In this kingdom the sun never sets; under the pale oval of the sky there seems no way in or out, and though there is a sea here there is no tide. For the egg itself is a moon glowing faintly in the galaxy of the barn, safe but for the spoon’s ominous thunder, the first delicate crack of lightning. ~Linda Pastan, “Egg”
It may be hard for an egg to turn into a bird: it would be a jolly sight harder for it to learn to fly while remaining an egg. We are like eggs at present. And you cannot go on indefinitely being just an ordinary, decent egg. We must be hatched or go bad. ~C.S.Lewis from Mere Christianity
I try hard to be a good egg- smooth on the surface, gooey inside, too often scrambled, yet ordinary and decent, indistinguishable from others, blending in, not making waves.
It’s not been bad staying just as I am. Except I can no longer remain like this.
The unhatched egg gets the boot, even by its parents. When there are no signs of life, no twitches and wiggles and movement inside, it is doomed to rot.
And we all know nothing is worse than a rotten egg.
So life must move forward, the fragments of shell left behind abandoned as useless confinement.
Newly hatched means transformed to more than ordinary: now there is the wind beneath my wings. I’ll soar toward an endless horizon where the sun never sets. and stretches beyond eternity.
No longer scrambled and gooey.
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I wanted to treat feelings that are not recognized as afflictions and are never diagnosed by doctors. All those little feelings and emotions no therapist is interested in, because they are apparently too minor and intangible. The feeling that washes over you when another summer nears its end. Or when you recognize that you haven’t got your whole life left to find out where you belong. Or the slight sense of grief when a friendship doesn’t develop as you thought, and you have to continue your search for a lifelong companion. Or those birthday morning blues. Nostalgia for the air of your childhood. Things like that. ~Nina George from The Little Paris Bookshop
Are you so weary? Come to the window; Lean, and look at this — Something swift runs under the grass With a little hiss . . .
Now you see it ripping off, Reckless, under the fence. Are you so tired? Unfasten your mind, And follow it hence. ~Mark Van Doren “Wind in the Grass”
A white vase holds a kaleidoscope of wilting sweet peas captive in the sunlight on the kitchen table while
wafting morning scent of pancakes with sticky maple syrup swirls on the plate,
down the hall a dirty diaper left too long in the pail, spills over tempera paint pots with brushes rinsed in jars after
stroking bright pastel butterflies fluttering on an easel while wearing dad’s oversized shirt buttoned backwards
as he gently guides a hand beneath the downy underside of the muttering hen reaching a warm egg hiding in the nest
broken into fragments like a heart while reading the last stanza of “Dover Beach” in freshman English
Just down the hall of clanging lockers To orchestra where strains of “Clair de Lune” accompany
the yearning midnight nipple tug of a baby’s hungry suck hiccups gulping in rhythm to the rocking rocking
waiting for a last gasp for breath through gaping mouth, mottled cooling skin
lies still between bleached sheets illuminated by curtain filtered moonlight just visible
through the treetops while whoosh of owl wings are felt not heard, sensed not seen.
Waking to bright lights and whirring machines the hushed voice of the surgeon asking
what do you see now, what can you hear, what odor, what flavor, what sensation on your skin
with each probe of temporal lobe, of fornix and amygdala hidden deep in gray matter
of neurons and synaptic holding bins of chemical transmitters storing the mixed bag of the past and present
to find and remove the offending lesion that seizes up all remembrance, all awareness
and be set free again to live, to love, to swoon at the perfume of spring sweet peas climbing dew fresh at dawn,
tendril wrapping over tendril, the peeling wall of the garden shed
no more regrets, no more grief no more sorrow.
This year’s Lenten theme:
…where you go I will go… Ruth 1:16
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When we look long at one another, we soften, we relent, listen,
might forgive. We allow for silence —and when we see each other,
are known, and in that moment might change
though nothing has moved or been spoken.
There are some who say the walls cannot be broken,
but suddenly we are in a free place, and the fields
that extend from its center stretch for miles
as if out of the pupil and the iris of that momentary kingdom. ~Annie Lighthart “When We Look” from Pax
The weasel was stunned into stillness as he was emerging from beneath an enormous shaggy wild rose bush four feet away. I was stunned into stillness twisted backward on the tree trunk. Our eyes locked, and someone threw away the key.
Our look was as if two lovers, or deadly enemies, met unexpectedly on an overgrown path when each had been thinking of something else: a clearing blow to the gut.
It was also a bright blow to the brain, or a sudden beating of brains, with all the charge and intimate grate of rubbed balloons. It emptied our lungs. It felled the forest, moved the fields, and drained the pond; the world dismantled and tumbled into that black hole of eyes.
If you and I looked at each other that way, our skulls would split and drop to our shoulders. But we don’t. We keep our skulls. So. ~Annie Dillard from “Living Like Weasels”
The pupil and iris are a portal to our thoughts, our dreams, our passions and our fears. They are simultaneously window and mirror, revealing feelings we try to keep to ourselves.
Locking eyes can be one of the most thrilling, stomach-butterflies, ecstatic moments of connection. It can be tender, loving, reassuring and encouraging.
Or it can be intimidating and terrifying. I tend to avoid eye contact when passing a stranger on a dark street, or when engaged in a very stressful public interaction. I don’t want to reveal my insecurity, vulnerability, or worry through direct eye contact. While studying primates in Africa, I learned never to look a baboon in the eye as it can communicate aggression and instigate an attack.
So instead, I learned to look at my feet.
I’d much rather lock eyes and learn everything I can about you. I want to dive deep into who you are, breaking down the walls and dismantle the barriers that keep us apart from one another. Then I’m letting you in too. The black holes of our inner universe.
After all, this is preparation when we see the face of God and allow Him to lock into our eyes, knowing our truth.
No keys needed forevermore.
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Let us not with one stone kill one bird, much less two. Let us never put a cat in a bag nor skin them, regardless of how many ways there are to do so. And let us never take the bull, especially by his gorgeous horns. What I mean is
we could watch our tongues or keep silent. What I mean is we could scrub the violence from our speech. And if we find truth in a horse’s mouth, let us bless her
ground-down molars, no matter how old she is, especially if she was given as a gift. Again, let’s open her mouth——that of the horse, I mean——let us touch that interdental space where no teeth grow, where the cold bit was made to grip. Touch her there, gently now, touch that gentle
empty between her incisors and molars, rub her aching, vulnerable gums. Don’t worry: doing so calms her. Besides, she’s old now; she’s what we call broken; she won’t bite. She’s lived through two thirteen-year emergences of cicadas
and thought their rising a god infestation, thought each insect roiling up an iteration of the many names of god, because god to her is the grasses so what comes up from grass is god. She would not say it that way. Nor would she
say the word cicada——words are hindrances to what can be spoken through the body, are what she tolerates when straddled, giddy-up on one side then whoa on the other. After, it’s all good girl, Mable, good girl, before the saddle sweat is rinsed cool with water from the hose and a carrot is offered flat from the palm. Yes, words being
generally useless she listens instead to the confused rooster stuttering when the sun burns overhead, when it’s warm enough for those time-keepers to tunnel up from the dark and fill their wings to make them stiff and capable of flight. To her, it is the sound
of winter-coming in her mane or the sound of winter-leaving in her mane—— yes, that sound——a liquid shushing like the blood-fill of stallion desire she knew once but crisper, a dry crinkle of fall leaves. Yes, that sound, as they fill their new wings then lumber to the canopy to demand come here, come here, come here, now come.
If this is a parable you don’t understand, then, dear human, stop listening for words. Listen instead for mane, wind, wings, wind, mane, wings, wings, wings. The lesson here is of the mare and of the insects, even of the rooster puffed and strutting past. Because now, now there is only one thing worth hearing, and it is the plea of every living being in that field we call ours, is the two-word commandment trilling from the trees: let live, let live, let live. Can you hear it? Please, they say. Please. Let us live. ~Nickole Brown “Parable”
When a governor writes about her decision to shoot her wayward dog and stinky goat, our reaction is about the injustice perpetrated on the dog more than her decision to play god with any animal she has responsibility for. I feel a twinge of guilt at the accusation. Who among us can throw stones?
God is clear we are meant to be caretakers of His Creation. Yet I still swat flies and trap mice – there is no pleasure in doing so, so I still ask for forgiveness for my lack of charity and decision to make my own existence more comfortable at the expense of another living thing.
I admit I fail Creation in myriad ways.
I have owned animals whose behavior brought me to my knees, sometimes literally with my face in the muck. I have wept over the loss of a deformed stillbirth foal and a pond of koi frozen in a bitter winter storm. The stories abound of my helplessness in the face of sadness and loss and frustration but I never wanted to become executioner.
I don’t live with cycles of cicada population booms but have experienced their overwhelming din and understood we are mere witnesses and not in control. We are not “little g” gods on this earth. We are its stewards.
Just a piano playing plainly, not even for long, and yet I suddenly think of fields of timothy and how a cow and I once studied each other over a fence while the car ticked and cooled behind me. When I turned around I was surprised that it had not sprouted tall grass from its hood, I had been gone so long. Time passes in crooked ways in some tales, and though the cow and I were relatively young when we started our watching, we looked a bit younger when I left. The cow had downed a good steady meal and was full of milk for the barn. I drove away convinced of nothing I had been so sure of before, with arms full of splinters from leaning on the fence. There was no music— I was not even humming—but just now the piano played the exact sound of that drive. ~Annie Lighthart “The Sound of It” from Iron String.
Our brains remember the past in odd ways – from a smell, a sound, a bit of music, a taste - it is as if we are teleported to another place.
Senses can distort time passage and slant the present moment: Smelling cinnamon, I find myself in my grandmother’s kitchen with her apple pie. Hearing the sad “cooing” of mourning doves, I’m waking up in my cousins’ farmhouse during a summer visit in the Palouse. Listening to Joni Mitchell’s “River,” I’m deep in thick books in my study carrel at the library, melancholy and wishing myself to be anywhere else.
As our children were growing up on this farm, I wanted to intentionally “imprint” home on them in similar ways, with familiar smells and tastes and sounds, hoping they would mentally find their way back in myriad ways over the course of their lives. Now I find myself wanting to create the same brain memories for our visiting grandchildren. Perhaps this is why I invite them out to the barn with me as I clean stalls and throw hay and fill water buckets. I want them to never forget the smells and sounds and feelings of taking care of animals dependent on our care.
Which reminds me of long-ago sensations when I was four years old: sitting on top of a bony Guernsey cow’s back as she chewed her grain, listening to the shush shush shush of milk being squirted into a metal bucket as my dad milked her, the rich smell of the warm milk froth, clucking hens searching the barn floor for dropped pieces of corn.
Every day, there is so much to see, to smell, to hear, to taste, to feel – all of which is worthy of space in our brain. I have been gone so long, thinking how much I’ve forgotten, yet it just takes a trick of time and sensation to bring it back and experience it anew.
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I’m scrambling an egg for my daughter. “Why are you always whistling?” she asks. “Because I’m happy.” And it’s true, Though it stuns me to say it aloud; There was a time when I wouldn’t Have seen it as my future. It’s partly a matter Of who is there to eat the egg: The self fallen out of love with itself Through the tedium of familiarity, Or this little self, So curious, so hungry, Who emerged from the woman I love, A woman who loves me in a way I’ve come to think I deserve, Now that it arrives from outside me. Everything changes, we’re told, And now the changes are everywhere: The house with its morning light That fills me like a revelation, The yard with its trees That cast a bit more shade each summer, The love of a woman That both is and isn’t confounding, And the love Of this clamor of questions at my waist. Clamor of questions, You clamor of answers, Here’s your egg. ~C.G. Hanzlicek “Egg” from Against Dreaming.
Tell all the truth but tell it slant — Success in Circuit lies Too bright for our infirm Delight The Truth’s superb surprise As Lightning to the Children eased With explanation kind The Truth must dazzle gradually Or every man be blind — ~Emily Dickinson
When a grandchild asks a question, it is like a smooth and perfect egg safely in the nest, awaiting the exact moment to open up to breathe deeply of the world.
Sometimes my answer, try as I might, results in broken shell fragments, the insides all scrambled and released too soon.
I’m confounded by my love for childrens’ innocence in a harsh and painful world – I don’t always know the best thing to say when the truth has bits of hard shell in it. I end up telling the truth a bit slant so it might dazzle them gradually.
So I encourage them to keep asking their clamor of questions, and I do my best to answer in a way so they stay hungry for more, filled with truths without being blinded.
So many questions in their minds and mine. So many eggs to open gently so the truth remains whole.
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It’s good for the ego, when I call and they come running, squawking and clucking, because it’s feedtime, and once again I can’t resist picking up little Lazarus, an orange-and-white pullet I adore. “Yes, yes, everything will be okay,” I say to her glaring mongrel face. Come September, she’ll begin to lay the blue-green eggs I love poached. God dooms the snake to taste nothing but the dust and the hen to 4,000 or so ovulations. Poor Lazarus— last spring an intruder murdered her sisters and left her garroted in the coop. There’s a way the wounded light up a dark rectangular space. Suffering becomes the universal theme. Too soft, and you’ll be squeezed; too hard, and you’ll be broken. Even a hen knows this, posing on a manure pile, her body a stab of gold. ~Henri Cole “Hens”
Every few minutes, he wants to march the trail of flattened rye grass back to the house of muttering hens. He too could make a bed in hay. Yesterday the egg so fresh it felt hot in his hand and he pressed it to his ear while the other children laughed and ran with a ball, leaving him, so little yet, too forgetful in games, ready to cry if the ball brushed him, riveted to the secret of birds caught up inside his fist, not ready to give it over to the refrigerator or the rest of the day. ~Naomi Shihab Nye “Boy and Egg”
I’ve bonded with chickens since my birth, living in a farm house adjacent to a large chicken coop. I was taught to gather eggs at a very young age, learning to approach the hens respectfully and steathily, ignoring their scolding clucks as I reached under their feathered bellies to find a smooth warm treasure. Carrying eggs to the house was a great privilege, knowing what a delicious meal they would become. I became a grateful friend to those hens.
I also learned that chickens were tragic figures, either sacrificed young as meat birds so large they could barely walk or after a few decent years of declining egg production for the hens. Participating in their butchering made me respect them even more for their unwitting willingness to suffer the indignity of the process to give their all for the survival of our family.
They are an ideal farm animal; the coyotes, weasels and raccoons think so too, digging into the chicken yard at night to steal unsuspecting hens from their nighttime roosts. Our compost pile has absorbed too many chickens murdered by varmints and left partially eaten in a pile of feathers.
Suffering is universal in this sad weary world. Somehow it is offset by an amazing ability to produce a perfect egg day after day after day.
Thank God for the muttering hens.
Original Barnstorming artwork note cards available as a gift to you with a $50 donation to support Barnstorming – information here
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…I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance.
Stillness. One of the doors into the temple. ~Mary Oliver from “Today” from A Thousand Mornings
Some days warrant stillness. On this Sabbath day of rest, seek to be quiet as a feather, silently in place, listening.
Maybe, hear each other again. Surely, hear the Word of God.
A funny thing about feathers: alone, each one is merely fluff and air. Together — feathers become lift and power, with strength and will to soar beyond the tether of gravity’s pull on our flawed humanity back to dust.
As quiet as a feather, joined and united, one overlapping another, rise above and fly as far as your life and breath can take you.
May peace be still.
Thank you, once again, to the chickens displayed at the NW Washington Fair in Lynden last week, who struggled to be still in their cages for these close-up feather photos….
More Barnstorming photos and poems from Lois Edstrom are available in this book from Barnstorming. Order here:
Every few minutes, he wants to march the trail of flattened rye grass back to the house of muttering hens. He too could make a bed in hay. Yesterday the egg so fresh it felt hot in his hand and he pressed it to his ear while the other children laughed and ran with a ball, leaving him, so little yet, too forgetful in games, ready to cry if the ball brushed him, riveted to the secret of birds caught up inside his fist, not ready to give it over to the refrigerator or the rest of the day. ~Naomi Shibab Nye “Boy and Egg” from Fuel
Gathering eggs on my childhood farm was a source of wonder and terror: the pleasure and challenge of reaching under a downy breast to wrap my fingers around such smooth warm wholeness.
Daily I fought my fear of a hen muttering under her breath, staring warily at me, her beak at the ready, ready to defend what was rightfully hers and not mine.
It was a game of chicken in the truest sense, a stand-off between a four year old girl and two year old hen: we locked onto each other’s eyes while I bravely grabbed the egg and she pecked at my hand. I would never let go of her egg or her eyes and, as part of the daily game, she allowed me to have both.
Like the game of chicken I watch my dogs play daily now, their eyes locked in mutual respect, intimidation and affection. They need one another for this game of love: give and take, take and give.
Sam waiting for HomerSam getting in positionHomer approaches – their eyes lockA little closerLet the game begin!
A new book from Barnstorming and poet Lois Edstrom now available for order here:
What a person desires in life is a properly boiled egg. This isn’t as easy as it seems. There must be gas and a stove, the gas requires pipelines, mastodon drills, banks that dispense the lozenge of capital. There must be a pot, the product of mines and furnaces and factories, of dim early mornings and night-owl shifts, of women in kerchiefs and men with sweat-soaked hair. Then water, the stuff of clouds and skies and God knows what causes it to happen. There seems always too much or too little of it and more pipelines, meters, pumping stations, towers, tanks. And salt-a miracle of the first order, the ace in any argument for God. Only God could have imagined from nothingness the pang of salt. Political peace too. It should be quiet when one eats an egg. No political hoodlums knocking down doors… It should be quiet, so quiet you can hear the chicken, a creature usually mocked as a type of fool, a cluck chained to the chore of her body. Listen, she is there, pecking at a bit of grain that came from nowhere. ~Baron Wormser, from “A Quiet Life” from Scattered Chapters.
So much depends on the cluck of a chicken, on her self-satisfied cackle when she releases her perfect egg into the nest.
I wish I could be so flawless as her egg but am far from it. The simple things in life season me with meaning and flavor, all God-given mercy making it possible that I am here at all: walking this earth for the time I am granted, talking with those who listen intently, healing those who seek my help, writing for those who read kindly, loving those who, like me, thrive solely on being fed God’s gentle grace salted over my forgiven flaws: I’m a boiled egg peeled imperfectly with divets and bits of shell still attached, yet formed from a clucking chicken fed generously from His holy hand.
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