Leading the Lost Home

I appear at the kitchen door,
spiritual equivalent
of a wet dog from a storm,
tail tucked, trembling.
You open your lives, this life,
provide prayerful provision,
a vigorous toweling down,
a large bowl of kibbles.
I curl up and sleep safe on the rug by your heart,
the chapel that warms His,
and so, restored, return
to the weary world rejoicing,
perhaps to provide
a bracing swig from the fiery word,
perhaps to lead a lost one home.
~Bonnie Thurston “Strays” from O Taste and See

How many times have I shown up
muddy, cold, hungry
and you invited me in,
dried me off,
offered me your supper,
let me sleep warm and safe?

How many times
did I go back out into the world
with every good intention
of doing the same for other strays
and yet get lost again myself?

You call me back,
whistle me in,
open the door
to let me know
no matter how much of a mess I’m in
your hearth,
your heart
await my return.

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The Purpose for Slugs

Girls are like slugs—they probably serve some purpose, but it’s hard to imagine what.
~Bill Watterson, in Calvin and Hobbes

Who could have dreamed them up? At least snails
have shells, but all these have is—nothing.
Small black antennae like fat pins wave
as if they could take in enough to get them through.
Turn them over, they’re the soles of new shoes,
pale and unmarked as babies. They flow,
the soil itself learning how to move and, moving,
almost staying still, their silver monorail
the only evidence of where they’d been.
And they die quiet, or at least (thankfully)
out of the human ear’s range, between two stones,
under heels, shriveling in salt or piss, at the tips
of sharp sticks. Fight back, I hear myself say,
do something. Don’t just take it. But they die
as they had lived, exuding slime…

~Brian Swann from “Slugs”

Summer rain is desperately needed in our corner of the U.S. It is typically a frequent visitor to the Pacific Northwest and is forecast for tomorrow which means we will soon be overflowing with slug slime and the lovely multicolored gastropod creatures that produce it.

As the first few shower drops fall, they appear out of the ground like seeds that plump and germinate miraculously overnight. The slug crop burgeons, and with it, oozy trails of glistening slug slime.

We live on a hill, which means I walk downhill to the barn for chores. On rainy days, the barnyard path includes a few slugs under each foot. That produces a certain memorable squish factor.

I’ve learned to don my rubber boots and just squash and slide. There will undoubtedly be more slugs to replace those flattened and lost to eternity, not unlike watching freeze-dried shrinky dinks spontaneously rehydrate.

We need the rain badly, otherwise I would negotiate with drought-stricken areas to transfer the raindrops elsewhere. Part of the deal is: the slugs must go too along with gallons of slime, containing a complex mix of proteoglycans, glycosaminoglycans, glycoprotein enzymes, hyaluronic acid, antimicrobial peptides, and metal ions of zinc, iron, copper and manganese. Surely someone somewhere would appreciate slime’s precious metals and sticky proteins!

Of course, I’m sure I’d miss them and their sticky icky gooiness. But it is time for someone else to figure out just what the heck is the purpose of slimy gastropods.

I’ve given up trying to figure it out…

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I Won’t Stop Trying…

Sometimes I think all the best poems
have been written already,
and no one has time to read them,
so why try to write more?

At other times though,
I remember how one flower
in a meadow already full of flowers
somehow adds to the general fireworks effect

as you get to the top of a hill
in Colorado, say, in high summer
and just look down at all that brimming color.
I also try to convince myself

that the smallest note of the smallest
instrument in the band,
the triangle for instance,
is important to the conductor

who stands there, pointing his finger
in the direction of the percussions,
demanding that one silvery ping.
And I decide not to stop trying,

at least not for a while, though in truth
I’d rather just sit here reading
how someone else has been acquainted
with the night already, and perfectly.

~Linda Pastan “Rereading Frost” from Queen of a Rainy Country. 

I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.


I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.

I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,


But not to call me back or say good-bye;
And further still at an unearthly height,
One luminary clock against the sky


Proclaimed the time was neither wrong nor right. 
I have been one acquainted with the night.

~Robert Frost “Acquainted with the Night”

I want to write with quiet hands. I
want to write while crossing the fields that are
fresh with daisies and everlasting and the
ordinary grass. I want to make poems while thinking of
the bread of heaven and the
cup of astonishment; let them be

songs in which nothing is neglected,
not a hope, not a promise. I want to make poems
that look into the earth and the heavens
and see the unseeable. I want them to honor
both the heart of faith, and the light of the world;
the gladness that says, without any words, everything.
~Mary Oliver “Everything”
from New and Selected Poems: Volume Two

Some of you ask why I post poems by other authors when I could be writing more original work myself.

My answer, like poet Linda Pastan above is:

Sometimes I think all the best poems
have been written already,
and no one has time to read them,
so why try to write more?

Yet, like Linda, I’ve decided not to stop trying. Since I’ve committed myself to being here every day to share something that may help me and someone else breathe in the fragrance of words and the world – I try to be the necessary and eloquent silver ping when the Conductor points at me at precisely the right moment in time.

More often, I’m the “clang” creating a ruckus ringing the farm triangle bringing in everyone from all over the barnyard for lunch.

Even when my words feel broken, or I say again what another has already said yet I feel it bears emphasis — I do try to write with quiet hands, in reverence and awe for what unseeable, unspeakable gifts God has granted us all.

I try to celebrate by illuminating words and pictures with a unique “ping” all of my own.

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A Fallen World

On the second day of fog, she goes to meet it

sits on the broad root of a broken down
apple tree, remembers being a child
in such fog, searching for fairy houses.
She hears movement in the grass,
keeps very still while the veil of haze
rises to treetops bronzed
by the burn of the sun. Slowly
horses and deer appear all around her,
they graze close together,
nosing fallen apples, until she forgets
this is still a fallen world.

~Lonnie Hull DuPont, “On the Second Day of Fog” from She Calls the Moon by Its Name 

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.

~Wendell Berry “The Peace of Wild Things

When our grandchildren come to visit,
I watch as yet another generation rediscovers the mystery of
what we know about the joys and sorrows
of this fallen but redeemed world.

I am reminded there is light beyond the fearsome darkness,
there is peace amid the chaos,
there is a smile behind the tears,
there is stillness within the noisiness
there is rest despite the restlessness,
there is grace – ah, there is grace
as inevitably the old gives way to the new.

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The Moon’s Mysterious Thereness

Caught out in daylight, a rabbit’s
transparent pallor, the moon
is paired with a cloud of equal weight:
the heavenly congruence startles.

For what is the moon, that it haunts us,
this impudent companion immigrated
from the system’s less fortunate margins,
the realm of dust collected in orbs?

We grow up as children with it, a nursemaid
of a bonneted sort, round-faced and kind,
not burning too close like parents, or too far
to spare even a glance, like movie stars.

No star but in the zodiac of stars,
a stranger there, too big, it begs for love
(the man in it) and yet is diaphanous,
its thereness as mysterious as ours.

~John Updike “Half Moon, Small Cloud”

Children in a Garden with Nanny by Mary Cassatt

Dear God, I cannot love Thee the way I want to.
You are the slim crescent of a moon that I see
and my self is the earth’s shadow
that keeps me from seeing all the moon.
The crescent is very beautiful
and perhaps that is all one like I am should or could see;
but what I am afraid of, dear God,
is that my self shadow will grow so large
that it blocks the whole moon,
and that I will judge myself by the shadow that is nothing.

I do not know You God
because I am in the way.
Please help me to push myself aside.
~Flannery O’Connor from her journals

photo by Bob Tjoelker
a full moon in Ireland

Like a vigilant nanny watching from the skies, the moon keeps its pale eye on me, no matter where I am on the globe. There is comfort in seeing its illumination from various vantage points in North America, Europe, Asia and Africa.

Yet, through no fault of its own, the moon is constantly inconstant in its “thereness”, phasing from full bright orb to missing-in-action.

I know my own inconstant “thereness” gets in my way all the time — casting a shadow of darkness on the light and beauty around me. With human “blinders” on, I can’t see beyond where I stand, where I move, what I feel, what I fear, what I see and hear.

And I certainly get in the way of my knowing God in His divine and overpowering radiance.

It’s all about my blindness when I declare God “missing-in-action.”

He’s there, though partially hidden by my push to be front and center.
He’s there, His glory and truth manifest over me, if I look to see.
He’s there, gently instructing me to get out of His way.
He’s there, fully Light and fully Love.

I step back, in awe.

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Rending the Heavens

Oh, that you would rend the heavens and come down,
that the mountains would tremble before you!
As when fire sets twigs ablaze
and causes water to boil…
~Isaiah 64:1-2

I was your rebellious son,
do you remember? Sometimes
I wonder if you do remember,
so complete has your forgiveness been.

So complete has your forgiveness been
I wonder sometimes if it did not
precede my wrong, and I erred,
safe found, within your love,

prepared ahead of me, the way home,
or my bed at night, so that almost
I should forgive you, who perhaps
foresaw the worst that I might do,

and forgave before I could act,
causing me to smile now, looking back,
to see how paltry was my worst,
compared to your forgiveness of it

already given. And this, then,
is the vision of that Heaven of which 
we have heard, where those who love
each other have forgiven each other,

where, for that, the leaves are green,
the light a music in the air,
and all is unentangled,
and all is undismayed.
-Wendell Berry “To My Mother” from Entries

It was a summer morning six years ago, beginning much like this one: something woke me early at 4:45 AM.  

Perhaps it was the orange glow bathing my face through the curtains. Never one to miss a light show, I heeded the call and got up and dressed.

Once outside, I was amazed to see storm clouds boiling –  shifting and swirling in unrest as if something or someone may emerge momentarily.

No trumpets though.
The music in the air was the usual early morning bird song,
and sherbet-orange leaves normalized to green.

Within a minute, the heavens settled. Unentangled from my dismay, so did I.

Yet for a moment that morning, I did wonder what might become of us all. That thought still occurs to me each morning, as I realize how much merciful grace embodies the heavens above.

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Licked Clean of Fog

At first she sees the fog as a shroud
settling over the fields of beans, but
she does not wish to start this day
with such a word. She could say the fog
is like muslin stretched over the mouth
of a jelly jar, or it could be like
the birth caul covering a newborn calf
before its mother licks it clean.
It could be like the clouds
in the calico’s old eyes—
no, not that. Let it be the caul.
The bean fields, like a baby calf,
are born again this morning,
and the sun will lick them clean.
~Lonnie Hull DuPont, “At first she sees the fog…” from She Calls the Moon by Its Name

This is an interesting comparison of the “bags” we find ourselves in at the very beginning and ending of life.

Evening fog often acts like a shroud, cloudy, murky and blinding. It muffles sound and stifles light and feels like walking in a gray sponge that sucks our breath and life.

On the other hand, morning fog appears on the wane, fading away while torn apart by the rising sun’s rays and warmth. It is discarded as it dissipates. The world emerges fresh, its surface clean and drying.

I would rather strive to break free of a covering caul than immobilized in a smothering shroud. Each morning, I am born into a fresh start with new and clearer vision.

I too have been licked clean.

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An Old Barn Revived

Just down the road… around the bend,
Stands an old empty barn; nearing the end.
It has sheltered no animals for many years;
No dairy cows, no horses, no sheep, no steers.
The neigh of a horse; the low of a cow;
Those sounds have been absent for some time now.
There was a time when the loft was full of hay,
And the resounding echoes of children at play.
At one time the paint was a bold shade of red;
Gradually faded by weather and the sun overhead.
The doors swing in the wind… the hinges are loose,
Windows and siding have taken a lot of abuse.
The fork, rope and pulleys lifted hay to the mow,
A task that always brought sweat to the brow.
But those good days are gone; forever it seems,
And that old barn now stands with sagging beams.
It is now home to pigeons, rats and mice;

The interior is tattered and doesn’t look very nice.
Old, abandoned barns have become a trend,
Just down the road… around the bend.

~Vance Oliphant “Old Barn”

photo by Nate Gibson
photo by Nate Gibson

There is something very lonely about a barn completely empty of its hay stores. Our old red hay barn had stood empty for several years; because of roof leaks and gaps in the walls, we and our neighbors who had used it for years to house a winter hay supply found other places to put our hay. The winter winds wore away its majesty: missing shingles tore away larger holes in the roof, the mighty beams providing foundational support started sinking and rotting in the ground, a gap opened in the sagging roof crest, and most devastating of all, two walls collapsed in a particularly harsh blow.

The old barn was in death throes after over one hundred years of history.

Its hollow interior echoed with a century of farmers’ voices:
soothing an upset cow during a difficult milking,
uncovering a litter of kittens high in a hay loft,
shouting orders to a steady workhorse,
singing a soft hymn while cleaning stalls,
startling out loud as a barn owl or bat flies low overhead.
Dust motes lazily drift by in the twilight,
seemingly forever suspended above the straw covered wood floor, floating protected from the cooling evening breezes

There was no heart beat left in this dying barn. It was in full arrest, all life blood drained out, vital signs flat lined. I could hardly bear to go inside much less take pictures of its deteriorating shell.

We had people show up at our front door offering to demolish it for the lumber, now all the fad for expensive modern “vintage” look in new house construction. A photo of our barn showed up in local media declaring “another grand old barn in the county has met its end.” That stung. Meanwhile we were saving our money, waiting until we could afford to bring our old red barn back to life.

It started with one strong young man digging out the support posts to locate the rot. Then another remarkable young man was able to jack up the posts one by one, putting in reinforcing steel and concrete and straightening the gaping sagging roof line, providing the old barn with its first ever foundation.

And then a crew of two men replaced the damaged roof and absent walls with metal siding. The barn became whole again.

There was a lot of clean up left to do inside: decades of old hay build up and damaged lumber and untold numbers of abandoned mouse nests and scattered barn owl pellets.

The barn had been shocked back to a pulse like in its “heyday” – the throb of voices, music blaring, dust and pollen flying chaotically, the rattle of the electric “elevator” hauling bales from wagon to loft, the grunts and groans of the crew as they heft and heave the bales into place in the stack. It will go on late into the night, the barn ablaze with lights, the barnyard buzzing with excitement and activity.

It once again has served as the back up sanctuary on Easter morning when we were rained out up on the hill for Sunrise Service.

Now vital signs are measurable, rhythm restored, volume depletion reversed, prognosis good for another 100 years.

Another old barn has been resuscitated back to life when so many are left to die. It is revived and breathing on its own again. Its floor will creak with the weight of the hay bales and walls will groan with the pressure of stacks.

I must remember there is always hope for the shattered and weary and frail among us. If an old barn can be saved, then so can we.

So can we.

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A Delicious Drizzle

I was enjoying everything: the rain, the path
wherever it was taking me, the earth roots
beginning to stir.
I didn’t intend to start thinking about God,
it just happened.
How God, or the gods, are invisible,
quite understandable
But holiness is visible, entirely.
It’s wonderful to walk along like that,
thought not the usual intention to reach an
answer
but merely drifting.
Like clouds that only seem weightless.
but of course are not.
Are really important.
I mean, terribly important.
Not decoration by any means.
By next week the violets will be blooming.

Anyway, this was my delicious walk in the rain.
What was it actually about?

Think about what it is that music is trying to say.
It was something like that.

~Mary Oliver “Drifting” from Blue Horses

Wet things smell stronger,
and I suppose his main regret is that
he can sniff just one at a time.
In a frenzy of delight
he runs way up the sandy road—
scored by freshets after five days
of rain. Every pebble gleams, every leaf.

When I whistle he halts abruptly
and steps in a circle,
swings his extravagant tail.
Then he rolls and rubs his muzzle
in a particular place, while the drizzle
falls without cease, and Queen Anne’s lace
and Goldenrod bend low.

The top of the logging road stands open
and light. Another day, before
hunting starts, we’ll see how far it goes,
leaving word first at home.
The footing is ambiguous.

Soaked and muddy, the dog drops,
panting, and looks up with what amounts
to a grin. It’s so good to be uphill with him,
nicely winded, and looking down on the pond.

A sound commences in my left ear
like the sound of the sea in a shell;
a downward, vertiginous drag comes with it.
Time to head home. I wait
until we’re nearly out to the main road
to put him back on the leash, and he
—the designated optimist—
imagines to the end that he is free.

~Jane Kenyon “After an Illness, Walking the Dog”

This morning’s drizzly walk
and every surface is baptized
with gentle, loving sprinkles from God.
It reminds us how visible is our holiness;
His covering grace makes us free.

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The Grey Crossing

“Your attention, please,” the mate’s voice says,
“we are slowing a moment for a memorial,”
and sure enough we all do, all of us, even those
entangled in a bustle to get to the other side,
restless chunks of festering business waiting,
little urgencies pricking us into a stressed huff.
Below on the car deck a small group slowly forms,
and a mate lowers a rope, beckons them forward,
the ferry engines slowing whatever our hurry,
and we are all coasting together on a rainy sea.

A heavy-set woman unwraps a nondescript urn
from a carefully held towel, handing it in turn
to an ungainly boy, a shy girl, an older man,
and she watches as each tips the urn to scatter
dust into a windy vortex off the ferry’s stern,
a fine grey mist streaming over the roiled wake
in a high breeze before settling, disappearing
into grey oblivion of sea, sky, and late afternoon.

As the ferry’s horn sounds three long blasts,
the four bow heads. The woman hesitates,
hides her face a moment in the towel, kisses
each of her party, and shakes the mate’s hand.
He speaks, his words lost to us in sea sounds
and engines, then looks up to the bridge, waves,
and the small group, holding hands, rejoins
some two hundred of us who have in silence
watched this mini-delay in our grey crossing.
The ferry’s engines begin their normal thrum
to push us forward again against a grey sea
and under a low, grey sky, where a fine dust
disappeared, and white seagulls rise and cry.

~Rob Jacques, “Memorial, Washington State Ferry” from Adagio for Su Tung-p’o

There is a sense of timelessness while riding on the ferry runs between the islands and peninsulas in Washington state. While driving my car on the busy freeways in the region, I am at the mercy of the weather, other drivers and all manner of delays. When I’m on a ferry, I become mere witness, only a rider seeking peaceful passage. Someone else worries about safely getting from Point A to Point B.

I’m able to breathe: watching the waves and the wake, the antics of gulls and cormorants, and rarely, an orca pod.

Next week is a time of memorial and remembrance of those who have passed into eternity. The ashes of my parents rest in the ground under a plaque that I visit annually with my family. Dad would have preferred his ashes to be cast out upon on the open water that he loved, but Mom chose a cemetery plot for them both, a more familiar resting place for a girl who grew up in the Palouse farmlands, no where near large bodies of water.

Last year, a good friend chose to be composted; he rests now in his beloved orchard, feeding the trees that continue to bear fruit.

No matter where our mortal bodies eventually find our rest, we hope to be remembered.

Our souls have risen, free.

video taken on the Samish Sea (Puget Sound) from my friend Andrew
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