That’s You

She wasn’t looking
when they took this picture:
sitting on the grass
in her bare feet
wearing a cotton dress,
she stares off to the side
watching something on the lawn
the camera didn’t catch.
What was it?
A ladybug? A flower?
Judging from her expression,
possibly nothing at all,
or else
the lawn was like a mirror,
and she sat watching herself,
wondering who she was
and how she came to be there
sitting in this backyard,
wearing a cheap, white dress,
imagining that tomorrow
would be like all her yesterdays,
while her parents chatted
and watched, as I do
years later,
too distantly to interfere.
~Dana Gioia, “Photograph of My Mother as a Young Girl” from Daily Horoscope

Seeing photos
of ancestors
a century past

is like looking
at your own
fingerprints—

circles 
and lines
you can’t 
recognize

until someone else
with a stranger’s eye
looks close and says
that’s you.
~Joseph Bruchac, “Prints” from Sing: Poetry from the Indigenous Americas.

Growing up, it was never obvious to me that I looked like either one of my parents. Once, as a naughty kid, I told them I thought I was adopted as there wasn’t a single photo to be found of my mother looking pregnant (never mind that few women in the 50’s allowed themselves to be photographed pregnant).

Searching the faces of extended family in old photographs, others would comment on the facial similarities between my young mother and me.

And indeed, the older I have become, the more I see my mother looking back at me in the mirror.

The characteristics I inherited from my father aren’t as obvious in the mirror: his persistence and problem-solving, his inability to ever fully relax, his drive to get things done and not give up.

So, yes, that is me in the photos of my mother taken nearly a century ago, as well as those taken not so long ago.

I now recognize me in those photos, grateful to resemble such a loving and lovely mom.

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Calling from the Wind Phone

The pain I feel now is the happiness I had before. That’s the deal.
~C.S. Lewis
from A Grief Observed

the rubble still piled on the beach at Tohoku, Japan, a year after the 3/11/11 tsunami

In the wrecked landscape
of Fukushima

a white telephone booth
shines

with many panes of glass
in the hinged door

and a man steps in
dials the cell number

of his wife’s phone,
of course unanswering—

she was swept away
in the tsunami,

a photo in the paper
shows her sitting outside

on a blanket, knees
up, rocking back in laughter.

I pick up the black
receiver, still warm

from his hand, dialing
my sister’s number I used

to know by heart.
No answer from the sea

or her, just the whirling sound
of blood pounding in my ear.
~Patricia Clark “The Wind Phone”

photo by Nate Gibson at Sendai, Japan
photo by Nate Gibson 11/11
photo by Nate Gibson 11/11
photo by Nate Gibson of Sendai rubble pile 11/11

My life closed twice before its close;
It yet remains to see
If immortality unveil
A third event to me

So huge, so hopeless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.

~Emily Dickinson “Parting”

Original windphone is Otsuchi Garden, Japan

In 2012, we stayed with our friends Brian and Bette at their cabin on a bluff just above the Pacific Ocean at Sendai, Japan, just a few dozen feet above the devastation that wiped out an entire fishing village below during the 3/11/11 earthquake and tsunami.

As we walked that stretch of beach, we heard the stories of the people who had lived there, some of whom did not survive the waves that swept their houses and cars away before they could escape. We walked past the footprints of foundations of hundreds of demolished homes, humbled by the rubble mountains yet to be hauled away a year later, to be burned or buried. There were acres of wrecked vehicles piled one on another, waiting to become scrap metal.

It was visual evidence of life so suddenly and dramatically disrupted and carried away.

This had been a place of recreation and respite for some who visited regularly, commerce and livelihood for others who stayed year round and, in ongoing recovery efforts, struggling to be restored to something familiar. Yet it looked like a foreign ghostly landscape. Many trees perished, lost, broken off, fish nets still stuck high on their scarred trunks. There were small memorials to lost family members within some home foundations, with stuffed animals and flowers wilting from the recent anniversary observance.

Tohoku is a powerful place of memories for those who still live there and know what it once was, how it once looked and felt, and painfully, what it became in a matter of minutes on 3/11/11. The waves swept in inexplicable suffering, then carried their former lives away. Happiness gave ground to such terrible pain that could never have hurt as much without the joy and contentment that preceded it.

We are tempted to ask God why He doesn’t do something about the suffering that happened in this place or anywhere a disaster occurs –but if we do, He will ask us the same question right back. We need to be ready with our answer and our action.

God knows suffering. Far more than we do. He took it all on Himself, feeling His pain amplified, as it was borne out of His love and joy in His creation.

This beautiful place, and its dedicated survivors have slowly recovered, but the inner and outer landscape is forever altered. What remains the same is the pulsing tempo of the waves, the tides, and the rhythm of the light and the night, happening just as originally created.

With that realization, pain will finally give way, unable to stand up to His love, His joy, and our response to His sacrifice.

We can call Him up anytime and anywhere.

bent gate at Sendai beach -2012
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The Healing Crack in the Coil

Needing them still, I come
when I can, this time to the sea
where we share a room: their double bed,
my single. Morning fog paints the pale
scene even paler. Lace curtains breathing,
the chenille spread folded back,
my father’s feet white sails furled
at the edge of blue pajamas.
Every child’s dream, a parent
in each hand, though this child is fifty.
Their bodies fit easily, with room
to spare. When did they grow
so small? Grow so small—
as if it were possible to swell
backwards into an earlier self.


One more year, I ask the silence.
Last night to launch myself
into sleep I counted their breaths, the tidal
rise and fall I now put my ear to,
the coiled shell of their lives.
~Rebecca McClanahan from “Watching my Parents Sleeping Beside an Open Window Near the Sea” from Deep Light: New and Selected Poems.

“Her Room” by Andrew Wyeth in the Farnsworth Art Museum

My parents have been gone now for some time, my father 30 years, my mother, nearly 17 years. Their dying was a long process of counted breaths and pauses. I witnessed their bodies curling into themselves, shrinking smaller, worn down by illness and age.

I still miss them as I’m reminded of them by the events of my own life, still wanting them to take me by the hand as I navigate my own daily path.

After mom’s death, those possessions not distributed to family members have remained packed up and stored in our barn buildings. I know it is well past time to deal with their stuff as I become keenly aware of my own graying and aging.

In the house, next to where I write, is a box of over 500 letters written by my mother and father between 1941 and 1945. The letters began as they were getting to know each other at college, going from “pinned” to “engaged” and continue for three and a half more years after a hurried wedding Christmas Eve 1942. By mid-January 1943, my newly minted Marine officer father shipped out to spend the next three years of his life fighting on the battlefields of Saipan, Tinian and Tarawa in the Pacific Ocean, not to return again to the states until late summer of 1945.

My mother wrote her letters from the small rural eastern Washington community of Colville, living in a “teachers’ cottage” with other war wives who taught school while waiting for their husbands to return home – or not.

It took me a decade to find the courage and time to devote to reading these letters they treasured and never threw away. I sorted them unopened by postmark date into some semblance of order and sat down to start at the very beginning, which, of course, is my beginning as well. I opened each one with some trepidation and a lump in my throat about what I might find written there. I worried I may find things I didn’t want to know. I hoped I would find things that I desperately needed to know.

Most of all I wanted to understand the two people who became my parents within the coiled shell of their forty years together, though broken by a painful divorce which lasted a decade. Having lived through that awful time with them, I want to understand the origin of a love which eventually mended their cracked shell of companionship, gluing them back together for five more years before my father died.

As I ponder their words, I too cross a bridge back to them both, my ear pressed to the coiled shell of those fading voices, as if I might still hear the sea, at times bringing them closer, then pulling them farther away.

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The Irony of the Search

On Sundays,
when the rain held off,
after lunch or later,
I would go with my twelve year old
daughter into town,
and put down the time
at junk sales, antique fairs.

There I would
lean over tables,
absorbed by
lace, wooden frames,
glass. My daughter stood
at the other end of the room,
her flame-coloured hair
obvious whenever—
which was not often—


I turned around.
I turned around.
She was gone.
Grown. No longer ready
to come with me, whenever
a dry Sunday
held out its promises
of small histories. Endings.


Spirit of irony,
my caustic author
of the past, of memory,—


and of its pain, which returns
hurts, stings—reproach me now,
remind me
that I was in those rooms,
with my child,
with my back turned to her,
searching—oh irony!—
for beautiful things.

~Eavan Boland from “The Necessity for Irony” in The Lost Land.

How is it we look past the golden treasure
right in front of us,
the beauty gifted generously to us,
to pursue the glittery with no value in the long run?

If my history of misplaced focus be forgiven,
it is only because of your own golden and generous grace –
ironically, always the most beautiful object of my searching.

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You Can Have an Abundant August

But you can have the fig tree and its fat leaves like clown hands
gloved with green. You can have the touch of a single eleven-year-old finger on your cheek, waking you at one a.m. to say the hamster is back.


You can have the purr of the cat and the soulful look
of the black dog, the look that says, If I could I would bite
every sorrow until it fled, and when it is August,
you can have August and abundantly so. You can have love,
though often it will be mysterious, like the white foam
that bubbles up at the top of the bean pot over the red kidneys
until you realize foam’s twin is blood.


You can speak a foreign language, sometimes,
and it can mean something. You can visit the marker on the grave
where your father wept openly. You can’t bring back the dead,
but you can have the words forgive and forget hold hands
as if they meant to spend a lifetime together.


You can have your grandfather sitting on the side of your bed,
at least for a while, you can have clouds and letters, the leaping
of distances, and Indian food with yellow sauce like sunrise.


You can’t count on grace to pick you out of a crowd
but here is your friend to teach you how to high jump,
how to throw yourself over the bar, backwards,
until you learn about love, about sweet surrender,
and here are periwinkles, buses that kneel, farms in the mind
as real as Africa.


And when adulthood fails you,
you can still summon the memory of the black swan on the pond
of your childhood, the rye bread with peanut butter and bananas
your grandmother gave you while the rest of the family slept.
There is the voice you can still summon at will, like your mother’s,
it will always whisper, you can’t have it all,
but there is this.
~Barbara Ras from “You Can’t Have It All” from Bite Every Sorrow

My pragmatic mother gave up her teaching career for marriage and family so would remind me regularly that I couldn’t have it all:
there was no way a woman can have a husband and children and a farm and a garden and animals and a profession and write and travel and volunteer in the community and not make a mess of it all and herself.

My father would listen to her and say to me softly under his breath: “you do whatever you put your mind to…you know what you are here for.”

They were both right.

The alluring abundance of this life has invited me to want to touch and feel and taste it all, not unlike another woman who was placed with purpose in the Garden to be a side-by-side companion and co-worker. Yet she demonstrated what happens when you want more than you are given and yes, she indeed made a mess of things.

Yet there is this:
despite wanting it all and working hard for it all
and believing I could do it all,
I missed the point altogether.

Life is all gift, never earned.
Life is all grace, not deserved.
It is all August abundance,
it is right now,
sustaining us through the year’s
droughts and floods and storms and drab gray weather.

And there is this:
I know what I am here for.

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When All Is Said…

A butterfly dancing in the sunlight,
A bird singing to his mate,
The whispering pines,
The restless sea,
The gigantic mountains,
A stately tree,
The rain upon the roof,
The sun at early dawn,
A boy with rod and hook,
The babble of a shady brook,
A woman with her smiling babe,
A man whose eyes are kind and wise,
Youth that is eager and unafraid—
When all is said, I do love best
A little home where love abides,
And where there’s kindness, peace, and rest.

~Scottie McKenzie Frasier “The Things I Love”

When all is said and done,
I love best the people
who bring kindness, peace and rest
to the little house
we call home.

It is enough
and everything.

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As Gloom and Brightness Meet

In the grey summer garden I shall find you 
With day-break and the morning hills behind you. 
There will be rain-wet roses; stir of wings; 
And down the wood a thrush that wakes and sings. 
Not from the past you’ll come, but from that deep
Where beauty murmurs to the soul asleep: 
And I shall know the sense of life re-born 
From dreams into the mystery of morn 
Where gloom and brightness meet. And standing there 
Till that calm song is done, at last we’ll share
The league-spread, quiring symphonies that are 
Joy in the world, and peace, and dawn’s one star. 
~Siegfried Sassoon “Idyll”

Seventy-one years ago today was a difficult day for both my mother and me.

She remembered it was a particularly hot July 4 with the garden coming on gangbusters and she having quite a time keeping up with summer farm chores. With three weeks to go in her pregnancy, her puffy legs were aching and she wasn’t sleeping well.

She was almost done gestating, with the planned C-section scheduled a few days before my due date of August 1.

She and my dad and my sister had waited eight long years for this pregnancy, having given up hope, having already chosen an infant boy to adopt, the papers signed and waiting on the court for the final approval. They were ready to bring him home when she discovered she was pregnant and the adoption agency gave him to another family.

I’ve always wondered where that little boy ended up, his life trajectory suddenly changed by my unexpected conception. I feel responsible, hoping and praying his life was blessed in another adoptive home.

Every subsequent July 4, my mother would tell me about July 4, 1954 when I was curled upside down inside her impatiently kicking her ribs in my attempts to stretch, hiccuping when she tried to nap, and dozing as she cooked the picnic meal they took to eat while waiting for the local fireworks show to start.

As I grew up, she would remind me as I cringed and covered my ears as fireworks shells boomed overhead, that in 1954 I leapt, startled, inside her with each explosion. She wondered if I might jump right out of her, so she held onto her belly tight, trying to calm and reassure me. Perhaps I was justifiably fearful about what chaos was booming on the outside, as I remained securely inside until the doctor opened Mom up three weeks later.

Now I know I am meant for quieter things, greeting the mystery of each morning with as much calm as I can muster. I still cringe and jump at fireworks and recognize I was blessed to be born to a family who wanted me and waited for me, in a country that had just fought a terrible war. Each child born in those post-war years was a testament to the survival of the American spirit and hope for the future.

Our country now has lost its way in caring first and foremost
for the poor, the ill, the hungry, the helpless, the homeless,
not only within our borders, but as an outreach beyond our shores to those countries where our help has saved millions of lives.

Will there ever come a day when a baby born in this world will not be threatened with starvation, potentially fatal yet preventable pathogens, or the devastation of war?

Where gloom and brightness meet:
defining the drawn lines and borders
around and within our country right now…

partial lyrics:
And I don’t know a soul who’s not been battered
I don’t have a friend who feels at ease
I don’t know a dream that’s not been shattered
Or driven to its knees

But it’s alright, it’s alright
For we lived so well so long
Still, when I think of the
Road we’re traveling on
I wonder what’s gone wrong
I can’t help it, I wonder what has gone wrong

Text: Where charity and love are, God is there.

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Renewed Pulse

The cold remote islands
And the blue estuaries
Where what breathes, breathes
The restless wind of the inlets,
And what drinks, drinks
The incoming tide;


Where shell and weed
Wait upon the salt wash of the sea,
And the clear nights of stars
Swing their lights westward
To set behind the land;


Where the pulse clinging to the rocks
Renews itself forever;
Where, again on cloudless nights,
The water reflects
The firmament’s partial setting;

—O remember
In your narrowing dark hours
That more things move
Than blood in the heart.

Louise Bogan “Night” from The Blue Estuaries

 I know what my heart is like
Since your love died:
It is like a hollow ledge
Holding a little pool
Left there by the tide,
A little tepid pool,
Drying inward from the edge.
~Edna St. Vincent Millay “Ebb”

My mother was 58 when my father left her for a younger woman. 

For months, she withered,
her heart broken, her pulse erratic,
crying until there were no more tears left.

She began drying inward from her edges
despite the ebbing and flowing
of her heartbeat.

It took ten years,
but he came back like an overdue high tide.  

She was sure her love had died
but that tepid pool refilled
with water cool to the touch,
yet overflowing.

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Feeling Them Resting There

The sunlight now lay over the valley perfectly still.
I went over to the graveyard beside the church
and found them under the old cedars…
I am finding it a little hard to say that I felt them resting there,

but I did…

I saw that, for me, this country would always be populated
with presences and absences,
presences of absences,
the living and the dead.
The world as it is

would always be a reminder
of the world that was,
and of the world that is to come.
~Wendell Berry in Jayber Crow

In great deeds, something abides. 
On great fields, something stays. 
Forms change and pass; bodies disappear; 
but spirits linger, 

to consecrate ground for the vision-place of souls. 

And reverent men and women from afar, 
and generations that know us not and that we know not of, 
heart-drawn to see where and by whom great things were suffered and done for them, shall come to this deathless field, 
to ponder and dream; and lo!

the shadow of a mighty presence shall wrap them in its bosom, 
and the power of the vision pass into their souls. 


This is the great reward of service. 
To live, far out and on, in the life of others;
this is the mystery of the Christ,

–to give life’s best for such high sake
that it shall be found again unto life eternal.

~Major-General Joshua Chamberlain, Gettysburg, Pennsylvania 1889

A box of over 700 letters, exchanged between my parents from late 1941 to mid-1945, sat unopened for six decades.

I started reading. I felt them resting in those inked words.

My parents barely knew each other before marrying quickly on Christmas Eve 1942 – the haste due to the uncertain future for a newly trained Second Lieutenant in the Marine Corps. They only had a few weeks together before she returned home to her rural teaching position and he readied himself to be shipped out for the island battles to come.

They had no idea they would not see each other for another 30+ months or even see each other again at all. They had no idea their marriage would fall apart 35 years later and they would reunite a decade after the divorce for five more years together before Dad died of cancer at age 73.

A presence of absence: the letters do contain the long-gone but still-familiar voices of my parents, but they are the words and worries of youngsters of 20 and 21, barely prepared for the horrors to come from war and interminable waiting. When he was fighting battles on Tarawa, Saipan, and Tinian, no letters or news would be received for a month or more, otherwise they tried to write each other daily, though with minimal news to share due to military censorship. They speak mostly of their desire for a normal life together rather than a routine centered on mailbox, pen and paper and waiting – lots and lots of waiting.

I’m not sure what I hoped to find in these letters. Perhaps I hoped for flowery romantic whisperings and the poetry of longing and loneliness. Instead I am reading plain spoken words from two people who somehow made it through those awful years to make my sister and brother and myself possible.

Our inheritance is contained in this musty box of words bereft of poetry. But decades later my heart is moved by these letters – I carefully refold them back into their envelopes and replace them gently back in order. A six cent airmail stamp – in fact hundreds and hundreds of them – was a worthwhile investment in the future, not only for themselves and their family to come, but for generations of U.S. citizens who tend to take their freedom for granted.

Thank you, Dad and Mom, for the early years together you gave up to make today possible for us and the generations to follow.

I hear the mountain birds
The sound of rivers singing
A song I’ve often heard
It flows through me now
So clear and so loud
I stand where I am
And forever I’m dreaming of home
I feel so alone, I’m dreaming of home

It’s carried in the air
The breeze of early morning
I see the land so fair
My heart opens wide
There’s sadness inside
I stand where I am
And forever I’m dreaming of home
I feel so alone, I’m dreaming of home

This is no foreign sky
I see no foreign light
But far away am I
From some peaceful land
I’m longing to stand
A hand in my hand
…forever I’m dreaming of home
I feel so alone, I’m dreaming of home
~Lori Barth and Philippe Rombi “I’m Dreaming of Home”

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Stars on the Pavement

Holes in the shape of stars
punched in gray tin, dented,
cheap, beaten by each
of her children with a wooden spoon.

Noodle catcher, spaghetti stopper,
pouring cloudy rain into the sink,
swirling counter clockwise
down the drain, starch slime
on the backside, caught
in the piercings.

Scrubbed for sixty years, packed
and unpacked, the baby’s
helmet during the cold war,
a sinking ship in the bathtub,
little boat of holes.

Dirt scooped in with a plastic
shovel, sifted to make cakes
and castles. Wrestled
from each other’s hands,
its tin feet bent and re-bent.

Bowl daylight fell through
onto freckled faces, noon stars
on the pavement, the universe
we circled aiming jagged stones,
rung bells it caught and held.

~Dorianne Laux “My Mother’s Colander”

Many of my mother’s kitchen things, some over eighty years old, are still packed away in boxes that I haven’t had the emotional wherewithal to open. They sit waiting for me to sort and purge and save and weep.

It is as if I haven’t wanted to say goodbye after her death at age 88, now seventeen years ago.

This particular kitchen item- her old dented metal colander – found its way to me when I moved into my first apartment some 49 years ago. She had purchased a bright green plastic colander at a Tupperware party so she felt the old metal one was somehow outdated, overworked and plain, and ready for retirement.

It had held hundreds of pounds of rinsed garden vegetables during my childhood, had drained umpteen pasta noodles, had served as a sifter in our sandbox, and a helmet for many a pretend rocket launch to infinity and beyond.

Dented and battered, it still works fine, thank you very much, for all intended and some unintended purposes. It does make me wonder what other treasures may surprise me as I begin to open and sort my mother’s boxes. Her things have remained in suspended animation, waiting to be rediscovered.

I know there will be tons of tupperware, carefully saved yogurt containers with lids, and quite likely a hoard of pickle jars. As a child of the depression, she saved anything that could be potentially used again.

Perhaps these items have waited patiently to be touched lovingly and with distinct purpose as they once were, and be remembered for the part they played in one woman’s long sacrificial and faith-filled life.

Maybe, just maybe, it will feel like I’ve unpacked Mom once again and maybe this time it can be both a hello and a goodbye.

To infinity and beyond…

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