The mail truck goes down the coast Carrying a single letter. At the end of a long pier The bored seagull lifts a leg now and then And forgets to put it down.
There is a menace in the air Of tragedies in the making. Last night you thought you heard television In the house next door. You were sure it was some new Horror they were reporting, So you went out to find out. Barefoot, wearing just shorts. It was only the sea sounding weary After so many lifetimes Of pretending to be rushing off somewhere And never getting anywhere.
This morning, it felt like Sunday. The heavens did their part By casting no shadow along the boardwalk Or the row of vacant cottages, Among them a small church With a dozen gray tombstones huddled close As if they, too, had the shivers. ~Charles Simic “Late September” from The Voice at 3:00 a.m.: Selected Late and New Poems
Have compassion for everyone you meet, even if they don’t want it. What seems conceit, bad manners, or cynicism is always a sign of things no ears have heard, no eyes have seen. You do not know what wars are going on down there where the spirit meets the bone. ~Miller Williams “Compassion” from The Ways We Touch: Poems.
Christians are called by God to be living so sacrificially and beautifully that the people around us, who don’t believe what we believe, will soon be unable to imagine the world without us. ~Pastor Tim Keller
As we walk this life of trouble and suffering, this Jericho Road together, we cannot pass by the brother, the sister, the child who lies dying in the ditch.
We must stop and help. We cannot turn away from others’ suffering.
By mere circumstances of our place of birth, it could be you or me there bleeding, beaten, abandoned until Someone, journeying along that road, comes looking for us.
He was sent to take our place, as Substitution so we can get up, cared for, loved, made whole again, and walk Home.
Maranatha.
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To see a World in a Grain of Sand And a Heaven in a Wild Flower, Hold Infinity in the Palm of your Hand, and Eternity in an Hour.
When the Soul Slept in Beams of Light God Appears & God is Light To those poor Souls who dwell in Night But does a Human Form Display To those who Dwell in Realms of day ~William Blake from “Auguries of Innocence”
Had I the heavens’ embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark cloths Of night and light and the half light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams. ~William Butler Yeats “Aedh Wishes for the Cloths of Heaven”
If I look closely enough underfoot, I might find the extraordinary in the commonplace things of life.
So I keep my eyes alert; my heart open to infinite possibilities and try to tread softly.
Sometimes what I see is so beautiful, it is uncovering heaven come to earth, when the cosmos is contained within the commonplace.
The God of Light and Living Water is no further away than my back yard.
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The thing is to love life, to love it even when you have no stomach for it and everything you’ve held dear crumbles like burnt paper in your hands, your throat filled with the silt of it. When grief sits with you, its tropical heat thickening the air, heavy as water more fit for gills than lungs; when grief weights you like your own flesh only more of it, an obesity of grief, you think, How can a body withstand this? Then you hold life like a face between your palms, a plain face, no charming smile, no violet eyes, and you say, yes, I will take you I will love you, again. ~Ellen Bass, “The Thing Is” from Mules of Love
...everything here seems to need us —Rainer Maria Rilke
It’s a hard time to be human. We know too much and too little. Does the breeze need us? If you’ve managed to do one good thing, the ocean doesn’t care. But when Newton’s apple fell toward the earth, the earth, ever so slightly, fell toward the apple. ~Ellen Bass from “The World Has Need of You” from Like a Beggar
Fallen leaves will climb back into trees. Shards of the shattered vase will rise and reassemble on the table. Plastic raincoats will refold into their flat envelopes. The egg, bald yolk and its transparent halo, slide back in the thin, calcium shell. Curses will pour back into mouths, letters un-write themselves, words siphoned up into the pen. My gray hair will darken and become the feathers of a black swan. Bullets will snap back into their chambers, the powder tamped tight in brass casings. Borders will disappear from maps. Rust revert to oxygen and time. The fire return to the log, the log to the tree, the white root curled up in the un-split seed. Birdsong will fly into the lark’s lungs, answers become questions again. When you return, sweaters will unravel and wool grow on the sheep. Rock will go home to mountain, gold to vein. Wine crushed into the grape, oil pressed into the olive. Silk reeled in to the spider’s belly. Night moths tucked close into cocoons, ink drained from the indigo tattoo. Diamonds will be returned to coal, coal to rotting ferns, rain to clouds, light to stars sucked back and back into one timeless point, the way it was before the world was born, that fresh, that whole, nothing broken, nothing torn apart. ~Ellen Bass “When You Return” from Like a Beggar
There is so much grief these days so much anger, so much loss of life, so much weeping.
How can we withstand this? How can we know, now, when we are barely able to breathe that we might know – at some point – we might have the stomach to love life again?
This time of year, no matter which way I turn, autumn’s kaleidoscope displays new patterns, new colors, new empty spaces as I watch the world die into itself once again.
Some dying is flashy, brilliant, blazing – a calling out for attention. Then there is the hidden dying that happens without anyone taking notice: just a plain, tired, rusting away letting go.
I spent this morning adjusting to the change in season by occupying myself with the familiar task of moving manure. Cleaning barn is a comforting chore, allowing me to transform tangible benefit from something objectionable and just plain stinky to the nurturing fertilizer of the future.
It feels like I’ve actually accomplished something.
As I scoop and push the wheelbarrow, I recalled another barn cleaning 24 years ago, just days before the world changed on 9/11/01.
I was one of three or four friends left cleaning over ninety stalls after a Haflinger horse event that I had organized at our local fairgrounds. Some people had brought their horses from over 1000 miles away to participate for several days, including a Haflinger parade through our town on a quiet Sunday morning.
There had been personality clashes and harsh words among some participants along with criticism directed at me as the organizer that I had taken very personally. As I struggled with the umpteenth wheelbarrow load of manure, tears stung my eyes and my heart.
I was miserable with regret, feeling my work had been futile and unappreciated.
One friend had stayed behind with her young family to help clean up the large facility and she could see I was struggling to keep my composure. Jenny put herself right in front of my wheelbarrow and looked me in the eye, insisting I stop for a moment and listen:
“You know, none of these troubles and conflicts will amount to a hill of beans years from now. People will remember a fun event in a beautiful part of the country, a wonderful time with their Haflingers, their friends and family, and they’ll be all nostalgic about it, not giving a thought to the infighting or the sour attitudes or who said what to whom. So don’t make this about you and whether you did or didn’t make everyone happy. You loved us all enough to make it possible to meet here and the rest was up to us. So quit being upset about what you can’t change. There’s too much you can still do for us.”
Jenny had no idea how wise her words were, even two days later, on 9/11.
During tough times since (and there have been plenty), Jenny’s advice replays, reminding me to cease seeking appreciation from others or feeling hurt when harsh words come my way.
She was right about the balm found in the tincture of time. She was right about giving up the upset in order to die to self and self absorption, and instead to focus outward.
I have remembered.
Jenny herself did not know that day she would subsequently spend six years dying while still loving life every day, fighting a relentless cancer that was only slowed in the face of her faith and intense drive to live.
She became a rusting leaf gone holy, fading imperceptibly over time, crumbling at the edges until she finally had to let go. Her dying did not flash brilliance, nor draw attention at the end. Her intense focus during the years of her illness had always been outward to others, to her family and friends, to the healers she spent so much time with in medical offices, to her firm belief in the plan God had written for her and those who loved her.
So Jenny let go her hold on life here. And we reluctantly let her go. Brilliance cloaks her as her focus is now on things eternal.
You were so right, Jenny. The hard feelings from a quarter century ago don’t amount to a hill of beans now. The words you spoke to me that day taught me to love life even when I have no stomach for it.
All of us did have a great time together a few days before the world changed. And manure transforms over time to rich, nurturing compost.
I promise I am no longer upset that I can’t change what is past nor the fact that you and so many others have now left us.
But we’ll catch up later.
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After nourishment, shelter and companionship, stories are the thing we need most in the world. Philip Pullman
You’re going to feel like hell if you wake up someday and you never wrote the stuff that is tugging on the sleeves of your heart: your stories, memories, visions, and songs–your truth, your version of things–in your own voice. That’s really all you have to offer us, and that’s also why you were born. ~Anne Lamott in a TED Talk
Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case. ~Annie Dillard from “Write Till You Drop”
I began to write after September 11, 2001 because that day it became obvious to me I too was dying, albeit more slowly than the thousands who vanished that day in fire and ash, their voices obliterated with their bodies.
So, nearly each day since, while I still have voice and a new dawn to greet, I speak through my fingers and my camera lens to others dying around me.
We are, after all, terminal patients, some more imminent than others, some of us more prepared to move on, as if our readiness had anything to do with the timing.
Each day I too get a little closer, so I write in my own voice and share photos of my world as a way to hang on a while longer, yet with a loosening grasp. Each day I must detach just a little bit, leaving a small trace of my voice and myself behind.
Eventually, through unmerited grace, so much of me will be left on the page there won’t be anything or anyone left to do the typing.
There is no moment or picture or word to waste.
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In 2012, we stayed with our friends Brian and Bette at their cabin on a bluff just above the Pacific Ocean at Sendai, Japan, just a few dozen feet above the devastation that wiped out an entire fishing village below during the 3/11/11 earthquake and tsunami.
As we walked that stretch of beach, we heard the stories of the people who had lived there, some of whom did not survive the waves that swept their houses and cars away before they could escape. We walked past the footprints of foundations of hundreds of demolished homes, humbled by the rubble mountains yet to be hauled away a year later, to be burned or buried. There were acres of wrecked vehicles piled one on another, waiting to become scrap metal.
It was visual evidence of life so suddenly and dramatically disrupted and carried away.
This had been a place of recreation and respite for some who visited regularly, commerce and livelihood for others who stayed year round and, in ongoing recovery efforts, struggling to be restored to something familiar. Yet it looked like a foreign ghostly landscape. Many trees perished, lost, broken off, fish nets still stuck high on their scarred trunks. There were small memorials to lost family members within some home foundations, with stuffed animals and flowers wilting from the recent anniversary observance.
Tohoku is a powerful place of memories for those who still live there and know what it once was, how it once looked and felt, and painfully, what it became in a matter of minutes on 3/11/11. The waves swept in inexplicable suffering, then carried their former lives away. Happiness gave ground to such terrible pain that could never have hurt as much without the joy and contentment that preceded it.
We are tempted to ask God why He doesn’t do something about the suffering that happened in this place or anywhere a disaster occurs –but if we do, He will ask us the same question right back. We need to be ready with our answer and our action.
God knows suffering. Far more than we do. He took it all on Himself, feeling His pain amplified, as it was borne out of His love and joy in His creation.
This beautiful place, and its dedicated survivors have slowly recovered, but the inner and outer landscape is forever altered. What remains the same is the pulsing tempo of the waves, the tides, and the rhythm of the light and the night, happening just as originally created.
With that realization, pain will finally give way, unable to stand up to His love, His joy, and our response to His sacrifice.
We can call Him up anytime and anywhere.
bent gate at Sendai beach -2012
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Needing them still, I come when I can, this time to the sea where we share a room: their double bed, my single. Morning fog paints the pale scene even paler. Lace curtains breathing, the chenille spread folded back, my father’s feet white sails furled at the edge of blue pajamas. Every child’s dream, a parent in each hand, though this child is fifty. Their bodies fit easily, with room to spare. When did they grow so small? Grow so small— as if it were possible to swell backwards into an earlier self.
“Her Room” by Andrew Wyeth in the Farnsworth Art Museum
My parents have been gone now for some time, my father 30 years, my mother, nearly 17 years. Their dying was a long process of counted breaths and pauses. I witnessed their bodies curling into themselves, shrinking smaller, worn down by illness and age.
I still miss them as I’m reminded of them by the events of my own life, still wanting them to take me by the hand as I navigate my own daily path.
After mom’s death, those possessions not distributed to family members have remained packed up and stored in our barn buildings. I know it is well past time to deal with their stuff as I become keenly aware of my own graying and aging.
In the house, next to where I write, is a box of over 500 letters written by my mother and father between 1941 and 1945. The letters began as they were getting to know each other at college, going from “pinned” to “engaged” and continue for three and a half more years after a hurried wedding Christmas Eve 1942. By mid-January 1943, my newly minted Marine officer father shipped out to spend the next three years of his life fighting on the battlefields of Saipan, Tinian and Tarawa in the Pacific Ocean, not to return again to the states until late summer of 1945.
My mother wrote her letters from the small rural eastern Washington community of Colville, living in a “teachers’ cottage” with other war wives who taught school while waiting for their husbands to return home – or not.
It took me a decade to find the courage and time to devote to reading these letters they treasured and never threw away. I sorted them unopened by postmark date into some semblance of order and sat down to start at the very beginning, which, of course, is my beginning as well. I opened each one with some trepidation and a lump in my throat about what I might find written there. I worried I may find things I didn’t want to know. I hoped I would find things that I desperately needed to know.
Most of all I wanted to understand the two people who became my parents within the coiled shell of their forty years together, though broken by a painful divorce which lasted a decade. Having lived through that awful time with them, I want to understand the origin of a love which eventually mended their cracked shell of companionship, gluing them back together for five more years before my father died.
As I ponder their words, I too cross a bridge back to them both, my ear pressed to the coiled shell of those fading voices, as if I might still hear the sea, at times bringing them closer, then pulling them farther away.
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After another school/church massacre; how can there be nothing new to say?
We’ve learned nothing about keeping weapons out of the hands of people bent on destruction – taking themselves out after taking others with them.
To our children and grandchildren: as a society, we have failed to keep you out of harm’s way by failing to control the harm of modern weapons in the wrong hands.
How can we be forgiven over and over as shootings happen again and again. Maybe we didn’t pull the trigger, but we allowed someone else to.
Together, we share the responsibility for each and every death that has happened, and more bound to happen on our watch.
And that is a heavy burden to bear.
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We used to pick cherries over the hill where we paid to climb wooden ladders into the bright haven above our heads, the fruit dangling earthward. Dark, twinned bells ringing in some good fortune just beyond our sight. I have lived on earth long enough to know good luck arrives only on its way to someone else, for it must leave you to the miracle of your own misfortune, lest you grow weary of harvest, of cherries falling from the crown of sky in mid-summer, of hours of idle. Let there be a stone of suffering. Let the fruit taste of sweetness and dust. Let grief split your heart so precisely you must hold, somehow, a memory of cherries— tart talismans of pleasure—in the rucksack of your soul. Taut skin, sharp blessing.
Life is not a bowl of cherries, unless you count the ones that aren’t yet ripe, or are over-ripe, or have a squirrel- or bird-bite taken, or have shriveled to raisins on the tree.
Yes, there are perfect cherries that shine in the dark, glistening with promise, tempting us to climb high to pick them.
Those we really want usually are out of reach.
How can we know what perfection is unless we experience where life falls short?
The lingering taste of grief, the agony of waiting for word in a tragedy, the gnawing emptiness of indescribable loss.
Only the memory of what was nearly perfect, remembering what could have been knowing what will someday be our reality can ease the bitter pit of suffering now.
May the families of those swept away in flooding, those who live in the path of war and violence, those who hunger for justice, or starving for food, those who struggle with life-threatening and chronic illness somehow know the comfort of God’s perfection awaits them. The Light and Goodness is there for us to taste, yet just beyond our reach.
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Frightening the foliage from its sleep, we travel along the Quinault Lake Loop in our big red truck.
Roofed by dank rainforest, we know we are not alone, though we see no bird, no beast.
You say, It’s beautiful, but do we really belong here where creatures hide? Then an elk herd stomps across
the dirt road, and you brake, shocked. The fattest turns to stare over his long beard. To know or warn us.
Yes, my love, we belong, but on soil-stained knees, asking for each wild thing’s consent to stand. ~Lauren Davis, Home Beneath the Church
I’ve been to the temperate rainforest on the Olympic Peninsula, only a short ferry ride and two hour drive away, where 300 year old trees tethered to one another with connecting crepe of dangling moss, hiding the creatures within, taking all down with them if they someday fall to the wind, lying still, nursing the growth of the next generation’s seeds from long rotting trunks.
We can only pass through this place, having been banished from the Garden.
We are not to dwell or cut or shoot or burn or slash, at risk of being ensnared by reaching fingers of moss seeking yet another woody heart to soften
Whispering grassfeet steal through us fir-fingers touch one another where the paths meet thick dripping resin glues us together summer-greedy woodpeckers hammer at hardy seed-hiding hearts ~Inger Christensen trans. Susanna Nied
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The cold remote islands And the blue estuaries Where what breathes, breathes The restless wind of the inlets, And what drinks, drinks The incoming tide;
Where shell and weed Wait upon the salt wash of the sea, And the clear nights of stars Swing their lights westward To set behind the land;
Where the pulse clinging to the rocks Renews itself forever; Where, again on cloudless nights, The water reflects The firmament’s partial setting;
—O remember In your narrowing dark hours That more things move Than blood in the heart. Louise Bogan “Night” from The Blue Estuaries
I know what my heart is like Since your love died: It is like a hollow ledge Holding a little pool Left there by the tide, A little tepid pool, Drying inward from the edge. ~Edna St. Vincent Millay “Ebb”
My mother was 58 when my father left her for a younger woman.
For months, she withered, her heart broken, her pulse erratic, crying until there were no more tears left.
She began drying inward from her edges despite the ebbing and flowing of her heartbeat.
It took ten years, but he came back like an overdue high tide.
She was sure her love had died but that tepid pool refilled with water cool to the touch, yet overflowing.
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