Category: Weather

Slip Into Something Light

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Maybe night is about to come
calling, but right now
the sun is still high in the sky.
It’s half-past October, the woods
are on fire, blue skies stretch
all the way to heaven. Of course,
we know that winter is coming, its thin
winding sheets and its hard narrow bed.
But right now, the season’s fermented
to fullness, so slip into something
light, like your skeleton; while these old
bones are still working, my darling,
let’s dance.
~Barbara Crooker, “Reel” from The Book of Kells

I’ve never been much of a dancer other than the square dancing we were taught in grade school. I could do-si-do with the best of them.

Our church used to hold an annual square dance in November along with a harvest dinner. We gathered in a school gymnasium, where my husband and I learned to Virginia Reel up and back and be sore the next day. Those were the days…

Instead, our trees dance and reel this time of year, creating a scandal by getting more naked with each passing day and breeze. They sway and bow and join limbs. Their bare bones grasp one another in preparation for their cold and narrow winter bed, wrapped in the shroud that will give way, yet again to the green leaves of spring, only a few months away.

Pick a partner and away you go!

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Through Empty Branches, Sky Remains

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You are not surprised at the force of the storm—
you have seen it growing.
The trees flee. 

Now you must go out into your heart
as onto a vast plain. Now
the immense loneliness begins.

The days go numb, the wind
sucks the world from your senses like withered leaves.

Through the empty branches the sky remains.
It is what you have.
Be earth now, and evensong.
Be the ground lying under that sky.
Be modest now, like a thing
ripened until it is real,
so that he who began it all
can feel you when he reaches for you.
~Rainer Maria Rilke from “Onto a Vast Plain”

I feel autumn rain
Trying to explain something
I do not want to know.
~Richard Wright “Haiku”

I know what this heavy autumn rainfall is trying to tell me –

Be buffed smooth by the winds, and lose your sharp edges
Be restored after too many hot weeks of drought and dust
Be humbled walking through mud and slosh and slick soppiness
Be grateful for this newly opened landscape as trees shed leaves
Be aware that sadness has its place this time of year, seeking solace
Be balm to ones who are lonely and hunger for encouragement
Be ready to remain still, listen, and content with what comes each day.

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Sweet Pea Run Wild

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Poetry is a rich, full-bodied whistle,
cracked ice crunching in pails,
the night that numbs the leaf,
the duel of two nightingales,
the sweet pea that has run wild,
Creation’s tears in shoulder blades.
~Boris Pasternak

Here are sweet-peas, on tip-toe for a flight:
With wings of gentle flush o’er delicate white,
And taper fingers catching at all things,
To bind them all about with tiny rings.
~John Keats from “I stood tip-toe on a little hill”

What did thought do?
“Stuck a feather in the ground and thought
it would grow a hen”

Rod by rod we pegged the drill for sweetpea
with light brittle sticks,
twiggy and unlikely in fresh mould
and stalk by stalk we snipped
the coming blooms.

And when pain had haircracked her old vestal stare
I reached for straws and thought
seeing the sky through a mat of creepers,
like water in the webs of a green net,
opened a clearing where her heart sang
without caution or embarrassment, once or twice.
~Seamus Heaney “Sweet Pea” from Station Island

Sweet peas flowering next to orange pumpkins?

Usually separated by season,
one from late spring,
the other from mid-autumn,
they were never meant to meet.

Yet here are strange neighbors,
grown side by side in the same soil
through the same weeks,
their curling vines entwined.

Forgotten sweet pea seeds swelled and thrived,
dropped in the midst of summer weeds,
now rich pastel blooms gracing a harvest table
with spring-like perfume.

So I want to germinate where I happen to land,
even when ill-timed and out of place.
May I run wild while interwoven,
bound to those who look and act nothing like me.

Thus encouraged to climb high,
I blossom boldly
to help face down the fate
of a killing frost.

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Breathing on the Window

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Dark mornings staying dark
longer, another autumn

come, and the body one
day poorer yet,

from restless sleep I wake
early now to note

how the pale disk of moon
caves to its own defeat,

cold as yesterday’s fish
left over in the pan,

or miserly as a sliver
of dried soap in a dish.

Oh for a sparkling froth
of cloud, a little heat

from the sun! I shiver
at the window where I plant

one perfect moon-round breath,
as I liked to do as a girl

against the filthy glass
of the yellow school bus

laboring up the hill,
not thinking what I meant

but passionate, as if
I were kissing my own life.
~Mary Jo Salter “Moon-Breath” from The Surveyors

At times, I’m amazed at the heat of my own breath.
Forming a cloudy mist on a cold day,
a round fog on the mirror or window,
a warming of ungloved fingers.

This breath that I was given at my beginning
is a gift I rarely think about,
a gift I take for granted.

Nightly, as the moon honors the sun,
reflecting its glory like a faint echo,
I treasure the heat and heart
of that first gift of breath so long ago.

Soli deo Gloria.

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Singing in the Leaves

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Now constantly there is the sound,
quieter than rain,
of the leaves falling.

Under their loosening bright
gold, the sycamore limbs
bleach whiter.

Now the only flowers
are beeweed and aster, spray
of their white and lavender
over the brown leaves.

The calling of a crow sounds
Loud — landmark — now
that the life of summer falls
silent, and the nights grow.
~Wendell Berry “October 10” from New Collected Poems.

If I were a color, I would be green, turning to gold,
turning to bronze, turning to dust.
If I were a sound, I would patter like raindrops and children’s feet.
If I were a smell, I would be dry earth soaking up a shower.
If I were a touch, I would be a leaf landing softly.
If I were a taste, I would be a bit sweet and a bit sour.
If I were a season, I would be the wistful goodbye hug of autumn.
But I am none of these, being enough for now.
Singing in the leaves,
I will come rejoicing,
Singing in the leaves.

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A Solitary Maple

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When I visited as a boy, too young for chores,
a pair of maples flared before the farmhouse.
My grandfather made me a swing, dangling
rope from stout branches. I hurtled
between them high as I could, pumping
out half the day while my mind daydreamed
the joy of no school, no camp, no blocks
of other children fighting childhood’s wars.
With the old people I listened to radio news
of Japanese in Nanking, Madrid on fire,
Hitler’s brownshirts heiling. The hurricane
of 1938 ripped down the older maple.

When I was twelve and could work the fields,
my grandfather and I, with Riley the horse,
took four days to clear the acres of hay
from the fields on both sides of the house.
With a scythe I trimmed the uncut grass
around boulders and trees, by stone walls,
and raked every blade to one of Riley’s piles.
My grandfather pitched hay onto the wagon
where I climbed to load it, fitting it tight.
We left the fields behind as neat as lawns.
When I moved back to the house at forty,
a neighbor’s machine took alfalfa down
in an afternoon. Next morning, engines
with huge claws grappled round green bales
onto trucks, leaving loose hay scattered
and grass standing at the field’s margin.

A solitary maple still rises. Seventy years
after my grandfather hung the swing,
maple branches snap from the old tree.
I tear out dead limbs for next year’s sake,
fearing the wind and ice storms of winter,
fearing broken trees, cities, and hipbones.
~Donald Hall “Maples” from The Back Chamber.

Photo of Aaron Janicki haying with his Oberlander team in Skagit County courtesy of Tayler Rae
Benjamin Janicki of Sedro Woolley raking hay with his team of Oberlanders

I sit with braided fingers   
and closed eyes
in a span of late sunlight.   
The spokes are closing.

It is fall: warm milk of light,   
though from an aging breast.   
I do not mean to pray.   
The posture for thanks or   
supplication is the same   
as for weariness or relief.   
But I am glad for the luck   
of light. Surely it is godly,   
that it makes all things
begin, and appear, and become   
actual to each other.

Light that’s sucked into   
the eye, warming the brain   
with wires of color.
Light that hatched life
out of the cold egg of earth.
~May Swenson from “October”

portrait of Dan’s mom, Emma Gibson, praying, by granddaughter Sara Larsen

I know all too well that by this time in October, the light is changing, the colors have faded, and the chill sets in. I grasp for memories of Octobers past and bundle up the scenes I can preserve now, like harvesting hay to be tied up in bales and stored safely until the middle of winter. 

Then, at the right time, when I’m most hungry for color and light,  when I’m most worried about what lies in store for us in the future, I loosen the strings on the memories and let the images tumble out, feeding me like mother’s milk.

And grateful, I fill up rather than break into pieces…

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Lapsed Ordinary

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Had I not been awake I would have missed it,
A wind that rose and whirled until the roof
Pattered with quick leaves off the sycamore

And got me up, the whole of me a-patter,
Alive and ticking like an electric fence:
Had I not been awake I would have missed it

It came and went too unexpectedly
And almost it seemed dangerously,
Hurtling like an animal at the house,

A courier blast that there and then
Lapsed ordinary. But not ever
Afterwards. And not now.
~Seamus Heaney  “Had I Not Been Awake”

October is the month of the sudden warm wind-blow, usually arriving from the south, intent on scattering leaves and slamming doors on its way past to head north to Canada. Our wind chimes outside clang a cacophony rather than the usual gentle harmonic tones. The window shades become percussion instruments over our still-open windows. Anything not fastened down goes airborne.

The air blows in a rush from somewhere else, bringing new smells and sensations, surging with an electric energy even as it tries to pull power lines down to render us powerless.

Nothing feels ordinary in a windstorm; there is no easy sleep.

And just as suddenly, the autumn storm passes and is gone. The trees have been stripped, embarrassed at their sudden nakedness. Branches litter the yard and driveway like so many toothpicks. My illusion of comfort and control has been undone by such a show of force and power.

I face my own frailty in the wake of life’s storms.
Had I not been awake, I might have missed that altogether.

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The Quivering Air of October

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I remember it
as October days are always remembered,
cloudless, maple-flavored,
the air gold and so clean it quivers.
~Leif Enger in Peace Like a River

I’m not someone who switches to pumpkin-spice-flavored anything in October.

No need, no need.
The air itself tastes like autumn, quivering on my tongue.

Instead I revel in the gold and bronze tint to the sky,
the cinnamon nutmeg dusting of the trees,
the heavy sprinkling of hanging dew drops,
the crisp and shivery breezes.

Soon the ground will be frost instead of dust
and leaves a crunchy carpet rather than shady veil.

October is a much-needed change,
keeping us fresh,
reminding us to breathe deeply when life feels shallow,
and remembering we have been immersed
in the pumpkin-spice of a new day we have never lived before.

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This Estranging Season

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Lord, the time has come. The summer has been so long.
Lay your shadows over the sundials
and let loose the wind over the fields.

Order the last fruits to fully ripen;
give them two more days of southern sun,
urge them to perfection and speed
the last sweetness into the laden vine.

Those who have no house, will not build one now.
Those who are alone will long remain so,
they will rise, and read, and write long letters
and through the avenues go here and there
restlessly wandering, with the leaves drifting down.
~Rainer Maria Rilke “Herbsttag” English translation by Paul Archer from 1902 in the collection Das Buch der Bilder.

First hints of our condition manifest:
Spite in the wind, mist-gauze across the moon,
Light chill, the spider’s filaments, blanched grass,
And two days as warm as the south change nothing at all.
A morning comes when you know this cannot end well.
Soon it will be no time for gathering in gardens
All too soon, my dears, it will be the weather
For Brahms quintets, for leaves drifting triste past the windows
Of those in their rooms alone for the duration,
For whom this is no time to build. Those now alone
Are going to remain so through this estranging season
Of reading, of writing emails as detailed as letters,
Of watching dry leaves grow sodden on empty pavements.
Rilke said this in lines that I last read in Edinburgh
With my most beautiful aunt in her later age
When, many things gone, she remembered those verse in German.
~Peter Davidson “September Castles”

Enter autumn as you would 
a closing door. Quickly, 
cautiously. Look for something inside 
that promises color, but be wary 
of its cast — a desolate reflection, 
an indelible tint.
~Pamela Steed Hill  “September Pitch”

Summer has packed up, and moved on without bidding adieu or looking back over its shoulder. Cooling winds have carried in darkening clouds. I gaze upward to see and smell the change.  Rain has fallen, long overdue, yet there is temptation to bargain for a little more time.  Though we needed this good drenching, there are still potatoes to pull from the ground, apples and pears to pick, tomatoes not yet ripened, corn cobs too skinny to pick. 

I’m just not ready to wave goodbye to sun-soaked clear skies.

The overhead overcast is heavily burdened with clues of what is coming: earlier dusk, the feel of moisture, the deepening graying hues, the briskness of breezes, the inevitable mud and mold.  There is no negotiation possible. I need to steel myself and get ready, wrapping myself in the soft shawl of inevitability.

So autumn advances with the clouds, taking up residence where summer left off. Though there is still clean up of the overabundance left behind, autumn will bring its own unique plans for an exhilarating display of a delicious palette of hues.

Lord, the time has come. The truth is we’ve seen nothing yet.

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Blossoming with Loss

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I let her garden go.
let it go, let it go
How can I watch the hummingbird
Hover to sip
With its beak’s tip
The purple bee balm—whirring as we heard
It years ago?
The weeds rise rank and thick
let it go, let it go
Where annuals grew and burdock grows,
Where standing she
At once could see
The peony, the lily, and the rose
Rise over brick
She’d laid in patterns. Moss
    let it go, let it go
Turns the bricks green, softening them
By the gray rocks
Where hollyhocks
That lofted while she lived, stem by tall stem,
Blossom with loss.
~Donald Hall, “Her Garden” from White Apples and the Taste of Stone

photo by Josh Scholten

As fall now brings gray mornings
heavy with clouds
and tear-streaked windows,
I pause, melancholy
at the passage of time.

Whether to grieve over
another hour passed
another breath exhaled
another broken heart beat

Or to climb my way
out of deepless dolor
by starting the work of
planting next spring’s garden

It takes sweat
and dirty hands
and yes,
tears from heaven
to make it flourish,
but even so
– just maybe –
my memories
so carefully planted like seeds
might blossom fully
from the soil of loss.

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