The Intricate Texture of Things

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Here is a new light on the intricate texture of things in the world…: the way we the living are nibbled and nibbling — not held aloft on a cloud in the air but bumbling pitted and scarred and broken through a frayed and beautiful land.
~Annie Dillard in Pilgrim at Tinker Creek

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The weather is getting brisker so the outdoor critters, some invited, some not,  are starting to move inside.  The cats scoot between our legs as we open the front door, heading straight for the fireplace to bask in the warmth rather than a cold wind. The pup comes in from the yard for a nightly snack and chew bone, and stretches out on the rug, acting every bit like a piece of furry furniture. And today there was another mouse in the trap under the sink. I almost thought we were mouse-free with three weeks of none sighted and none trapped, but there he was waiting for me in the morning, well fed and quite dead.  He became an opportune meal for a cat too lazy to go get himself a living breathing mouse.

From nibbling to nibbled.  It is a tough world, inside and out.

Our most numerous and ambitious visitors from outside are the spiders, appearing miraculously crawling futilely up the sides in the bathtub, or scurrying across the kitchen floor, or webbing themselves into a corner of the ceiling with little hope of catching anything but a stray house moth or two this time of year. Arachnids are certainly determined yet stationary predators, rebuilding their sticky traps as needed to ensure their victims won’t rip away, thereby destroying the web.

I don’t really mind sharing living quarters with another of God’s creatures, but I do prefer the ones that are officially invited into our space and not surprise guests. The rest are interlopers that I tolerate with grudging admiration for their instinctive ingenuity. I admit I’m much too large, inept, and bumbling to find my way into someone else’s abode through a barely perceptible crack, and I’m certainly incapable of weaving the intricate beauty of a symmetrical web placed just so in a high corner.

After all, I am just another creature in the same boat. There is something quite humbling about being actually invited into this frayed and beautiful, complex and broken world, “pitted and scarred” as I am. I’m grateful I’ve so far escaped capture in the various insidious traps of life,  not just the spring-loaded kind and the sticky filament kind.

So it is okay that I’m settled in, cozy in front of the fireplace, just a piece of the furniture. Just so long as I don’t startle anyone or nibble too much of what I shouldn’t, I just might be invited to stay awhile.

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A Little Tired and Hungry

For grace to be grace,
it must give us things we didn’t know we needed
and take us places where
we didn’t know we didn’t want to go.
~Kathleen Norris from Cloister Walk

Sap withdraws from the upper reaches
of maples; the squirrel digs deeper
and deeper in the moss
to bury the acorns that fall
all around, distracting him.

I’m out here in the dusk…
where the wild asters, last blossoms
of the season, straggle uphill.
Frost flowers, I’ve heard them called.
The white ones have yellow centers
at first: later they darken
to a rosy copper.  They’re mostly done.
Then the blue ones come on. It’s blue
all around me now, though the color
has gone with the sun.

There is no one home but me—
and I’m not at home; I’m up here on the hill,
looking at the dark windows below.
Let them be dar
k…

…The air is damp and cold
and by now I am a little hungry…
The squirrel is high in the oak,
gone to his nest , and night has silenced

the last loud rupture of the calm.
~Jane Kenyon from “Frost Flowers”

Even when the load grows too heavy,
when misery rolls in like a fog that
covers all that was once vibrant,

even then
even then

there awaits a nest of nurture,
a place of calm
where the tired and hungry
are fed.

We who are empty will be filled;
we who are weary will be restored.

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Come and See: Grasping a Rainbow of Words

The true harvest of my daily life is somewhat as intangible and indescribable as the tints of morning or evening.  It is a little star-dust caught, a segment of the rainbow which I have clutched.
~Henry David Thoreau
from Walden

In the beginning was the Word, 
and the Word was with God, 
and the Word was God.

John 1:1

Painting the indescribable with words necessitates subtlety, sound and rhythm.

The best word color portraits I know are by Gerard Manley Hopkins who created pictures through startling word combinations: 

“crimson-cresseted”,
“couple-colour”,
“rose-moles”,
“fresh-firecoal”,
“adazzle, dim”,
“dapple-dawn-drawn”,
“blue-bleak embers”,
“gash gold-vermillion”.

I understand how difficult it is to harvest daily life using ordinary words. Like grasping ephemeral star trails or the transient rainbow that moves away as I approach, what I hold on the page is intangible —
yet nevertheless very real.

I keep reaching for understanding, searching for the best words to share here: those that are ephemeral color yet eternal, and very very real.

After all, in the beginning was the Word, and there is no better place to start with its promise.

I’ll be reading slowly through the words in the Book of John over the next year. Once a week, I will invite you to “come and see” what those words might mean as we explore the promise together.

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Another Year of Leaping Winds

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My mother and I debate:
we could sell
the black walnut tree
to the lumberman,
and pay off the mortgage.
Likely some storm anyway
will churn down its dark boughs,
smashing the house. We talk
slowly, two women trying
in a difficult time to be wise.
Roots in the cellar drains,
I say, and she replies
that the leaves are getting heavier
every year, and the fruit
harder to gather away.
But something brighter than money
moves in our blood – an edge
sharp and quick as a trowel
that wants us to dig and sow.
So we talk, but we don’t do
anything.

What my mother and I both know
is that we’d crawl with shame
in the emptiness we’d made
in our own and our fathers’ backyard.
So the black walnut tree
swings through another year
of sun and leaping winds,
of leaves and bounding fruit,
and, month after month, the whip-
crack of the mortgage.
~Mary Oliver from “The Black Walnut Tree” from Twelve Moons

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photo by Dan Gibson
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We bought this old farm thirty-five years ago:
the Lawrence family’s “Walnut Hill Farm” –
a front yard lined with several tall black walnut trees
brought as seedlings in a grandfather’s suitcase from Ohio
in the ought-1900’s.

These trees thrived for nearly a century on this hilltop farm
overlooking the Canadian mountains to the north,
the Nooksack River valley to the west,
the Cascade peaks to the east,
each prolific in leaves
and prodigious in fruit.

The first year we were here,
a windstorm took one tree down.
A neighbor offered
to mill the twisted trunk for shares.
The fallen tree became planks
of fine grained chocolate-hued lumber.

This old tree is the back facing of our oak door cupboards,
a daily reminder of a legacy left behind~
sturdy even if imperfect,
still beautiful to the eye and the heart.

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Landscape’s State of the Soul

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wwusouth

The wild November come at last
Beneath a veil of rain;
The night wind blows its folds aside –
Her face is full of pain.

The latest of her race, she takes
The Autumn’s vacant throne:
She has but one short moon to live,
And she must live alone.

A barren realm of withered fields,
Bleak woods, and falling leaves,
The palest morns that ever dawned;
The dreariest of eves.

It is no wonder that she comes,
Poor month! With tears of pain;
For what can one so hopeless do
But weep, and weep again?
~Richard Henry Stoddard “November”

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A fine rain was falling, and the landscape was that of autumn. 
The sky was hung with various shades of gray,
and mists hovered about the distant mountains
– a melancholy nature. 
Every landscape is,
as it were,
a state of the soul,
and whoever penetrates into both
is astonished to find how much likeness there is in each detail.
~Henri Frederic Amiel

Leaves wait as the reversal of wind
comes to a stop. The stopped woods
are seized of quiet; waiting for rain
bird & bug conversations stutter to a
stop.

…the rain begins to fall. Rain-strands,
thin slips of vertical rivers, roll
the shredded waters out of the cloud
and dump them puddling to the ground.
Like sticks half-drowned the trees
lean so my eyes snap some into
lightning shapes, bent & bent.

Whatever crosses over
through the wall of rain
changes; old leaves are
now gold. The wall is
continuous, doorless. True,
to get past this wall
there’s no need for a door
since it closes around me
as I go through.
~Marie Ponsot from “End of October”

What is melancholy at first glance
glistens bejeweled
when studied up close.

It isn’t all sadness~
there is solace in knowing
the landscape and I share
an inner world of tears.

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A Halloween Forty Years Ago

In the quiet misty morning
When the moon has gone to bed
When the sparrows stop their singing
And the sky is clear and red
When the summer ceased it’s gleaming
When the corn is past its prime
When adventures lost its meaning
I’ll be homeward-bound in time
~Marta Keen from “Homeward Bound”

On Halloween day in 1985, I packed up a roll-up mattress pad, grabbed one lonely pumpkin from our small garden, locked our rental house door for the last time, then climbed in my car to head two hours north out of Seattle.

I don’t recall looking back in the rear view mirror at the skyline after nine years living in the city. My husband had moved to Whatcom County two months earlier to start his new job. I had stayed behind to wrap up my Group Health family practice in the Rainier Valley of central Seattle.

I was leaving the city for our new rural home and a very uncertain professional future.

I knew two things for sure: I was finally several months pregnant after a miscarriage and two years of trying to conceive, so our family was on its way, and we were going to live in our own house with a few acres and a barn.

A real (sort of) starter farm and starter family, a dream we both shared.
Our home sits in the midst of woods and corn fields, with deer strolling through the fields at dawn, coyotes howling at night, Canadian geese and trumpeter swans calling from overhead and salmon thriving in nearby streams. The snowy Cascades greet us in the morning to the east, the Canadian Coastal range majestic to the north and not far to the west, the Salish Sea/Puget Sound.

Since it wouldn’t be a farm without animals, I stopped at the first pet store I drove past and found two tortoise shell calico kitten sisters peering up at me, just waiting for new adventures in farmland. Their box was packed into the one spot left beside me in my little Mazda.

With that simple commitment to raise and nurture those kittens alongside the life growing inside me, life seemed very complete.

I will never forget the freedom I felt on that drive north. The highway seemed more open, the fall colors more vibrant, the wind more energizing, our baby kicking my belly, the kittens mewing from their box. There seemed so much potential even though I had just left behind the greatest family practice found in any urban setting (at the time, it was the most ethnically diverse zip code in the United States) with patients from all over the world: alongside the multi-racial inner city population living in subsidized housing developments, my patients included Muslim immigrants from the Middle East and Indonesia, Orthodox Jews, Italian Catholics, and refugees from Cambodia, Laos, and Vietnam.

I will never know so much variety of ethnic background and perspective again. If I could have packed them all into my little car and driven them north with me, I would have.

Despite what I was leaving behind, there was certainly a feeling of freedom that rainy Halloween day as the big city disappeared in the rear view mirror.

No longer would I sit captive in freeway rush-hour bumper to bumper traffic jams. I traded that for a new rural commute winding through farm fields while watching eagles fly overhead. I could become part of a community in a way I never could manage in the city, visiting with friends at the grocery store, playing piano and teaching Sunday School at church and serving on various community boards.

After the new kittens, dubbed Nutmeg and Oregano, arrived on our farm, we added even more diversity: a Belgian Tervuren dog Tango, a Haflinger horse Greta, Toggenburg goats Tamsin and her kids, a few Toulouse geese, Araucana chickens, Fiona the Scottish Highland cow, then another Haflinger Hans and another, Tamara. I worked as a fill-in doctor in four different clinics before our first baby was born, then settled into part-time practice in several different clinics for most of my career.

With those new commitments, life was fulfilling and busy – we soon added a little brother and seven years later, a sister. Then it felt like our family was complete.

Forty years later, our children have grown and gone to homes of their own, all married to wonderful spouses, raising six delightful children for us to lavish love on.

Somehow life now feels even more complete.

A few cats, a Cardigan Corgi, and three ponies still live at the farm with us. Now retired from our professional lives “in town”, we enjoy the freedom of slower and quieter days, nurtured and nurturing.

It all started October 31, 1985 with two orange and black kittens and a pumpkin sitting beside me in a little Mazda, my husband awaiting my homecoming 100 miles north. Now, forty years later, we celebrate this Halloween anniversary of farm and family, still pregnant with the possibility that life is never truly complete when there is always a new day just around the corner.

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The Dialect of Pure Being

The world does not need words.
It articulates itself in sunlight, leaves, and shadows.
The stones on the path are no less real
for lying uncatalogued and uncounted.
The fluent leaves speak only 
the dialect of pure being…

The sunlight needs no praise piercing the rainclouds, 
painting the rocks and leaves with light, then dissolving
each lucent droplet back into the clouds that engendered it.
The daylight needs no praise, and so we praise it always–
greater than ourselves and all the airy words we summon.
~Dana Giola from “Words”

The words the world needs
is only the Word itself;
we exist
because He breathed breath into us,
saying it was good.

Whatever we have to say about His Creation
pales compared to His
it is good

But we try
over and over again
to use words of wonder and praise
to express our awe and gratitude and amazement
while painted golden by His breath of Light.

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The Silence Between Words

Words, of course, but
Also the silence
Between them.

Like the silence
Between
The beloved and you.
Silence full
Of the unspoken
As a seed is full
Of all
It will become.

No poem made only
Of silence.
No poem 
Made only of words.
~Gregory Orr from “Words, of course, but” from How Beautiful the Beloved

Some mornings all I do
is write down words—cistern,
tribal, cached—copying them
from sprawled pages of books
across my desk, words that call out—
glimmerings, cursive, saffron,
heartwood—holding me in place
as if to say listen, you may need me
someday, I might offer you another way
toward beauty, or even beyond.

~Andrea Potos “Daily Practices” from The Presence of One Word

I want to make poems
that look into the earth and the heavens
and see the unseeable.

I want them to honor
both the heart of faith, and the light of the world;
the gladness that says, without any words, everything.
~Mary Oliver from “Everything”
from New and Selected Poems: Volume Two

This morning

poem hopes 

that even though
its lines are broken
 

its reader 

will be drawn forward to the part where blueberries
firm against fingers 

say roundness sweetness unspeakable softness
     
in the morning
light.

~L.L. Barkat, “This Morning” from The Golden Dress

In the ghostly dawn
I write new words for your ears—
Even now you sleep.
~Amy Lowell
“V” from Twenty-Four Hokku

The blueberry fields
are all afire,
each leaf an October mosaic.

As chlorophyll wanes,
the colors appear by magic,
like words selected for a poem
which begins as an empty slate.

Each carefully chosen.

Each surrounded by silence
becoming more holy
when it’s no longer empty.

So much of the beauty of poetry is the silence, a pause between the words.

Like life, there is nothing empty or meaningless about pausing.

Like poet Mary Oliver:

I want to make poems
that look into the earth and the heavens
and see the unseeable.

I am so awed at your faithful reading and generous sharing of what I offer here.

Even when my lines are broken, or I say again what another has already said much better, yet bears repeating — I too try to write with quiet hands, and see through quiet eyes, out of reverence and awe for what unseeable gifts God has given us.

Thank you for being here with me.

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Kicking Up Leaves

Just as, when you keep watch
on the ground ahead of where your boots
kick up the leaves, the path
goes vague and blurred, while

if you lift your eyes the far
reach of the trail comes lucid
as map; so when you look
at tomorrow through next year,

the way, otherwise
so tangled and burdensome,
clears. And if the leaves
are, as they likely are,

fallen from the trees around you,
then you get to look
deeper into things
than spring allowed.

~Charles O. Hartman “Autumn Ordinance”

I remember it
as October days are always remembered,
cloudless, maple-flavored,
the air gold and so clean
it quivers.
~Leif Enger, from Peace Like a River 

The air tastes like autumn,
quivering on my tongue –
no need for pumpkin-spice flavoring
to feel the change.

Revel in the gold and bronze tint to the sky,
the cinnamon nutmeg dusting of the trees,
the heavy sprinkling of hanging dew drops,
the crisp and shivery breezes,
the new landscape peering through bony branches.

Soon the ground will be frosty instead of dusty,
leaving a crunchy carpet rather than shady veil.

October is always a much-needed transition,
keeping us fresh gazing at new horizons,
reminding us to breathe deeply when life feels shallow,
remembering we are immersed
in the glory of a new day we have never lived before.

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Hushed October Morning

O hushed October morning mild,
Thy leaves have ripened to the fall;
Tomorrow’s wind, if it be wild,
Should waste them all.
The crows above the forest call;
Tomorrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow.
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know.
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away.
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!

~Robert Frost from “October”

After yesterday’s travel through curtains of heavy rainfall,
we abandoned plans to meet with family across state
for today’s memorial service, so returned home,
defeated, weary with sadness.

October is enough reminder of mortality,
with winds stripping trees to bare bones,
birds flocking and vacating,
bright leaves reduced to rusting dust.

This morning, the rain suspended,
its gray curtain pulled back briefly
to view what awaits beyond the haze:
this luminous brilliance, radiance, promise.

Slow down to look. Slow down to live. Slow.

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