On What Has Been

The house had gone to bring again
To the midnight sky a sunset glow.
Now the chimney was all of the house that stood,
Like a pistil after the petals go.

The barn opposed across the way,
That would have joined the house in flame
Had it been the will of the wind, was left
To bear forsaken the place’s name.

No more it opened with all one end
For teams that came by the stony road
To drum on the floor with scurrying hoofs
And brush the mow with the summer load.

The birds that came to it through the air
At broken windows flew out and in,
Their murmur more like the sigh we sigh
From too much dwelling on what has been.

Yet for them the lilac renewed its leaf,
And the aged elm, though touched with fire;
And the dry pump flung up an awkward arm:
And the fence post carried a strand of wire.

For them there was really nothing sad.
But though they rejoiced in the nest they kept,
One had to be versed in country things
Not to believe the phoebes wept.
 ~Robert Frost “The Need of Being Versed in Country Things”

Photo of Aaron Janicki haying with his Oberlander team in Skagit County – courtesy of Tayler Rae
The field of my childhood farm (1954-59) with the red barn visible on the right. The house was destroyed by fire in the mid-60s but the barn was spared
photo by Harry Rodenberger

My family sold our first farm in East Stanwood, Washington, when my father took a job working for the state in Olympia, moving to supervising high school agriculture teachers rather than being an ag teacher himself.

It was a difficult transition for us all: we moved to a smaller home and a few acres, selling the large two story house, a huge hay barn and chicken coop as well as fields and a woods where our dairy cows had grazed.

Only a few years later, that old farmhouse burned down but the rest of the buildings were spared. It passed through a few hands and when we had occasion to drive by, we were dismayed to see how nature was taking over the place. The barn still stood but unused it was weathering and withering. Windows were broken, birds flew in and out, the former flower garden had grown wild and unruly.

This was the place I was conceived, where I learned to walk and talk, developing a love for wandering in the fields among the farm animals we depended upon. I remember as a child of four sitting at the kitchen table looking out the window at the sunrise rising over the woods and making the misty fields turn golden.

This land returned to its essence before the ground was ever plowed or buildings were constructed. It no longer belonged to our family (as if it ever did) but it forever belongs to our memories.

I am overly prone to nostalgia, dwelling more on what has been than what is now or what I hope is to come. It is easy to weep over the losses when time and circumstances reap something unrecognizable.

I may weep, but nature does not. The sun continues to rise over the fields, the birds continue to build nests, the lilacs grow taller with outrageous blooms, and each day ends with a promise of another to come.

So I must dwell on what lies ahead, not what has perished in the ashes.

photo by Harry Rodenberger

Tell me, where is the road I can call my own
That I left, that I lost
So long ago?
All these years I have wandered
Oh, when will I know
There’s a way, there’s a road
That will lead me home
After wind, after rain
When the dark is done
As I wake from a dream
In the gold of day
Through the air there’s a calling
From far away
There’s a voice I can hear
That will lead me home
Rise up, follow me
Come away, is the call
With the love in your heart
As the only song
There is no such beauty
As where you belong
Rise up, follow me
I will lead you home

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Strung on the Necklace of Days

It is a dark fall day.
The earth is slightly damp with rain.
I hear a jay.
The cry is blue.
I have found you in the story again.
Is there another word for “divine”?
I need a song that will keep sky open in my mind.
If I think behind me, I might break.
If I think forward, I lose now. 
Forever will be a day like this
Strung perfectly on the necklace of days.
Slightly overcast
Yellow leaves
Your jacket hanging in the hallway
Next to mine.

~Joy Harjo “Fall Song”

bluejay photo by Josh Scholten

November 22 always has a sadness about it for those of us who listened to the tragic news reports and experienced the aftermath of that day…

In the seemingly endless,
sometimes bleak string of fall days,
each one differing little from the one before
and the one that comes after,
there is linkage to winter on its way,
inescapable and unrelenting.

If I were to try to stop time now,
hold tight to a particular moment,
this necklace of days would break and scatter,
as a sustaining connection depends
on preserving what was before,
breathing deeply of what is now,
and praying for what is to come.

Each moment
never in isolation from those surrounding it.

(this article about JFK’s granddaughter’s terminal diagnosis was particularly poignant for me this morning)

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Hushed October Morning

O hushed October morning mild,
Thy leaves have ripened to the fall;
Tomorrow’s wind, if it be wild,
Should waste them all.
The crows above the forest call;
Tomorrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow.
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know.
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away.
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!

~Robert Frost from “October”

After yesterday’s travel through curtains of heavy rainfall,
we abandoned plans to meet with family across state
for today’s memorial service, so returned home,
defeated, weary with sadness.

October is enough reminder of mortality,
with winds stripping trees to bare bones,
birds flocking and vacating,
bright leaves reduced to rusting dust.

This morning, the rain suspended,
its gray curtain pulled back briefly
to view what awaits beyond the haze:
this luminous brilliance, radiance, promise.

Slow down to look. Slow down to live. Slow.

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In the Light-Charged Air

When I saw the figure on the crown of the hill,
high above the city, standing perfectly still


against a sky so saturated with the late-
afternoon, late-summer Pacific light


that granules of it seemed to have come out
of solution, like a fine precipitate


of crystals hanging in the brightened air,
I thought whoever it was standing up there


must be experiencing some heightened state
of being, or thinking—or its opposite,


thoughtlessly enraptured by the view.
Or maybe, looking again, it was a statue


of Jesus or a saint, placed there to bestow
a ceaseless blessing on the city below.


Only after a good five minutes did I see
that the figure was actually a tree—


some kind of cypress, probably, or cedar.
I was both amused and let down by my error.


Not only had I made the tree a person,
but I’d also given it a vision,


which seemed to linger in the light-charged air
around the tree’s green flame, then disappear.

~Jeffrey Harrison “The Figure on the Hill” from Into Daylight

Who was it who suggested that the opposite of war
Is not so much peace as civilisation? He knew
Our assassinated Catholic greengrocer who died
At Christmas in the arms of our Methodist minister,
And our ice-cream man whose continuing requiem
Is the twenty-one flavours children have by heart.
Our cobbler mends shoes for everybody; our butcher
Blends into his best sausages leeks, garlic, honey;
Our cornershop sells everything from bread to kindling.
Who can bring peace to people who are not civilised?
All of these people, alive or dead, are civilised.

~Michael Longley “All of These People”  from Collected Poems

Who among us appear
in the light-charged air,
visible on the crown of the hill of life –
who might be mistaken
for a martyr or a saint or a visionary,
when each one of us is
merely a person
responsible to a family,
committed to help friends,
dedicated to serve a community,
placed in this world to steady a broken civilization.

There is the simple truth that we need a person
with roots deep in the ground,
branches that reach up and out,
bearing fruit to share with those around us.

But surely not
this misery, not this blight, not this trouble,
certainly not these murders,
which only bears and shares
a heart-rending, horrible grief.

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In My Own Voice

After nourishment, shelter and companionship,
stories are the thing we need most in the world.
Philip Pullman

You’re going to feel like hell if you wake up someday and you never wrote the stuff that is tugging on the sleeves of your heart: your stories, memories, visions, and songs–your truth, your version of things–in your own voice. That’s really all you have to offer us, and that’s also why you were born.
~Anne Lamott in a TED Talk

Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients.
That is, after all, the case.
~Annie Dillard from “Write Till You Drop”

I began to write after September 11, 2001 because that day it became obvious to me I too was dying, albeit more slowly than the thousands who vanished that day in fire and ash, their voices obliterated with their bodies. 

So, nearly each day since, while I still have voice and a new dawn to greet, I speak through my fingers and my camera lens to others dying around me.

We are, after all, terminal patients, some more imminent than others, some of us more prepared to move on, as if our readiness had anything to do with the timing.

Each day I too get a little closer, so I write in my own voice and share photos of my world as a way to hang on a while longer, yet with a loosening grasp. Each day I must detach just a little bit, leaving a small trace of my voice and myself behind. 

Eventually, through unmerited grace, so much of me will be left on the page there won’t be anything or anyone left to do the typing.

There is no moment or picture or word to waste.

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Calling from the Wind Phone

The pain I feel now is the happiness I had before. That’s the deal.
~C.S. Lewis
from A Grief Observed

the rubble still piled on the beach at Tohoku, Japan, a year after the 3/11/11 tsunami

In the wrecked landscape
of Fukushima

a white telephone booth
shines

with many panes of glass
in the hinged door

and a man steps in
dials the cell number

of his wife’s phone,
of course unanswering—

she was swept away
in the tsunami,

a photo in the paper
shows her sitting outside

on a blanket, knees
up, rocking back in laughter.

I pick up the black
receiver, still warm

from his hand, dialing
my sister’s number I used

to know by heart.
No answer from the sea

or her, just the whirling sound
of blood pounding in my ear.
~Patricia Clark “The Wind Phone”

photo by Nate Gibson at Sendai, Japan
photo by Nate Gibson 11/11
photo by Nate Gibson 11/11
photo by Nate Gibson of Sendai rubble pile 11/11

My life closed twice before its close;
It yet remains to see
If immortality unveil
A third event to me

So huge, so hopeless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.

~Emily Dickinson “Parting”

Original windphone is Otsuchi Garden, Japan

In 2012, we stayed with our friends Brian and Bette at their cabin on a bluff just above the Pacific Ocean at Sendai, Japan, just a few dozen feet above the devastation that wiped out an entire fishing village below during the 3/11/11 earthquake and tsunami.

As we walked that stretch of beach, we heard the stories of the people who had lived there, some of whom did not survive the waves that swept their houses and cars away before they could escape. We walked past the footprints of foundations of hundreds of demolished homes, humbled by the rubble mountains yet to be hauled away a year later, to be burned or buried. There were acres of wrecked vehicles piled one on another, waiting to become scrap metal.

It was visual evidence of life so suddenly and dramatically disrupted and carried away.

This had been a place of recreation and respite for some who visited regularly, commerce and livelihood for others who stayed year round and, in ongoing recovery efforts, struggling to be restored to something familiar. Yet it looked like a foreign ghostly landscape. Many trees perished, lost, broken off, fish nets still stuck high on their scarred trunks. There were small memorials to lost family members within some home foundations, with stuffed animals and flowers wilting from the recent anniversary observance.

Tohoku is a powerful place of memories for those who still live there and know what it once was, how it once looked and felt, and painfully, what it became in a matter of minutes on 3/11/11. The waves swept in inexplicable suffering, then carried their former lives away. Happiness gave ground to such terrible pain that could never have hurt as much without the joy and contentment that preceded it.

We are tempted to ask God why He doesn’t do something about the suffering that happened in this place or anywhere a disaster occurs –but if we do, He will ask us the same question right back. We need to be ready with our answer and our action.

God knows suffering. Far more than we do. He took it all on Himself, feeling His pain amplified, as it was borne out of His love and joy in His creation.

This beautiful place, and its dedicated survivors have slowly recovered, but the inner and outer landscape is forever altered. What remains the same is the pulsing tempo of the waves, the tides, and the rhythm of the light and the night, happening just as originally created.

With that realization, pain will finally give way, unable to stand up to His love, His joy, and our response to His sacrifice.

We can call Him up anytime and anywhere.

bent gate at Sendai beach -2012
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If You Have Wings…

It’s not like losing a child
where you just sit there
and the child just sits there
but you’re the only one
doing the talking.
It’s more like a placenta
out of sticks and mud
in the driveway,
a former home where
something was born
and left, or maybe was
born and never got to
leave or was swept
away by the wind
that came through
here last night, maybe
more like having a house
burn to the ground,
no big deal if you have
wings to take you
somewhere else.
~Casey Killingsworth “A Nest Blew Down” from Freak Show

Every one of us knows loss.
At times, lost things are replaceable;
most are not.

When what we love is swept away,
so are we.
Who we were is no longer who we become
in that instant of loss.

All things change;
we become strangers in a new land,
toppled over, empty, and gasping.

Wings won’t carry us away from ourselves.
No matter where our wings take us,
we depend on a God who refills
our hollowed-out hearts.

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For the Children…

If anyone, then, knows the good they ought to do and doesn’t do it,
it is a sin.
James 4:17

The rising hills, the slopes,
of statistics
lie before us,
the steep climb
of everything, going up,
up, as we all
go down.


In the next century
or the one beyond that,
they say,
are valleys, pastures,
we can meet there in peace
if we make it.


To climb these coming crests
one word to you, to
you and your children:


stay together
learn the flowers
go light

~Gary Snyder “For the Children” from Turtle Island.

After another school/church massacre;
how can there be nothing new to say?

We’ve learned nothing about keeping weapons
out of the hands of people bent on destruction –
taking themselves out after taking others with them.

To our children and grandchildren:
as a society, we have failed to keep you out of harm’s way
by failing to control the harm of modern weapons
in the wrong hands.

How can we be forgiven over and over
as shootings happen again and again.
Maybe we didn’t pull the trigger,
but we allowed someone else to.

Together, we share the responsibility
for each and every death that has happened,
and more bound to happen on our watch.

And that is a heavy burden to bear.

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Holding a Memory of Cherries

We used to pick cherries over the hill
where we paid to climb wooden ladders
into the bright haven above our heads, the fruit
dangling earthward. Dark, twinned bells
ringing in some good fortune just beyond
our sight. I have lived on earth long enough
to know good luck arrives only on its way
to someone else, for it must leave you to the miracle
of your own misfortune, lest you grow weary
of harvest, of cherries falling from the crown of sky
in mid-summer, of hours of idle. Let there be
a stone of suffering. Let the fruit taste of sweetness
and dust. Let grief split your heart so precisely
you must hold, somehow, a memory of cherries—
tart talismans of pleasure—in the rucksack
of your soul. Taut skin, sharp blessing.

Luminous, ordinary and acute.
~Danusha Laméris “U-Pick Orchards”

Life is not a bowl of cherries,
unless you count the ones
that aren’t yet ripe, or are over-ripe,
or have a squirrel- or bird-bite taken,
or have shriveled to raisins on the tree.

Yes, there are perfect cherries
that shine in the dark, glistening with promise,
tempting us to climb high to pick them.

Those we really want usually are out of reach.

How can we know what perfection is
unless we experience where life falls short?

The lingering taste of grief,
the agony of waiting for word in a tragedy,
the gnawing emptiness of indescribable loss.

Only the memory of what was nearly perfect,
remembering what could have been
knowing what will someday be our reality
can ease the bitter pit of suffering now.

May the families of those swept away in flooding,
those who live in the path of war and violence,
those who hunger for justice, or starving for food,
those who struggle with life-threatening and chronic illness
somehow know the comfort of God’s perfection awaits them.
The Light and Goodness is there for us to taste,
yet just beyond our reach.

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Renewed Pulse

The cold remote islands
And the blue estuaries
Where what breathes, breathes
The restless wind of the inlets,
And what drinks, drinks
The incoming tide;


Where shell and weed
Wait upon the salt wash of the sea,
And the clear nights of stars
Swing their lights westward
To set behind the land;


Where the pulse clinging to the rocks
Renews itself forever;
Where, again on cloudless nights,
The water reflects
The firmament’s partial setting;

—O remember
In your narrowing dark hours
That more things move
Than blood in the heart.

Louise Bogan “Night” from The Blue Estuaries

 I know what my heart is like
Since your love died:
It is like a hollow ledge
Holding a little pool
Left there by the tide,
A little tepid pool,
Drying inward from the edge.
~Edna St. Vincent Millay “Ebb”

My mother was 58 when my father left her for a younger woman. 

For months, she withered,
her heart broken, her pulse erratic,
crying until there were no more tears left.

She began drying inward from her edges
despite the ebbing and flowing
of her heartbeat.

It took ten years,
but he came back like an overdue high tide.  

She was sure her love had died
but that tepid pool refilled
with water cool to the touch,
yet overflowing.

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