The Dew Looks Up

Now in the blessed days of more and less
when the news about time is that each day
there is less of it I know none of that
as I walk out through the early garden
only the day and I are here with no
before or after and the dew looks up
without a number or a present age

~W.S. Merwin “Dew Light” from The Moon Before Morning

A walk around our farm in October is
more or less, before or after, now and then,
a timelessness of shifting seasons and fading days.

A prayer becomes like dew from above,
me looking up to the God
who was, is and ever will be,
who already knows what I am about to say.
He knows I don’t tend to say anything new.

He blesses me with the light of His dew.

I write every day to explain myself to people I will never meet. Perhaps, every day, I am trying to explain myself to God.

God is,
(if I stop to look and listen),
yesterday, today, tomorrow –
more or less, before or after, now and then,
but most especially
forever and ever.

Amen.

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How Generous the Ground

Once again, the field rehearses how to die.
Some of the grass turns golden first. Some
simply fades into brown. Just this morning,
I, too, lay in corpse pose, practicing
how to let myself be totally held by the earth
without striving, how to meet the day
without rushing off to do the next necessary
or beautiful thing. Soon, the grass will bend
or break, molder or disintegrate. Every year,
the same lesson in how to join the darkness,

how to be unmade, how quietly
we might lean into the uncertainty,
how generous the ground.
~Rosemerry Wahtola Trommer “Shavasana”

The prairie grasses are collapsing,
withering to the ground,
all spent after a season of flourishing.
The next wind and rain storm will finish the job.
Stems and leaves become rich compost
in the seasons that follow,
a generous bed for future seeds.

We expect this fading away.

I know it doesn’t mean the end –
there is still vitality lying dormant,
hidden away, waiting for the right moment
to re-emerge, resurrect and live again.

I know this too about myself.
The dying-time-of-year doesn’t get easier.
It seems more real-time and vivid.
Colors fade, leaves wrinkle and dry,
fruit falls unconsumed and softened. 

Our beauty, so evident only a short time ago,
is meant to thrive inward, germinating,
ready to rise again when called forth.

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A Ripening Dusk

Once in your life you pass
Through a place so pure
It becomes tainted even
By your regard, a space
Of trees and air where
Dusk comes as perfect ripeness.
Here the only sounds are
Sighs of rain and snow,
Small rustlings of plants
As they unwrap in twilight.
This is where you will go
At last when coldness comes.
It is something you realize
When you first see it,
But instantly forget.
At the end of your life
You remember and dwell in
Its faultless light forever.

~Paul Zimmer “The Place” from Crossing to Sunlight Revisited.

I like the slants of light; I’m a collector.
That’s a good one, I say…
~Annie Dillard from Pilgrim at Tinker Creek

I won’t forget the glow on the hill as the sun drops,
centering behind our sentinel tree.
I won’t forget the rays coming through the branches,
or an evening primrose unwrapping.
I won’t forget the way the air itself changes as the color spreads,
like a fragrant scent carried on the wind.
I won’t forget how the mountain overwhelms,
how the road seems to go on forever,
how I feel hugged by tree-lined pathways.

The light is faultless but I am not.
My collection of slants of light may fade with time
and twilight flower buds may be reluctant to unwrap in moonlight.
Even so, it was – maybe just once – so perfect, so pure, so ripe.
And I’ll remember I was there to witness it.

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The Month of Departure

October is nature’s funeral month.
Nature glories in death more than in life.
The month of departure is more beautiful

than the month of coming –
October than May.

Every green thing
loves to die in bright colors.
~Henry Ward Beecher

I don’t know…
I myself feel pretty drab these days, gray and fading,
with ripples and wrinkles,
more fluff than firm.
I’m reminded to hang on to an October state of mind:
go for raucous color rather than somber funereal attire,
so when it is time to take my leave, and I want to take my time –
I go brightly, in joyous celebration of what has been~~
and knowing, without any doubt, the colors are stunning
where I’m heading when I wander down the road a piece.

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No Place to Call Home

My daughter
wouldn’t hurt a spider
That had nested
Between her bicycle handles
For two weeks
She waited
Until it left of its own accord

If you tear down the web I said
It will simply know
This isn’t a place to call home
And you’d get to go biking
She said that’s how others
Become refugees isn’t it?
~Fady Joudah “Mimesis” from 
Alight

Like these lands we travel through,
I have grown weary, so rough, so dry.
I wet a finger to give suck
but it never lasts longs. When the baby
cries, the sound comes sharper. It cuts me.

Some didn’t believe the stories
of soldiers pouring south, what they did
to the women, to children.
Made the men watch then let them live.
Some didn’t believe, but my husband
did not hesitate: we cannot wait, he said.


We travel between slaughter and exile.
A foreign land, people who already hate us.
How will they ever take us in? What will we do
when they turn us back? Afraid ourselves,
we instruct the little ones to be quiet,
but an infant only understands hunger.

I lay him against me, try the finger trick;
he snuggles in and falls asleep, his lips
still moving. The moon was full
but is now empty, like me. I was a child
but now am woman, a mother. Is this all

I can give this child—a world of rage and shame,
of bloodshed and vengeance?

~Edward Dougherty from “Between Slaughter and Exile”

Over the eons of human history, very few people groups have been able to remain exactly where they first settled.

The forces that drive tribes, cultures and communities to move on or be chased out are multiple and often overlapping: natural disasters, poverty, disease, prejudice, persecution, oppression, drought, starvation, war, politics.

Some simply seek refuge in hope of a better life.

We who sit safe and snug in our homes forget there was no such comfort for many of the generations preceding us. Those displaced faced terrible risks as they sought out safety. Millions have suffered and died in the hope of securing a future for themselves and their descendants. Countries – even ours, the richest on earth – struggle to house and feed their own residents, much less able to cope with those who arrive even more destitute and desperate. Doors and borders around the world slam shut and remain closed.

No child should be caught in this ongoing cycle of grief and weeping, rage and shame, bloodshed and vengeance, slaughter and exile. We watch history repeat itself, again and again; we become history in the making.

May God work out a solution when mere people cannot.

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Lapsed Ordinary

Had I not been awake I would have missed it,
A wind that rose and whirled until the roof
Pattered with quick leaves off the sycamore

And got me up, the whole of me a-patter,
Alive and ticking like an electric fence:
Had I not been awake I would have missed it

It came and went too unexpectedly
And almost it seemed dangerously,
Hurtling like an animal at the house,

A courier blast that there and then
Lapsed ordinary. But not ever
Afterwards. And not now.
~Seamus Heaney  “Had I Not Been Awake”

October is the month of the sudden warm wind-blow, usually arriving from the south, intent on scattering leaves and slamming doors on its way past to head north to Canada. Our wind chimes outside clang a cacophony rather than the usual gentle harmonic tones. The window shades become percussion instruments over our still-open windows. Anything not fastened down goes airborne.

The air blows in a rush from somewhere else, bringing new smells and sensations, surging with an electric energy even as it tries to pull power lines down to render us powerless.

Nothing feels ordinary in a windstorm; there is no easy sleep.

And just as suddenly, the autumn storm passes and is gone. The trees have been stripped, embarrassed at their sudden nakedness. Branches litter the yard and driveway like so many toothpicks. My illusion of comfort and control has been undone by such a show of force and power.

I face my own frailty in the wake of life’s storms.
Had I not been awake, I might have missed that altogether.

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Days of Special Radiance

Now over everything the autumn light is thrown
And every line is sharp and every leaf is clear,
Now without density or weight the airy sun
Sits in the flaming boughs, an innocent fire
That shines but does not burn nor wither.
The leaves, light-penetrated, change their essence,
Take on the gold transparence of the weather,
Are touched by death, then by light’s holy presence.

So we, first touched by death, were changed in essence,
As if grief grew transparent and turned to airy gold
And we were given days of special radiance,
Light-brimmed, light-shaken, and with love so filled
It seemed the heartbeat of the world was in our blood,
And when we stood together, love was everywhere,
And no exchange was needed, if exchange we could
The blessedness of sunlight poised on air.

~May Sarton “Poem in Autumn”

The brightness of the day becomes
the brightness of the night;
the fire becomes the mirror.


My friend the earth is bitter; I think
sunlight has failed her.
Bitter or weary, it is hard to say.
Between herself and the sun,
something has ended.

She wants, now, to be left alone;
I think we must give upturning to her for affirmation.
Above the fields, above the roofs of the village houses,
the brilliance that made all life possible
becomes the cold stars.


Lie still and watch: they give nothing but ask nothing.
From within the earth’s bitter disgrace,
coldness and barrenness
my friend the moon rises:
she is beautiful tonight,

but when is she not beautiful?
~Louise Glück from “October”

photo by Ben Gibson

This October Sabbath morning,
gray clouds lie heavy and unrelenting,
hovering low over the eastern hills.

A moment’s light snuck out from under the covers,
throwing back the blankets
to glow golden over the valley.

Only a minute of unexpected light underneath the gray,
then gone in a heartbeat (as are we) – yet –
O!  the Glory when we shine luminous together.

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These Things We Depend On

This is the moment when you see again
the red berries of the mountain ash
and in the dark sky
the birds’ night migrations.

It grieves me to think
the dead won’t see them—
these things we depend on,
they disappear.

What will the soul do for solace then?
I tell myself maybe it won’t need
these pleasures anymore;
maybe just not being is simply enough,
hard as that is to imagine.
~Louise Glück “The Night Migrations”


(Louise Glück died yesterday at age 80; she was both a Nobel and Pulitzer Prize winner for poetry)

All through August and September
            thousands, maybe
tens of thousands, of feathered
            creatures pass through
this place and I almost never see
            a single one. The fall
wood warbler migration goes by here
            every year, all of them,
myriad species, all looking sort of like
            each other, yellow, brown, gray,
all muted versions of their summer selves,
            almost indistinguishable
from each other, at least to me, although
            definitely not to each other,
all flying by, mostly at night, calling to each
            other as they go to keep
the flock together, saying: chip, zeet,
            buzz, smack, zip, squeak—
            those
sounds reassuring that we are
            all here together and
heading south, all of us just passing
            through, just passing
through, just passing through, just
            passing through.

~David Budbill “Invisible Visitors” from Tumbling Toward the End

Some feathered travelers slip past us unseen and unheard. 
They may stop for a drink in the pond
or a bite to eat in the field and woods,
but we never know they are there – simply passing through.

Others are compelled to announce their journey
with great fanfare, usually heard before seen. 
The drama of migration becomes bantering conversation
from bird to bird, bird to earth, bird to sun, moon and stars,
with unseen magnetic forces pointing the way.

When not using voices, their wings sing the air
with rhythmic beat and whoosh.

We’re all together here — altogether —
even when our voices are raised sharply,
our silences brooding, our hurts magnified, our sorrows deep.
Our route and mode of travel become a matter of intense debate.

The ultimate destination is not in dispute however. 
It isn’t simply enough to just be,
but to be heading to where we belong,
to that which we depend upon.
We are migrating souls finding a way back home
where all is solace, all is meaning,
all is grace, all is peace.

We’re just passing through,
just passing through, just passing through.

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Choosing to Protect Unseen Nests

I go to the mountain side
of the house to cut saplings,
and clear a view to snow
on the mountain. But when I look up,
saw in hand, I see a nest clutched in
the uppermost branches.
I don’t cut that one.
I don’t cut the others either.
Suddenly, in every tree,
an unseen nest
where a mountain
would be.
~Tess Gallagher “Choices” from Midnight Lantern: New and Selected Poems

Might I be capable of such tenderness?
Might I consider the needs of others,
by saving not just one nest,
but all future nests,
rather than exercise my right
to an unimpeded view,
wanting the world to be exactly
how I want it?

I must not forget:
my right to choose
demands that I
choose to do right by those
who have no choice.

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A Night of Dark Intent

The world is its usual rich self. Disturbed news
Came before sleep, then hours before light, finally
A return to coffee and the joy of unfinished poems.
It is early October, bright leaves falling everywhere.

What could it mean that such sharp leaves fall?
Does it imply that the best are called first?

I don’t want to imply that such abundance of meaning
Exists in me. A lamppost shines over
The ocean. The waves take what they want of the
light.
The rest they give back, to the hospitals and the poor.
~Robert Bly from Morning Poems

Bellingham Bay-photo by Nate Gibson

The shattered water made a misty din.
Great waves looked over others coming in,
And thought of doing something to the shore
That water never did to land before.
The clouds were low and hairy in the skies,
Like locks blown forward in the gleam of eyes.
You could not tell, and yet it looked as if
The shore was lucky in being backed by cliff,
The cliff in being backed by continent;
It looked as if a night of dark intent
Was coming, and not only a night, an age.
Someone had better be prepared for rage.
There would be more than ocean-water broken
Before God’s last Put out the light was spoken.

~Robert Frost “Once By the Pacific”

photo by Nate Gibson at Sendai, Japan

We were staying with our friends Brian and Bette at their cabin on a bluff just above the beach at Sendai, Japan, just a few dozen feet above the devastation that wiped out an entire fishing village below during the 3/11/11 earthquake and tsunami. We walked that stretch, learning of the stories of the people who had lived there, some of whom did not survive the waves that swept their houses and cars away before they could escape. We walked past the footprints of foundations of hundreds of demolished homes, humbled by the rubble mountains yet to be hauled away to be burned or buried and scanned acres of wrecked vehicles now piled one on another, waiting to become scrap metal. It was visual evidence of life suddenly and dramatically disrupted.

This was a place of recreation and respite for some who visited regularly, commerce and livelihood for others who stayed year round. Yet it looked like a foreign ghostly landscape. Even many trees perished, lost, broken off, fish nets still stuck high on their scarred trunks. There were small memorials to lost family members within some home foundations, with stuffed animals and flowers wilting from the recent anniversary observance.

It was a powerful place of memories for those who live there and know what it once was, how it once looked and felt, and painfully, what it became in a matter of minutes on 3/11/11. The waves swept in inexplicable suffering, then carried their former lives away. Happiness gave ground to such terrible pain that could never have hurt as much without the joy that preceded it.

We want to ask God why He doesn’t do something about the suffering that happens anywhere a disaster occurs – but if we do, He will ask us the same question right back. We need to be ready with our answer and our action. He knows suffering. Far more than we do. He took it all on Himself as His Light on earth was snuffed out, despite His love and joy in His creation.

As Sendai’s citizens slowly recover, the inner and outer landscape is forever altered. What remains the same is the tempo of the waves, the tides, and the rhythm of the light and the night, happening just as originally created.

The Light returned.

In that realization, pain gives way. It cannot stand up to His love and His joy in dispelling the dark.

the rubble still piled on the beach at Tohoku, Japan, a year after the 3/11/11 tsunami
photo by Nate Gibson
Sendai
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