All That From a Feather

Once again a child asks me suddenly What is a poem?,
And once again I find myself riffing freely and happily
Without the slightest scholarly expertise or knowledge;
But I am entranced by how poems can hint and suggest
And point toward things deeper than words. A poem is
An owl feather, I say. It’s not the owl—but it intimates
Owlness, see what I mean? You imagine the owl, owls,
Silent flight, razors for fingers, a wriggle of mouse tail
Slurped up right quick like the last strand of angel hair,
A startle of moonlight, a fox watching from the thicket,
All that from a feather. It’s like an owl is in the feather.
A poem is a small thing with all manner of bigger in it.
Poor poems only have a writer in them, but better ones
Have way more in them than the writer knew or knows
About. This poem, for example, amazingly has owls in
It—who knew we’d see a flurry of owls this afternoon?

~Brian Doyle, “A Flurry of Owls”

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem’s room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.
~Billy Collins “Introduction to Poetry” from from The Apple that Astonished Paris.

I walked into our big hay barn this week,
finding scattered atop the few remaining bales from last summer
these few owl feathers…

they were waiting for a poem to hide within,
just as the barn owls are tucked invisibly in the rafters
until the cool air of dusk and hunger lures them to the hunt,
swooping outside to capture both moonlight and mice
to be coughed up in pellets of fur and bones.

These feathers, dropped like so many random snowflakes,
carry within them the glint and glow of the moon, a reminder
what we leave behind matters,
whether it be feather or fur
or a wee dry skeleton,
a shell of who we once were
yet are no longer.


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Dwelling On What Has Been

The house had gone to bring again
To the midnight sky a sunset glow.
Now the chimney was all of the house that stood,
Like a pistil after the petals go.

The barn opposed across the way,
That would have joined the house in flame
Had it been the will of the wind, was left
To bear forsaken the place’s name.

No more it opened with all one end
For teams that came by the stony road
To drum on the floor with scurrying hoofs
And brush the mow with the summer load.

The birds that came to it through the air
At broken windows flew out and in,
Their murmur more like the sigh we sigh
From too much dwelling on what has been.

Yet for them the lilac renewed its leaf,
And the aged elm, though touched with fire;
And the dry pump flung up an awkward arm:
And the fence post carried a strand of wire.

For them there was really nothing sad.
But though they rejoiced in the nest they kept,
One had to be versed in country things
Not to believe the phoebes wept.
 ~Robert Frost “The Need of Being Versed in Country Things”

The field of my childhood farm (1954-59) with the red barn visible on the right. The house was destroyed by fire in the mid-60s but the barn was spared

photo by Harry Rodenberger

My family sold our first farm in East Stanwood when my father took a job working for the state in Olympia, moving to supervising high school agriculture teachers rather than being a teacher himself. It was a difficult transition for us all: we moved to a smaller home and a few acres, leaving behind a large two story house, a huge hay barn and chicken coop as well as large fields and a woods where our dairy cows had grazed.

Only a few years later, the old farmhouse burned down but the rest of the buildings were spared. It passed through a few hands and when we had occasion to drive by, we were dismayed to see how nature was taking over the place. The barn still stood but unused it was weathering and withering. The windows were broken, birds flew in and out, the former flower garden had grown wild and unruly.

This was the place I was conceived and learned to walk and talk, where I developed my love for wandering in the fields and respecting the farm animals we depended upon. I remember as a child of four sitting at the kitchen table looking out the window at the sunrise coming rising over the woods and making the misty fields turn golden.

Yet now this land has returned to its essence before the ground was ever plowed or buildings were constructed. It no longer belongs to our family (as if it ever did) but it forever belongs to our memories.

I am overly prone to nostalgia, dwelling more on what has been than what is now or what I hope is to come. It is easy to weep over the losses when time and circumstances reap circumstances that become unrecognizable.

I may weep, but nature does not. The sun continues to rise over the fields, the birds continue to build nests, the lilacs grow taller with outrageous blooms, and each day ends with a promise of another to come.

So I must dwell on what lies ahead, not what perished in the ashes.

photo by Harry Rodenberger

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Hollowed

The barn roof sags like an ancient mare’s back.
The field, overgrown, parts of it a marsh
where the pond spills over. No hay or sacks
of grain are stacked for the cold. In the harsh
winters of my youth, Mama, with an axe,
trudged tirelessly each day through deep snow,
balanced on the steep bank, swung down to crack
the ice so horses could drink. With each blow
I feared she would fall, but she never slipped.
Now Mama’s bent and withered, vacant gray
eyes fixed on something I can’t see. I dip
my head when she calls me Mom. What’s to say?
The time we have’s still too short to master
love, and then, the hollow that comes after.
~Kitty Carpenter “Farm Sonnet”

Vigil at my mother’s bedside

Lying still, your mouth gapes open as
I wonder if you breathe your last.
Your hair a white cloud
Your skin baby soft
No washing, digging, planting gardens
Or raising children
Anymore.
Hollowed.

Where do your dreams take you?
At times you wake in your childhood home of
Rolling wheat fields, boundless days of freedom.
Other naps take you to your student and teaching days
Grammar and drama, speech and essays.
Yesterday you were a young mother again
Juggling babies, farm and your wistful dreams.

Today you looked about your empty nest
Disguised as hospital bed,
Wondering aloud about
Children grown, flown.
You still control through worry
and tell me:
Travel safely
Get a good night’s sleep
Take time to eat
Call me when you get there

I dress you as you dressed me
I clean you as you cleaned me
I love you as you loved me
You try my patience as I tried yours.
I wonder if I have the strength to
Mother my mother
For as long as she needs.

When I tell you the truth
Your brow furrows as it used to do
When I disappointed you~
This cannot be
A bed in a room in a sterile place
Waiting for death
Waiting for heaven
Waiting

And I tell you:
Travel safely
Eat, please eat
Sleep well
Call me when you get there.

photo by Andrea Nipges

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Will I Open the Door?

Behold, I stand at the door and knock; if anyone hears my voice and opens the door, I will come in to him and eat with him, and he with me.
Revelation 3:20

…we are faced with the shocking reality:
Jesus stands at the door and knocks, in complete reality.
He asks you for help in the form of a beggar,
in the form of a ruined human being in torn clothing.
He confronts you in every person that you meet.
Christ walks on the earth as your neighbor as long as there are people.
He walks on the earth as the one through whom
God calls you, speaks to you and makes his demands.
That is the greatest seriousness
and the greatest blessedness of <His> message.
Christ stands at the door.
Will you keep the door locked or open it to him?
~Dietrich Bonhoeffer from an Advent Sermon “The Coming of Jesus into our Midst”

photo by Nate Gibson

Sam does barn chores with me, always has.  He runs up and down the aisles as I fill buckets, throw hay, and he’ll explore the manure pile out back and the compost pile and have stand offs with the barn cats (which he always loses).  We have our routine.  When I get done with chores, I whistle for him and we head to the house. 

We head back home together.

Except this morning.  I whistled when I was done and his furry little fox face didn’t appear as usual.  I walked back through both barns calling his name, whistling, no signs of Sam.  I walked to the fields, I walked back to the dog yard, I walked the road (where he never ever goes), I scanned the pond (yikes), I went back to the barn and glanced inside every stall, I went in the hay barn where he likes to jump up and down on stacked bales, looking for a bale avalanche he might be trapped under, or a hole he couldn’t climb out of.  Nothing.

Passing through the barn again, I heard a little faint scratching inside one Haflinger’s stall, which I had just glanced in 10 minutes before.  The mare was peacefully eating hay.  Sam was standing with his feet up against the door as if asking what took me so long.  He must have scooted in when I filled up her water bucket, and I closed the door not knowing he was inside, and it was dark enough that I didn’t see him when I checked.  He and his good horse friend kept it their secret.

He made not a whimper nor did he bark when I called out his name, passing that stall at least 10 times looking for him. He just patiently waited for me to finally open the door I had previously locked tight.

It wasn’t Sam who was lost. Sam lost me. He patiently waited until I realized he was waiting for me for me to come around and open the door.

He was ready to accompany me back home. 

Though you are homeless
Though you’re alone
I will be your home
Whatever’s the matter
Whatever’s been done
I will be your home
I will be your home
I will be your home
In this fearful fallen place
I will be your home
When time reaches fullness
When I move my hand
I will bring you home
Home to your own place
In a beautiful land
I will bring you home
I will bring you home
I will bring you home
From this fearful fallen place
I will bring you home
I will bring you home
~Michael Card

Heart of the World

The mares go down for their evening feed
                                                                            into the meadow grass.
Two pine trees sway the invisible wind 
                                                                       some sway, some don’t sway.
The heart of the world lies open, leached and ticking with sunlight
For just a minute or so.
The mares have their heads on the ground,
                                           the trees have their heads on the blue sky.
Two ravens circle and twist.
                On the borders of heaven, the river flows clear a bit longer.
~Charles Wright “Miles Away”

It isn’t yet time to turn the Haflingers out on pasture.  The fields still squish from our heavy winter rains when I check the grass growth and test how firm the ground feels.

But spring is in the air, with pollens flying from the trees and the faint scent of plum and cherry blossoms wafting across the barn yard.  The Haflingers know there are green blades rising out there.

There is a waning pile of hay bales in the barn being carefully measured against the calendar.  We need to make it last until the fields are sufficiently recovered, dried out and growing well before the horses can be set free from their confinement back on the green.

Haflingers don’t care much about the calendar.  They know what they smell and they know what they see and they know what they want.

One early spring some years ago,  as I opened the gate to a paddock of Haflinger mares to take them one by one back to the barn, their usual good manners abandoned them.  Two escaped before I could shut the gate, the siren call of the green carrying them away like the wind, their tails high and their manes flying.  There is nothing quite as helpless as watching escaped horses running away as fast as their legs can carry them.

They found the nearest patch of green and stopped abruptly, trying to eat whatever the meager ground would offer up.    I approached,  quietly talking to them, trying to reassure them that, indeed,  spring is at hand and soon they will be able to eat their fill of grass.   Understandably suspicious of my motives, they leaped back into escape mode, running this time for the pasture across the road.

We live on a road that is traveled by too many fast moving cars and trucks and our farm on a hill is hampered by visibility issues –my greatest fear is one of our horses on the road would cause an accident simply because there would be no time for a driver to react after cresting a hill at 50 mph and finding a horse a mere twenty yards away.

I yelled and magically the mares turned, veering back from the road.  As I marveled at my ability to verbally redirect them from dashing into potential disaster,  they were heading back to the barn on their own, where their next most attractive feature on the farm dwelled:  our stallion.  He was calling them, knowing things were amiss, and they responded, turning away from the green to respond to the call of the heart.

So that was where I was able to nab them in their distracted posing for the guy in their lives.  Guys can do that to a gal.  You can end up completely abandoning thoughts of running away with the wind when the right guy calls your name.

Lured from the green grassy borders of heaven, we respond to the call of the heart from the world.

Leaving the Wilderness: Blown Away

A brief and unexpected Palm Sunday storm blew through yesterday afternoon with gusts of southerly winds, horizontal rain and noisy hale. I had left the north/south center aisle doors wide open after morning chores, so the storm also blew through the barn. Hay, empty buckets, horse halters and cat food were strewn about. The Haflinger horses stood wide-eyed and fretful in their stalls as the hail on the metal roof hammered away.

Once I got the doors closed and secured, all was soon made right. The horses relaxed and got back to their meals and things felt normal again.

Today, Holy Monday morning, all seems calm. The barn is still there, the roof still on, the horses where they belong and all seems to be as it was before the barnstorming wind. Or so it might appear.

This wind heralds another storm beginning this week that hits with such force that I’m knocked off my feet, blown away, and left bruised and breathless. No latches, locks, or barricades are strong enough to protect me from what will come over the next few days.

Yesterday he rode in on a donkey softly, humbly, and wept at what he knew must come.

Today, he overturns the tables in his fury.

Tomorrow he describes the destruction that is to happen, yet no one understands.

Wednesday, a woman boldly anoints him with precious oil, as preparation.

On Thursday, he kneels before his friends, pours water over their dusty feet, presides over a simple meal, and later, abandoned, sweats blood in agonized prayer.

By Friday, all culminates in a most perfect storm, transforming everything in its path, leaving nothing untouched, the curtain torn, the veil removed.

The silence on Saturday is deafening.

Next Sunday, the Son rises, sheds his shroud and neatly folds was is no longer needed. He is nearly unrecognizable in his glory.

He calls my name, my heart burns within me at his words and I can never be the same again.

I am, once again, barnstormed to the depths of my soul. Doors flung open wide, my roof pulled off, everything of no consequence blown away and now replaced, renewed and reconciled.

May it be done this week as he has said, again and yet again, year after year, life after life.

1. Courage, my soul, and let us journey on,
Tho’ the night is dark, it won’t be very long.
Thanks be to God, the morning light appears,
And the storm is passing over, Hallelujah!

Chorus: Hallelujah! Hallelujah! The storm is passing over, Hallelujah!

2. Billows rolling high, and thunder shakes the ground,
Lightnings flash, and tempest all around,
Jesus walks the sea and calms the angry waves,
And the storm is passing over, Hallelujah! [Chorus]

3. The stars have disappeared, and distant lights are dim,
My soul is filled with fears, the seas are breaking in.
I hear the Master cry, “Be not afraid, ’tis I,”
And the storm is passing over, Hallelujah!
[Chorus]

4. Soon we shall reach the distant shining shore,
Free from all the storms, we’ll rest forevermore.
Safe within the veil, we’ll furl the riven sail,
And the storm will all be over, Hallelujah! [Chorus]

Like a Century Ago

I like farming.
I like the work.
I like the livestock and the pastures and the woods. 
It’s not necessarily a good living, but it’s a good life. 
I now suspect that if we work with machines
the world will seem to us to be a machine,
but if we work with living creatures
the world will appear to us as a living creature. 
That’s what I’ve spent my life doing,

trying to create an authentic grounds for hope.
~Wendell Berry, horse farmer, essayist, poet, professor

When I pull open the barn doors,
every morning
and each evening,
as my grandparents did
one hundred years ago,
six rumbling voices
rise in greeting.
We exchange scents,
nuzzle each others’ ears.

I do my chores faithfully
as my grandparents once did–
draw fresh water
into buckets,
wheel away
the pungent mess underfoot,
release an armful of summer
from the bale,
reach under heavy manes
to stroke silken necks.

I don’t depend
on our horses’ strength
and willingness to
don harness
to carry me to town
or move the logs
or till the soil
as my grandparents did.

Instead,
these soft eyed souls,
born on this farm
two or three long decades ago,
are simply grateful
for my constancy
morning and night
to serve their needs
until the day comes
they need no more.

I depend on them
to depend on me
to be there
to open the doors;
their low whispering welcome
gives voice
to the blessings of
living on a farm
ripe with rhythms and seasons,
as if today and tomorrow are
just like one hundred years ago.

Pause for the Parable

Every happening, great and small,
is a parable whereby God speaks to us,
and the art of life is to get the message.
~Malcolm Muggeridge

Every day is filled with storied moments
though I feel too rushed to listen.

If I take time to be changed
by what I see or feel or hear,
when I pause
for the parable,
it makes all the difference:

A steaming manure pile
becomes the crucible for my failings
transformed into something useful,
a fertilizer to be spread
to grow what it touches.

An iced-over water barrel
reflects distant clouds
above me as I peer inside,
its frozen blue eye focused
past my brokenness
to mirror a beauty
far beyond.

An old barn roof with gaps torn by fierce winds,
is repaired and renewed,
no longer allowing rain and snow
and invading vines inside;
once again safe and secure,
a sanctuary protected from storms.

I am looking.
I am listening.
Feeling in desperate need of repair
before I topple over:
to be transformed,
and forever changed.

The Slanted Light

There’s a certain Slant of light
On winter afternoons —
That oppresses, like the Heft
of cathedral tunes.
When it comes, the Landscape listens —
Shadows hold their breath —
When it goes, ’tis like the Distance
On the look of Death.
~Emily Dickinson

How valuable it is in these short days,
threading through empty maple branches,
the lacy-needled sugar pines.

 
Its glint off sheets of ice tells the story
of Death’s brightness, her bitter cold.

 
We can make do with so little, just the hint
of warmth, the slanted light.
..
~Molly Fisk, “Winter Sun” from 
The More Difficult Beauty

Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth’s superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —
~Emily Dickinson

I like the slants of light; I’m a collector.
That’s a good one, I say…
~Annie Dillard from Pilgrim at Tinker Creek

During our northwest winters, there is usually so little sunlight on gray cloudy days that I routinely turn on the two light bulbs in the big hay barn any time I need to fetch hay bales for the horses. This is so I avoid falling into the holes that inevitably develop in the hay stack between bales. Winter murky lighting tends to hide the dark shadows of the leg-swallowing pits among the bales, something that is particularly hazardous when carrying a 60 pound hay bale.

Yesterday when I went to grab hay bales for the horses at sunset, before I flipped the light switch, I could see light already blazing in the big barn. The last of the day’s sun rays were at a precise winter slant, streaming through the barn slat openings, ricocheting off the roof timbers onto the bales, casting an almost fiery glow onto the hay. The barn was ignited and ablaze without fire and smoke — the last things one would even want in a hay barn.

I scrambled among the bales without worry.

In my life outside the barn I’ve been falling into more than my share of dark holes lately. Even when I know where they lie and how deep they are, some days I will manage to step right in anyway. Each time it knocks the breath out of me, makes me cry out, makes me want to quit trying to lift the heavy loads. It leaves me fearful to venture where the footing is uncertain.

Then, on the darkest of days, light comes from the most unexpected of places, blazing a trail to help me see where to step, what to avoid, how to navigate the hazards to avoid collapsing on my face. I’m redirected, inspired anew, granted grace, gratefully calmed and comforted amid my fears. Even though the light fades, and the darkness descends again, it is only until tomorrow. Then it reignites again.

The Light returns and so will I.

The Edge of Morning

Horse Team by Edvard Munch
The glittering roofs are still with frost; each worn
Black chimney builds into the quiet sky
Its curling pile to crumble silently.
Far out to the westward on the edge of morn,
The slender misty city towers up-borne
Glimmer faint rose against the pallid blue;
And yonder on those northern hills, the hue
Of amethyst, hang fleeces dull as horn.

And here behind me come the woodmen’s sleighs
With shouts and clamorous squeakings; might and main
Up the steep slope the horses stamp and strain,
Urged on by hoarse-tongued drivers–cheeks ablaze,
Iced beards and frozen eyelids–team by team,
With frost-fringed flanks, and nostrils jetting steam.

~Archibald Lampman “A January Morning”
photo by Josh Scholten

The vast majority of the world no longer depends on horse power on hooves to bring us the things we need to live every day.

Few of us depend on wood heat in our homes during these chilly January nights. Chimneys have become obsolete or merely decorative.

We live in a farm house that depended solely on wood heat to keep its original family warm through decades of brisk Pacific Northwest winters – in our remodel twenty plus years ago, we removed two wood stoves and installed a propane furnace and gas stove instead – now dependent on fossil fuels but trying to keep the air clean around us.

We also no longer have to wait, as our parents and grandparents did, on teamsters with frosted beards urging on their teams of steaming horses – pulling sleighs and wagons loaded with firewood or other goods. Now, sleek semis back up to the ramps of grocery stores and off-load their cargo into warehouse and freezers so night stockers can ensure the shelves are full for shoppers each morning.

For most of us living in a time of modern and immediate conveniences, we have little connection to the original source of the daily supplies we need and how they get to us. As descendants of subsistence farmers, my husband and I feel a relationship to the land we live on, fortunate to be able to store much of our garden and orchard produce right here in our pantry, root cellar and freezer.

And what of the horses who were so critical to the economy up until a century ago? Their role has been reduced to recreation and novelty rather than providing the essential horse power that supplied the goods we needed to live and moved us where we needed to go.

No fossil fuel necessary back then.
No exhaust other than steaming nostrils
and a pile of manure here or there.

We are the aging bridge generation between the end of horse power on hooves giving way to universal horse power on wheels. I remind myself of this each day as I do the chores in the barn. I’m a fortunate farmer, working alongside these animals on the edge of a frosty morning, knowing few people will remember how essential they were or have the privilege to continue to care for them as they deserve.