Category: War

A Painful Wuthering

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Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.
I shall smile when wreaths of snow
Blossom where the rose should grow;
I shall sing when night’s decay
Ushers in a drearier day.
~Emily Brontë “Fall, Leaves, Fall”

It was not the thorn bending to the honeysuckles, but the honeysuckles embracing the thorn.
~Emily Brontë from Wuthering Heights

The loudest crows
cawing over the tops of the oaks
call me to autumn already,
and though my back is to the window,

I know the sky must be a gray wuthering,
and the curlews are crying. The wind
must be moaning as it goes sweeping
across heath and moors and the spikes
of purple heather thousands of miles away
from where my body sits; yet

I feel the gorse
grazing my ankles as I go.
~Andrea Potos “Brontean Morning” from Her Joy Becomes

I avoid watching sad movies and will close a book that is clearly heading for a weepy ending.

I don’t need to wrap myself around things that hurt when there is enough sadness and pain in the world already. Deep emotion sticks to me like velcro, even when I know the tragedy is not my own. I take it on as if it is.

As a result, the Brontë novel Wuthering Heights is not my cup of tea. I suffered through the book as well as the movie versions. It is grim with wild, destructive passions that only lead to more sorrow. I become immersed in those desperately gray “wuthering” scenes feeling the sharp thorns of the words I read that end up drawing blood from me.

But most suffering is not at all fictional. When I become aware of tragedy happening far away, when the hurricane leaves behind terrible devastation or bombs and bullets rip communities to shreds, even though there is little I can physically do to help, I can’t turn away and not look. I can’t close the book that makes me sad and uncomfortable.

I too must feel the hurt, embracing the thorns rather than avoiding them.

Jesus did just that, taking it all upon Himself. He never turned away and still, now, today, He is pierced, bloodied for our sake.

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Let the Years Be Kind

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Just down the road… around the bend,
Stands an old empty barn; nearing the end.
It has sheltered no animals for many years;
No dairy cows, no horses, no sheep, no steers.
The neigh of a horse; the low of a cow;
Those sounds have been absent for some time now.
There was a time when the loft was full of hay,
And the resounding echoes of children at play.
At one time the paint was a bold shade of red;
Gradually faded by weather and the sun overhead.
The doors swing in the wind… the hinges are loose,
Windows and siding have taken a lot of abuse.
The fork, rope and pulleys lifted hay to the mow,
A task that always brought sweat to the brow.
But those good days are gone; forever it seems,
And that old barn now stands with sagging beams.
It is now home to pigeons, rats and mice;
The interior is tattered and doesn’t look very nice.
Old, abandoned barns have become a trend,
Just down the road… around the bend.
~Vance Oliphant “Old Barn”

We will call this place our home
The dirt in which our roots may grow
Though the storms will push and pull
We will call this place our home

We’ll tell our stories on these walls
Every year, measure how tall
And just like a work of art
We’ll tell our stories on these walls

Let the years we’re here be kind, be kind
Let our hearts, like doors, open wide, open wide
Settle our bones like wood over time, over time
Give us bread, give us salt, give us wine

A little broken, a little new
We are the impact and the glue
Capable more than we know
To call this fixer upper home

With each year, our color fades
Slowly, our paint chips away
But we will find the strength
And the nerve it takes
To repaint and repaint and repaint every day

Let the years we’re here be kind, be kind
Let our hearts, like doors, open wide, open wide
Settle our bones like wood over time, over time

Give us bread, give us salt, give us wine
Let the years we’re here be kind, be kind
Let our hearts, like doors, open wide, open wide
Settle our bones like wood over time, over time

Give us bread, give us salt, give us wine
Give us bread, give us salt, give us wine

Smaller than dust on this map
Lies the greatest thing we have
The dirt in which our roots may grow
And the right to call it home
~Ryan O’Neal “North” (listen to the choral versions below)

Each of us needs a home.
Every creature needs a place to put down roots and rest their head.

Yet, due to ravages of time,
a poverty of spirit and strength,
discouragement and discord,
natural disasters and drought,
or the devastation of politics and war —
too many find themselves chipped away until nothing is left.

It is time for restoration. It is time for renewal.

It is time for kindness:
the broken repaired,
the lonely made welcome,
the hungry fed.

Somehow, someway, we rebuild, repaint and restore
so all put down roots and thrive
and are welcomed home.

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The Oldest Tree

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Lately, when I awake desolate
feeling half-swamped
by runaway currents I name—
dread, for my children, and theirs,
and this planet—I backstroke
through time to rest my palms
against the delicate skin
of the gingko tree, the one
and only, in my home town.
Rooted in siltish sand,
come autumn, it flaunted
10,000 golden fans:
a waving descendant my uncle said,
of the oldest tree
to inhabit the earth. Memory
replays three fluting sighs
of a mourning dove, high in the canopy,
that vast fretwork alive again
with rustling endearments—yet
ghostly, too, as his unseen hand
almost rocks my skiff of a self.
~Laurie Klein “Lately, when I awake desolate”

So many reasons to awake in the night,
eyes wide open, searching the dark seas of trouble
for some sign of hope
for calm and peace in this stormy world.

Rocked to sleep again, I float among abundant
golden gingko leaves, each waving like a sail in the breeze,
before it tumbles, swirling, to the ground, forming
deeply cushioned and comforting pools of yellow.

Navigating these brutal times, desperate to
anchor within some safer harbor – I treasure
the old ginkgo as it reaches over each cherished child
with its golden cloak of love and protection.

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A Mind Blurred

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For all
the pain

passed down
the genes

or latent
in the very grain

of being;
for the lordless

mornings,
the smear

of spirit
words intuit

and inter;
for all

the nightfall
neverness

inking
into me

even now,
my prayer

is that a mind
blurred

by anxiety
or despair

might find
here

a trace
of peace.
~Christian Wiman “Prayer” from Once in the West

We all have times when nothing makes sense. The mind blurs with stress or fear or a sense of unreality – all focus is lost and the world becomes simultaneously fuzzy and prickly.

If that happens here in these pages, through these words and photos I share, it is because I need reminding: things often don’t make sense to me when tragedy, pain and suffering happen to people on the other side of the earth, or just down the road from here, or to those I love.

Or to me.

It still makes sense to God. He has clear vision I will never have.

He doesn’t make bad things happen; He grieves it too.
He is the focus when all else is blurry.

God calls to us out of the haze that obscures. Only then peace begins.

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Under the Sheen

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So many want to be lifted by song and dancing,
and this morning it is easy to understand.
I write in the sound of chirping birds hidden
in the almond trees, the almonds still green
and thriving in the foliage. Up the street,
a man is hammering to make a new house as doves
continue their cooing forever. Bees humming
and high above that a brilliant clear sky.
The roses are blooming and I smell the sweetness.
Everything desirable is here already in abundance.
And the sea. The dark thing is hardly visible
in the leaves, under the sheen. We sleep easily.
So I bring no sad stories to warn the heart.
All the flowers are adult this year. The good
world gives and the white doves praise all of it.
~Linda Gregg, “A Dark Thing Inside the Day” from The Sacraments of Desire

Sometimes, hard-trying, it seems I cannot pray–
For doubt, and pain, and anger, and all strife.
Yet some poor half-fledged prayer-bird from the nest
May fall, flit, fly, perch–crouch in the bowery breast
Of the large, nation-healing tree of life;–
Moveless there sit through all the burning day,
And on my heart at night a fresh leaf cooling lay.
~George MacDonald from Diary of an Old Soul

My cracks seem to expand with age:
do they not heal as quickly
or am I simply more brittle than before?

I know how my eyes leak over the beauty of the morning,
my heart feels more porous
then world events break me to bleeding.

Yet the Light pours in the cracks
to illuminate wounds old and new.
Let the world know, let the world know,
after a hurt comes healing.

May I become the perfect offering.

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The birds they sang
At the break of day
Start again
I heard them say
Don’t dwell on what
Has passed away
Or what is yet to be

Ah the wars they will
Be fought again
The holy dove
She will be caught again
Bought and sold
And bought again
The dove is never free

You can add up the parts
but you won’t have the sum
You can strike up the march,
there is no drum
Every heart, every heart
to love will come
but like a refugee.

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That’s how the light gets in.
~Leonard Cohen from “Anthem”

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Spiking the Summer Air

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Against the rubber tongues of cows and the hoeing hands of men
Thistles spike the summer air
Or crackle open under a blue-black pressure.

Every one a revengeful burst
Of resurrection, a grasped fistful
Of splintered weapons and Icelandic frost thrust up

From the underground stain of a decayed Viking.
They are like pale hair and the gutturals of dialects.
Every one manages a plume of blood.

Then they grow grey, like men
Mown down, it is a feud. Their sons appear,
Stiff with weapons, fighting back over the same ground.
~Ted Hughes “Thistles”

Sheep will not eat it
nor horses nor cattle
unless they are starving.
Unchecked, it will sprawl over
pasture and meadow
choking the sweet grass
defeating the clover
until you are driven
to take arms against it
but if unthinking
you grasp it barehanded
you will need tweezers
to pick out the stickers.

Outlawed in most Northern
states of the Union
still it jumps borders.
Its taproot runs deeper
than underground rivers
and once it’s been severed
by breadknife or shovel
—two popular methods
employed by the desperate—
the bits that remain will
spring up like dragons’ teeth
a field full of soldiers
their spines at the ready.

Bright little bursts of
chrome yellow explode from
the thistle in autumn
when goldfinches gorge on
the seeds of its flower.
The ones left uneaten
dry up and pop open
and parachutes carry
their procreant power
to disparate venues
in each hemisphere
which is why there will always
be thistle next year.
~Maxine Kumin “Why There Will Always Be Thistle Next Year” from The Long Marriage

Summer will grow old
As will the thistle, letting
A clenched bloom unfold

To which the small hum
Of bee wings and the flash of
Goldfinch wings will come,

Till its purple crown
Blanches, and the breezes strew
The whole field with down.
~Richard Wilbur “A Pasture Poem” from Anterooms

Thistle is armored, deeply rooted, and relentless in its self-defense, very much like enemies facing off in the human wars of our current and past history.

Highly invasive, thistle produces downy tasty dancing seeds ready to soar far in their effort at world domination. Generation after generation of thistles persist due to these vulnerable ballerinas’ flight to the next available patch of soil.

Unlike thistle, may we thrive with determined persistence, without need for spikes and thorny spines that attack and draw blood. May we instead exude a vulnerable softness and grace — fluffy and tender as a baby blanket meant to cradle and nurture rather than maim and cripple.

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A Gathered Radiance

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I am not resigned to the shutting away
Of loving hearts in the hard ground.
So it is, and so it will be, for so it has been, time out of mind:
Into the darkness they go, the wise and the lovely.  Crowned
With lilies and with laurel they go; but I am not resigned.
Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.
A fragment of what you felt, of what you knew,
A formula, a phrase remains,—but the best is lost.
The answers quick and keen, the honest look, the laughter, the love,— They are gone.  They are gone to feed the roses. 
Elegant and curled
Is the blossom.  Fragrant is the blossom.  I know. 
But I do not approve.
More precious was the light in your eyes
Than all the roses in the world.
Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know.  But I do not approve.  And I am not resigned.
~Edna St. Vincent Millay “Dirge Without Music”

These hearts were woven of human joys and cares,
Washed marvelously with sorrow, swift to mirth.
The years had given them kindness. Dawn was theirs,
And sunset, and the colors of the earth.

These had seen movement, and heard music; known
Slumber and waking; loved; gone proudly friended;
Felt the quick stir of wonder; sat alone;
Touched flowers and furs and cheeks. All this is ended.

There are waters blown by changing winds to laughter
And lit by the rich skies, all day. And after,
Frost with a gesture, stays the waves that dance
And wandering loveliness. He leaves a white
Unbroken glory, a gathered radiance,
A width, a shining peace, under the night.
~Rupert Brooke “All This is Ended”

Each Memorial Day weekend without fail,
we gather with family, have lunch, reminisce,
and trek to a cemetery high above Puget Sound
to catch up with our relatives who lie there still.
Some for well over 100 years, some too recent,
some we knew and loved and miss every day,
others not so much, unknown to us
except on genealogy charts,
their names and dates and these stones
all that is left of them:

the red-haired great-grandmother who died too young,
the aunt who was eight with lymphoma,
the Yukon river boat captain,
the logger and stump farmer,
the unmarried teacher who bequeathed an oil well to her church,
the two in-laws who lie next to each other
but could not co-exist in the same room while they lived and breathed.

Yet we know each of these
(as we know ourselves and others)
was tender and kind, though flawed and broken,
was beautiful and strong, though wrinkled and frail,
was hopeful and faithful, though too soon in the ground.

We know this about them
as we know it about ourselves:
someday we too will feed roses,
the light in our eyes transformed into elegant swirls
emitting the fragrant scent of heaven.

No one asks if we approve.
Nor am I resigned to this but only know:
So it is, so it has been, so it will be.

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“They were so young” – poem written by Garrison Keillor

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Dreaming of Home

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In great deeds, something abides. 
On great fields, something stays. 
Forms change and pass; bodies disappear; 
but spirits linger, to consecrate ground for the vision-place of souls. 
And reverent men and women from afar, 
and generations that know us not and that we know not of, 
heart-drawn to see where and by whom great things were suffered and done for them, shall come to this deathless field, 
to ponder and dream; and lo!
the shadow of a mighty presence shall wrap them in its bosom, 
and the power of the vision pass into their souls. 
This is the great reward of service. 
To live, far out and on, in the life of others;
this is the mystery of the Christ,
–to give life’s best for such high sake
that it shall be found again unto life eternal.
~Major-General Joshua Chamberlain, Gettysburg, Pennsylvania 1889

The sunlight now lay over the valley perfectly still.
I went over to the graveyard beside the church
and found them under the old cedars…
I am finding it a little hard to say that I felt them resting there, but I did…

I saw that, for me, this country would always be populated
with presences and absences,
presences of absences,
the living and the dead.
The world as it is
would always be a reminder
of the world that was,
and of the world that is to come.
~Wendell Berry in Jayber Crow

A box of over 700 letters, exchanged between my parents from late 1941 to mid-1945, sat unopened for decades until last year. I started reading.

My parents barely knew each other before marrying quickly on Christmas Eve 1942 – the haste due to the uncertain future for a newly trained Second Lieutenant in the Marine Corps. They only had a few weeks together before she returned home to her rural teaching position and he readied himself to be shipped out for the island battles to come.

They had no idea they would not see each other for another 30+ months or even see each other again at all. They had no idea their marriage would fall apart 35 years later and they would reunite a decade after the divorce for five more years together.

The letters do contain the long-gone but still-familiar voices of my parents, but they are the words and worries of youngsters of 20 and 21, barely prepared for the horrors to come from war and interminable waiting. When he was fighting battles on Tarawa, Saipan, and Tinian, no letters or news would be received for a month or more, otherwise they tried to write each other daily, though with minimal news to share due to military censorship. They speak mostly of their desire for a normal life together rather than a routine centered on mailbox, pen and paper and waiting, lots and lots of waiting.

I’m not sure what I hoped to find in these letters. Perhaps I hoped for flowery romantic whisperings and the poetry of longing and loneliness. Instead I am reading plain spoken words from two people who desperately wanted to have a home together. They somehow made it through those awful years to make my sister and brother and myself possible.

Our inheritance is contained in this musty box of words bereft of poetry. But decades later my heart is moved by these letters – I carefully refold them back into their envelopes and replace them gently back in order. A six cent airmail stamp – in fact hundreds and hundreds of them – was a worthwhile investment in the future, not only for themselves and their family to come, but for generations of U.S. citizens who tend to take their freedom for granted.

Thank you, Dad and Mom, for what you gave up to make today possible.

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I hear the mountain birds
The sound of rivers singing
A song I’ve often heard
It flows through me now
So clear and so loud
I stand where I am
And forever I’m dreaming of home
I feel so alone, I’m dreaming of home

It’s carried in the air
The breeze of early morning
I see the land so fair
My heart opens wide
There’s sadness inside
I stand where I am
And forever I’m dreaming of home
I feel so alone, I’m dreaming of home

This is no foreign sky
I see no foreign light
But far away am I
From some peaceful land
I’m longing to stand
A hand in my hand
…forever I’m dreaming of home
I feel so alone, I’m dreaming of home
~Lori Barth and Philippe Rombi “I’m Dreaming of Home”

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Fearsome Things to See

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Not much to me is yonder lane  
 Where I go every day;  
But when there’s been a shower of rain  
 And hedge-birds whistle gay,  
I know my lad that’s out in France
 With fearsome things to see  
Would give his eyes for just one glance  
 At our white hawthorn tree.

   .    .    .    .  

Not much to me is yonder lane  
 Where he so longs to tread:
But when there’s been a shower of rain  
I think I’ll never weep again  
 Until I’ve heard he’s dead.
~Siegfried Sassoon “The Hawthorn Tree”

I drove West
in the season between seasons.
I left behind suburban gardens.
Lawnmowers.  Small talk.

Under low skies, past splashes of coltsfoot,
I assumed
the hard shyness of Atlantic light
and the superstitious aura of hawthorn.

All I wanted then was to fill my arms with
sharp flowers,
to seem from a distance, to be part of
that ivory, downhill rush.  But I knew,

I had always known,
the custom was
not to touch hawthorn.
 Not to bring it indoors for the sake of

the luck
such constraint would forfeit–
a child might die, perhaps, or an unexplained
fever speckle heifers.  So I left it

stirring on those hills
with a fluency
only water has.  And, like water, able
to redefine land.  And free to seem to be–

for anglers,
and for travellers astray in
the unmarked lights of a May dusk–
the only language spoken in those parts.
~Eavan Boland “White Hawthorn in the West of Ireland”

The bird-sowed hawthorn bush along the lane to our back field has suddenly become a blooming tree, staking out its place alongside the trail the horses follow to their pasture. This May, it is a white flame against the dark woods.

Though we didn’t intend for it to be there, we’ll leave it be. Hawthorns are great bird habitat and a haven for honeybees. They are found in most hedge rows in the United Kingdom, impenetrable due to their fierce thorns and criss-cross network of branches, a historic symbol of the toughness and persistence of the Celtic people. Though we don’t need a hedge row here, I appreciate the tree’s reminder it has a place in myth and lore.

It will never be a hospitable tree like the lone fir tree that graces our hill, or the big leaf maple where children climb, or the black walnut whose branches support the treehouse. But it will be a white beacon every May, portending the summer to come, and if it bears fruit, it will feed the birds that nest in its interior.

And like the poem written by WWI soldier/poet Sassoon, it will be a bittersweet reminder of the familiar comfort of home, even though sharp thorns abound among the blossoms. Those thorns are nothing compared to the despair found in the fearsome trenches of warfare.

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Siegfried Sassoon’s handwritten poem

along fair Arran’s shores
the swans sing soft of tale of yore,
of a young love taken to sea

the two were hand in glove
like sparrows bound in sacred love
a tune that only they can sing

a tree of unity
they planted by the green eyed sea
the branch would hold their love through time

a sailor lad was he
he said,”dont cry my lovely, mhari
before the moon is full i’ll return”

I’ll wait for thee and she sang to him

the moon shone full and bright
and home he sailed mid-summers night
the tree so young and blossoming

they slept among the green
the world was light and dreams serene
the fires in their hearts burned bright

Where moss-grown boulders stand,
he took her by the lily hand
and there they wed at break of day

the seas know not of hearts
and once again the two must part.
“it wont be long, i swear to thee.

please wait for me.”
and she sang to him

The hawthorn tree has grown,
10 years she walked shores alone,
she hears his whisper in the leaves

Home is the sailor lad,
home in the sea, forever plaid,
Under the wide and starry sky

Yes, I will wait for thee,
By mountain, sea and tree;
And on the wind you’ll hear my love,

for at the fall of day
Beneath the leaves where once we lay
I’ll sit and sing i’ll wait for thee

come back to me….
music and lyrics by Fae Wiedenhoeft

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And Through Eternity: Facing the Storm

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A front of thunderstorms had sought you out.
It vowed to run a diabolical
black line through all that you were sure about—
the ordinary, sane, the sensible.
You raced to get the loose stuff off the lawn,
with purpose rearranged and stacked the chairs,
relieved, almost, when the phenomenon
of gray-green storm clouds simplified your cares.
And though it couldn’t miss, it kind of did.
Darkness at noon gave way to sun at one.
Catastrophe and doom had been short-lived.
Embarrassed that your fears were overblown,
you faced your mundane day-to-day concerns,
vaguely upset that normalcy returns.
~Robert Crawford “Squall”

Beneath our clothes, our reputations, our pretensions,
beneath our religion or lack of it,
we are all vulnerable both to the storm without
and to the storm within.
~Frederick Buechner – from Telling the Truth

I watch the storm fronts roll in, threatening my outside and inside: heavy damaging winds, thunder and lightning, torrential unpredictable rains, mudslides, horrible forest fires destroying what is familiar and routine.

Inside my own head, the storm clouds of news headlines overpower day-to-day mundane concerns: devastating wars and violence, crime and protests, homelessness, rampant starvation and disease, man’s ongoing inhumanity to man.

I want to hide under a rock until the storms inside and outside blow over.

In the midst of the tempest — while wars rage on the planet, while a bitter election season is underway — a miracle may be wrought.
Brilliant light exposes how heaven weeps from heavy clouds. A rainbow touches the earth in holy promise.

God assures His people: this storm too will pass, even the storms of our own making. Darkness is overcome by Light.

Painting of snowy Cascades by John Hoyte

He stilled the storm to a whisper;
    the waves of the sea were hushed.
They were glad when it grew calm,
    and he guided them to their desired haven.
Psalm 107:29-30

This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”

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