The Grey Crossing

“Your attention, please,” the mate’s voice says,
“we are slowing a moment for a memorial,”
and sure enough we all do, all of us, even those
entangled in a bustle to get to the other side,
restless chunks of festering business waiting,
little urgencies pricking us into a stressed huff.
Below on the car deck a small group slowly forms,
and a mate lowers a rope, beckons them forward,
the ferry engines slowing whatever our hurry,
and we are all coasting together on a rainy sea.

A heavy-set woman unwraps a nondescript urn
from a carefully held towel, handing it in turn
to an ungainly boy, a shy girl, an older man,
and she watches as each tips the urn to scatter
dust into a windy vortex off the ferry’s stern,
a fine grey mist streaming over the roiled wake
in a high breeze before settling, disappearing
into grey oblivion of sea, sky, and late afternoon.

As the ferry’s horn sounds three long blasts,
the four bow heads. The woman hesitates,
hides her face a moment in the towel, kisses
each of her party, and shakes the mate’s hand.
He speaks, his words lost to us in sea sounds
and engines, then looks up to the bridge, waves,
and the small group, holding hands, rejoins
some two hundred of us who have in silence
watched this mini-delay in our grey crossing.
The ferry’s engines begin their normal thrum
to push us forward again against a grey sea
and under a low, grey sky, where a fine dust
disappeared, and white seagulls rise and cry.

~Rob Jacques, “Memorial, Washington State Ferry” from Adagio for Su Tung-p’o

There is a sense of timelessness while riding on the ferry runs between the islands and peninsulas in Washington state. While driving my car on the busy freeways in the region, I am at the mercy of the weather, other drivers and all manner of delays. When I’m on a ferry, I become mere witness, only a rider seeking peaceful passage. Someone else worries about safely getting from Point A to Point B.

I’m able to breathe: watching the waves and the wake, the antics of gulls and cormorants, and rarely, an orca pod.

Next week is a time of memorial and remembrance of those who have passed into eternity. The ashes of my parents rest in the ground under a plaque that I visit annually with my family. Dad would have preferred his ashes to be cast out upon on the open water that he loved, but Mom chose a cemetery plot for them both, a more familiar resting place for a girl who grew up in the Palouse farmlands, no where near large bodies of water.

Last year, a good friend chose to be composted; he rests now in his beloved orchard, feeding the trees that continue to bear fruit.

No matter where our mortal bodies eventually find our rest, we hope to be remembered.

Our souls have risen, free.

video taken on the Samish Sea (Puget Sound) from my friend Andrew
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Where Nothing Need Be Said

A hidden path that starts at a dead end,
Old ways, renewed by walking with a friend,
And crossing places taken hand in hand,


The passages where nothing need be said,
With bruised and scented sweetness underfoot
And unexpected birdsong overhead,


The sleeping life beneath a dark-mouthed burrow,
The rooted secrets rustling in a hedgerow,
The land’s long memory in ridge and furrow,


A track once beaten and now overgrown
With complex textures, every kind of green,
Land- and cloud-scape melting into one,


The rich meandering of streams at play,
A setting out to find oneself astray,
And coming home at dusk a different way.
~Malcolm Guite “Prayer/Walk”

Twice each day I walk the same downhill path to the barn for chores.  In the early mornings, I’m navigating half asleep. In the evenings, I’m weary from the long day. Sometimes I’m sliding on icy snow, sometimes slipping in mud from unending rain, sometimes wading through a sea of overgrown grass.

The constant in this twice daily journey is the worn-down path itself and where it takes me– no matter what time of year, the state of the weather, or how temporarily difficult to discern. My feet have learned the way by feel as much as by sight–the twist here, the dip there, the aromatic stretch through the stand of wild mint, all while trying to avoid stepping on the swerving barn cat perpetually underfoot.

Even my dogs follow the path rather than venture beyond.

I prefer to take the demarcated path to the barn as it keeps me focused on the task ahead of me. If I happen to go astray, I will surely find weeds to pull, a bird to admire, a cluster of cherries to eat, or a sweet pea blossom to smell. 

The distraction brings me momentary delight but my work remains to be done. So I always find my way back to the path and stick to it until it takes me home.

As a teenager, I was a trailblazer, bushwhacking my way through brambles to see what might be on the other side, or to discover a new favorite place in the woods, or simply to prove I was stronger than the brush that yielded to me. In my older years, I now tend to stick to the familiar. I like knowing where my feet will land, what work my hands will touch, and where my head will rest. The adventure of the unknown, so attractive in my youth, is less appealing now. 

The visible path, even when difficult to follow due to cover of snow or abundance of overgrowth, is a reminder I have a purpose and a destination. I know where I am going and I know where I’ve been. Nothing more needs to be said. I know I’m needed in both house and barn and the familiar path I take is a bridge between them.

We tread many paths during our time on this soil–some are routine and mundane, leading to the chores in our life, and others a matter of the heart and spirit. As tempting as it is to wander, the path is there for good reason. It doesn’t have to be a super highway, or lined with gold or even paved with good intentions. It may not be straight. But it must be true, steadfastly leading us to where we are called and back again to where we belong.

Time to pull on my boots.

An idealized barn path AI image created for this Barnstorming post
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Unless the Heart Catch Fire…

Unless the eye catch fire,
Then God will not be seen.
Unless the ear catch fire
Then God will not be heard.
Unless the tongue catch fire
Then God will not be named.
Unless the heart catch fire,
Then God will not be loved.
Unless the mind catch fire,
Then God will not be known.
~William Blake from “Pentecost”

The cows
munched or stirred or were still. I
was at home and lonely,
both in good measure. Until
the sudden angel affrighted me––light effacing
my feeble beam,
a forest of torches, feathers of flame, sparks upflying:
but the cows as before
were calm, and nothing was burning,
nothing but I, as that hand of fire
touched my lips and scorched by tongue
and pulled by voice
into the ring of the dance.
~Denise Levertov from “Caedmon” in Breathing the Water

Come, Holy Spirit,
bending or not bending the grasses,
appearing or not above our heads in a tongue of flame,
at hay harvest or when they plough in the orchards or when snow
covers crippled firs…
~Czeslaw Milosz from “Veni Creator” in Selected and Last Poems

The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed.

And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs—
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.
~Gerard Manley Hopkins from “God’s Grandeur”

 I will show wonders in the heavens above
    and signs on the earth below,
    blood and fire and billows of smoke.
The sun will be turned to darkness
    and the moon to blood
    before the coming of the great and glorious day of the Lord.
And everyone who calls
    on the name of the Lord will be saved.
~Acts 2:19-21 The Holy Spirit Comes At Pentecost

Today, when we feel we are without hope,
when faith feels frail,
when love seems distant…

We wait, stilled,
for the moment we are lit afire~
the Living God chose us
to be seen, heard, named, loved, known.

God forever burning in our hearts
in this moment
and for a lifetime.

It is the dearest freshest deep down thing…

Window of the Unknown

Stay here at the precipice, quiet.
Quiet as the sun rises
over the rooftops
across the street
and the cats watch, rapt.
Quiet as the coffee deepens
its creamy sweet acidity.
How many mornings
have I woken like this, early
and called to listen
at the window of the unknown?
Sometimes it speaks to me.
Sometimes it listens back.

~Brooke McNamara “Listen Back” from Bury the Seed


Each dawn, I’m given a fresh chance and renewed focus.
As the hills are limned by morning light,
I face the unknowns in the shadows.
I am rapt, watching.
I am silent, listening.
I have much to say, but don’t.
It is enough to be here – a witness.

AI image generated for this post

When the dawn
O’er hill and dale
Throws her bright veil
Think of me!

When the laugh
With silver sound
Goes echoing round
Think of me!

When the rain
With starry show’rs
Fills all the flow’rs
Think of me!

When the wind
Sweeps along,
Loud and strong,
Think of me!

When the earth
Sleeping sound
Swings round and round
Think of me!

When the night
With solemn eyes
Looks from the skies
Think of me!
~Frances Anne Kemble

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Moss Balm

There is an ancient conversation going on between mosses and rocks, poetry to be sure. About light and shadow and the drift of continents. This is what has been called the “dialect of moss on stone – an interface of immensity and minuteness, of past and present, softness and hardness, stillness and vibrancy…

Learning to see mosses is more like listening than looking.
A cursory glance will not do it.
Mosses are not elevator music;
they are the intertwined threads of a Beethoven quartet.
~Robin Kimmerer from Gathering Moss: A Natural and Cultural History of Mosses

Most lie low, flourishing with damp,
harvesting sunlight, no commotion, moss
mouse-silent, even through wind and hail,
stoic through motors roaring fumes,
through fat-clawed bears grubbing.

They can soothe the knife-edges of stones
with frothy leaf by leaf of gray-green life,
and burned-ground mosses cover destruction,
charred stumps, trees felled and blackened.
Cosmopolitan mosses likewise salve
sidewalk cracks, crumbling walls.

They root in thin alpine air, on sedentary
sand dunes, cling to cliff seeps beneath
spilling springs. For rest, they make mats
on streamside banks, for pleasure produce silky
tufts, wavy brooms of themselves in woodlands
for beauty, red roof moss for whim, elf
cap, hair cap, sphagnum for nurturing.

No fossil record of note, no bone
history, so lenient they possess only
those memories remembered.

I believe they could comfort the world
with their ministries. That is my hope,
even though this world be a jagged rock,
even though this rock be an icy berg of blue
or a mirage of summer misunderstood
(moss balm for misunderstanding),
even though this world be blind and awry
and adrift, scattering souls like spores
through the deep of a starlit sea.

~Pattiann Rogers “The Moss Method”

To loosen with all ten fingers held wide and limber
And lift up a patch, dark-green,

the kind for lining cemetery baskets,
Thick and cushiony, like an old-fashioned doormat, 
The crumbling small hollow sticks on the underside

mixed with roots, 
And wintergreen berries and leaves still stuck to the top, —
That was moss-gathering. 
But something always went out of me

when I dug loose those carpets 
Of green, or plunged to my elbows

in the spongy yellowish moss of the marshes:
And afterwards I always felt mean,

jogging back over the logging road, 
As if I had broken the natural order of things in that swampland;
Disturbed some rhythm, old and of vast importance,
By pulling off flesh from the living planet;
As if I had committed, against the whole scheme of life,

a desecration. 
~Theodore Roethke, “Moss-Gathering” from Collected Poem
s

In this part of the world, mosses are everywhere. They are so much a part of the green backdrop, they are an invisible part of the scenery. Our lawn is simply moss carpet in some spots, and some shingles on roofs sprout verdant fuzz.

Trees and rocks are festooned with moss: draped, painted and garlanded. Moss rugs make bare-foot tree climbing a more comfy adventure with branches forming hairy armpits and cushiony crotches.

Moss softens sharp edges, forgives abrasive surfaces, heals the wounds and gaps and cracks. It becomes balm-like therapy for a struggling world which keeps baring its teeth in anger and misunderstanding.

I say let it grow: green, gentle, generous and grace-filled.
We all can use more of that.

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Everything Became a Face

The face among the flowers was not a face but a flower
that blurred the edge of comprehension until everything
became a face, everything had eyes, everything had a mind
with secret thoughts inside, and so the barn with its smudged
windows stood aware of impatience and time, and the trowel
with its small head in the dirt plotted how not to be found,
and the old dog, who of course had her own old grey face,
came to have another one, and shifted and sighed on her rug
while thinking about philosophy and the stillness of God,
and then the depths of the afternoons she had passed alone
crossed into my heart, and the ants climbing the table stopped
and looked up, and I fell away blind into a softer knowing
as if into the flowers who took me as one of their own.

~Annie Lighthart, “Fluency” from Pax

Newborn babies, despite their hazy vision, will lock their gaze onto a face, and begin to smile back within a few weeks of life. They reciprocate because they are wired to respond, which reinforces a parent to smile back at their adoring and adorable baby.

So it is no wonder we see faces in all sorts of places as we seek reassurance for ourselves, that yes — we belong here. In fact, we are created to reflect God’s image. He knows us and recognizes us.

We naturally hope the rest of the world will smile back at us.

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These Precious Days

Perhaps as a child you had the chicken pox
and your mother, to soothe you in your fever
or to help you fall asleep, came into your room
and read to you from some favorite book,
Charlotte’s Web or Little House on the Prairie,
a long story that she quietly took you through
until your eyes became magnets for your shuttering
lids and she saw your breathing go slow. And then
she read on, this time silently and to herself,
not because she didn’t know the story,
it seemed to her that there had never been a time
when she didn’t know this story—the young girl
and her benevolence, the young girl in her sod house—
but because she did not yet want to leave your side
though she knew there was nothing more
she could do for you. And you, not asleep but simply weak,
listened to her turn the pages, still feeling
the lamp warm against one cheek, knowing the shape
of the rocking chair’s shadow as it slid across
your chest. So that now, these many years later,
when you are clenched in the damp fist of a hospital bed,
or signing the papers that say you won’t love him anymore,
when you are bent at your son’s gravesite or haunted
by a war that makes you wake with the gun
cocked in your hand, you would like to believe
that such generosity comes from God, too,
who now, when you have the strength to ask, might begin
the story again, just as your mother would,
from the place where you have both left off.

~Keetje Kuipers “Prayer” from Rattle #28, Winter 2007

These autumn days will shorten and grow cold.
The leaves will shake loose from the trees and fall.
Christmas will come, then the snows of winter.
You will live to enjoy the beauty of the frozen world,
for you mean a great deal to Zuckerman

and he will not harm you, ever.
Winter will pass, the days will lengthen,
the ice will melt in the pasture pond.
The song sparrow will return and sing,
the frogs will awake, the warm wind will blow again.
All these sights and sounds and smells will be yours to enjoy,Wilbur — this lovely world, these precious days …
~E.B. White (Charlotte talking to Wilbur) from Charlotte’s Web

Each passing moment is precious, as time flows relentlessly.

We, on a linear trajectory from birth to death, bear witness to the cycling of the seasons while earth spins and orbits through space.

The story of me, and the story of you, is not yet finished. While our heads nod, our eyelids become heavy, the Author is turning the pages, reading resonant Words that define our days.

We pick up where we left off, wanting to hear the next unknowable chapter. We try to stay awake, eager to see what comes next.

We aren’t quite ready to fall asleep, not yet.
Not yet…

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Just Pay Attention

It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch
a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway
into thanks, and a silence in which
another voice may speak.

~Mary Oliver “Blue Iris”

Thou art the Iris, fair among the fairest,
   Who, armed with golden rod
And winged with the celestial azure, bearest
   The message of some God.
~Henry Wadsworth Longfellow from Flower-de-Luce

To plunge headlong into
the heart of a blossom, its amber eyes
inscrutably focusing on your own,
magnified by a lens of dew.
Whose scent, invisible,
drowns you in opulence, and for which
you can find nothing adequate to say.

You sense that you are loved wholly,
yet are quite unable to understand why.
But then, you lift your face,
creased with the ordinary, to a heaven
that is breaking into blue,
and find your contentment utterly beyond
telling, unspeakable, uncontained.
~Luci Shaw from “Speechless” from  Sea Glass

May your blooms be floriferous and in good form,
Distinctive, with good substance, flare, and airborne,
With standards and falls that endure, never torn.
May you display many buds and blooms sublime,
In graceful proportion on strong stalks each day,
Gently floating above the fans and the fray.
May you too reach toward the moon and stars,
Bloom after bloom, many seasons in the sun,
Enjoying your life, health, and each loved one,
Until your living days are artfully done.
~Georgia Gudykunst
“An Iris Blessing”

Whenever I allow my eye to peer into
an iris, it takes all my attention:
I need a flotation device
and depth finder.
I’m likely to get lost,
sweeping and swooning
through inner space
of tunnels, canyons and corners,
coming up for air and diving in again
to journey into exotic locales
draped in silken hues
~this fairy land on a stem~
Patching a few words together,
I’m immersed in the possibilities,
blessed by such an impossible blossom.

AI image created for this post
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Fearsome Things to See

Not much to me is yonder lane  
 Where I go every day;  
But when there’s been a shower of rain  
 And hedge-birds whistle gay,  
I know my lad that’s out in France
 With fearsome things to see  
Would give his eyes for just one glance  
 At our white hawthorn tree.

   .    .    .    .  

Not much to me is yonder lane  
 Where he so longs to tread:
But when there’s been a shower of rain  
I think I’ll never weep again  
 Until I’ve heard he’s dead.

~Siegfried Sassoon “The Hawthorn Tree”

I drove West
in the season between seasons.
I left behind suburban gardens.
Lawnmowers.  Small talk.

Under low skies, past splashes of coltsfoot,
I assumed
the hard shyness of Atlantic light
and the superstitious aura of hawthorn.

All I wanted then was to fill my arms with
sharp flowers,
to seem from a distance, to be part of
that ivory, downhill rush.  But I knew,

I had always known,
the custom was
not to touch hawthorn.
 Not to bring it indoors for the sake of

the luck
such constraint would forfeit–
a child might die, perhaps, or an unexplained
fever speckle heifers.  So I left it

stirring on those hills
with a fluency
only water has.  And, like water, able
to redefine land.  And free to seem to be–

for anglers,
and for travellers astray in
the unmarked lights of a May dusk–
the only language spoken in those parts.

~Eavan Boland “White Hawthorn in the West of Ireland”

The bird-sowed hawthorn bush along the lane to our back field has suddenly become a blooming tree, staking out its place alongside the trail the horses follow to their pasture. This May, it is a white flame against the dark woods.

Though we didn’t intend for it to be there, we’ll leave it be. Hawthorns are great bird habitat and a haven for honeybees. They are found in most hedge rows in the United Kingdom, impenetrable due to their fierce thorns and criss-cross network of branches, a historic symbol of the toughness and persistence of the Celtic people. Though we don’t need a hedge row here, I appreciate the tree’s reminder it has a place in myth and lore.

It will never be a hospitable tree like the lone fir tree that graces our hill, or the big leaf maple where children climb, or the black walnut whose branches support the treehouse. But it will be a white beacon every May, portending the summer to come, and if it bears fruit, it will feed the birds that nest in its interior.

And like the poem written by WWI soldier/poet Sassoon, it will be a bittersweet reminder of the familiar comfort of home, even though sharp thorns abound among the blossoms. Those thorns are nothing compared to the despair found in the fearsome trenches of warfare.

AI image created for this post
Siegfried Sassoon’s handwritten poem

along fair Arran’s shores
the swans sing soft of tale of yore,
of a young love taken to sea

the two were hand in glove
like sparrows bound in sacred love
a tune that only they can sing

a tree of unity
they planted by the green eyed sea
the branch would hold their love through time

a sailor lad was he
he said,”dont cry my lovely, mhari
before the moon is full i’ll return”

I’ll wait for thee and she sang to him

the moon shone full and bright
and home he sailed mid-summers night
the tree so young and blossoming

they slept among the green
the world was light and dreams serene
the fires in their hearts burned bright

Where moss-grown boulders stand,
he took her by the lily hand
and there they wed at break of day

the seas know not of hearts
and once again the two must part.
“it wont be long, i swear to thee.

please wait for me.”
and she sang to him

The hawthorn tree has grown,
10 years she walked shores alone,
she hears his whisper in the leaves

Home is the sailor lad,
home in the sea, forever plaid,
Under the wide and starry sky

Yes, I will wait for thee,
By mountain, sea and tree;
And on the wind you’ll hear my love,

for at the fall of day
Beneath the leaves where once we lay
I’ll sit and sing i’ll wait for thee

come back to me….
music and lyrics by Fae Wiedenhoeft

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Smoothed and Soothed

What does it feel like to be alive?
Living, you stand under a waterfall…
It is time pounding at you, time.


Knowing you are alive is watching on every side
your generation’s short time falling away
as fast as rivers drop through air,
and feeling it hit.

I had hopes for my rough edges.
I wanted to use them as a can opener,
to cut myself a hole in the world’s surface, and exit through it.

~Annie Dillard from An American Childhood

I saw a mom take her raincoat off
and give it to her young daughter when
a storm took over the afternoon. My god,
I thought, my whole life I’ve been under her
raincoat thinking it was somehow a marvel
that I never got wet.

~Ada Limón from “The Raincoat”

Mothering can be like standing under a waterfall, impacted breathless by the incredible 24/7 responsibility of birthing and raising children. And a mother does whatever she must to protect her children from also getting soaked in the barrage of each drop of time, knowing they too can feel overwhelmed by the rapid passage of life.

As I tried my best to keep my children covered and dry until it was their turn to raise kids and stand under the same waterfall, my own rough edges have been impacted, smoothed and soothed by the flow of time.

I’m well aware rough edges still surface, unbidden and unwarranted, ready to cut a hole in the world for an escape hatch from troubles. So my children and grandchildren polish me even as I still try to protect them from inevitable downpours. 

No longer is my reach enough nor must it be.

Life keeps pounding away, but oh so gentler on grandmothers. I know it is still ruffing and buffing me — each drop of time passing over me becomes a mixed blessing.

Each moment so precious, never to come again, yet leaving me forever and wonderfully changed.

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