Another Year of Leaping Winds

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My mother and I debate:
we could sell
the black walnut tree
to the lumberman,
and pay off the mortgage.
Likely some storm anyway
will churn down its dark boughs,
smashing the house. We talk
slowly, two women trying
in a difficult time to be wise.
Roots in the cellar drains,
I say, and she replies
that the leaves are getting heavier
every year, and the fruit
harder to gather away.
But something brighter than money
moves in our blood – an edge
sharp and quick as a trowel
that wants us to dig and sow.
So we talk, but we don’t do
anything.

What my mother and I both know
is that we’d crawl with shame
in the emptiness we’d made
in our own and our fathers’ backyard.
So the black walnut tree
swings through another year
of sun and leaping winds,
of leaves and bounding fruit,
and, month after month, the whip-
crack of the mortgage.
~Mary Oliver from “The Black Walnut Tree” from Twelve Moons

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photo by Dan Gibson
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We bought this old farm thirty-five years ago:
the Lawrence family’s “Walnut Hill Farm” –
a front yard lined with several tall black walnut trees
brought as seedlings in a grandfather’s suitcase from Ohio
in the ought-1900’s.

These trees thrived for nearly a century on this hilltop farm
overlooking the Canadian mountains to the north,
the Nooksack River valley to the west,
the Cascade peaks to the east,
each prolific in leaves
and prodigious in fruit.

The first year we were here,
a windstorm took one tree down.
A neighbor offered
to mill the twisted trunk for shares.
The fallen tree became planks
of fine grained chocolate-hued lumber.

This old tree is the back facing of our oak door cupboards,
a daily reminder of a legacy left behind~
sturdy even if imperfect,
still beautiful to the eye and the heart.

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Giving Alms to the Poor

That year I discovered the virtues
of plants as companions: they don’t
argue, they don’t ask for much,
they don’t stay out until 3:00 A.M., then
lie to you about where they’ve been….

I can’t summon the ambition
to repot this grape ivy, of this sad
old cactus, or even to move them out
onto the porch for the summer,
where their lives would certainly
improve. I give them
a grudging dash of water – that’s all
they get. I wonder if they suspect
that like Hamlet I rehearse murder
all hours of the day and night,
considering the town dump
and compost pile as possible graves….

The truth is that if I permit them
to live, they will go on giving
alms to the poor: sweet air, miraculous
flowers, the example of persistence.

~Jane Kenyon “Killing the Plants” from The Boat of Quiet Hours

During my dorm-room years
and city apartment dwelling days,
this farm girl had to reconcile
that no pets were allowed,
so I surrounded myself with an indoor garden,
every square inch of window sill
occupied by a living thing
whose survival depended only partially on me.

Those plants sustained me,
cheered me, moved me,
carried by me to new windows
with better light and grander views.

Despite my occasional neglect,
they usually persisted, often thrived,
and gave back to my shriveled city spirit
far beyond any water or repotting I offered.

A start from my grandmother’s old fern
divided decades earlier from her cousin’s plant,
originally a start from a long-passed auntie,
this 100 year old fern traveled far and wide with me
until it dried up, turned brown and gave up the ghost.

Having given a start to my sister years before,
she divided it so the fern came back home
staying happily green in my kitchen window.

Somehow these miracles in chlorophyll
knew just what I needed when I needed it:
they fed me when I was starving
for something alive,
something beautiful,
something that knew exactly what to do
and what to become
when I had no clue what would happen next.

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Lamenting Leaves Scattered in Ruin

October’s bellowing anger breaks and cleaves
The bronzed battalions of the stricken wood
In whose lament I hear a voice that grieves
For battle’s fruitless harvest, and the feud
Of outraged men. Their lives are like the leaves
Scattered in flocks of ruin, tossed and blown
Along the westering furnace flaring red.
O martyred youth and manhood overthrown,
The burden of your wrongs is on my head.

~Siegfried Sassoon “Autumn” (about his time in the trenches in WWI)

Over more than a century,
we have learned little
about how to resolve
the bellows of outraged men.

The fruitless harvest of battle,
counting up each violent death,
as warships gather
for unsanctioned war games.

Lament the tossing and blowing of lives
like October leaves, in a show of force
as transient and arbitrary as the wind,
merely to make a fruitless point…

to what end are the feuds of angry men?

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Hushed October Morning

O hushed October morning mild,
Thy leaves have ripened to the fall;
Tomorrow’s wind, if it be wild,
Should waste them all.
The crows above the forest call;
Tomorrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow.
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know.
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away.
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!

~Robert Frost from “October”

After yesterday’s travel through curtains of heavy rainfall,
we abandoned plans to meet with family across state
for today’s memorial service, so returned home,
defeated, weary with sadness.

October is enough reminder of mortality,
with winds stripping trees to bare bones,
birds flocking and vacating,
bright leaves reduced to rusting dust.

This morning, the rain suspended,
its gray curtain pulled back briefly
to view what awaits beyond the haze:
this luminous brilliance, radiance, promise.

Slow down to look. Slow down to live. Slow.

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One Old Dog Has Gone Away

Two old dogs out doing chores.
One on two legs, one on four.
Side by side, they water and feed.
Caring for others daily need.

Two old dogs make their rounds
Well worn paths on familiar ground.
To greet the day or say goodnight
Side by side, their friendship tight.

Two old dogs with dish and pail.
Singing songs and wagging tail.
Slower now, than in the past
But that just makes the good time last.

Two old dogs, both muzzles grey.
Aging joints sometimes curb play.
Companionship a simple joy.
His old dad; Dad’s old boy.

Two old dogs, and then one day
One old dog has gone away.
The other left to carry on
Two legs to barn and field and pond.

One old dog, eyes full of tears
Can still feel his old friend walking near
A reminder in the morning dew.
Just one path, instead of two.

When one old dog has no more chores
And walks through heaven’s golden doors
He’ll see that face he can’t forget.
A kindred spirit, not just a pet.

So many old dogs, made whole; anew
Reunion of a loyal crew.
Never again to be apart.
Many souls. But just one heart.

~Jeff Pillars “Two Old Dogs”

I knew this day was coming. Samwise Gamgee, approaching age 14, had been hinting that he was getting ready to leave for the past couple weeks. He was much slower following me for chores, his appetite wasn’t quite as robust as usual, and his hearing was fading.

Life had become an effort when it had been a lark for 13+ years.

But yesterday morning, he perked up enough to do his usual rounds on the farm, poke around the stalls in the barn, check the cat dishes for morsels, and bark when a strange car drove in the driveway.
Then last night he ignored his supper, laid down and closed his eyes, having used up all his reserves.

This morning, he was gone, leaving only a furry shell with big ears behind.

He had joined us on the farm as company for our aged Cardigan Corgi Dylan Thomas, who died two years after Samwise arrived. Then Sam himself needed company, so another Cardigan corgi, Homer, arrived.
They became a happy Corgi team on the farm.

Sam had a great dog life, with the exception of getting lost once and one overnight visit to the emergency vet hospital for treatment from poisoning from ivermectin, the horse worming medicine he somehow managed to lap up quickly off the barn floor when a horse dripped the paste from her mouth. After that he promised to never need a vet again.

His peaceful passing is a reminder of our temporary stay on his soil.
He’s smelling the flowers and watching the sunrises and sunsets from the other side now.

I honor Samwise’s long life with the photos I have compiled over the years.

Till we meet again, old friend.

photo by Nate Gibson
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The Singers of Life, Not Death

The rain falls and falls
cool, bottomless, and prehistoric
falls like night —
not an ablution
not a baptism
just a small reason
to remember
all we know of Heaven
to remember
we are still here

with our love songs and our wars…

Here too
in the wet grass
half a shell
of a robin’s egg
shimmers
blue as a newborn star
fragile as a world.

~Maria Popova from “Spell Against Indifference”

…I had sat down to rest with my back against a stump. Through accident I was concealed from the glade, although I could see into it perfectly.

The sun was warm there, and the murmurs of forest life blurred softly away into my sleep. When I awoke, dimly aware of some commotion and outcry in the clearing, the light was slanting down through the pines in such a way that the glade was lit like some vast cathedral. I could see the dust motes of wood pollen in the long shaft of light, and there on the extended branch sat an enormous raven with a red and squirming nestling in his beak.

The sound that awoke me was the outraged cries of the nestling’s parents, who flew helplessly in circles about the clearing. The sleek black monster was indifferent to them. He gulped, whetted his beak on the dead branch a moment, and sat still. Up to that point the little tragedy had followed the usual pattern.

But suddenly, out of all that area of woodland, a soft sound of complaint began to rise. Into the glade fluttered small birds of half a dozen varieties drawn by the anguished outcries of the tiny parents.

No one dared to attack the raven. But they cried there in some instinctive common misery, the bereaved and the unbereaved. The glade filled with their soft rustling and their cries. They fluttered as though to point their wings at the murderer. There was a dim intangible ethic he had violated, that they knew. He was a bird of death.

And he, the murderer, the black bird at the heart of life, sat on there, glistening in the common light, formidable, unmoving, unperturbed, untouchable.

The sighing died. It was then I saw the judgment. It was the judgment of life against death. I will never see it again so forcefully presented. I will never hear it again in notes so tragically prolonged.

For in the midst of protest, they forgot the violence.

There, in that clearing, the crystal note of a song sparrow lifted hesitantly in the hush. And finally, after painful fluttering, another took the song, and then another, the song passing from one bird to another, doubtfully at first, as though some evil thing were being slowly forgotten. Till suddenly they took heart and sang from many throats joyously together as birds are known to sing.

They sang because life is sweet and sunlight beautiful. They sang under the brooding shadow of the raven. In simple truth they had forgotten the raven, for they were the singers of life, and not of death.
~Loren Eiseley from The Star Thrower

Each of us at times are as vulnerable as a nestling, just hatched.
The world is full of those who would eat us for lunch and do.

The world is also full of those who grieve and lament the violence that surrounds us, the tragedy of lives lost, the unending wars, the bullies and the bullied.

But the bird of death does not have the final word. He will soon be forgotten, forever sidelined as we reject what he and others like him represent.

Our cries of lament, our protests of violence transform into a celebration of life – we do not abandon all we have lost, but no longer allow any more to be stolen from us.

Only then may grief’s shadow be overwhelmed by joy.

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For a Moment, the World Wakes Up

                       1

Every October it becomes important, no, necessary
to see the leaves turning, to be surrounded
by leaves turning; it’s not just the symbolism,
to confront in the death of the year your death,
one blazing farewell appearance, though the irony
isn’t lost on you that nature is most seductive
when it’s about to die, flaunting the dazzle of its
incipient exit, an ending that at least so far
the effects of human progress (pollution, acid rain)
have not yet frightened you enough to make you believe
is real; that is, you know this ending is a deception
because of course nature is always renewing itself—

        the trees don’t die, they just pretend,
go out in style, and return in style: a new style.

                        3

You’ll be driving along depressed when suddenly
a cloud will move and the sun will muscle through
and ignite the hills. It may not last. Probably
won’t last. But for a moment the whole world
comes to. Wakes up. Proves it lives. It lives—
red, yellow, orange, brown, russet, ocher, vermilion,
gold. Flame and rust. Flame and rust, the permutations
of burning. You’re on fire. Your eyes are on fire.
It won’t last, you don’t want it to last. You
can’t stand any more. But you don’t want it to stop.
It’s what you’ve come for. It’s what you’ll
come back for. It won’t stay with you, but you’ll

        remember that it felt like nothing else you’ve felt
or something you’ve felt that also didn’t last.
~Lloyd Schwarz from “Leaves”

The world wakes up and comes to, with vivid, overwhelming color
for a moment before it dies.

The landscape is simply acting out its part, perhaps just pretending.
Nothing is really dying, just taking a nap under a brilliant blanket.

Rest well. See you next year.

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Trying to Make Sense of It

Mid-October and the calendar
of ladybugs directs them to move inside.
Following some unwritten date, they form
colonies of strange ideograms on the walls
and ceilings, their orange-red lacquer
dotted with different combinations
of black spots roving in afternoon sunlight.

Each year they turn back memory’s clock—
thirty years ago, my wife is in Chicago,
I’m in Connecticut with our three children,
just home from a soccer tournament.
Our middle son, nine, flush with pride
of his team’s championship, finds them
that first time: hundreds and hundreds

of ladybugs crawling on windows, walls,
ceilings. And then, my wife’s voice on the phone
from Chicago—her father has died.
For an hour the keening whine of the vacuum,
the peppery smell of ladybugs still alive
or dying inside the bulging bag. After,
I tell our children: Their grandfather is dead.

It’s the first death for each of them,
but the crash of sorrow into happiness
overwhelms our middle son, a wave
of joy and grief roiling inside him.
And then, twenty-two years later,
he too would die in mid-October
with the ladybugs’ arrival, with fall’s gold

leaf light and candelabras of sumac.
Don’t try to make sense of it, I told my son
back then. I thought: all these things,
inextricably but insensibly connected.
That’s what I tell myself every October,
the still unvacuumed ladybugs
like trails of language leading nowhere,
untranslatable and senseless.

~Robert Cording “Ladybugs”

The little fly you squashed and put into the ashtray
—how it walked out later that same day, bold as
you like across the carpet, cold-shouldering your

botched attempt at homicide with the aloofness of a
hired gun to the extent you broke into guffaws then
fell, stricken, to your knees and sobbed, forgiving

every one of your murderous intentions, forgiving
yourself, letting the patch of sun claim its prize.

~Claudine Toutoungi “Lazarus” from Emotional Support Horse

Humans have a love-hate relationship with insects. Mostly hate.

But bugs don’t like us any better when we attempt to swat, step on, smoosh and poison them to oblivion.

I’ve tried to understand the Creator’s design plan, making a place on this earth for mosquitoes, hornets, and scorpions and few other nasty bugs.

There must be some sense to their existence,
even if we fail to understand it.
There must be some sense to our own existence,
even if we fail to understand it.
Perhaps we humans exist just to make life difficult for the bugs.

all these things,
inextricably but insensibly connected

AI image of ladybug cluster
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Living a Life to Die For

The sound of quiet. The sky
indigo, steeping
deeper from the top, like tea.
In the absence
of anything else, my own
breathing became obscene.
I heard the beating
of bats’ wings before
the air troubled above
my head, turned to look
and saw them gone.
On the surface of the black
lake, a swan and the moon
stayed perfectly
still. I knew this was
a perfect moment.
Which would only hurt me
to remember and never
live again. My God. How lucky to have lived
a life I would die for.

~Leila Chatti “I Went Out to Hear” from Wildness Before Something Sublime  

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.

~Mary Oliver “In Blackwater Woods” from Devotions

(thinking today of God’s gift to the world of Jane Goodall,
whose life was about keeping promises)

When the earth and all that is in it glows indigo
in the angled light of October;
opening my eyes as witness to beauty
takes my breath away.

I can’t imagine letting go this life,
yet the other side of ashes and loss is salvation.

My God.
I am so finite.
I hold this close to my bones
with miles to go before I sleep.

My life depends on realizing
I’m living a life I would die for.

photo by Josh Scholten
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Dropping Leaves on Time

Late in November, on a single night
Not even near to freezing, the ginkgo trees
That stand along the walk drop all their leaves
In one consent, and neither to rain nor to wind
But as though to time alone: the golden and green
Leaves litter the lawn today, that yesterday
Had spread aloft their fluttering fans of light.

What signal from the stars? What senses took it in?
What in those wooden motives so decided
To strike their leaves, to down their leaves,
Rebellion or surrender? and if this
Can happen thus, what race shall be exempt?
What use to learn the lessons taught by time,
If a star at any time may tell us: Now.

~Howard Nemerov “The Consent” from The Collected Poems of Howard Nemerov

So many reasons these days to awake in the night,
eyes wide open, searching the dark seas of trouble
for some sign of hope,
for calm and peace in this stormy world.

When asleep again, I float among abundant
golden gingko leaves, each waving like a sail in the breeze,
before they tumble, swirling, to the ground, forming
deeply cushioned and comforting pools of yellow.

Navigating these brutal times, I am meant to be
anchored within some safer harbor – I treasure
the old ginkgo as it reaches over each cherished child
with its golden cloak of love and protection.

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