Fits Like a Glove

It can be a gift or a private kind of distress,
depending on if you’ve found your purpose.
My friend, a physician and farmer, blends
her two passions into a life of caring.

Leaving her surgical gloves in the treatment room,
she dons leather work gloves when she returns
to the farm. This evening the old work gloves
are nestled together on a bench by the back door

as if one couldn’t function without the other.
They hold the form of her hands. The gloves
are dirty, the leather wrinkled, a hole worn
through the tip of the index finger, right hand.

Over years of service, gloves have protected
her hands as she treated deep wounds
in the clinic and in the barn. This gift!
Dare I say, her work fits her like a glove?
~Lois Edstrom “Gift of Work” from A Fragile Light

Nothing much to look at
lying on the shelf, one on
top of the other, an old man
resting his hands on a cane.
Dried-out yellow cowhide,
lines cut deep into the palms
from stones, weeds pulled.
Fingers crumpled, swollen
like grub worms shoveled
up in planting. An extra pair
of hands helping with lawn
work, flower beds, shrubs,
whatever else comes along.
A grief pulled on to bury
the old cat some kid in a
speeding pickup knocked
out of the street like he’d
kick a can. Or kneeling last
fall to unearth the blooming
rose suddenly plucked by
an ice storm, then shaking
rich compost loose from its
twisted fingers still clenched,
holding on for dear life.

~Ron Stottlemyer “Work Gloves”

My farm work gloves tend to look ragged at the end of a year of service. I always depend on being gifted a new pair at Christmas to start afresh. It can take awhile to break them in to the point where they feel like a “second skin.”

These gloves keep me from blistering while forking innumerable loads of smelly manure into wheelbarrows, but also help me unkink frozen hoses, tear away blackberry vines from fencing, pull thistle from the field and heavy hay bales from the haymow.

Over the years, I’ve gone through a few dozen work gloves which have protected my hands as I’ve cleaned and bandaged deep wounds on legs and hooves, pulled on foals during the hard contractions of difficult births, held the head of dying animals as they fall asleep one final time.

Without wearing my protective farm gloves over the years, my hands would be looking very much scarred up like my tired gloves do, full of rips and holes from the thorns and barbs of the world, sustaining scratches, callouses and blisters from the hard work of life.

But they don’t.

Thanks to these gloves, before I retired, I was presentable for my “day” work as a doctor where I would don a different set of gloves many times a day as I tended to my patients’ wounds and worry.

But my work gloves don’t tell my whole story of gratitude.

I’m thankful to a Creator God who doesn’t wear gloves when He goes to work in our world:
-He gathers us up even when we are dirty, smelly, and unworthy.
-He eases us into this life when we are vulnerable and weak,
and carries us gently home as we leave this world, weak and vulnerable.
-He holds us as we bleed from self and other-inflicted wounds.
-He won’t let us go, even when we fight back, or try not to pay attention, or care who He is.

He hangs on to us for dear life.

And this God came to live beside us
with hands just like ours~
tender, beautiful, easy-to-wound hands
that bled
because He didn’t need or want to wear gloves
for what He came to do~

His hands bear evidence of His love…

photo of a plowman teamster’s hand by Joel De Waard
AI image created for this post

contains these lyrics by Kim Andre Arnesen:
Moving like the rise and fall of wings
Hands that shape our calling voice
On the edge of answers
You’ve heard our cry, you’ve known our cry

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Stronger Than Seems Possible

Light comes softly through the morning mist,
splinters as it settles on dewdrops that dangle

from the web. Pulled taut and lovely, the web
stretches above a mass of leaves-

green, amethyst, and pale rose.
silken lines hold fast to spindly branches,

all anchored to the center, geometric
rings of connection, so delicate, so strong

like this catch-all we call life,
how we gather what we think we need

for sustenance, how prisms of light flash
and fade on the fragile structures we create,

how we tremble through storms
holding on, stronger than seems possible.
~Lois Edstrom “A Fragile Light” from MoonPath Press 2025

I too am feeling stretched, trying to connect between post and branch and leaf and ground.

I move between them, sometimes not sure where I’ll land or what I’ll leave behind. Connection is a hard and heavy work of strength and aspiration, not knowing what stands firm in a world where wind and rain and storms or an oblivious creature can tear things all asunder.

Sometimes what I weave is both beautifully delicate and strong.

Sometimes it is easily shredded, full of holes, and ultimately useless.

The center doesn’t always hold. 
The tethers loosen. 
The periphery sags, frays and tears.

It is a matrix of fragile light, yet holding on…

…something created with purpose and intention.
Simply that effort makes it all worthwhile.

I’ll try again tomorrow.

(Lois Edstrom is my poet friend who lives on nearby Whidbey Island; my web photo at the top of this post is the cover for her new book of poems: A Fragile Light)

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Turned to Stone

Our shadows bring them from the shadows:
a yolk-yellow one with a navy pattern
like a Japanese woodblock print of fish scales.
A fat 18-karat one splashed with gaudy purple
and a patch of gray. One with a gold head,

a body skim-milk-white, trailing ventral fins
like half-folded fans of lace.
A poppy-red, faintly disheveled one,
and one, compact, all indigo in faint green water.
They wear comical whiskers and gather beneath us
as we lean on the cement railing
in indecisive late-December light,
and because we do not feed them, they pass,
then they loop and circle back. Loop and circle. Loop.
“Look,” you say, “beneath them.” Beneath them,
like a subplot or a motive, is a school
of uniformly dark ones, smaller, unadorned,
perhaps another species, living in the shadow
of the gold, purple, yellow, indigo, and white,
seeking the mired roots and dusky grasses,
unliveried, the quieter beneath the quiet.
~Susan Kolodny “Koi Pond, Oakland Museum”

The boardwalk,
a treachery of feathers ready
to receive another broken bone,
looms just above the surface.
Step deliberately when approaching.
With few exceptions,
ice has claimed this part of the pond.

This is where you see her,
moving through what
free water remains:
a sluggish ghost in the shadows,
slow, conserving the fragile heat
she still has in this late winter.
A canopy of juniper dressed with light snow
overhangs, watching.

Last year, a quorum of her kind was lost,
turned to stone, to frigid silence.
She doesn’t know that story,
but some instinct guides her to keep
what warmth she can, to cruise
in stubborn torpor.

In her drift, she remembers the summer,
her long, languid vowels,
the accompanying texts of her companions.
How they interwove manuscripts,
narrations of sky, tree, sun, and moon.
Warm days are a memory now,
and thoughts rest lightly in her body.

She has held the same posture for an hour.
Her bones have reached a conclusion—
an idea about hope itself—
there, near the indifferent bridge,
inches from the force that will take her
~Carolyn Adams, “Koi Pond” from Going Out to Gather

The water going dark only
makes the orange seem brighter,
as you race, and kiss, and spar
for food, pretending not
to notice me. For this gift
of your indifference, I am
grateful. I will sit until
the pond goes black, the last
orange spark extinguished.
~Robert Peake from “Koi Pond”

Koi and goldfish thrived in our pond after we covered it with netting, finally thwarting the herons arriving at dawn for breakfast.

Thus protected, our fish grew huge, celebrating each feeding with a flurry of tail flips and gaping mouths as I tossed pellets to them each evening.

When the pond cooled in the fall and sometimes ice-covered in winter, the fish settled at the bottom, barely moving silhouettes of color in the darkness. Spring would warm them to action again. As the water temperature rose, so did they, eager and hungry to flash their color and fins again.

Two winters ago, the chill winds and low temperatures lasted longer than usual. As the pond ice began to melt, the fish at the bottom remained still as stones. Netting them for burial felt like burying the sun and the moon and the stars, relegating their rainbows of light and color deep into the earth.

No longer would their colorful glory shine, an illumination now extinguished.

I haven’t had the heart to try again. I need a pond heater, a new filter system, and a total clean out of the pond if I am going to restock.

But then I remember the joy of feeding those flashes of fins and fish mouths, so I just might try again.

Rainbows promise to return, even from buried stone.

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Lyrics
From the love of my own comfort
From the fear of having nothing
From a life of worldly passions
Deliver me O God
From the need to be understood
From the need to be accepted
From the fear of being lonely
Deliver me O God
And I shall not want I shall not want
When I taste Your goodness
I shall not want
From the fear of serving others
From the fear of death or trial
From the fear of humility
Deliver me O God

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Just a Pinch of God Inside

To be blessed
said the old woman
is to live and work
so hard
God’s love
washes right through you
like milk through a cow

To be blessed
said the dark red tulip
is to knock their eyes out
with the slug of lust
implied by
your up-ended
skirt

To be blessed
said the dog
is to have a pinch
of God
inside you
and all the other dogs
can smell it

~Alicia Suskin Ostriker “The Blessing of the Old Woman, the Tulip, and the Dog” from The Book of Seventy

Some claim the origin of song
was a war cry
some say it was a rhyme
telling the farmers when to plant and reap
don’t they know the first song was a lullaby
pulled from a mother’s sleep
said the old woman


A significant
factor generating my delight in being
alive this springtime
is the birdsong
that like a sweeping mesh has captured me
like diamond rain I can’t
hear it enough said the tulip


Lifetime after lifetime
we surged up the hill
I and my dear brothers
thirsty for blood
uttering
our beautiful songs
said the dog

~Alicia Suskin Ostriker “Song” from The Old Woman, the Tulip, and the Dog

To be blessed is to know
God is inside all created things,
even those seemingly hopeless.

To be blessed is to sing
a lullaby of loving kindness
that settles a restless heart.

To be blessed is to become a blessing
so contagious, there is no hope of cure.

AI image created for this post

Lyrics:
Oh! Hush thee, my baby, the night is behind us,
And black are the waters that sparkled so green.
The moon, o’er the combers, looks downward to find us,
At rest in the hollows that rustle between.

Where billow meets billow, then soft be thy pillow,
Oh weary wee flipperling, curl at thy ease!
The storm shall not wake thee, nor shark overtake thee,
Asleep in the arms of the slow swinging seas!
~Rudyard Kipling “The White Seal”

translated lyrics from the Lakota:
Ah I say, I say to you I am speaking to you…
Ah I say, I say to you To you I am saying it
My kind-hearted boy go to sleep
Tomorrow will be nice
I am speaking to you

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An Undivided Wonder

One grief, all evening—: I’ve stumbled
upon another animal merely being
             itself and still cuffing me to grace.

             This time a bumblebee, black and staggered
above some wet sidewalk litter. When I stop
             at what I think is dying

             to deny loneliness one more triumph,
I see instead a thing drunk
           with discovery—the bee entangled

            with blossom after pale, rain-dropped blossom
gathered beneath a dogwood. And suddenly
             I receive the cold curves and severe angles

             from this morning’s difficult dreams
about faith:—certain as light, arriving; certain
            as light, dimming to another shadowed wait.

            How many strokes of undivided wonder
will have me cross the next border,
            my hands emptied of questions?

~Geffrey Davis “West Virginia Nocturne” from Night Angler

So much happens in the lives of creatures in the world
above, around, and beneath our feet.
The dewy immobilized bumblebee,
the ladybug floating, rescued by a cloverleaf,
the translucent spider hiding in a blossom fold.

Most of the time we are oblivious,
absorbed in our own joys, fears, and sorrows,
struggling to understand our own place in the world,
unsure if we people are the only image of our Creator.

But life’s drama doesn’t just belong to us.

It is the baby bird fallen from the nest too young,
rescued from mouth of the barn cat.
It is the farmyard snake abandoning its ghost-like skin.
It is the spider residing in the tulip, ready to grab the honey bee.
It is the praying mantis poised to swallow the fly.
It is the katydid, the cricket, the grasshopper trying to blend in.

When I struggle with my faith in this often cruel world,
I realize not every question, not every doubt, needs answers.
It is enough, as a trusting witness of all that is wondrous around me,
to pray someday it will no longer be mysterious.

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A Soft Landscape

Now have come the shining days
When field and wood are robed anew,
And o’er the world a silver haze
Mingles the emerald with the blue.

Summer now doth clothe the land
In garments free from spot or stain—
The lustrous leaves, the hills untanned,
The vivid meads, the glaucous grain.

The day looks new, a coin unworn,
Freshly stamped in heavenly mint;
The sky keeps on its look of morn;
Of age and death there is no hint.

How soft the landscape near and far!
A shining veil the trees infold;
The day remembers moon and star;
A silver lining hath its
gold.

Again I see the clover bloom,
And wade in grasses lush and sweet;
Again has vanished all my gloom
With daisies smiling at my feet.

Again from out the garden hives
The exodus of frenzied bees;
The humming cyclone onward drives,
Or finds repose amid the trees.

At dawn the river seems a shade—
A liquid shadow deep as space;
But when the sun the mist has laid,
A diamond shower smites its face.

The season’s tide now nears its height,
And gives to earth an aspect new;
Now every shoal is hid from sight,
With current fresh as morning dew.
~John Burroughs “June’s Coming”

Out of the deep and the dark,
A sparkling mystery, a shape,
Something perfect,
Comes like the stir of day:
One whose breath is a fragrance,
One whose eyes reveal the road to stars,
The wind in his countenance,
The glory of heaven upon his back.
He steps like a vision hung in air,
Diffusing the passion of eternity;
His abode is the sunlight of morn,
The music of eve his speech:
In his sight,
One shall turn from the dust of the grave,
And move upward to the woodland.

~Yone Noguchi The Poet”

Each month is special in its own way:  I tend to favor April and October for how the light plays on the landscape during transitional times — a residual of what has been, with a hint of what lies ahead.

Then there is June.  Dear, gentle, abundant and overwhelming June.  Nothing is dried up, there is such a rich feeling of ascension into lushness of summer with an “out of school” attitude, even if someone like me has graduated long ago.

And the light, and the birdsong and the dew and the greens — such vivid verdant greens. The stir of the day stirs my heart…

As lovely as June is, 30 days is more than plenty or I would become helplessly saturated. Then I can be released from my sated stupor to wistfully hunger for June for 335 more.

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The Velvet of Sleep

The children have gone to bed.
We are so tired we could fold ourselves neatly
behind our eyes and sleep mid-word, sleep standing
warm among the creatures in the barn, lean together
and sleep, forgetting each other completely in the velvet,
the forgiveness of that sleep.

Then the one small cry:
one strike of the match-head of sound:
one child’s voice:
and the hundred names of love are lit
as we rise and walk down the hall.

One hundred nights we wake like this,
wake out of our nowhere
to kneel by small beds in darkness.
One hundred flowers open in our hands,
a name for love written in each one.
~Annie Lighthart “The Hundred Names of Love”

In the lull of evening, your son nested in your arms
becomes heavier and with a sigh his body
sloughs off its weight like an anchor into deep sleep,
until his small breath is the only thing that exists.

And as you move the slow dance through the dim hall
to his bedroom and bow down to deliver his sleeping form,
arms parting, each muscle defining its arc and release—
you remember the feeling of childhood,

traveling beneath a full moon,
your mother’s unmistakable laugh, a field of wild grass,
windows open and the night rushing in
as headlights trace wands of light across your face—

there was a narrative you were braiding,
meanings you wanted to pluck from the air,
but the touch of a hand eased it from your brow
and with each stroke you waded further

into the certainty of knowing your sleeping form
would be ushered by good and true arms
into the calm ocean that is your bed.
 — Alexandra Lytton Regalado, “The T’ai Chi of Putting a Sleeping Child to Bed” author of Matria

Each of those countless nights of a child wakening,
each of the hundreds of hours of lulling them in the moonlit dark,
leading them back to the soft forgiveness of sleep.

I remember the moves of that hypnotic dance,
a head nestled snug into my neck,
their chest pressed into mine,
our hearts beating in synchrony
as if they were still inside.

Even when our sleep was spare and true rest was sparse,
those night times rocking in unison
were worth every waking moment, trusting
we’re in this together, no matter what,
no matter how long it takes.

We’re in this together.

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Rising Up From the Darkness

My father taught me how to eat breakfast
those mornings when it was my turn to help
him milk the cows. I loved rising up from

the darkness and coming quietly down
the stairs while the others were still sleeping.
I’d take a bowl from the cupboard, a spoon

from the drawer, and slip into the pantry
where he was already eating spoonfuls
of cornflakes covered with mashed strawberries

from our own strawberry fields forever.
Didn’t talk much—except to mention how
good the strawberries tasted or the way

those clouds hung over the hay barn roof.
Simple—that’s how we started up the day.

~Joyce Sutphen, “Breakfast” from First Words, Red Dragonfly.

By the time I was four years old, my family owned several Guernsey and Jersey dairy cows my father milked by hand twice a day. My mother pasteurized the milk on our wood stove and we grew up drinking the best milk on earth, as well as enjoying home-made butter and ice cream.

One of my fondest early memories is getting up early with my dad, before he needed to be at school teaching FFA agriculture students (Future Farmers of America). I would eat breakfast with him and then walk out into the foggy fall mornings with our dog to bring in the cows for milking. He would boost me up on top of a very bony-backed chestnut and white patchwork cow while he washed her udder and set to work milking.

I would sometimes sing songs from up there on my perch and my dad would whistle since he didn’t sing.

I can still hear the rhythmic sound of the milk squirting into the stainless steel bucket – the high-pitched metallic whoosh initially and then a more gurgling low wet sound as the bucket filled up. I can see my dad’s capped forehead resting against the flank of the cow as he leaned into the muscular work of squeezing the udder teats, each in turn. I can hear the cow’s chewing her breakfast of alfalfa and grain as I balanced on her prominent spine feeling her smooth hair over her ribs. The barn cats circulated around us, mewing, attracted by the warm milky fragrance in the air.

Those were preciously simple starts to the day for me and my father, whose thoughts he didn’t articulate nor I could ever quite discern. But I did know I wasn’t only his daughter on mornings like that – I was one of his future farmers of America he dedicated his life to teaching.

Dad, even without you saying much, those were mornings when my every sense was awakened. I’ve never forgotten that- the best start to the day.

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Hiding in a Snail’s Eye

May the poems be
the little snail’s trail.

Everywhere I go,
every inch: quiet record

of the foot’s silver prayer.
              I lived once.
              Thank you.
              It was here.

~Aracelis Girmay “Ars Poetica”  

Little snail,
Dreaming you go.
Weather and rose
Is all you know.
Weather and rose
Is all you see,
Drinking
The dewdrop’s
Mystery.
~Langston Hughes “Snail”

James was a very small snail…
and gave the huffle of a snail in danger.
And nobody heard him at all.
~A.A.Milne from The Four Friends from  “When We Were Very Young”

…who has a controlled sense of wonder
before the universal mystery,
whether it hides in a snail’s eye

or within the light that impinges on that delicate organ?
~Loren Eiseley from The Star Thrower

The snail pushes through a green
night, for the grass is heavy
with water and meets over
the bright path he makes, where rain
has darkened the earth’s dark. He
moves in a wood of desire,


pale antlers barely stirring
as he hunts. I cannot tell
what power is at work, drenched there
with purpose, knowing nothing.
What is a snail’s fury? All
I think is that if later

I parted the blades above
the tunnel and saw the thin
trail of broken white across
litter, I would never have
imagined the slow passion
to that deliberate progress.
~Thom Gunn “Considering the Snail”

What do we leave behind as we pass through this life, following the light?

It might be as slick and silvery and random as a snail trail —
hardly and barely there, easily erased, only a transient residual.

We might leave behind the solid hollow of an empty shell, its spirals leading to infinity, curling to nothing and everything.

As for my trail:
I pray for a legacy of words and images reflecting the Light I seek,
to notice and share the wonder I journey through.

Yes, I was once here.
And so were you.

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Through the years, the sorrow
The joy that we borrow
The tears that we share with the rain
Oh today, tomorrow
Forever I’ll follow your trail
Just call my name
~Sean Rowe

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Revery Alone Will Do…

To make a prairie it takes a clover and one bee, a
One clover, and a bee,
And revery.
The revery alone will do,
If bees are few.
~Emily Dickinson

Bees do have a smell, you know, and if they don’t they should, for their feet are dusted with spices from a million flowers.
~Ray Bradbury
from Dandelion Wine

Pollinators are having a rough time of it these days, combating man-made insecticides or failing to find flowering weeds to visit given the wide-spread use of herbicides. Plus, there is the American penchant for mowing grassy landscapes to look perfectly uniform and weed-free.

When I see a honey or bumble bee happily doing its job, it is a cause for celebration.

I was thrilled to see the latest research reported today demonstrating the ability of a flowering plant, like a snapdragon in the study, to “hear” (through vibro-acoustic signals) the buzz of an approaching pollinator, responding instantly by increasing its nectar volume and sweetness.
The postulated feedback mechanism is that pollinators will be more attracted to a plant that “rewards” their visit, thereby increasing the likelihood of ongoing pollination visits and survival of further generations of both creatures.

This world depends on a revery of communication we can only begin to understand – between plant to plant, plant to insect — a daydream of connections bringing the spicy smell of pollen from a million flowers to the lowly feet of the bee, which generates more of both as well as honey for you and me.
May it be, may it be, may it bee…

May we know such reverie.

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