Remembering Jane

photo of Jane Goodall in 2018, smiling as I came up to give her a hug, courtesy of WWU University Communications

I wasn’t prepared to hear yesterday that my professor, mentor, and friend Dr. Jane Goodall had passed away at age 91, while in the midst of her lecture tour in the United States.

I nearly believed Jane would be immortal; she lived as if she were.
She had a message to deliver and as long as she could, she would. She truly “died in the harness” after decades and decades of traveling the world, recruiting people to her cause to save the world for the next generation of plants, animals and humans, and the next and the next…

She was a born observer and storyteller, able to reach and move us with her verbal and writing ability to help place us in her shoes in the wild as she witnessed what no one else had. This was, of course, aided by Hugo van Lawick’s compelling wildlife photography and video every child of the 1950s and 60s grew up watching.

As a college student taking her class on non-human primate behavior, I was riveted by the content of her course lectures about the work she was doing at Gombe. I hoped I could somehow help in the long-term study there, and was ready to commit to a year of training preparation: recording captive chimpanzee behavior at Stanford, while learning Swahili.

On a spring day in May 1974:

Standing outside a non-descript door in a long dark windowless hallway of offices at the Stanford Medical Center, I took a deep breath and swallowed several times to clear my dry throat. I hoped I had found the correct office, as there was only a number– no nameplate to confirm who was inside.

I was about to meet my childhood hero, someone whose every book I’d read and every TV documentary I had watched. I knocked with what I hoped was the right combination of assertiveness (“I want to be here to talk with you and prove my interest”) and humility (“I hope this is a convenient time for you as I don’t want to intrude”).

I heard a soft voice on the other side say “Come in” so I slowly opened the door.

It was a bit like going through the wardrobe to enter Narnia.

Bright sunlight streamed into the dark hallway as I stepped over the threshold. Squinting, I stepped inside and quickly shut the door behind me as I realized there were at least four birds flying about the room. They were taking off and landing, hopping about feeding on bird seed on the office floor and on the window sill. The windows were flung wide open with a spring breeze rustling papers on the desk. The birds were very happy occupying the sparsely furnished room, which contained only one desk, two chairs and Dr. Jane Goodall.

She stood up and extended her hand to me, saying, quite unnecessarily, “Hello, I’m Jane” and offered me the other chair when I told her my name. She was slighter than she appeared when speaking up at a lectern, or on film. Sitting back down at her desk, she busied herself reading and marking her papers, seemingly occupied for a bit and not to be disturbed.

It was as if I was not there at all.

It was disorienting. In the middle of a bustling urban office complex containing nothing resembling plants or a natural environment, I had unexpectedly stepped into a bird sanctuary instead of sitting down for a job interview. I wasn’t sure what I was supposed to do or say. Jane didn’t really ever look directly at me, yet I was clearly being observed.

So I waited, watching the birds making themselves at home in her office, and slowly feeling more at home myself. I felt my tight muscles start to relax and I loosened my grip on the arms of the chair.

There was silence except for the twittering of the finches as they flew about our heads.

Then she spoke, her eyes still perusing papers:
“It really is the only way I can tolerate being here for any length of time. They keep me company. But don’t tell anyone; the people here at the medical center would think this is rather unsanitary.”

I said the only thing I could think of:
“I think it is magical. It reminds me of home.”

Only then did she look at me.
“Now tell me why you’d like to come work at Gombe…”

The next day I received a note from her letting me know I was accepted for the research assistant-ship to begin a year later, once I had completed all aspects of the training.

I had proven I could sit silently and expectantly, waiting for something, or perhaps nothing at all, to happen. For a farm girl who had never before traveled outside the United States, I had stepped through the wardrobe into Jane’s amazing world, about to embark on an adventure far beyond the barnyard.

(This essay was published in The Jane Effect in 2015 in honor of Jane’s 80th birthday)

giving Jane a hug, courtesy of WWU Communications
45 years since we met in her Stanford office full of wild birds

True to Jane’s tradition of impeccable graciousness, she sent me a hand-written note after her last visit in 2018 when she came to speak at Western Washington University in Bellingham.

I recommend the documentary “Jane” as the best review of Jane’s Gombe work. The Jane Goodall Institute will continue her legacy for decades to come.

The Reason for October


I have been younger in October
than in all the months of spring
walnut and may leaves the color
of shoulders at the end of summer
a month that has been to the mountain
and become light there
the long grass lies pointing uphill
even in death for a reason
that none of us knows
and the wren laughs in the early shade now
come again shining glance in your good time
naked air late morning
my love is for lightness
of touch foot feather
the day is yet one more yellow leaf
and without turning I kiss the light
by an old well on the last of the month
gathering wild rose hips
in the sun

~W.S. Merwin from “The Love of October” from Migration: New & Selected Poems, 2005

Each leaf is beautifully unique,
one of a kind, each shaped and hued differently —
except those more tattered than others,
bespeaking the harshness of
their short existence when
all life surrounding them
seems at risk of being destroyed.

At the end of their allotted life span
they return to the earth from which they came.
And the Creator-God is pleased.
His creations have served the purpose

for which He created them.
Now, they will enrich the soil,
each leaving its own special contribution
toward the next generation

where differences no longer matter.
The unseen birthing and dying mystery continues….
~Alice La Chapelle, in a comment

The wind gusts through shedding branches
stripping them bare,
carrying the leaves
far away, piling up a diverse gathering
they have never known before –
chestnut, cherry, birch, walnut, apple, katsura,
maple, parrotia, pear, oak, poplar, dogwood –
suddenly all sharing the same fate and grave,
each wearing a color of its own,
soon to blend with the others
as all slowly melt to brown.

There is lightness in the letting go,
for reasons none of us knows.

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A Thing or Two

My father always knew the secret
name of everything—
stove bolt and wing nut,
set screw and rasp, ratchet
wrench, band saw, and ball—
peen hammer. He was my
tour guide and translator
through that foreign country
with its short-tempered natives
in their crewcuts and tattoos,
who suffered my incompetence
with gruffness and disgust.
Pay attention, he would say,
and you’ll learn a thing or two.


Now it’s forty years later,
and I’m packing up his tools
(If you know the proper
names of things you’re never
at a loss)
 tongue-tied, incompetent,
my hands and heart full
of doohickeys and widgets,
whatchamacallits, thingamabobs.

~Ronald Wallace “Hardware” from Time’s Fancy

“Hold on,” she said, “I’ll just run out and get him.
The weather here’s so good, he took the chance
To do a bit of weeding.”


So I saw him
Down on his hands and knees beside the leek rig,
Touching, inspecting, separating one
Stalk from the other, gently pulling up
Everything not tapered, frail and leafless,
Pleased to feel each little weed-root break,
But rueful also . . . 


Then found myself listening to
The amplified grave ticking of hall clocks
Where the phone lay unattended in a calm
Of mirror glass and sunstruck pendulums . . . 


And found myself then thinking: if it were nowadays,
This is how Death would summon
Everyman.

Next thing he spoke and I nearly said I loved him.
~Seamus Heaney “A Call” from ‘Poems That Make Grown Men Cry’

Between my finger and my thumb   
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound   
When the spade sinks into gravelly ground: 
  

My father, digging. I look down
By God, the old man could handle a spade.
   

Just like his old man.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

~Seamus Heaney from “Digging” from Death of a Naturalist

My father was a complex man. As I’ve aged, I understand better where my own complicated nature comes from.

As inscrutable as he could be, there were things I absolutely understood about him:

he was a man of action
– he never just sat, never took a nap, never wasted a day of his life without accomplishing something tangible.

he was a man of the soil
– he plowed and harrowed and sowed and fertilized and weeded and cut brush and harvested

he was a man of inventiveness
– he figured out a better way, he transformed tools and buildings, he started from scratch and built the impossible

he didn’t explain himself
– and never felt the need to.

Time keeps ticking on without him here, now 30 years since he took his last breath as the clock pendulum swung back and forth in his bedroom. He was taken too young for all the projects he still had in mind.

He handed off a few to me.
Some I have done.
Some still wait, I’m not sure why.

My regret is not understanding how much he needed to hear how loved he was. He seemed fine without it being said.

But he wasn’t fine. And neither was I.

I wish I had said it when I had the chance.
I guess I am digging it out from the soil of my heart now.

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As Leaf Subsides to Leaf

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf,
So Eden sank to grief,
So dawn goes down to day
Nothing gold can stay.
~Robert Frost “Nothing Gold Can Stay”

Stay gold, Ponyboy, stay gold.
~S.E. Hinton from The Outsiders

Man’s innocence was lost
the moment we chose
knowledge over obedience.

The gold in our creation
sinks to grief as
we continue to make the same mistakes
again and again;

each dawn reenacts our beginnings
as leaf subsides to leaf
and each winter our endings.

Our only salvage is rescue
borne of selflessness,
an obedience beyond imagining.

Christ stays gold for us;
we rise illuminated like dawn.

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In the Light-Charged Air

When I saw the figure on the crown of the hill,
high above the city, standing perfectly still


against a sky so saturated with the late-
afternoon, late-summer Pacific light


that granules of it seemed to have come out
of solution, like a fine precipitate


of crystals hanging in the brightened air,
I thought whoever it was standing up there


must be experiencing some heightened state
of being, or thinking—or its opposite,


thoughtlessly enraptured by the view.
Or maybe, looking again, it was a statue


of Jesus or a saint, placed there to bestow
a ceaseless blessing on the city below.


Only after a good five minutes did I see
that the figure was actually a tree—


some kind of cypress, probably, or cedar.
I was both amused and let down by my error.


Not only had I made the tree a person,
but I’d also given it a vision,


which seemed to linger in the light-charged air
around the tree’s green flame, then disappear.

~Jeffrey Harrison “The Figure on the Hill” from Into Daylight

Who was it who suggested that the opposite of war
Is not so much peace as civilisation? He knew
Our assassinated Catholic greengrocer who died
At Christmas in the arms of our Methodist minister,
And our ice-cream man whose continuing requiem
Is the twenty-one flavours children have by heart.
Our cobbler mends shoes for everybody; our butcher
Blends into his best sausages leeks, garlic, honey;
Our cornershop sells everything from bread to kindling.
Who can bring peace to people who are not civilised?
All of these people, alive or dead, are civilised.

~Michael Longley “All of These People”  from Collected Poems

Who among us appear
in the light-charged air,
visible on the crown of the hill of life –
who might be mistaken
for a martyr or a saint or a visionary,
when each one of us is
merely a person
responsible to a family,
committed to help friends,
dedicated to serve a community,
placed in this world to steady a broken civilization.

There is the simple truth that we need a person
with roots deep in the ground,
branches that reach up and out,
bearing fruit to share with those around us.

But surely not
this misery, not this blight, not this trouble,
certainly not these murders,
which only bears and shares
a heart-rending, horrible grief.

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No Stomach For It…

The thing is
to love life, to love it even
when you have no stomach for it
and everything you’ve held dear
crumbles like burnt paper in your hands,
your throat filled with the silt of it.
When grief sits with you, its tropical heat
thickening the air, heavy as water
more fit for gills than lungs;
when grief weights you like your own flesh
only more of it, an obesity of grief,
you think, How can a body withstand this?
Then you hold life like a face
between your palms, a plain face,
no charming smile, no violet eyes,
and you say, yes, I will take you
I will love you, again.
~Ellen Bass, “The Thing Is” from Mules of Love

...everything here
seems to need us
—Rainer Maria Rilke

It’s a hard time to be human. We know too much
and too little. Does the breeze need us?
If you’ve managed to do one good thing,
the ocean doesn’t care.
But when Newton’s apple fell toward the earth,
the earth, ever so slightly, fell
toward the apple.

~Ellen Bass from “The World Has Need of You” from Like a Beggar

Fallen leaves will climb back into trees.
Shards of the shattered vase will rise
and reassemble on the table.
Plastic raincoats will refold
into their flat envelopes. The egg,
bald yolk and its transparent halo,
slide back in the thin, calcium shell.
Curses will pour back into mouths,
letters un-write themselves, words
siphoned up into the pen. My gray hair
will darken and become the feathers
of a black swan. Bullets will snap
back into their chambers, the powder
tamped tight in brass casings. Borders
will disappear from maps. Rust
revert to oxygen and time. The fire
return to the log, the log to the tree,
the white root curled up
in the un-split seed. Birdsong will fly
into the lark’s lungs, answers
become questions again.
When you return, sweaters will unravel
and wool grow on the sheep.
Rock will go home to mountain, gold
to vein. Wine crushed into the grape,
oil pressed into the olive. Silk reeled in
to the spider’s belly. Night moths
tucked close into cocoons, ink drained
from the indigo tattoo. Diamonds
will be returned to coal, coal
to rotting ferns, rain to clouds, light
to stars sucked back and back
into one timeless point, the way it was
before the world was born,
that fresh, that whole, nothing
broken, nothing torn apart.

~Ellen Bass “When You Return” from Like a Beggar

There is so much grief these days
so much anger,
so much loss of life,
so much weeping.

How can we withstand this?
How can we know, now,
when we are barely able to breathe
that we might know – at some point –
we might have the stomach to love life again?

This time of year, no matter which way I turn,  autumn’s kaleidoscope displays new patterns, new colors, new empty spaces as I watch the world die into itself once again. 

Some dying is flashy, brilliant, blazing – a calling out for attention. Then there is the hidden dying that happens without anyone taking notice: just a plain, tired, rusting away letting go.

I spent this morning adjusting to the change in season by occupying myself with the familiar task of moving manure. Cleaning barn is a comforting chore, allowing me to transform tangible benefit from something objectionable and just plain stinky to the nurturing fertilizer of the future.

It feels like I’ve actually accomplished something.

As I scoop and push the wheelbarrow, I recalled another barn cleaning 24 years ago, just days before the world changed on 9/11/01.

I was one of three or four friends left cleaning over ninety stalls after a Haflinger horse event that I had organized at our local fairgrounds. Some people had brought their horses from over 1000 miles away to participate for several days, including a Haflinger parade through our town on a quiet Sunday morning.

There had been personality clashes and harsh words among some participants along with criticism directed at me as the organizer that I had taken very personally. As I struggled with the umpteenth wheelbarrow load of manure, tears stung my eyes and my heart. 

I was miserable with regret, feeling my work had been futile and unappreciated.

One friend had stayed behind with her young family to help clean up the large facility and she could see I was struggling to keep my composure. Jenny put herself right in front of my wheelbarrow and looked me in the eye, insisting I stop for a moment and listen:

“You know,  none of these troubles and conflicts will amount to a hill of beans years from now. People will remember a fun event in a beautiful part of the country, a wonderful time with their Haflingers, their friends and family, and they’ll be all nostalgic about it, not giving a thought to the infighting or the sour attitudes or who said what to whom. So don’t make this about you and whether you did or didn’t make everyone happy. You loved us all enough to make it possible to meet here and the rest was up to us. So quit being upset about what you can’t change. There’s too much you can still do for us.”

Jenny had no idea how wise her words were, even two days later, on 9/11.

During tough times since (and there have been plenty), Jenny’s advice replays, reminding me to cease seeking appreciation from others or feeling hurt when harsh words come my way. 

She was right about the balm found in the tincture of time. She was right about giving up the upset in order to die to self and self absorption, and instead to focus outward.

I have remembered.

Jenny herself did not know that day she would subsequently spend six years dying while still loving life every day, fighting a relentless cancer that was only slowed in the face of her faith and intense drive to live.

She became a rusting leaf gone holy, fading imperceptibly over time, crumbling at the edges until she finally had to let go. Her dying did not flash brilliance, nor draw attention at the end. Her intense focus during the years of her illness had always been outward to others, to her family and friends, to the healers she spent so much time with in medical offices, to her firm belief in the plan God had written for her and those who loved her.

So Jenny let go her hold on life here. And we reluctantly let her go.   Brilliance cloaks her as her focus is now on things eternal.

You were so right, Jenny. The hard feelings from a quarter century ago don’t amount to a hill of beans now. The words you spoke to me that day taught me to love life even when I have no stomach for it.

All of us did have a great time together a few days before the world changed. And manure transforms over time to rich, nurturing compost.

I promise I am no longer upset that I can’t change what is past nor the fact that you and so many others have now left us.

But we’ll catch up later.

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In My Own Voice

After nourishment, shelter and companionship,
stories are the thing we need most in the world.
Philip Pullman

You’re going to feel like hell if you wake up someday and you never wrote the stuff that is tugging on the sleeves of your heart: your stories, memories, visions, and songs–your truth, your version of things–in your own voice. That’s really all you have to offer us, and that’s also why you were born.
~Anne Lamott in a TED Talk

Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients.
That is, after all, the case.
~Annie Dillard from “Write Till You Drop”

I began to write after September 11, 2001 because that day it became obvious to me I too was dying, albeit more slowly than the thousands who vanished that day in fire and ash, their voices obliterated with their bodies. 

So, nearly each day since, while I still have voice and a new dawn to greet, I speak through my fingers and my camera lens to others dying around me.

We are, after all, terminal patients, some more imminent than others, some of us more prepared to move on, as if our readiness had anything to do with the timing.

Each day I too get a little closer, so I write in my own voice and share photos of my world as a way to hang on a while longer, yet with a loosening grasp. Each day I must detach just a little bit, leaving a small trace of my voice and myself behind. 

Eventually, through unmerited grace, so much of me will be left on the page there won’t be anything or anyone left to do the typing.

There is no moment or picture or word to waste.

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Calling from the Wind Phone

The pain I feel now is the happiness I had before. That’s the deal.
~C.S. Lewis
from A Grief Observed

the rubble still piled on the beach at Tohoku, Japan, a year after the 3/11/11 tsunami

In the wrecked landscape
of Fukushima

a white telephone booth
shines

with many panes of glass
in the hinged door

and a man steps in
dials the cell number

of his wife’s phone,
of course unanswering—

she was swept away
in the tsunami,

a photo in the paper
shows her sitting outside

on a blanket, knees
up, rocking back in laughter.

I pick up the black
receiver, still warm

from his hand, dialing
my sister’s number I used

to know by heart.
No answer from the sea

or her, just the whirling sound
of blood pounding in my ear.
~Patricia Clark “The Wind Phone”

photo by Nate Gibson at Sendai, Japan
photo by Nate Gibson 11/11
photo by Nate Gibson 11/11
photo by Nate Gibson of Sendai rubble pile 11/11

My life closed twice before its close;
It yet remains to see
If immortality unveil
A third event to me

So huge, so hopeless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.

~Emily Dickinson “Parting”

Original windphone is Otsuchi Garden, Japan

In 2012, we stayed with our friends Brian and Bette at their cabin on a bluff just above the Pacific Ocean at Sendai, Japan, just a few dozen feet above the devastation that wiped out an entire fishing village below during the 3/11/11 earthquake and tsunami.

As we walked that stretch of beach, we heard the stories of the people who had lived there, some of whom did not survive the waves that swept their houses and cars away before they could escape. We walked past the footprints of foundations of hundreds of demolished homes, humbled by the rubble mountains yet to be hauled away a year later, to be burned or buried. There were acres of wrecked vehicles piled one on another, waiting to become scrap metal.

It was visual evidence of life so suddenly and dramatically disrupted and carried away.

This had been a place of recreation and respite for some who visited regularly, commerce and livelihood for others who stayed year round and, in ongoing recovery efforts, struggling to be restored to something familiar. Yet it looked like a foreign ghostly landscape. Many trees perished, lost, broken off, fish nets still stuck high on their scarred trunks. There were small memorials to lost family members within some home foundations, with stuffed animals and flowers wilting from the recent anniversary observance.

Tohoku is a powerful place of memories for those who still live there and know what it once was, how it once looked and felt, and painfully, what it became in a matter of minutes on 3/11/11. The waves swept in inexplicable suffering, then carried their former lives away. Happiness gave ground to such terrible pain that could never have hurt as much without the joy and contentment that preceded it.

We are tempted to ask God why He doesn’t do something about the suffering that happened in this place or anywhere a disaster occurs –but if we do, He will ask us the same question right back. We need to be ready with our answer and our action.

God knows suffering. Far more than we do. He took it all on Himself, feeling His pain amplified, as it was borne out of His love and joy in His creation.

This beautiful place, and its dedicated survivors have slowly recovered, but the inner and outer landscape is forever altered. What remains the same is the pulsing tempo of the waves, the tides, and the rhythm of the light and the night, happening just as originally created.

With that realization, pain will finally give way, unable to stand up to His love, His joy, and our response to His sacrifice.

We can call Him up anytime and anywhere.

bent gate at Sendai beach -2012
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If You Have Wings…

It’s not like losing a child
where you just sit there
and the child just sits there
but you’re the only one
doing the talking.
It’s more like a placenta
out of sticks and mud
in the driveway,
a former home where
something was born
and left, or maybe was
born and never got to
leave or was swept
away by the wind
that came through
here last night, maybe
more like having a house
burn to the ground,
no big deal if you have
wings to take you
somewhere else.
~Casey Killingsworth “A Nest Blew Down” from Freak Show

Every one of us knows loss.
At times, lost things are replaceable;
most are not.

When what we love is swept away,
so are we.
Who we were is no longer who we become
in that instant of loss.

All things change;
we become strangers in a new land,
toppled over, empty, and gasping.

Wings won’t carry us away from ourselves.
No matter where our wings take us,
we depend on a God who refills
our hollowed-out hearts.

AI image created for this post
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The Healing Crack in the Coil

Needing them still, I come
when I can, this time to the sea
where we share a room: their double bed,
my single. Morning fog paints the pale
scene even paler. Lace curtains breathing,
the chenille spread folded back,
my father’s feet white sails furled
at the edge of blue pajamas.
Every child’s dream, a parent
in each hand, though this child is fifty.
Their bodies fit easily, with room
to spare. When did they grow
so small? Grow so small—
as if it were possible to swell
backwards into an earlier self.


One more year, I ask the silence.
Last night to launch myself
into sleep I counted their breaths, the tidal
rise and fall I now put my ear to,
the coiled shell of their lives.
~Rebecca McClanahan from “Watching my Parents Sleeping Beside an Open Window Near the Sea” from Deep Light: New and Selected Poems.

“Her Room” by Andrew Wyeth in the Farnsworth Art Museum

My parents have been gone now for some time, my father 30 years, my mother, nearly 17 years. Their dying was a long process of counted breaths and pauses. I witnessed their bodies curling into themselves, shrinking smaller, worn down by illness and age.

I still miss them as I’m reminded of them by the events of my own life, still wanting them to take me by the hand as I navigate my own daily path.

After mom’s death, those possessions not distributed to family members have remained packed up and stored in our barn buildings. I know it is well past time to deal with their stuff as I become keenly aware of my own graying and aging.

In the house, next to where I write, is a box of over 500 letters written by my mother and father between 1941 and 1945. The letters began as they were getting to know each other at college, going from “pinned” to “engaged” and continue for three and a half more years after a hurried wedding Christmas Eve 1942. By mid-January 1943, my newly minted Marine officer father shipped out to spend the next three years of his life fighting on the battlefields of Saipan, Tinian and Tarawa in the Pacific Ocean, not to return again to the states until late summer of 1945.

My mother wrote her letters from the small rural eastern Washington community of Colville, living in a “teachers’ cottage” with other war wives who taught school while waiting for their husbands to return home – or not.

It took me a decade to find the courage and time to devote to reading these letters they treasured and never threw away. I sorted them unopened by postmark date into some semblance of order and sat down to start at the very beginning, which, of course, is my beginning as well. I opened each one with some trepidation and a lump in my throat about what I might find written there. I worried I may find things I didn’t want to know. I hoped I would find things that I desperately needed to know.

Most of all I wanted to understand the two people who became my parents within the coiled shell of their forty years together, though broken by a painful divorce which lasted a decade. Having lived through that awful time with them, I want to understand the origin of a love which eventually mended their cracked shell of companionship, gluing them back together for five more years before my father died.

As I ponder their words, I too cross a bridge back to them both, my ear pressed to the coiled shell of those fading voices, as if I might still hear the sea, at times bringing them closer, then pulling them farther away.

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