Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom, Winging wildly across the white Orchards and dark-green fields; on—on—and out of sight.
Everyone’s voice was suddenly lifted; And beauty came like the setting sun: My heart was shaken with tears; and horror Drifted away. . . O, but Everyone Was a bird; and the song was wordless; the singing will never be done. ~Siegried Sassoon “Everyone Sang”
“Hope” is the thing with feathers – That perches in the soul – And sings the tune without the words – And never stops – at all –
And sweetest – in the Gale – is heard – And sore must be the storm – That could abash the little Bird That kept so many warm –
I’ve heard it in the chillest land – And on the strangest Sea – Yet – never – in Extremity, It asked a crumb – of me. ~Emily Dickinson “Hope is the thing with feathers”
When it feels like the world is rent in two, and the gulf into which we topple too wide and dark to climb without help, we can look to the sky and see the birds’ stitching and hear their wordless singing, the careful caring line of connection pulling us out of a hopeless hole, startled and grateful to be made whole. Hope borne on feathered wings: may we fly threaded and knitted to one another, singing.
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Begin the song exactly where you are, Remain within the world of which you’re made. Call nothing common in the earth or air, Accept it all and let it be for good.
Start with the very breath you breathe in now, This moment’s pulse, this rhythm in your blood And listen to it, ringing soft and low. Stay with the music, words will come in time.
Slow down your breathing. Keep it deep and slow. Become an open singing-bowl, whose chime Is richness rising out of emptiness, And timelessness resounding into time.
In the center of my chest, a kindling there in the hollow, as if a match had just been struck, or the blinds snapped up on a sealed room, gold suffusing the air, and through the wide windows, a solstice unfolding, mine for the lengthening days. ~Andrea Potts “On Reading John Donne for the First Time” from Her Joy Becomes
I will not forget, dear harvest moon, to keep you as my singing bowl where I can find your song months from now, even when your reflected light leaks out to tangle up in the weary trees of autumn.
Once the leaves fall, you illuminate even the most humble branches in their embarrassed nakedness.
Call nothing common in the earth or air, Accept it all and let it be for good.
When I too need your warm light in the center of my hollowed chest, I’ll know exactly where to find you, as you sing lullabies, waiting for me to empty.
I’ll not forget you, because you never forget to keep looking for me.
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Just when you’d begun to feel You could rely on the summer, That each morning would deliver The same mourning dove singing From his station on the phone pole, The same smell of bacon frying Somewhere in the neighborhood, The same sun burning off The coastal fog by noon, When you could reward yourself For a good morning’s work With lunch at the same little seaside cafe With its shaded deck and iced tea, The day’s routine finally down Like an old song with minor variations, There comes that morning when the light Tilts ever so slightly on its track, A cool gust out of nowhere Whirlwinds a litter of dead grass Across the sidewalk, the swimsuits Are piled on the sale table, And the back of your hand, Which you thought you knew, Has begun to look like an old leaf. Or the back of someone else’s hand. ~George Bilgere “August”from The Good Kiss
I don’t recognize the back of my own hands – surely they belong to someone else.
How is it possible for my hands to now look like my mother’s did?
It’s only possible now that I’ve lived many summers. Yet I’m not quite dried up like an old leaf. At least not yet.
This dry spell is over; this morning there is magic in the sound and smell of rain. Like the old song: “The bright blessed day The dark sacred night And I think to myself What a wonderful world…”
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’Twas battered and scarred, and the auctioneer Thought it scarcely worth his while, To waste his time on the old violin. But he held it up with a smile, “What am I bid, good friends,” he cried. “Who’ll start the bidding for me?” “A dollar, a dollar. Then two! Only two? Two dollars, and who’ll make it three?”
“Three dollars once. And three dollars twice. And going, and going, . . . ” But no, From the back of the room a gray-haired man Came forward and picked up the bow. And wiping the dust from the old violin And tightening the loose strings He played a melody pure and sweet As caroling angels sing.
The music ceased and the auctioneer With a voice that was quiet and low, Said “What am I bid for the old violin?” As he held it up with the bow. “One thousand dollars, and who’ll make it two? Two thousand dollars, and three! Three thousand, once, and three thousand twice, And going, and going, and gone!” said he.
The people cheered, but some of them cried, “We don’t quite understand What changed its worth.” Swift came the reply. “’Twas the touch of the master’s hand.” And many a man with life out of tune And battered and scarred with sin, Is auctioned cheap to the thoughtless crowd, Much like the old violin.
A mess of pottage, a glass of wine, A game, and he travels on. He’s going once, and going twice, And going, and almost gone. But the Master comes and the thoughtless crowd Never can quite understand The worth of a soul, and the change that is wrought, By the touch of the Master’s hand. ~Myra Brooks Welch “The Touch of the Master’s Hand”
Strange shape, who moulded first thy dainty shell? Who carved these melting curves? Who first did bring Across thy latticed bridge the slender string? Who formed this magic wand, to weave the spell, And lending thee his own soul, bade thee tell, When o’er the quiv’ring strings, he drew the bow, Life’s history of happiness and woe, Or sing a paean, or a fun’ral knell?
Oh come, beloved, responsive instrument, Across thy slender throat with gentle care I’ll stretch my heart-strings; and be quite content To lose them, if with man I can but share The springs of song, that in my soul are pent, To quench his thirst, and help his load to bear. ~Bertha Gordon “To a Violin”
My maternal grandfather, a Palouse wheat farmer starting in the late 1800s, was a self-taught fiddle player. My mother, born in 1920, remembered him pulling the violin out of its case at the end of a long day working in the fields, enjoying playing jigs and ditties for his family.
The history of how he acquired this violin has been lost three generations later. The fiddle itself became a veteran of many sad and joyous tunes over the years.
Now scratched and tarnished and stringless, it is hardly a thing of beauty. My research suggests it is one of many mass-produced factory-made violins sold through Sears Roebuck back in the early 1900’s. It was made to “appear” like a rare hand-crafted German Stradivarius, but affordable for the common man.
Still, its value isn’t in how it was made, or who actually glued it together and stamped a brand on it. Its value is found in the hands that cradled it, holding it carefully under the chin, drawing heart-felt sounds from its strings.
Just like this old violin, aged and out of tune, I’m looking a bit scratched up and battered from years of use.
God has picked me up, blowing away my dustiness. He has tightened and tuned my strings to coax a song from me.
Restored, I can resonate in joy and tears.
This year’s Lenten theme:
…where you go I will go… Ruth 1:16
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Oh do you have time to linger for just a little while out of your busy
and very important day for the goldfinches that have gathered in a field of thistles
for a musical battle, to see who can sing the highest note, or the lowest,
or the most expressive of mirth, or the most tender? Their strong, blunt beaks drink the air
as they strive melodiously not for your sake and not for mine
and not for the sake of winning but for sheer delight and gratitude – believe us, they say, it is a serious thing
just to be alive on this fresh morning in the broken world. I beg of you,
do not walk by without pausing to attend to this rather ridiculous performance.
It could mean something. It could mean everything. It could be what Rilke meant, when he wrote: You must change your life. ~Mary Oliver “Invitation” from ” A Thousand Mornings
…here there is no place that does not see you. You must change your life. ~Rainer Maria Rilke from “Archaic Torso of Apollo”
Just to be alive means everything~~
Despite all the brokenness in this world and our own cracks in need of glue, we need healing.
I welcome the change; a new day of delight and gratitude.
I beg of you, do not simply walk by.
Pause. Linger. Listen. Change.
You are welcome.
AI image created for this post
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I love color. I love flaming reds, And vivid greens, And royal flaunting purples. I love the startled rose of the sun at dawning, And the blazing orange of it at twilight.
I love color. I love the drowsy blue of the fringed gentian, And the yellow of the goldenrod, And the rich russet of the leaves That turn at autumn-time…. I love rainbows, And prisms, And the tinsel glitter Of every shop-window.
I love color. And yet today, I saw a brown little bird Perched on the dull-gray fence Of a weed-filled city yard. And as I watched him The little bird Threw back his head Defiantly, almost, And sang a song That was full of gay ripples, And poignant sweetness, And half-hidden melody.
I love color…. I love crimson, and azure, And the glowing purity of white. And yet today, I saw a living bit of brown, A vague oasis on a streak of gray, That brought heaven Very near to me. ~Margaret E. Sangster “Colors”
photo by Harry Rodenberger
My eye always seeks out color because there is so much gray as background and foreground.
My ear listens for the singing of sweet melodies in the midst of mourning and sorrow.
My heart longs for hints of heaven in the daily ordinary because this sad world wants to believe in the promises.
photo by Harry Rodenberger
Andrew Wyeth – Wind from the Sea, 1947AI image created for this post
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A hundred thousand birds salute the day:– One solitary bird salutes the night: Its mellow grieving wiles our grief away, And tunes our weary watches to delight; It seems to sing the thoughts we cannot say, To know and sing them, and to set them right; Until we feel once more that May is May, And hope some buds may bloom without a blight. This solitary bird outweighs, outvies, The hundred thousand merry-making birds Whose innocent warblings yet might make us wise Would we but follow when they bid us rise, Would we but set their notes of praise to words And launch our hearts up with them to the skies. ~Christina Rossetti “A Hundred Thousand Birds”
photo by Harry Rodenberger
Birds afloat in air’s current, sacred breath? No, not breath of God, it seems, but God the air enveloping the whole globe of being. It’s we who breathe, in, out, in, the sacred, leaves astir, our wings rising, ruffled—but only saints take flight… But storm or still, numb or poised in attention, we inhale, exhale, inhale, encompassed, encompassed. ~Denise Levertov from “In Whom We Live and Move and Have Our Being”from The Stream and the Sapphire
As if reluctant to let go the setting sun last night, one lone bird still sang a twilight song, long after the others fell asleep, their heads tucked neatly under their wings.
This lone bird had not yet finished with the day, breathing in and out its plaintive melody, articulating my thoughts I could not say.
And before a hint of light this May morning, I am swept from my dreams by a full chorus singing from the same perch, no longer a lone voice, but hundreds.
My day is launched by the warbling songs, but I cannot forget twilight’s one reluctant bird who fought the impending darkness using only its voice.
I too fight back the darkness with what I write here, if I can keep it at bay: inhaling, exhaling, encompassed in Breath. I want to sing out light to Light and live light in Light.
No darkness here.
I hear a bird chirping, up in the sky I’d like to be free like that spread my wings so high I see the river flowing water running by I’d like to be that river, see what I might find
I feel the wind a blowin’, slowly changing time I’d like to be that wind, I’d swirl and the shape sky I smell the flowers blooming, opening for spring I’d like to be those flowers, open to everything
I feel the seasons change, the leaves, the snow and sun I’d like to be those seasons, made up and undone I taste the living earth, the seeds that grow within I’d like to be that earth, a home where life begins
I see the moon a risin’, reaching into night I’d like to be that moon, a knowing glowing light I know the silence as the world begins to wake I’d like to be that silence as the morning breaks
He doesn’t know the world at all Who stays in his nest and doesn’t go out. He doesn’t know what birds know best Nor what I sing about, Nor what I sing about, Nor what sing about: That the world is full of loveliness.
When dew-drops sparkle in the grass And earth is aflood with morning light. light A blackbird sings upon a bush To greet the dawning after night, the dawning after night, the dawning after night. Then I know how fine it is to live.
Hey, try to open your heart to beauty; Go to the woods someday And weave a wreath of memory there. Then if tears obscure your way You’ll know how wonderful it is To be alive. ~Paul Read
I prefer to sit all day like a sack in a chair and to lie all night like a stone in my bed.
When food comes I open my mouth. When sleep comes I close my eyes.
My body sings only one song; the wind turns gray in my arms.
Flowers bloom. Flowers die. More is less. I long for more. ~Mark Strand “The One Song” from Collected Poems
“fly-by feeding” video taken by Harry Rodenberger
windy day photo by Nate Lovegren
Sometimes, I feel I have been asleep for years. My eyes close easily, my ears turn off rather than listen to what is too hard to bear. Even then, my mouth opens, waiting to be fed more.
More and more and more…
We always want more than we have. In fact, we’re served “more” on a huge platter every day – such extravagant blessings placed right before us, even if we don’t recognize them as such.
It’s in every one of us to open up both our eyes, to listen closely and then open our mouths to sing one song together – in peace, in harmony, in love – and only then we’ll see what more tomorrow will bring…
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Yesterday, running slowly in the gravel I saw a tiny bird feathered pulsating globe of white and gray on its back black pinprick eyes pointing up to the sky. I stooped down closely to peer. We stared at one another— creature to creature— for a small eternity. I scooped him into my hands and placed him gently an offering upright onto the grass whispering a prayer to the One who sees and knows each one every sparrow and every sorrow. ~Karen Swallow Prior “Creature to Creature”
photo by Harry Rodenberger
Are not five sparrows sold for two pennies? And not one of them is forgotten before God. Why, even the hairs of your head are all numbered. Fear not; you are of more value than many sparrows. Luke 12: 6-7
Typically, I hear sparrows more than see them most of the year. They are shy little birds and fly away any time I approach them. But during the winter months when the northeast arctic winds are blowing, they cling to the rose bushes beneath my bird feeders, fluffed up to try to stay warm, buffeted about by the breeze, just trying to stay alive. Singing is the last thing on their little minds.
This is when we need each other the most; the sparrow is hanging on the best it can to make it to spring and so am I, seeking to nurture some small part of Creation in order to keep simmering my hope for the future. Although there is no sparrows’ song lilting in the air during the coldest months, I know it will return.
So I sing for them.
I sing because I’m happy. I sing because I’m free. His eye is on the sparrow and I know He watches me.
Why should I feel discouraged, Why should the shadows come, Why should my heart be lonely, And long for Heav’n and home, When Jesus is my portion? My constant friend is He: His eye is on the sparrow, And I know He watches me; His eye is on the sparrow, And I know He watches me.
Refrain
I sing because I’m happy, I sing because I’m free, For His eye is on the sparrow, And I know He watches me.
Let not your heart be troubled, His tender word I hear, And resting on His goodness, I lose my doubts and fears; Though by the path He leadeth, But one step I may see; His eye is on the sparrow, And I know He watches me; His eye is on the sparrow, And I know He watches me.
Whenever I am tempted, Whenever clouds arise, When songs give place to sighing, When hope within me dies, I draw the closer to Him, From care He sets me free; His eye is on the sparrow, And I know He watches me; His eye is on the sparrow, And I know He watches me.
Lyrics by Civilla Martin
ot one sparrow is forgotten, E’en the raven God will feed; And the lily of the valley From His bounty hath its need. Then shall I not trust Thee, Father, In Thy mercy have a share? And through faith and prayer, my Mother, Merit Thy protecting care?
Shaker Hymn (Canterbury Shakers Hymnal, 1908)
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Sing to the God who turns our sighs into a song. Sing to the One who mends our broken hearts with music. Sing to the One who fills our empty hearts with love. Sing to the One who gives us light to step into the darkest night. Sing to the God who turns our sighs into a song. ~Susan Boersma
Sixty-seven years, oh Lord, to look at the clouds, the trees in deep, moist summer,
daisies and morning glories opening every morning
their small, ecstatic faces— Or maybe I should just say
how I wish I had a voice like the meadowlark’s,
sweet, clear, and reliably slurring all day long
from the fencepost, or the long grass where it lives
in a tiny but adequate grass hut beside the mullein and the everlasting,
the faint-pink roses that have never been improved, but come to bud
then open like little soft sighs under the meadowlark’s whistle, its breath-praise,
Each day opens to new possibility with a sigh, a breath and thankfulness-
once in awhile tears, sometimes heartbreak, and flat out fear of what comes next.
Even so, through it all I sing a song of praise, an alleluia that reminds me why I am and who I live for.
All is well, it is well with my soul.
This year’s Lenten theme for Barnstorming is a daily selection from songs and hymns about Christ’s profound sacrifice on our behalf.
If we remain silent about Him, the stones themselves will shout out and start to sing (Luke 19:40).
In His name, may we sing…
When time sweeps yesterday away, It leaves behind an empty heart, Weeping through the night so dark and long. When words are lost among the tears, When sadness steals another day, God hears our cries and turns our sighs into a song.
Sing to the One who mends our broken hearts with music. Sing to the One who fills our empty hearts with love. Sing to the One who gives us light to step into the darkest night. Sing to the God who turns our sighs into a song.
From heaven falls a mercy sweet, The time for weeping now is gone; God hears our sighs and gives us His eternal song. Sing to the One who mends our broken hearts with music. Sing to the One who fills our empty hearts with love.
Translation: Lord, protect Ukraine. Give us strength, faith, and hope, our Father. Amen
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