Where You Go, I Will Go: We Need More Cow Bell

We come across a ridge and hear
a cowbell in the cove beyond,
a tinkle sweetening the air
with vague rubato as the breeze
erases tones and then the notes
resume like echoes from the past
or from a cave inside the cliff,
a still, calm voice in dialect
and keeping its own company,
both out of time and long as time,
both here and from a higher sphere,
as if the voice of history
were intimate as memory.

~Robert Morgan “Cowbell”

Over my head, I see the bronze butterfly,   
Asleep on the black trunk,
Blowing like a leaf in green shadow.   
Down the ravine behind the empty house,   
The cowbells follow one another   
Into the distances of the afternoon.   
To my right,
In a field of sunlight between two pines,   
The droppings of last year’s horses   
Blaze up into golden stones.
I lean back, as the evening darkens and comes on.   
A chicken hawk floats over, looking for home.
I have wasted my life.
~James Wright “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota”

photo by Kate Steensma from Steensma Creamery

One of the lullabies I remember hearing as a youngster were cowbells in the pasture outside my bedroom window on our small family farm. Each of our three milking Guernsey cows wore a bell on her neck so my dad could tell where they were in our wooded field. He’d whistle and call “Come Bossy!” and they would walk single file into the barn, ringing and tinkling with each step, for their twice daily grain and hand-milking.

When I was old enough, I liked to perch on top of their bony backs while my dad leaned his head into their flank, whistling a tune while he milked them, the steaming stream of milk hitting the metal bucket with a high-pitched whine. The bells on their necks still chimed as the cows chewed, moving their heads up and down to finish their meal.

This was divine music that soothed and reassured me and I felt I could follow it anywhere. All was right with the world, thanks to the cows and their intrinsic tunes created by their movements, as if they were created to charm their keepers.

There are moments when I believe we are hearing what heaven must sound like.

Now, seven decades later, the soft harmony of cowbells is replaced by the random chords of wind chimes hanging outside our house.

The memory of cowbell music remains a reminder: I have not wasted my life if I can taste heaven through such simple things and magical moments.

But I still need more cowbell…

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

and because there is always a need for more cowbell…

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Where You Go, I Will Go: An Ache Like Homesickness

When I was a child
I once sat sobbing on the floor
Beside my mother’s piano
As she played and sang
For there was in her singing
A shy yet solemn glory
My smallness could not hold

And when I was asked
Why I was crying
I had no words for it
I only shook my head
And went on crying

Why is it that music
At its most beautiful
Opens a wound in us
An ache a desolation
Deep as a homesickness
For some far-off
And half-forgotten country

I’ve never understood
Why this is so

But there’s an ancient legend
From the other side of the world
That gives away the secret
Of this mysterious sorrow

For centuries on centuries
We have been wandering
But we were made for Paradise
As deer for the forest

And when music comes to us
With its heavenly beauty
It brings us desolation
For when we hear it
We half remember
That lost native country

We dimly remember the fields
Their fragrant windswept clover
The birdsongs in the orchards
The wild white violets in the moss
By the transparent streams

And shining at the heart of it
Is the longed-for beauty
Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wanders where we wander.
~Anne Porter “Music” from Living Things

One evening, when our daughter was only a toddler,
just learning the words to tell us what she needed,
I was preparing dinner, humming to
a choral music piece playing in the background.

She sat on the kitchen floor, looking up at me,
her eyes welling full with tears
like pools of reflected light spilling over
from some deep-remembered reservoir.

At first I thought she was hurt or upset
but then could see she was feeling
an ache a desolation
deep as a homesickness
as she wept for wonder
at the sad beauty of the music
that spoke for her
the words she could not express:

Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wandered where we wander.

For our present troubles are small and won’t last very long. Yet they produce for us a glory that vastly outweighs them and will last forever! So we don’t look at the troubles we can see now; rather, we fix our gaze on things that cannot be seen. For the things we see now will soon be gone, but the things we cannot see will last forever
2Corinthians 4:17-18

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16

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The Soul Can Split the Sky in Two

All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line
Of the horizon, thin and fine,
Straight around till I was come
Back to where I’d started from;
And all I saw from where I stood
Was three long mountains and a wood.

Over these things I could not see;
These were the things that bounded me;
And I could touch them with my hand,
Almost, I thought, from where I stand.
And all at once things seemed so small
My breath came short, and scarce at all.

The world stands out on either side
No wider than the heart is wide;
Above the world is stretched the sky,—
No higher than the soul is high.
The heart can push the sea and land
Farther away on either hand;
The soul can split the sky in two,
And let the face of God shine through.
But East and West will pinch the heart
That can not keep them pushed apart;
And he whose soul is flat—the sky
Will cave in on him by and by.
~Edna St. Vincent Millay at age 19, from “Renascence”

I know for a while again,
the health of self-forgetfulness,
looking out at the sky through
a notch in the valley side,
the black woods wintry on
the hills, small clouds at sunset
passing across. And I know
that this is one of the thresholds
between Earth and Heaven,
from which I may even step
forth from myself and be free.
~ Wendell Berry, Sabbaths 2000

I was told once by someone I respected that my writing reflected “sacramental” living —  reflecting my effort to touch and taste the holiness of everyday moments, as if they are the cup and bread that sustain us.

I allowed that feedback to sit warmly beside me, like a comforting companion during the hours I struggled with what to share here.

Yet, as tomorrow begins weeks of Lenten observance, I realize it is all too tempting to emphasize sacrament over the sacrifice it inevitably represents. 

As much as I love the world and the beauty I find here, I need to recognize there will be “thin places” between heaven and earth where we must forget “self” and step forth through a holy threshold into something far greater.

So I struggle with what sacrificial living truly means, as a terrifying illuminating freedom remaining far beyond my grasp.

I may even step
forth from myself and be free…

photo of San Juan Islands by Joel De Waard
photo of San Juan Islands by Joel De Waard
photo of San Juan Islands by Joel De Waard
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Emptying Like a Cloud

God empties himself
into the earth like a cloud.
God takes the substance, contours
of a man, and keeps them,
dying, rising, walking,
and still walking
wherever there is motion.
Annie Dillard from “Feast Days” in Tickets for a Prayer Wheel

Soon we will enter the season of Advent, an opportunity to reflect on a God who “takes the substance, contours of a man”, as He “empties himself into the earth like a cloud.” 

Like drought-stricken parched ground, we prepare to respond to the drenching of the Spirit through the Son, and be ready to spring up with renewed growth.

He walked among us before His dying and subsequent rising up.
He walked among us again, appearing where least expected,
sharing a meal, causing our hearts to burn within us,
inviting us to touch and know Him.

His invitation remains open-ended,
His heart preparing us for our eternal home.

I think of that every time the clouds gather, open up, and empty.  
He freely falls to earth, soaking us completely,
through and through and through.

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A Slow and Radiant Happening

In heaven it is always autumn. The leaves are always near
to falling there but never fall, and pairs of souls out walking
heaven’s paths no longer feel the weight of years upon them.
Safe in heaven’s calm, they take each other’s arm,
the light shining through them, all joy and terror gone.
But we are far from heaven here, in a garden ragged and unkept
as Eden would be with the walls knocked down, the paths littered
with the unswept leaves of many years, bright keepsakes
for children of the Fall. The light is gold, the sun pulling
the long shadow soul out of each thing, disclosing an outcome.
The last roses of the year nod their frail heads,
like listeners listening to all that’s said, to ask,
What brought us here? What seed? What rain? What light?
What forced us upward through dark earth? What made us bloom?
What wind shall take us soon, sweeping the garden bare?

Their voiceless voices hang there, as ours might,
if we were roses, too. Their beds are blanketed with leaves,
tended by an absent gardener whose life is elsewhere.
It is the last of many last days. Is it enough?
To rest in this moment? To turn our faces to the sun?
To watch the lineaments of a world passing?
To feel the metal of a black iron chair, cool and eternal,
press against our skin? To apprehend a chill as clouds
pass overhead, turning us to shivering shade and shadow?
And then to be restored, small miracle, the sun shining brightly
as before? We go on, you leading the way, a figure
leaning on a cane that leaves its mark on the earth.
My friend, you have led me farther than I have ever been.
To a garden in autumn. To a heaven of impermanence
where the final falling off is slow, a slow and radiant happening.
The light is gold. And while we’re here, I think it must
    be heaven.
~Elizabeth Spires from “In Heaven it is Always Autumn”
from Now the Green Blade Rises

The Bench by Manet

We wander our autumn garden mystified at the passing of the weeks since seed was first sown, weeds pulled, peapods picked. It could not possibly be done so soon–this patch of productivity and beauty, now wilted and brown, vines crushed to the ground, no longer fruitful.

The root cellar is filling up, the freezer packed. The work of putting away is almost done.

So why do I go back to the now barren soil my husband so carefully worked, numb in the knowledge I will pick no more this season, feel the burst of a cherry tomato exploding in my mouth or the green freshness of a bean straight off the vine?

Because for a few fertile weeks, only a few weeks, the garden was a bit of heaven on earth, impermanent but a real taste nonetheless. 

We may have mistaken Him for the gardener when He appeared to us radiant, suddenly unfamiliar. He offered the care of the garden, to bring in the sheaves, to share the forever mercies in the form of daily bread grown right here and now.

When He says my name, I will know Him. 

And the light is golden.

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A Bit of Heaven

I love color.
I love flaming reds,
And vivid greens,
And royal flaunting purples.
I love the startled rose of the sun at dawning,
And the blazing orange of it at twilight.

I love color.
I love the drowsy blue of the fringed gentian,
And the yellow of the goldenrod,
And the rich russet of the leaves
That turn at autumn-time….
I love rainbows,
And prisms,
And the tinsel glitter
Of every shop-window.

I love color.
And yet today,
I saw a brown little bird
Perched on the dull-gray fence
Of a weed-filled city yard.
And as I watched him
The little bird
Threw back his head
Defiantly, almost,
And sang a song
That was full of gay ripples,
And poignant sweetness,
And half-hidden melody.

I love color….
I love crimson, and azure,
And the glowing purity of white.
And yet today,
I saw a living bit of brown,
A vague oasis on a streak of gray,
That brought heaven
Very near to me.
~Margaret Sangster “The Colors”

My eye is always looking for the glow of colors or combination of hues like a harmonious chord blending together. It is like a symphony to my retinas…

But if I don’t look closely enough, I miss the beauty of subtle color hidden in a background of drab. They sing, transcending the ordinary.

Today, it was these house sparrows, busy eating grass seeds behind a city building. I heard their chirping before I saw them, they were so camouflaged. They are also known as “gutter birds” given their plain and common appearance. Yet, hearing them and then watching their enthusiastic feeding, there was nothing plain about them.

They had brought a bit of heaven to earth. After all, the Word tells us His eyes are on the sparrow…

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What If You Dreamed…

What if you slept
And what if
In your sleep
You dreamed
And what if
In your dream
You went to heaven
And there plucked a strange and beautiful flower
And what if
When you awoke
You had that flower in your hand
Ah, what then?
~Samuel Coleridge  “What if you slept”

What do our dreams tell us of heaven?

Perhaps our dreams are lush with exotic flowers
never imagined growing in earthly soil.

We hold tightly to a vision
of divinely strange and beautiful,
to remind us of heaven in our waking hours.

My dream of heaven blooms plain and simple,
strangely beautiful in its familiarity,
held firmly in my hand each day.

The dreams welcome me home, asleep or awake.

Ah, what then?
What if heaven is the divine brought home in our hand?

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A World Too Beautiful

O world, I cannot hold thee close enough!
Thy winds, thy wide grey skies!
Thy mists, that roll and rise!
Thy woods, this autumn day, that ache and sag
And all but cry with color! That gaunt crag
To crush! To lift the lean of that black bluff!
World, World, I cannot get thee close enough!

Long have I known a glory in it all,
But never knew I this;
Here such a passion is
As stretcheth me apart,– Lord, I do fear
Thou’st made the world too beautiful this year;
My soul is all but out of me,– let fall
No burning leaf; prithee, let no bird call.
~Edna St. Vincent Millay “God’s World”

Oh, earth, you’re too wonderful for anybody to realize you. 
Do any human beings ever realize life while they live it?

– every, every minute? 
I’m ready to go back. I should have listened to you.

That’s all human beings are!
Just blind people.
~Thornton Wilder, from Emily’s monologue in Our Town

Let me not wear blinders through my days.
Let me see and hear and feel it all
even when it seems too much to bear.

Lord,  prepare me to be so whelmed at your world, that
Heaven itself will be familiar, and not that far,
Just round the corner.

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Daisy Morning Music

See, the grass is full of stars,
Fallen in their brightness;
Hearts they have of shining gold,
Rays of shining whiteness.

Buttercups have honeyed hearts,
Bees they love the clover,
But I love the daisies’ dance
All the meadow over.

Blow, O blow, you happy winds,
Singing summer’s praises,
Up the field and down the field
A-dancing with the daisies.
~Marjorie Pickthall “Daisy Time”

I still can’t say what life is for, but it can’t be to pretend
     that every part of it is knowable, or that what appears to be
to the naked eye or in the middle ground or documented on paper
     approximates a person any better than a daisy does our sun.

When at a loss for what I am, I know I must be feeling it
     deep in the layers, where a turbulence gives rise to clouds
so massive they collapse in a bliss of gravity, condensing into this
      music I can daisy into morning as it daisies me into morning.

~Timothy Donnelly from “Habitable Nebula”

It is possible, I suppose that sometime
we will learn everything
there is to learn: what the world is, for example,
and what it means. I think this as I am crossing
from one field to another…

At my feet the white-petalled daisies display
the small suns of their center piece, their – if you don’t
mind my saying so – their hearts. Of course
I could be wrong, perhaps their hearts are pale and
narrow and hidden in the roots. What do I know?


But this: it is heaven itself to take what is given,
to see what is plain; what the sun lights up willingly;
for example – I think this
as I reach down, not to pick but merely to touch –
the suitability of the field for the daisies, and the
daisies for the field.

~Mary Oliver from “Daisies”

I realize I can’t understand what all this world means.

No, I will remain in the dark until I cross from this daisy-strewn field to the next. I have to wait for heaven itself to see why we are illuminated by the Sun.

It is all cloud-covered mystery in the meantime, and sometimes a mean and joyless mystery – with pain and heartbreak and suffering, but just enough loving sacrifice to make it worthwhile.

How are we different from that stone, or that tree or that daisy?

We are breathed on.

God’s breath surges within us, as we laugh out loud, weep mightily and sing out His Words – struggling to be suitable for this field of stars, so often trampled and broken, but with plans to flourish under the illuminating stars created by the Son of heaven.

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I Love Color

I love color.
I love flaming reds,
And vivid greens,
And royal flaunting purples.
I love the startled rose of the sun at dawning,
And the blazing orange of it at twilight.

I love color.
I love the drowsy blue of the fringed gentian,
And the yellow of the goldenrod,
And the rich russet of the leaves
That turn at autumn-time….
I love rainbows,
And prisms,
And the tinsel glitter
Of every shop-window.

I love color.
And yet today,
I saw a brown little bird
Perched on the dull-gray fence
Of a weed-filled city yard.
And as I watched him
The little bird
Threw back his head
Defiantly, almost,
And sang a song
That was full of gay ripples,
And poignant sweetness,
And half-hidden melody.

I love color….
I love crimson, and azure,
And the glowing purity of white.
And yet today,
I saw a living bit of brown,
A vague oasis on a streak of gray,
That brought heaven
Very near to me.
~Margaret E. Sangster “Colors”

photo by Harry Rodenberger

My eye always seeks out color
because there is so much gray as background and foreground.

My ear listens for the singing of sweet melodies
in the midst of mourning and sorrow.

My heart longs for hints of heaven in the daily ordinary
because this sad world wants to believe in the promises.

photo by Harry Rodenberger
Andrew Wyeth – Wind from the Sea, 1947
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