The partly open hay barn door, white frame around the darkness, the broken board, small enough for a child to slip through.
Walking in the cornfields in late July, green tassels overhead, the slap of flat leaves as we pass, silent and invisible from any road.
Hollyhocks leaning against the stucco house, peonies heavy as fruit, drooping their deep heads on the dog house roof.
Lilac bushes between the lawn and the woods, a tractor shifting from one gear into the next, the throttle opened,
the smell of cut hay, rain coming across the river, the drone of the hammer mill, milk machines at dawn. ~Joyce Sutphen “The Last Things I’ll Remember” from First Words
I turn this seasonal corner, facing deep into autumn, summer fading in the rear view mirror.
Even as the air bares chill, and the clouds sopping soak, the riches of summer remain vivid.
Let me remember: even if I too fade away, readying for the next turn.
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I want to memorize it all before it changes: the shift of sun from north to south barely balances on our east- west road at equinox.
The flow of geese overhead, honking while waving farewell, the hawks’ screams in the firs, dragonflies trapped in the barn light fixtures several generations of coyotes hollering at dusk.
The pond quiets with cooler nights, hair thickens on horses, cats and dogs, dying back of the garden vines reveals what lies unharvested beneath.
And so we part again, Summer – your gifts were endless until you now have parted ways.
I sit silenced, brooding, waiting for what comes next.
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Once only when the summer was nearly over and my own hair had been white as the day’s clouds for more years than I was counting I looked across the garden at evening Paula was still weeding around flowers that open after dark and I looked up to the clear sky and saw the new moon and at that moment from behind me a band of dark birds and then another after it flying in silence long curving wings hardly moving the plovers just in from the sea and the flight clear from Alaska half their weight gone to get them home but home now arriving without a sound as it rose to meet them ~W.S. Merwin “Homecoming” from The Moon Before Morning
In late summer, the movement of birds above me has begun, like a prayer of promise among the clouds.
There are the noisy ones: geese, ducks, swans who can’t seem to travel without announcing it everywhere, like the booming basses from teenage vehicles speeding by.
Then there are the starlings and others who murmurate with wing wooshes, forming and unforming as a choreographed larger organism.
The quietest and most earnest are the gulls and plovers, some traveling only a few miles from shore to cornfields, and others traveling half a continent without resting. They direct their energy to their wings to silently carry them home.
Some of our prayers for a safe return home are bold and loud. Others are expressed through feathered wings and forward progress. Most are prayed without a sound being made, becoming a constant through the rhythms of the heart, a quiet recognition that our true home will rise to meet us when we arrive.
I will have nothing to do with a God who cares only occasionally. I need a God who is with us always, everywhere, in the deepest depths as well as the highest heights. It is when things go wrong, when good things do not happen, when our prayers seem to have been lost, that God is most present. We do not need the sheltering wings when things go smoothly. We are closest to God in the darkness, stumbling along blindly. ~Madeleine L’Engle
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A second crop of hay lies cut and turned. Five gleaming crows search and peck between the rows. They make a low, companionable squawk, and like midwives and undertakers possess a weird authority.
Crickets leap from the stubble, parting before me like the Red Sea. The garden sprawls and spoils.
Cloud shadows rush over drying hay, fences, dusty lane, and railroad ravine. The first yellowing fronds of goldenrod brighten the margins of the woods.
Schoolbooks, carpools, pleated skirts; water, silver-still, and a vee of geese.
*
The cicada’s dry monotony breaks over me. The days are bright and free, bright and free.
Then why did I cry today for an hour, with my whole body, the way babies cry?
*
A white, indifferent morning sky, and a crow, hectoring from its nest high in the hemlock, a nest as big as a laundry basket …
In my childhood I stood under a dripping oak, while autumnal fog eddied around my feet, waiting for the school bus with a dread that took my breath away.
The damp dirt road gave off this same complex organic scent. I had the new books—words, numbers, and operations with numbers I did not comprehend—and crayons, unspoiled by use, in a blue canvas satchel with red leather straps.
Spruce, inadequate, and alien I stood at the side of the road. It was the only life I had. ~Jane Kenyon from “Three Songs at the End of Summer”
Yesterday, my son taught me the sign for lockdown— different than locking a door, or the shutdown we invented at the start of the pandemic. Little fistfuls of locks swept quickly between us, a sign designed especially for school.
My son spent his first years a different kind of locked up—an orphanage in Bangkok, where he didn’t speak and they couldn’t sign. He came home, age four, silent. We thought being here could open doors. It has, of course. He’s learned so much at the deaf school; the speech therapist calls it a Language Explosion. I keep lists of the words he’s gathered: vanilla, buckle, castle, stay. And lockdown. He absorbs it like the rest. Now the schools he builds with Magna-Tiles have lockdowns. I worry in trying to give him keys, we’ve only changed the locks.
To lock down a deaf school, we use a special strobe. When it flashes, we flip switches and sign through darkness. The children know to stay beneath the windows. Every five minutes a robot texts: “Shelter in place is still in effect. Please await further instructions.” Then we pull the fire alarm, a tactical move to unsettle the shooter. Hearing people can’t think with noise like that. A piercing thing we don’t detect, to cover the sounds we make, the sounds we don’t know we’re making. ~Sara Nović “Lockdown at the School for the Deaf”
The first day back to school now isn’t always the day after Labor Day as it was when I was growing up. Some students have been in classes for a couple weeks already, others started a few days ago to ease into the transition more gently.
Some return to the routine this morning – school buses roar past our farm brimming with eager young faces and stuffed back packs amid a combination of excitement and anxiety.
I remember well that foreboding that accompanied a return to school — the strict schedule, the inflexible rules and the often harsh adjustment of social hierarchies and friend groups. Even as a good learner and obedient student, I was a square peg being pushed into a round hole when I returned to the classroom. The students who struggled academically and who pushed against the boundaries of rules must have felt even more so. We all felt alien and inadequate to the immense task before us to fit in with one another, allow teachers to structure and open our minds to new thoughts, and to become something and someone more than who we were before.
Growth is so very hard, our stretching so painful, the tug and pull of friendships stressful. And for the last two decades, there is the additional fear of lockdowns and active shooters.
I worked with students on an academic calendar for over 30 years, yet though I’m now retired, I still don’t sleep well in anticipation of all this day means.
So I take a deep breath on a foggy post-Labor Day morning and am immediately taken back to the anxieties and fears of a skinny little girl in a new home-made corduroy jumper and saddle shoes, waiting for the schoolbus on our drippy wooded country road.
She is still me — just buried deeply in the fog of who I became after all those years of schooling, hidden somewhere under all the piled-on layers of learning and growing and hurting and stretching — I do remember her well.
Like every student starting a new adventure today, we could all use a hug.
Lo! I am come to autumn, When all the leaves are gold; Grey hairs and golden leaves cry out The year and I are old.
In youth I sought the prince of men, Captain in cosmic wars, Our Titan, even the weeds would show Defiant, to the stars.
But now a great thing in the street Seems any human nod, Where shift in strange democracy The million masks of God.
In youth I sought the golden flower Hidden in wood or wold, But I am come to autumn, When all the leaves are gold. ~G.K. Chesterton “Gold Leaves”
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A voice had begun to sing. It was very far away and…. hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself.
There were no words. There was hardly even a tune. But it was, beyond comparison, the most beautiful noise he had ever heard. It was so beautiful he could hardly bear it.
The earth was of many colors: they were fresh, hot, and vivid. They made you feel excited; until you saw the Singer himself, and then you forgot everything else. ~C.S. Lewis from The Magician’s Nephew
And did you get what you wanted from this life, even so? I did. And what did you want? To call myself beloved, to feel myself beloved on the earth. ~Raymond Carver “Late Fragment”
Beautiful things and varied shapes appeal to [the eyes], vivid and well-matched colors attract; but let not these captivate my soul. Rather let God ravish it; he made these things exceedingly good, to be sure, but he is my good, not they. ~St. Augustine
Every time I open my eyes and listen for the voice of the morning, I am reminded how precious is this moment, how welcome is each breath and each heartbeat.
We are created for this. We are, everyone of us, beloved by our Creator. We are meant to wonder breathless at this, without ceasing, through the long day.
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Just when you’d begun to feel You could rely on the summer, That each morning would deliver The same mourning dove singing From his station on the phone pole, The same smell of bacon frying Somewhere in the neighborhood, The same sun burning off The coastal fog by noon, When you could reward yourself For a good morning’s work With lunch at the same little seaside cafe With its shaded deck and iced tea, The day’s routine finally down Like an old song with minor variations, There comes that morning when the light Tilts ever so slightly on its track, A cool gust out of nowhere Whirlwinds a litter of dead grass Across the sidewalk, the swimsuits Are piled on the sale table, And the back of your hand, Which you thought you knew, Has begun to look like an old leaf. Or the back of someone else’s hand. ~George Bilgere “August”from The Good Kiss
I don’t recognize the back of my own hands – surely they belong to someone else.
How is it possible for my hands to now look like my mother’s did?
It’s only possible now that I’ve lived many summers. Yet I’m not quite dried up like an old leaf. At least not yet.
This dry spell is over; this morning there is magic in the sound and smell of rain. Like the old song: “The bright blessed day The dark sacred night And I think to myself What a wonderful world…”
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The serene philosophy of the pink rose is steadying. Its fragrant, delicate petals open fully and are ready to fall, without regret or disillusion, after only a day in the sun. It is so every summer. One can almost hear their pink, fragrant murmur as they settle down upon the grass: ‘Summer, summer, it will always be summer.’ ~Rachel Peden
It will always be summer if we let go in the midst of the brief brightness, when all is glorious.
No cold winds, no unending days of rain, no mildew, no iced walkways, no 18 hours of darkness, no turning brown with mold and rot.
Let us be strong and serene through all seasons rather than letting go at the height of summer.
Let us thrive steady through the hard times rather than withering at the peak of beauty.
Let us age, let us turn gray, let us wrinkle, and go bald.
It may always be summer — someday — but not yet.
Not here. Not now.
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Through sere trees and beheaded grasses the slow rain falls. Hay fills the barn; only the rake and one empty wagon are left in the field. In the ditches goldenrod bends to the ground. Even at noon the house is dark. In my room under the eaves I hear the steady benevolence of water washing dust raised by the haying from porch and car and garden chair. We are shorn and purified, as if tonsured. The grass resolves to grow again, receiving the rain to that end, but my disordered soul thirsts after something it cannot name. ~Jane Kenyon “August Rain, After Haying” from Collected Poems
August arrives in the dark
we are not even asleep and it is here with a gust of rain rustling before it…
but in the stillness after the rain ends nothing is to be heard but the drops falling one at a time from the tips of the leaves into the night and I lie in the dark listening to what I remember while the night flies on with us into itself ~W.S. Merwin from “Nocturne II” from The Shadow of Sirius
A long-awaited August rain arrives in the night and like the ground and plants, I look skyward letting the clouds weep on me, cleansing me of dust.
Will I restore like the brown and dying blade of grass, turning green and lush in a matter of days?
Is there enough benevolence from the sky to cleanse and settle my grime, yielding yet more harvest?
I thirst for what I cannot name. The mystery is, when I’m drenched, thirst and dust settled, I’m aching for more.
AI image created for this post
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And a few favorite AI images created for my Barnstorming posts – I like to see whether computers are understanding, through an artistic interpretation, what I’m trying to say.
AI image created for BarnstormingAI image created for BarnstormingAI image created for BarnstormingAI image created for BarnstormingAI image created for this post
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sphere of pillowed sky one faceless gathering of blue...
… I’m tethered, and devoted to your raw and lonely bloom
my lavish need to drink your world of crowded cups to fill. ~Tara Bray “hydrangea” from Image Journal
Like in old cans of paint the last green hue, these leaves are sere and rough and dull-complected behind the blossom clusters in which blue is not so much displayed as it’s reflected;
They do reflect it imprecise and teary, as though they’d rather have it go away, and just like faded, once blue stationery, they’re tinged with yellow, violet and gray;
As in an often laundered children’s smock, cast off, its usefulness now all but over, one senses running down a small life’s clock.
Yet suddenly the blue revives, it seems, and in among these clusters one discovers a tender blue rejoicing in the green. ~Rainer Maria Rilke “Blue Hydrangea” Translation by Bernhard Frank
Dwelling within a mosaic of dying colors, these petals fold and collapse under the weight of the sky’s tears.
This hydrangea bears a rainbow of hues, once-vibrant promises of blue now fading to rusts and grays.
I know what this is like: the running out of the clock, feeling the limits of vitality.
Withering and drying, I’m drawn, thirsty for the beauty, to this waning artist’s palette.
To quench my thirst: from an open cup, an invitation, an everlasting visual sacrament.
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