Category: Grief

Wondering Where Life Has Gone

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For to come upon warblers in early May was to forget time and death.—Theodore Roethke

Every poem of death        
should start
with my mother’s love        
for birds.
Finches and waxwings        
her favorites,
though she wasn’t        
one to quibble;
an eagle dragging a carp        
across the sky
would do.

There are worse things        
than being dead.
You might be swallowed   
by the daily minutia
of the great mundane,        
to be spit up
years later        
wondering where
your life has gone.

But loving something        
can save you:
the way finches        
stack a feeder,
meddle in each other’s        
business until
a woodpecker crashes in,       
littering surrounding
shrubs with wings.

Last summer my wife        
found a hummingbird
on Mount Pisgah.        
Its emerald wings trembled
as its feet tried to grasp        
her fingers.
A ranger said        
that their lives
are so short anyway.        
What a curious reply,
I thought, but later        
reconsidered.
Perhaps any time       
 being a hummingbird
is enough.
~Bill Brown “With the Help of Birds”

photo by Josh Scholten
photo by Josh Scholten

That long-ago morning at Ruth’s farm
when I hid in the wisteria
and watched hummingbirds. I thought
the ruby or gold that gleamed on their throats
was the honeyed blood of flowers.
They would stick their piercing beaks
into a crown of petals until their heads
disappeared. The blossoms blurred into wings,
and the breathing I heard
was the thin, moving stems of wisteria.
That night, my face pressed against the window,
I looked out into the dark
where the moon drowned in the willows
by the pond. My heart, bloodstone,
turned. That long night, the farm,
those jeweled birds, all these gone years.
The horses standing quiet and huge
in the moon-crossing blackness.
~Joseph Stroud “First Song”

Birds are everywhere this time of year – I keep my phone handy with the Merlin App open from Cornell Lab, so I know who I’m hearing.
From the robins and sparrows, to warblers and thrushes, along with the chittering bald eagles nesting by the pond across the road, it is quite a symphony to witness in the early morning and at sunset.

The app even tries to identify a woodpecker’s rapping and a hummingbird’s buzz.

There was a time not long ago when I was too busy with daily details to pay much attention to the awesome variety of creatures around me.

Once it hit me what I was missing, I started watching, listening and being part of all this life rather than wondering too late where life had gone.

How sobering one day to find a hummingbird dead in the dirt,
once a dear little bird of motor and constant motion,
lying stilled and silenced
as if simply dropped from the sky,
a wee bit of fluff and stardust.

Then a friend pointed out a hummingbird nest high in a tree.
And so it is the way of things…

We are here and gone.
Beauty hatched, grown and flown, then grounded.
…but not forgotten.

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Feeling Them Resting There

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The sunlight now lay over the valley perfectly still.
I went over to the graveyard beside the church
and found them under the old cedars…
I am finding it a little hard to say that I felt them resting there,
but I did…

I saw that, for me, this country would always be populated
with presences and absences,
presences of absences,
the living and the dead.
The world as it is
would always be a reminder
of the world that was,
and of the world that is to come.
~Wendell Berry in Jayber Crow

In great deeds, something abides. 
On great fields, something stays. 
Forms change and pass; bodies disappear; 
but spirits linger, 
to consecrate ground for the vision-place of souls. 

And reverent men and women from afar, 
and generations that know us not and that we know not of, 
heart-drawn to see where and by whom great things were suffered and done for them, shall come to this deathless field, 
to ponder and dream; and lo!
the shadow of a mighty presence shall wrap them in its bosom, 
and the power of the vision pass into their souls. 

This is the great reward of service. 
To live, far out and on, in the life of others;
this is the mystery of the Christ,
–to give life’s best for such high sake
that it shall be found again unto life eternal.
~Major-General Joshua Chamberlain, Gettysburg, Pennsylvania 1889

A box of over 700 letters, exchanged between my parents from late 1941 to mid-1945, sat unopened for six decades.

I started reading. I felt them resting in those inked words.

My parents barely knew each other before marrying quickly on Christmas Eve 1942 – the haste due to the uncertain future for a newly trained Second Lieutenant in the Marine Corps. They only had a few weeks together before she returned home to her rural teaching position and he readied himself to be shipped out for the island battles to come.

They had no idea they would not see each other for another 30+ months or even see each other again at all. They had no idea their marriage would fall apart 35 years later and they would reunite a decade after the divorce for five more years together before Dad died of cancer at age 73.

A presence of absence: the letters do contain the long-gone but still-familiar voices of my parents, but they are the words and worries of youngsters of 20 and 21, barely prepared for the horrors to come from war and interminable waiting. When he was fighting battles on Tarawa, Saipan, and Tinian, no letters or news would be received for a month or more, otherwise they tried to write each other daily, though with minimal news to share due to military censorship. They speak mostly of their desire for a normal life together rather than a routine centered on mailbox, pen and paper and waiting – lots and lots of waiting.

I’m not sure what I hoped to find in these letters. Perhaps I hoped for flowery romantic whisperings and the poetry of longing and loneliness. Instead I am reading plain spoken words from two people who somehow made it through those awful years to make my sister and brother and myself possible.

Our inheritance is contained in this musty box of words bereft of poetry. But decades later my heart is moved by these letters – I carefully refold them back into their envelopes and replace them gently back in order. A six cent airmail stamp – in fact hundreds and hundreds of them – was a worthwhile investment in the future, not only for themselves and their family to come, but for generations of U.S. citizens who tend to take their freedom for granted.

Thank you, Dad and Mom, for the early years together you gave up to make today possible for us and the generations to follow.

I hear the mountain birds
The sound of rivers singing
A song I’ve often heard
It flows through me now
So clear and so loud
I stand where I am
And forever I’m dreaming of home
I feel so alone, I’m dreaming of home

It’s carried in the air
The breeze of early morning
I see the land so fair
My heart opens wide
There’s sadness inside
I stand where I am
And forever I’m dreaming of home
I feel so alone, I’m dreaming of home

This is no foreign sky
I see no foreign light
But far away am I
From some peaceful land
I’m longing to stand
A hand in my hand
…forever I’m dreaming of home
I feel so alone, I’m dreaming of home
~Lori Barth and Philippe Rombi “I’m Dreaming of Home”

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More Precious than Roses

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I am not resigned to the shutting away
of loving hearts in the hard ground.
So it is, and so it will be, for so it has been, time out of mind:
Into the darkness they go, the wise and the lovely. Crowned
With lilies and with laurel they go; but I am not resigned.

Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.
A fragment of what you felt, of what you knew,
A formula, a phrase remains,—but the best is lost.

The answers quick and keen, the honest look,
the laughter, the love,—
They are gone. They are gone to feed the roses.
Elegant and curled
Is the blossom.
Fragrant is the blossom. I know.
But I do not approve. 
More precious was the light in your eyes
than all the roses in the world.

Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned.
~Edna St. Vincent Millay “Dirge Without Music”

Each Memorial Day weekend without fail,
we gather with family, have lunch, reminisce,
and trek to a cemetery high above Puget Sound
to catch up with our relatives who lie there, still.

Some for over 110 years, some for barely more than a decade,
some we knew and loved and miss every day,
others not so much as they are unknown to us
except on genealogy charts,
names and dates and stones and stories:

the red-haired great-grandmother who died too young,
the aunt who was eight when lymphoma took her,
the grandmother who dreamed of world travel too late,
the great-grandfather Yukon river boat captain,
the grandfather logger and stump farmer,
the great aunt unmarried school teacher who hid an oil well,
the two in-laws who forever lie next to each other
but could not co-exist in the same room while they lived and breathed.

Yet we know each of these
(as we know ourselves and others)

could be tender and kind, though flawed and broken,
had been beautiful and strong, though wrinkled and frail,
was hopeful and faithful, though too soon in the ground.

We know this about them
as we know it about ourselves:
someday we too will feed roses,
the light in our eyes transformed into elegant swirls
emitting the fragrant scent of heaven.

No one asks if we approve.
Nor am I resigned to this
though I know:
So it is, so it has been, so it will be for me
someday.

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Stars on the Pavement

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Holes in the shape of stars
punched in gray tin, dented,
cheap, beaten by each
of her children with a wooden spoon.

Noodle catcher, spaghetti stopper,
pouring cloudy rain into the sink,
swirling counter clockwise
down the drain, starch slime
on the backside, caught
in the piercings.

Scrubbed for sixty years, packed
and unpacked, the baby’s
helmet during the cold war,
a sinking ship in the bathtub,
little boat of holes.

Dirt scooped in with a plastic
shovel, sifted to make cakes
and castles. Wrestled
from each other’s hands,
its tin feet bent and re-bent.

Bowl daylight fell through
onto freckled faces, noon stars
on the pavement, the universe
we circled aiming jagged stones,
rung bells it caught and held.
~Dorianne Laux “My Mother’s Colander”

Many of my mother’s kitchen things, some over eighty years old, are still packed away in boxes that I haven’t had the emotional wherewithal to open. They sit waiting for me to sort and purge and save and weep.

It is as if I haven’t wanted to say goodbye after her death at age 88, now seventeen years ago.

This particular kitchen item- her old dented metal colander – found its way to me when I moved into my first apartment some 49 years ago. She had purchased a bright green plastic colander at a Tupperware party so she felt the old metal one was somehow outdated, overworked and plain, and ready for retirement.

It had held hundreds of pounds of rinsed garden vegetables during my childhood, had drained umpteen pasta noodles, had served as a sifter in our sandbox, and a helmet for many a pretend rocket launch to infinity and beyond.

Dented and battered, it still works fine, thank you very much, for all intended and some unintended purposes. It does make me wonder what other treasures may surprise me as I begin to open and sort my mother’s boxes. Her things have remained in suspended animation, waiting to be rediscovered.

I know there will be tons of tupperware, carefully saved yogurt containers with lids, and quite likely a hoard of pickle jars. As a child of the depression, she saved anything that could be potentially used again.

Perhaps these items have waited patiently to be touched lovingly and with distinct purpose as they once were, and be remembered for the part they played in one woman’s long sacrificial and faith-filled life.

Maybe, just maybe, it will feel like I’ve unpacked Mom once again and maybe this time it can be both a hello and a goodbye.

To infinity and beyond…

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An Immense, Tender, Terrible, Heart-Breaking Beauty

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And the secret garden bloomed and bloomed and every morning revealed new miracles.

In the robin’s nest there were Eggs and the robin’s mate sat upon them keeping them warm with her feathery little breast and careful wings.

….in the garden
there was nothing which was not quite like themselves,
nothing which did not understand
the wonderfulness of what was happening to them,
the immense, tender, terrible, heart-breaking beauty
and solemnity of Eggs.

If there had been one person in that garden who had not known through all his or her innermost being
that if an Egg were taken away or hurt
the whole world would whirl round and crash
through space and come to an end—

if there had been even one
who did not feel it and act accordingly
there could have been no happiness
even in that golden springtime air.

But they all knew it and felt it
and the robin and his mate knew they knew it.
~Frances Hodgson Burnett from The Secret Garden

Some say you’re lucky
If nothing shatters it.

But then you wouldn’t
Understand poems or songs.
You’d never know
Beauty comes from loss.

It’s deep inside every person:
A tear tinier
Than a pearl or thorn.

It’s one of the places
Where the beloved is born.
~Gregory Orr “Some Say You’re Lucky” from Concerning the Book That Is the Body of the Beloved

We all start out in the secret garden of a fallopian tube
as an egg pierced to become so much more…
–  each tiny part of the least of us  –
– whether brain, heart, lungs or liver –
wonderfully made,
even if discarded
or fallen from the nest.

The act of creation of something so sacred
is immense, tender, terrible, beautiful, heart-breaking,
and so very solemn and joyful.

The act of harming one tiny part of creation
hurts the whole world;
we risk whirling round and crashing through space
and coming to an end.

If there is even one who does not feel it and act accordingly,
there can be no happiness.

But they all knew it and felt it and they knew they knew it.

And what is born broken is beloved nevertheless.

photo by Josh Scholten
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Burned Up With Beauty

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i was talking to a moth
the other evening
he was trying to break into
an electric light bulb
and fry himself on the wires

why do you fellows
pull this stunt i asked him
because it is the conventional
thing for moths or why
if that had been an uncovered
candle instead of an electric
light bulb you would
now be a small unsightly cinder
have you no sense

plenty of it he answered
but at times we get tired
of using it
we get bored with the routine
and crave beauty
and excitement
fire is beautiful
and we know that if we get
too close it will kill us
but what does that matter
it is better to be happy
for a moment
and be burned up with beauty
than to live a long time
and be bored all the while
so we wad all our life up
into one little roll
and then we shoot the roll
that is what life is for
it is better to be a part of beauty
for one instant and then cease to
exist than to exist forever
and never be a part of beauty
our attitude toward life
is come easy go easy
we are like human beings
used to be before they became
too civilized to enjoy themselves

and before i could argue him
out of his philosophy
he went and immolated himself
on a patent cigar lighter
i do not agree with him
myself i would rather have
half the happiness and twice
the longevity
but at the same time i wish
there was something i wanted
as badly as he wanted to fry himself

archy (the cockroach)

~Don Marquis “The Lesson of the Moth”

One night a moth flew into the candle, was caught, burned dry, and held. I must have been staring at the candle, or maybe I looked up when a shadow crossed my page; at any rate, I saw it all…

Her moving wings ignited like tissue paper…

And then this moth essence, this spectacular skeleton, began to act as a wick. She kept burning. The wax rose in the moth’s body from her soaking abdomen to her thorax to the jagged hole where her head should be, and widened into flame, a saffron-yellow flame that robed her to the ground like any immolating monk. That candle had two wicks, two flames of identical height, side by side. The moth’s head was fire. She burned for two hours, until I blew her out.
~Annie Dillard from “The Death of the Moth” from Holy the Firm

The struggle was over.

The insignificant little creature now knew death. As I looked at the dead moth, this minute wayside triumph of so great a force over so mean an antagonist filled me with wonder. Just as life had been strange a few minutes before, so death was now as strange.

The moth having righted himself now lay most decently and uncomplainingly composed. O yes, he seemed to say, death is stronger than I am.
~Virginia Woolf from “The Death of a Moth”

I too would take half the happiness and twice the longevity over one moment of ecstasy.

But I admire the blind passion of a tiny creature who will beat itself senseless on a light bulb, or fly into a flame to become cinders, or struggle so hard to live upright rather than upside down, that it dies in the struggle.

Why are famous poets and essayists fascinated by the tiny deaths they witness on their front porches, in their kitchens or at their writing desk?

Death is never tiny at all.
Nevertheless, death is ceasing to be,
after a unique and intentional creation,
whether a moth, a mother, or ourselves.

We live today. Look for a moment of beauty to enjoy.
Let’s be sensible about what we want so badly.
As one tiny part of matter, we matter.
And when we die, it is never a tiny death.

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Lyrics:
A day may come that asks of us all we have to give:
a day we never would have sought and yet we have to live.
If it should be our destiny to live in such a day,
let our faith and love be worthy of the ones who showed the way.
The ones we now call heroes
The ones we say their memory will not die –
they were no different in their day than you or I.
They were no different in their day. than you or I.
~Grahame Davies

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Merging with the Shadows

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For Nanda Devi Unsoeld: 1954–1976

Before the second summit party began the ascent
of the princess of mountains, an ominous black cloud
settled slowly around the summit block, persuading
us to take a rest day, but morale was good.
The next day at seven in the evening, my daughter
Devi was on her last pitch, and it took her until
midnight to haul up over the final lip. A long day.

Two days later, a blizzard kept us in our tents, but
the next morning, Devi was stricken, saying calmly,
“She is calling me. I am going to die,” before
she fell into unconsciousness.
I tried to revive her, mouth-to-mouth,
but felt her lips grow cold against mine.
We had lost her. My daughter was gone.
I and the other climbers wept.

Her fiancé Andy and I bundled her in her sleeping
bag and slipped her off the precipice of the North-
East face. I said we had committed her to the deep.
She had been the driving force behind this expedition,
as she was inexorably drawn to her namesake.
The Bliss-Giving Goddess had claimed her own.
An excerpt from her last diary is inscribed
on a stone placed in a high-altitude meadow of Patai:

“I stand on a windswept ridge at night with the stars
bright above and I am no longer alone but I waver
and merge with all the shadows that surround me.
I am part of the whole and I am content.”
~Eleanor Swanson, Last Light on the West Face of Nanda Devi from Non Finito

Nanda Devi peak, courtesy of Stanford Alpine Club

The ripple effect from Nanda Devi Unsoeld’s arrival as a new junior in Olympia High School in 1970 reached me within minutes, as I felt the impact of her presence on campus immediately. One of my friends elbowed me, pointing out a new girl being escorted down the hall by the assistant principal. Students stared at the wake she left behind: Devi had wildly flowing wavy long blonde hair, a friendly smile and bold curious eyes greeting everyone she met.

From the neck up, she fit right in with the standard appearance at the time: as the younger sisters of the 60’s generation of free thinking flower children, we tried to emulate them in our dress and style, going braless and choosing bright colors and usually skirts that were too short and tight. There was the pretense we didn’t really care how we looked, but of course we did care very much, with hours spent daily preparing the “casual carefree” look that would perfectly express our freedom from fashion trends amid our feminist longings.

Practicing careful nonconformity perfectly fit our peers’ expectations and aggravated our parents.

But Devi never looked like she cared what anyone else thought of her.  The high school girls honestly weren’t sure what to make of her, speculating together whether she was “for real” and viewed her somewhat suspiciously, as if she was putting on an act.

The high school boys were mesmerized.

She preferred baggy torn khaki shorts or peasant skirts with uneven hems, loose fitting faded T shirts and ripped tennis shoes without shoelaces. Her bare legs were covered with long blonde hair, as were her armpits which she showed off while wearing tank tops. She pulled whole cucumbers from her backpack in class and ate them like cobs of corn, rind and all. She smelled like she had been camping without a shower for three days, but then riding her bike to school from her home 11 miles away in all kinds of weather accounted for that. One memorable day she arrived a bit late to school, pushing her bike through 6 inches of snow in soaking tennis shoes, wearing her usual broad smile of satisfaction.

As a daughter of two Peace Corps workers who had just moved back to the U.S. after years of service in Nepal, Devi had lived very little of her life in the United States. Her father Willi Unsoeld, one of the first American climbers to reach the summit of Mt. Everest up the difficult west face, had recently accepted a professorship in comparative religion at new local Evergreen College. He moved his wife and family back to the northwest to be near his beloved snowy peaks, suddenly immersing four children in an affluent culture that seemed foreign and wasteful.

Devi recycled before there was a word for it simply by never buying anything new and never throwing anything useful away, involved herself in social justice issues before anyone had coined the phrase, and was an activist behind the scenes more often than a leader, facilitating and encouraging others to speak out at anti-war rallies, organizing sit-ins for world hunger and volunteering in the local soup kitchen. She mentored adolescent peers to get beyond their self-consciousness and self-absorption to explore the world beyond the security of high school walls.

Regretfully, few of us followed her lead. We preferred the relative security and camaraderie of hanging out at the local drive-in to taking a shift at the local 24-hour crisis line. We showed up for our graduation ceremony in caps and gowns while the rumor was that Devi stood at the top of Mt. Rainier with her father that day.

I never saw Devi after high school but heard of her plans in 1976 to climb with an expedition to the summit of Nanda Devi, the peak in India for which she was named. She never returned, dying in her father’s arms as she suffered severe abdominal pain and irreversible high altitude sickness just below the summit. She lies forever buried in the ice on that faraway peak in India. 

Her father died in an avalanche only a few years later, as he led an expedition of Evergreen students on a climb on Mt. Rainier, only 60 miles from home. Her mother, Jolene, later served in Congress from our district in Washington state.

Had Devi lived these last 50 years, I have no doubt she would have led our generation with her combination of charismatic boldness and excitement about each day’s new adventure. She lived without pretense, without hiding behind a mask of fad and fashion and conformity and without any desire for wealth or comfort.

I wish I had learned what she had to teach me when she sat beside me in class, encouraging me by her example to become someone more than the dictates of societal expectations. I secretly admired the freedom she embodied in not being concerned in the least about fitting in. Instead, I still mourn her loss all these years later, having to be content with the legacy she has now left behind on a snowy mountain peak that called her by name.

Mt. Shuksan, Washington state
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Where You Go, I Will Go: The In-Between

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Here at the centre everything is still
Before the stir and movement of our grief
Which bears it’s pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.
~Malcolm Guite “Station XIV of the Cross”

The Holy Saturday of our life must be the preparation for Easter,
the persistent hope for the final glory of God.
The virtue of our daily life is the hope which does what is possible
and expects God to do the impossible.
To express it somewhat paradoxically, but nevertheless seriously:
the worst has actually already happened;
we exist, and even death cannot deprive us of this.
Now is the Holy Saturday of our ordinary life,
but there will also be Easter, our true and eternal life.
~Karl Rahner “Holy Saturday” in The Great Church Year

I said to my mind, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love
For love would be love of the wrong thing; yet there is faith
But the faith and the hope and the love are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be light, and the stillness the dancing.
~T. S. Eliot, from “East Coker”  The Four Quartets

The happy ending has never been easy to believe in.
After the Crucifixion the defeated little band of disciples
had no hope, no expectation of Resurrection.
Everything they believed in had died on the cross with Jesus.
The world was right, and they had been wrong.
Even when the women told the disciples
that Jesus had left the stone-sealed tomb,
the disciples found it nearly impossible to believe
that it was not all over.
The truth was, it was just beginning.
Madeleine L’Engle from “Waiting for Judas” in Plough Magazine

This in-between day
after all had gone so wrong:
the rejection, the denials,
the trumped-up charges,
the beatings, the burden,
the jeering, the thorns,
the nails, the thirst,
the despair of being forsaken.

This in-between day
before all will go so right:
the forgiveness and compassion,
the grace and sacrifice,
the debt paid in full,
the immovable stone rolled away,
our name on His lips,
our hearts burning
to hear His words.

What does it take to move the stone?
When it is an effort to till the untillable,
creating a place where simple seed
can drop, be covered and sprout and thrive,
it takes muscle and sweat and blisters and tears.

What does it take to move the stone?
When it is a day when no one will speak out of fear,
the silent will be moved to cry out
the truth, heard and known and never forgotten.

What does it take to move the stone?
When it is a day when all had given up,
gone behind locked doors in grief.

When two came to tend the dead,
there would be no dead to tend.

Only a gaping hole left
Only an empty tomb
Only a weeping weary silence
broken by Love calling our name
and we turn to greet Him
as if hearing it for the first time.

We cannot imagine what is to come
in the dawn tomorrow as
the stone lifted and rolled,
giving way so our separation is bridged,
darkness overwhelmed by light,
the crushed and broken rising to dance,
and inexplicably,
from the waiting stillness He stirs
and we, finding death emptied,
greet Him with trembling
and are forever moved,
just like the stone.

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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Where You Go, I Will Go: Beaten to Death by the Whole World

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frost125143

My God, my God, why have you forsaken me?
    Why are you so far from saving me,
    so far from my cries of anguish?
2 My God, I cry out by day, but you do not answer,
    by night, but I find no rest.

I am poured out like water,
    and all my bones are out of joint.
My heart has turned to wax;
    it has melted within me.
15 My mouth is dried up like a potsherd,
    and my tongue sticks to the roof of my mouth;
    you lay me in the dust of death.

16 Dogs surround me,
    a pack of villains encircles me;
    they pierce my hands and my feet.
17 All my bones are on display;
    people stare and gloat over me.
18 They divide my clothes among them
    and cast lots for my garment.

19 But you, Lord, do not be far from me.
    You are my strength; come quickly to help me.
~Psalm 22: 1-2, 14-19


  his appearance was so disfigured beyond that of any human being
    and his form marred beyond human likeness—
 so he will sprinkle many nations,
    and kings will shut their mouths because of him.
For what they were not told, they will see,
    and what they have not heard, they will understand.
Isaiah 52: 13-15

When I was wounded
whether by God, the devil, or myself
—I don’t know yet which—
it was seeing the sparrows again
and clumps of clover, after three days,
that told me I hadn’t died.
When I was young,
all it took were those sparrows,
those lush little leaves,
for me to sing praises,
dedicate operas to the Lord.
But a dog who’s been beaten
is slow to go back to barking
and making a fuss over his owner
—an animal, not a person
like me who can ask:
Why do you beat me?
Which is why, despite the sparrows and the clover,
a subtle shadow still hovers over my spirit.
May whoever hurt me, forgive me.
~Adelia Prado “Divine Wrath” translated from Brazilian Portuguese by Ellen Doré Watson

*************************************

“My God, My God,” goes Psalm 22, “hear me, why have you forsaken me?”  

This is the anguish all we of Godforsaken heart know well. But hear the revelation to which Christ directs us, further in the same psalm:

For He has not despised nor scorned the beggar’s supplication,
Nor has He turned away His face from me;
And when I cried out to Him, He heard me.

He hears us, and he knows, because he has suffered as one Godforsaken. Which means that you and I, even in our darkest hours, are not forsaken. Though we may hear nothing, feel nothing, believe nothing, we are not forsaken, and so we need not despair.

And that is everything.

That is Good Friday and it is hope, it is life in this darkened age, and it is the life of the world to come.
~Tony Woodlief from “We are Not Forsaken”

*******************************

Emmett Till’s mother
speaking over the radio

She tells in a comforting voice
what it was like to touch her dead boy’s face,

how she’d lingered and traced
the broken jaw, the crushed eyes–

the face that badly beaten, disfigured—
before confirming his identity.

And then she compares his face to
the face of Jesus, dying on the cross.

This mother says no, she’d not recognize
her Lord, for he was beaten far, far worse

than the son she loved with all her heart.
For, she said, she could still discern her son’s curved earlobe,

but the face of Christ
was beaten to death by the whole world.
~Richard Jones “The Face” from Between Midnight and Dawn

******************************

In a daring and beautiful creative reversal,
God takes the worse we can do to Him
and turns it into the very best He can do for us.
~Malcolm Guite from The Word in the Wilderness

IMG_6229

Strangely enough~
it is the nail,
not the hammer,
that fastens us together~
becoming the glue,
the security,
the permanence of
solid foundation
and strong supports,
or protecting roof.

The hammer is only a tool
to pound in the nail
to where it binds so tightly;
the nail can’t blend in or be forgotten,
where the hole it leaves behind
is a forever wounded reminder
of what the hammer has done,
yet, how thoroughly
the hammer, and we, are forgiven.

nailhole

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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Where You Go, I Will Go: Love Kneels at Our Feet

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…having loved his own who were in the world,
he now showed them the full extent of his love.
John 13:1

What e’er the soul has felt or suffered long,
Oh, heart! this one thing should not be forgot:
Christ washed the feet of Judas.
~George Marion McClellan from “The Feet of Judas” in 
The Book of American Negro Poetry 1922

Here is the source of every sacrament,
The all-transforming presence of the Lord,
Replenishing our every element
Remaking us in his creative Word.

For here the earth herself gives bread and wine,
The air delights to bear his Spirit’s speech,
The fire dances where the candles shine,
The waters cleanse us with His gentle touch.

And here He shows the full extent of love
To us whose love is always incomplete,
In vain we search the heavens high above,
The God of love is kneeling at our feet.

Though we betray Him, though it is the night.
He meets us here and loves us into light.
~Malcolm Guite “Maundy Thursday”

May the power of your love, Lord Christ, 
fiery and sweet as honey, 
so absorb our hearts 
as to withdraw them 
from all that is under heaven. 
Grant that we may be ready to die 
for love of your love, 
as you died for love of our love. 
~St. Francis of Assisi

On Maundy Thursday, this is how to love Jesus’s love:

No arguing over who is the greatest.
No hiding dirty feet needing washing.
No making promises we don’t keep.
No holding back the most precious of gifts.
No falling asleep when asked to keep watch.
No selling out with a kiss.
No drawing of swords.
No turning and running away.
No lying and denying.
No covering up our face and identity.
No looking back.
No clinging to the comforts of the world.

But of course I fail again and again when I’m fearful.
My heart resists leaving behind the familiar.

Plucked from the crowd,
we must pick up and carry His load
(which is, of course, our load) for Him.
Now is our turn to hold on and not let go, as if life depends on it.
Which it does — requiring no nails.

The fire of His love leaves our sin in ashes.
The cleansing of His sacrifice washes us.
The food of His body nurtures our souls.

From nurture and washing and ashes rises new life:
Love of His love for our love.

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

AI image created for this post

Lyrics:
Angels where you soar
up to God’s own light
take my own lost bird
on your hearts tonight
and as grief once more
mounts to heaven and sings
let my love be heard

Lyrics:
I, your Lord and Master,
Now become your servant.
I who made the moon and stars
Will kneel to wash your feet.
This is My commandment:
To love as I have loved you.

Kneel to wash each other’s feet
As I have done for you.
All the world will know You are My disciples
By the love that you offer,
The kindness you show.
You have heard the voice of God
In the words that I have spoken.
You beheld Heaven’s glory
And have seen the face of God.

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