of “his men” that he led in his battalion, and the collection of photos my mother sent of herself as she worked as a teacher of high school students back home.

Most fascinating was a folded Japanese flag inside a small drawstring bag, made of thin white see-through cloth with the bold red sun in the middle.  Surrounding the red sun were the delicate inked characters of many Japanese hands as if painted by artists, each wishing a soldier well in his fight for the empire.  Yet there it was, a symbol of that soldier’s demise, itself buried in an American attic, being gently and curiously held by an American daughter of a Marine Corps captain.  It would occur to me in the 1960s that some of the people who wrote on this flag might still be living, and certainly members of the soldier’s family would still be living.  I asked my father once about how he obtained the flag, and he, protecting both me and himself, waved me away, saying he couldn’t remember.  I know better now.  He knew but could not possibly tell me the truth.

These flags, charms of good luck for the departing Japanese soldier as he left his neighborhood or village for war, are called Hinomaru Yosegaki (日の丸寄せ書き).  Tens of thousands of these flags came home with American soldiers; it is clear they were not the talisman hoped for.  A few of these flags are now finding their way back to their home country, to the original villages, to descendants of the lost soldiers.  So now has this flag.

Eighty years ago doesn’t seem that long, a mere drop in the river of time.  There are more than mere mementos that have flowed from the broken dam of WWII, flooding subsequent generations of Americans, Japanese, Europeans with memories that are now lost as the oldest surviving soldiers pass, scores of them daily, taking their stories of pain and loss and heroism with them. My father could never talk with a person of Asian descent, Japanese or not, without being visibly uneasy. As a child, I saw and felt this from him, but heard little from his mouth.

When he was twenty two years old, pressed flat against the rocks of Tarawa, trying to melt into the ground to become invisible to the bullets whizzing overhead, he could not have conceived that sixty-five years later his twenty two year old grandson would disembark from a jumbo jet at Narita in Tokyo, making his way to an international school to teach Japanese children. My father would have been shocked that his grandson would settle happily into a culture so foreign, so seemingly threatening, so apparently abhorrent. Yet this irony is the direct result of the horrors of that too-long horrible bloody war of devastation: Americans and Japanese, despite so many differences, have become the strongest of allies, happily exchanging the grandchildren of those bitterly warring soldiers back and forth across the Pacific.  It too was my privilege to care for Japanese exchange students daily in my University health clinic, peering intently into their open faces and never once seeing the enemy that my father feared.

Now all these decades later, our son taught for 13 years in Tokyo, with deep admiration and appreciation for each of his students, some of whom were great-grandchildren of WWII Japanese soldiers. He married a granddaughter of those my father fought. Their two children are the perfect amalgam of once warring, yet now peaceful, cultures; a symbol of blended and blending peoples overcoming the hatred of past generations, creating a new world.

Our son and daughter-in-law, having now settled their family in the States, are adapting to a different language, culture and flag. I pray our son – having devoted part of his life as teacher and missionary to the land of the rising sun – has redeemed his grandfather, the soldier-warrior of the past century.

(U.S. Air Force photo by Staff Sgt. Peter Reft)

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Smoothed and Soothed

What does it feel like to be alive?
Living, you stand under a waterfall…
It is time pounding at you, time.


Knowing you are alive is watching on every side
your generation’s short time falling away
as fast as rivers drop through air,
and feeling it hit.

I had hopes for my rough edges.
I wanted to use them as a can opener,
to cut myself a hole in the world’s surface, and exit through it.

~Annie Dillard from An American Childhood

I saw a mom take her raincoat off
and give it to her young daughter when
a storm took over the afternoon. My god,
I thought, my whole life I’ve been under her
raincoat thinking it was somehow a marvel
that I never got wet.

~Ada Limón from “The Raincoat”

Mothering can be like standing under a waterfall, impacted breathless by the incredible 24/7 responsibility of birthing and raising children. And a mother does whatever she must to protect her children from also getting soaked in the barrage of each drop of time, knowing they too can feel overwhelmed by the rapid passage of life.

As I tried my best to keep my children covered and dry until it was their turn to raise kids and stand under the same waterfall, my own rough edges have been impacted, smoothed and soothed by the flow of time.

I’m well aware rough edges still surface, unbidden and unwarranted, ready to cut a hole in the world for an escape hatch from troubles. So my children and grandchildren polish me even as I still try to protect them from inevitable downpours. 

No longer is my reach enough nor must it be.

Life keeps pounding away, but oh so gentler on grandmothers. I know it is still ruffing and buffing me — each drop of time passing over me becomes a mixed blessing.

Each moment so precious, never to come again, yet leaving me forever and wonderfully changed.

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To Come Alive Again

This morning the green fists of the peonies are getting ready
to break my heart
as the sun rises, 
as the sun strokes them with his old, buttery fingers

and they open —
pools of lace, 
white and pink —

and all day
under the shifty wind, 
as in a dance to the great wedding,

the flowers bend their bright bodies, 
and tip their fragrance to the air, 
and rise, 
their red stems holding

all that dampness and recklessness 
gladly and lightly, 
and there it is again — 
beauty the brave, the exemplary,

blazing open. 
Do you love this world? 
Do you cherish your humble and silky life? 
Do you adore the green grass, with its terror beneath?

Do you also hurry, half-dressed and barefoot, into the garden, 
and softly, 
and exclaiming of their dearness, 
fill your arms with the white and pink flowers,

with their honeyed heaviness, their lush trembling, 
their eagerness
to be wild and perfect for a moment, before they are
nothing, forever?
~Mary Oliver 
from New And Selected Poems 

The peonies, too heavy with their beauty,
slump to the ground. I had hoped
they would live forever but ever so slowly
day by day they’re becoming the soil of their birth
with a faint tang of deliquescence around them.
Next June they’ll somehow remember to come alive again,
a little trick we have or have not learned.

~Jim Harrison “Peonies” from In Search of Small Gods

Later this month, I will bring our peonies
to the graves of those from whom I came,
to lay one after another exuberant floral head
upon each headstone,
a moment of connection between those in the ground
and me standing above, acknowledging its thin space
when one more humble and silky life shatters,
its petals slowly
scatter, lush and trembling,
to the wind.

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Unanchored

It started before Christmas. Now our son
officially walks to school alone.
Semi-alone, it’s accurate to say:
I or his father track him on his way.
He walks up on the east side of West End,
we on the west side. Glances can extend
(and do) across the street; not eye contact.
Already ties are feeling and not fact.
Straus Park is where these parallel paths part;
he goes alone from there. The watcher’s heart
stretches, elastic in its love and fear,
toward him as we see him disappear,
striding briskly. Where two weeks ago,
holding a hand, he’d dawdle, dreamy, slow,
he now is hustled forward by the pull
of something far more powerful than school.

The mornings we turn back to are no more
than forty minutes longer than before,
but they feel vastly different–flimsy, strange,
wavering in the eddies of this change,
empty, unanchored, perilously light
since the red hat vanished from our sight.
~Rachel Hadas “The Red Hat”

You can kiss your family and friends good-bye and put miles between you, but at the same time you carry them with you in your heart, your mind, your stomach, because you do not just live in a world but a world lives in you.
Frederick Buechner

As a child, I lived just outside of city limits in a semi-rural area, only a half mile from my elementary school on a country road. By first grade, I was allowed to walk to school and home again, then when I was older, with my younger brother in tow. I don’t remember my parents watching me as I made the journey, but I do remember some practice walks on a weekend, to reinforce how to safely cross the roads and where to walk alongside the drainage ditch.

I don’t remember ever being worried about what might happen to me outside of my parents’ presence, and nothing scary ever did happen. I’m sure my parents were worried, but both as children had walked to their rural schools on their own – it simply was how things happened in the 20’s and 30’s.

For children growing up now, it feels different.

Our three children grew up on a farm seven miles from town, so rode a school bus or were taken to school by a parent or grandparent. They didn’t have that early independence that I did. Our grandchildren, especially those living in large cities, are even more protected. It didn’t hamper their desire to explore the world – they have traveled all over.

The difference is the anxiety of the parent, watching that child disappear around a corner on foot, or bike or eventually in a car. It is that empty feeling of letting go before one is ready, but when you know you must.

The heart stretches to encompass one’s child out in the world, out of sight, no longer anchored at home. After all, we are that elastic and that resilient.

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This Was The Day

Opening the book at a bright window
above a wide pasture after five years
I find I am still standing on a stone bridge
looking down with my mother at dusk into a river
hearing the current as hers in her lifetime


now it comes to me that that was the day
she told me of seeing my father alive for the last time
and he waved her back from the door as she was leaving
took her hand for a while and said
nothing


at some signal
in a band of sunlight all the black cows flow down the pasture together
to turn uphill and stand as the dark rain touches them.

~W.S. Merwin “Sun and Rain” from Flower & Hand.

All day the stars watch from long ago
my mother said I am going now
when you are alone you will be all right
whether or not you know you will know
look at the old house in the dawn rain
all the flowers are forms of water
the sun reminds them through a white cloud
touches the patchwork spread on the hill
the washed colors of the afterlife
that lived there long before you were born
see how they wake without a question
even though the whole world is burning

~W. S. Merwin “Rain Light” from The Shadow of Sirius 

We want so much to leave a legacy for our children that will carry them through their lives, long after we are gone. Then they pass that on to their children, and on and on, like the strands of DNA we leave behind in our descendants.

But words and rituals of faith and covenant can be lost so quickly from one generation to the next. Our DNA passed down is a given, but nothing surpasses the teaching about the eternal love of God and His purpose for His people.

This day, three of our young grandsons are baptized by their church, ushering them into a life in fulfillment of God’s promise within them. As children, they may not yet fully understand how this manifests in their lives, but with the love and guidance of their church, parents, extended family and godparents, they will know His Love as they witness it in His people.

The washing with water from God’s creation, like rain from heaven, gives me hope for the future.

Though the world may be burning, Jesus is right alongside us through it all – I know our children and grandchildren will be all right.

When From Death I’m Free: Made Happy By Simple Things

I know a bleeding-heart plant that has thrived
for sixty years if not more, and has never
missed a spring without rising and spreading
itself into a glossy bush, with many small red
hearts dangling. Don’t you think that deserves
a little thought? The woman who planted it
has been gone for a long time, and everyone
who saw it in that time has also died or moved
away and so, like so many stories, this one can’t
get finished properly. Most things that are
important, have you noticed, lack a certain
neatness. More delicious, anyway, is to
remember my grandmother’s pleasure when
the dissolve of winter was over and the green
knobs appeared and began to rise, and to cre-
ate their many hearts. One would say she was
a simple woman, made happy by simple
things. I think this was true. And more than
once, in my long life, I have wished to be her.

~Mary Oliver “The Bleeding-Heart” from New and Selected Poems
Volume Two

My Grandma Kittie grew flowers–lots of them. Her garden stretched along both sides of the sidewalk to her old two story farm house, in window boxes and beds around the perimeter, in little islands scattered about the yard anchored by a tree, or a piece of driftwood, a gold fish pond or a large rock. Wisteria hung like a thick curtain of purple braids from the roof of her chicken coop, and her greenhouse, far bigger than her home, smelled moist and mossy with hanging fuschia baskets. For her it was full time joy disguised as a job: she sold seedlings, and ready-to-display baskets, and fresh flower arrangements. 

She often said she was sure heaven would be full of flowers needing tending, and she was just practicing for the day when she could make herself useful as a gardener for God.

Visiting Grandma meant spending summer evenings in her yard heavy with wafting flower perfume. She especially loved her bleeding hearts bushes that returned every spring, dripping their red blossoms over her unruly lawn.

Another of her favorite flowers was the evening primrose.  It was one of a few night blooming plants meant to attract pollinating moths. Its tall stems were adorned by lance shaped leaves, with multiple buds and blooms per stem.  Each evening, and it was possible to set one’s watch by its punctuality, only one green wrapped bud per stem would open, revealing a bright yellow blossom with four delicate veined petals, a rosette of stamens and a cross-shaped stigma in the center, rising far above the blossom.  The yellow was so vivid and lively, it seemed almost like a drop of sun had been left on earth to light the night.  By morning, the bloom would begin to wither and wilt under the real sunlight, somehow overcome with the brightness, and would blush a pinkish orange as it folded upon itself, ready to die and drop from the plant in only a day or two, leaving a bulging seed pod behind.

I would settle down on the damp lawn at twilight, usually right before dusk fell, to watch the choreography of opening of blossoms on stem after stem of evening primrose. Whatever the trigger was for the process of unfolding, there would be a sudden loosening of the protective green calyces, in an almost audible release. Then over the course of about a minute, the overlapping yellow petals would unfurl, slowly, gently, purposefully, revealing their pollen treasure trove inside.  It was like watching time lapse cinematography, only this was an accelerated, real time flourish of beauty, happening right before my eyes. I always felt privileged to witness each unveiling as Grandma liked to remind me that few flowers ever allowed us to behold both their birth and death. The evening primrose was not at all shy about sharing itself and it would enhance the show with a sweet lingering fragrance.

Grandma knew how much I enjoyed the evening primrose display, so she saved seeds from the seed pods for me, and helped me plant them at our house during one of her spring time visits. I remember scattering the seeds with her in a specially chosen spot, in anticipation of the “drops of sun” that would grace our yard come summertime.  However, Grandma was more tired than usual on this particular visit, taking naps and not as eager to go for walks or eat the special meals cooked in honor of her visit. Her usually resonant laughing brown eyes appeared dull, almost muddy.

The day she was to return to her home, she came into the kitchen at breakfast time, wearily setting down her packed bags.  She gave me a hug and I looked at her.  Something was dreadfully wrong.  Grandma’s eyes were turning yellow.

Instead of returning home that day, she went to the hospital. Within a day, she had surgery and within two days, was told she had terminal pancreatic cancer.  She did not last long, her skin becoming more jaundiced by the day, her eyes more icteric and far away.  She soon left her earthly gardens to cultivate those in heaven.

I’ve kept bleeding hearts and evening primrose in my garden ever since. Grandma’s heart dangles from the bushes and she is released from each primrose bloom as it unfolds precipitously in the evening. She wafts across the yard in its perfume. Her spirit, a drop of sun coming to rest, luminous, for a brief stay upon the earth, only to fall before we’re ready to let it go. But as the wilted bloom lets go, its seeds have already begun to form.

I’m sure Grandma is still growing flowers. And my soil-covered hands look more like hers every day.

The grass withers and the flowers fall,
    because the breath of the Lord blows on them.
    Surely the people are grass.
 The grass withers and the flowers fall,
    but the word of our God endures forever.

Isaiah 40: 7-8

This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”

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I Was All Hers

When all the others were away at Mass
I was all hers as we peeled potatoes.
They broke the silence, let fall one by one
Like solder weeping off the soldering iron:
Cold comforts set between us, things to share
Gleaming in a bucket of clean water.
And again let fall. Little pleasant splashes
From each other’s work would bring us to our senses.

So while the parish priest at her bedside
Went hammer and tongs at the prayers for the dying
And some were responding and some crying
I remembered her head bent towards my head,
Her breath in mine, our fluent dipping knives—
Never closer the whole rest of our lives.
~Seamus Heaney “Clearances -3”

April 2008 – Vigil at Mom’s Bedside

Lying still, your mouth gapes open as
I wonder if you breathe your last.
Your hair a white cloud
Your skin baby soft
No washing, digging, planting gardens, peeling potatoes,
Or raising children
Anymore.

Where do your dreams take you?
At times you wake in your childhood home of
Rolling wheat fields, boundless days of freedom.
Other naps take you to your student and teaching days
Grammar and drama, speech and essays.
Yesterday you were a young mother again
Juggling babies, farm and your wistful dreams.

Today you looked about your empty nest
Disguised as hospital bed,
Wondering aloud about
Children grown, flown.
You still control through worry
and tell me:
Travel safely
Get a good night’s sleep
Take time to eat
Call me when you get there

I dress you as you dressed me
I clean you as you cleaned me
I love you as you loved me
You try my patience as I tried yours.
I wonder if I have the strength to
Mother my mother
For as long as she needs.

When I tell you the truth
Your brow furrows as it used to do
When I disappointed you~
This cannot be
A bed in a room in a sterile place
Waiting for death
Waiting for heaven
Waiting

And I tell you:
Travel safely
Eat, please eat
Sleep well
Call me when you get there.

______________

Now that I am a grandmother, I seek those tiny, daily, apparently meaningless opportunities to create memories that my grandchildren may warmly recall decades from now, knowing they were all mine, if only for a few minutes at the kitchen sink.

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