To see a World in a Grain of Sand And a Heaven in a Wild Flower, Hold Infinity in the Palm of your Hand, and Eternity in an Hour.
When the Soul Slept in Beams of Light God Appears & God is Light To those poor Souls who dwell in Night But does a Human Form Display To those who Dwell in Realms of day ~William Blake from “Auguries of Innocence”
Had I the heavens’ embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark cloths Of night and light and the half light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams. ~William Butler Yeats “Aedh Wishes for the Cloths of Heaven”
If I look closely enough underfoot, I might find the extraordinary in the commonplace things of life.
So I keep my eyes alert; my heart open to infinite possibilities and try to tread softly.
Sometimes what I see is so beautiful, it is uncovering heaven come to earth, when the cosmos is contained within the commonplace.
The God of Light and Living Water is no further away than my back yard.
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My father always knew the secret name of everything— stove bolt and wing nut, set screw and rasp, ratchet wrench, band saw, and ball— peen hammer. He was my tour guide and translator through that foreign country with its short-tempered natives in their crewcuts and tattoos, who suffered my incompetence with gruffness and disgust. Pay attention, he would say, and you’ll learn a thing or two.
Now it’s forty years later, and I’m packing up his tools (If you know the proper names of things you’re never at a loss) tongue-tied, incompetent, my hands and heart full of doohickeys and widgets, whatchamacallits, thingamabobs. ~Ronald Wallace “Hardware” from Time’s Fancy
“Hold on,” she said, “I’ll just run out and get him. The weather here’s so good, he took the chance To do a bit of weeding.”
So I saw him Down on his hands and knees beside the leek rig, Touching, inspecting, separating one Stalk from the other, gently pulling up Everything not tapered, frail and leafless, Pleased to feel each little weed-root break, But rueful also . . .
Then found myself listening to The amplified grave ticking of hall clocks Where the phone lay unattended in a calm Of mirror glass and sunstruck pendulums . . .
And found myself then thinking: if it were nowadays, This is how Death would summon Everyman.
Between my finger and my thumb The squat pen rests; snug as a gun. Under my window, a clean rasping sound When the spade sinks into gravelly ground:
My father, digging. I look down By God, the old man could handle a spade.
Just like his old man. But I’ve no spade to follow men like them.
Between my finger and my thumb The squat pen rests. I’ll dig with it. ~Seamus Heaney from “Digging” from Death of a Naturalist
My father was a complex man. As I’ve aged, I understand better where my own complicated nature comes from.
As inscrutable as he could be, there were things I absolutely understood about him:
he was a man of action – he never just sat, never took a nap, never wasted a day of his life without accomplishing something tangible.
he was a man of the soil – he plowed and harrowed and sowed and fertilized and weeded and cut brush and harvested
he was a man of inventiveness – he figured out a better way, he transformed tools and buildings, he started from scratch and built the impossible
he didn’t explain himself – and never felt the need to.
Time keeps ticking on without him here, now 30 years since he took his last breath as the clock pendulum swung back and forth in his bedroom. He was taken too young for all the projects he still had in mind.
He handed off a few to me. Some I have done. Some still wait, I’m not sure why.
My regret is not understanding how much he needed to hear how loved he was. He seemed fine without it being said.
But he wasn’t fine. And neither was I.
I wish I had said it when I had the chance. I guess I am digging it out from the soil of my heart now.
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Nature’s first green is gold, Her hardest hue to hold. Her early leaf’s a flower; But only so an hour. Then leaf subsides to leaf, So Eden sank to grief, So dawn goes down to day Nothing gold can stay. ~Robert Frost “Nothing Gold Can Stay”
Stay gold, Ponyboy, stay gold. ~S.E. Hinton from The Outsiders
Man’s innocence was lost the moment we chose knowledge over obedience.
The gold in our creation sinks to grief as we continue to make the same mistakes again and again;
each dawn reenacts our beginnings as leaf subsides to leaf and each winter our endings.
Our only salvage is rescue borne of selflessness, an obedience beyond imagining.
Christ stays gold for us; we rise illuminated like dawn.
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I went out to cut a last batch of zinnias this morning from the back fencerow and got my shanks chilled for sure: furrowy dark gray clouds with separating fringes of blue sky-grass: and the dew
beaded up heavier than the left-overs of the rain: in the zinnias, in each of two, a bumblebee stirring in slow motion. Trying to unwind the webbed drug of cold, buzzing occasionally but
with a dry rattle: bees die with the burnt honey at their mouths, at least: the fact’s established: it is not summer now and the simmering buzz is out of heat: the zucchini blossoms falling show squash
overgreen with stunted growth: the snapdragons have suckered down into a blossom or so: we passed into dark last week the even mark of day and night and what we hoped would stay we yield to change. ~A.R. Ammons “Equinox” from Complete Poems
I yield now to the heaviness of transition from summer to autumn – the soaking morning fog, with dew clinging like teardrops, a chill in the air means I sweater-wrap my days.
It is time for change, reluctant as I may be; both day and night now compete equally for my time and each will win.
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I want to memorize it all before it changes: the shift of sun from north to south barely balances on our east- west road at equinox.
The flow of geese overhead, honking while waving farewell, the hawks’ screams in the firs, dragonflies trapped in the barn light fixtures several generations of coyotes hollering at dusk.
The pond quiets with cooler nights, hair thickens on horses, cats and dogs, dying back of the garden vines reveals what lies unharvested beneath.
And so we part again, Summer – your gifts were endless until you now have parted ways.
I sit silenced, brooding, waiting for what comes next.
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You were the one for skylights. I opposed Cutting into the seasoned tongue-and-groove Of pitch pine. I liked it low and closed, Its claustrophobic, nest-up-in-the-roof Effect. I liked the snuff-dry feeling, The perfect, trunk-lid fit of the old ceiling. Under there, it was all hutch and hatch. The blue slates kept the heat like midnight thatch.
But when the slates came off, extravagant Sky entered and held surprise wide open. For days I felt like an inhabitant Of that house where the man sick of the palsy Was lowered through the roof, had his sins forgiven, Was healed, took up his bed and walked away. ~Seamus Heaney “The Skylight” from Opened Ground.
The last moments of summer are revealed as if the roof has been ripped open to let the sky be lowered in ~ the veil torn down, the dark corners lit in extravagant morning glow~
suddenly sky enters into unexpected spaces we preferred to keep hidden. The miraculous happens when we are bold enough to accept the invitation and take a chance on the Light.
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Something about the relentless beauty of the dahlias this year makes me forget lists and calls and news and aches as I stand beside them in a splendor stupor, watching them bloom in real time, not wanting to miss a moment of the long stems rising, the red color deepening then fading from the petals as they age. I imagine a time lapse begins, and the world’s winter white, then greening again, and now a hundred years pass, now five hundred, a thousand, and the garden bed is gone and the fence is gone and the trees and the ditch and the home are gone, and there’s no way to know this was once a place where dahlias grew. Is it any wonder, then, I call to you, ask you to come stand here with me to watch the dahlias open themselves to the sun, each petal a hymn to the present, a history soon to be forgotten, a shimmer in time we might put in a vase and marvel as all around it the whole world spins. ~Rosemerry Wahtola Trommer “A Scrap in Time”
In my beginning is my end. Now the light falls Across the open field, leaving the deep lane Shuttered with branches, dark in the afternoon…
The dahlias sleep in the empty silence. Wait for the early owl.
Dawn points, and another day Prepares for heat and silence. Out at sea the dawn wind Wrinkles and slides. I am here Or there, or elsewhere. In my beginning.
Home is where one starts from.
Love is most nearly itself When here and now cease to matter. ~T. S. Eliot, verses from “East Coker” in Four Quartets
What a pity flowers can utter no sound! —A singing rose, a whispering violet, a murmuring honeysuckle… oh, what a rare and exquisite miracle would these be! ~Henry Ward Beecher
A flower garden is a place for prayer and hymns of praise.
When I meet a truly great gardener, like my friend Jean who has grown and hybridized dahlias, what I see growing in the soil is a choral composition of petals, leaves and roots.
Jean has passionately cared for these plants for many of her nine decades of life. They reflect that love in every spiral and swirl, hue and gradient of color, showing stark symmetry and delightful variegation.
Arising from the plainest of homely and knobby look-alike tubers grow these luxurious beauties of infinite variety. I am stunned by each one, captivated, realizing that same Creator ensures we too bloom from mere dust, becoming a hymn of praise arising from every fiber of our being.
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The meaning of marriage begins in the giving of words. We cannot join ourselves to one another without giving our word. And this must be an unconditional giving, for in joining ourselves to one another we join ourselves to the unknown. ~Wendell Berry from “Poetry and Marriage” in Standing By Words
Our vows to one another forty-four years ago today:
Before God and this gathering, I vow from my heart and spirit that I will be your wife/husband for as long as we both shall live.
I will love you with faithfulness, knowing its importance in sustaining us through good times and bad.
I will love you with respect, serving your greatest good and supporting your continued growth.
I will love you with compassion, knowing the strength and power of forgiveness.
I will love you with hope, remembering our shared belief in the grace of God and His guidance of our marriage.
“And at home, by the fire, whenever you look up, there I shall be–and whenever I look up, there will be you.”
(our wedding vows for our September 19, 1981 wedding at First Seattle Christian Reformed Church — the last line adapted from Thomas Hardy’s “Far From the Madding Crowd”)
Sometimes our life reminds me of a forest in which there is a graceful clearing and in that opening a house, an orchard and garden, comfortable shades, and flowers red and yellow in the sun, a pattern made in the light for the light to return to. The forest is mostly dark, its ways to be made anew day after day, the dark richer than the light and more blessed, provided we stay brave enough to keep on going in.
We enter, willing to die, into the commonwealth of its joy. ~Wendell Berry from “A Country of Marriage”
…Marriage… joins two living souls as closely as, in this world, they can be joined. This joining of two who know, love, and trust one another brings them in the same breath into the freedom of sexual consent and into the fullest earthly realization of the image of God. From their joining, other living souls come into being, and with them great responsibilities that are unending, fearful, and joyful. The marriage of two lovers joins them to one another, to forebears, to descendants, to the community, to heaven and earth. It is the fundamental connection without which nothing holds, and trust is its necessity. ~Wendell Berry from Sex, Economy, Freedom and Community
We married forty-four years ago today in our Seattle church with Pastor Peter Holwerda officiating, with a small group of family and friends as witnesses.
It was a wedding of two frugal people with little to spend – I sewed my dress and Dan’s shirt from muslin, we grew our own flowers, our families helped potluck the lunch afterward and our tiered carrot cake was made by a friend.
Yet our vows to one another were not frugal and held nothing back. They were extravagant and comprehensive, coming from our hearts and spirits. The music we asked our amazing organist to play (versions below) inspired us by its simplicity and complexity – very much like the families that raised us and the God we worship.
Our vows have taken us from the city to the countryside, to the raising and rejoicing in three amazing children and now six grandchildren. We both served more than forty years as a public-employed attorney and physician. We have laid down those responsibilities, and picked up the tools of farm and garden along with church and community service for as long as we are able.
We treasure each day of living together in faithfulness, respect, compassion and hope – knowing that how we love and find joy in one another mirrors how God loves and revels in His people.
We pray for many more days to fill us with what endures.
A pot of red lentils simmers on the kitchen stove. All afternoon dense kernels surrender to the fertile juices, their tender bellies swelling with delight.
In the yard we plant rhubarb, cauliflower, and artichokes, cupping wet earth over tubers, our labor the germ of later sustenance and renewal.
Across the field the sound of a baby crying as we carry in the last carrots, whorls of butter lettuce, a basket of red potatoes.
I want to remember us this way— late September sun streaming through the window, bread loaves and golden bunches of grapes on the table, spoonfuls of hot soup rising to our lips, filling us with what endures. ~Peter Pereira from “A Pot of Red Lentils”
Here are versions of the organ music we selected for prelude, processional, recessional and postlude
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Summer is over, the old cow said, And they’ll shut me up in a draughty shed To milk me by lamplight in the cold, But I won’t give much for I am old. It’s long ago that I came here Gay and slim as a woodland deer; It’s long ago that I heard the roar Of Smith’s white bull by the sycamore. And now there are bones where my flesh should be; My backbone sags like an old roof tree, And an apple snatched in a moment’s frolic Is just so many days of colic.
I’m neither a Jersey nor Holstein now But only a faded sort of cow. My calves are veal and I had as lief That I could lay me down as beef; Somehow, they always kill by halves, — Why not take me when they take my calves? Birch turns yellow and sumac red, I’ve seen this all before, she said, I’m tired of the field and tired of the shed. There’s no more grass, there’s no more clover; Summer is over, summer is over. ~Robert Hillyer “Moo!”
Something inspires the only cow of late To make no more of a wall than an open gate, And think no more of wall-builders than fools. Her face is flecked with pomace and she drools A cider syrup. Having tasted fruit, She scorns a pasture withering to the root. She runs from tree to tree where lie and sweeten The windfalls spiked with stubble and worm-eaten. She leaves them bitten when she has to fly. She bellows on a knoll against the sky. Her udder shrivels and the milk goes dry. ~Robert Frost “The Cow in Apple Time”
I have lived among cows, our own and our neighbors’, dairy and beef, most of my life. Given their status as a food source, cows aren’t always granted a long life, but I do envy those who spend much of the year chewing cud outside in pastoral settings.
We’ve owned some aged cows. They can be set in their ways and don’t particularly like a change in routine. They prefer a communal life, bearing calves, surrendering their milk, and ensuring the herd hierarchy is maintained with a minimum of fuss.
I remember my dad curing a cow’s habit of eating apples directly from a tree branch. She had the apple lodged in her esophagus as it had slipped down her throat unchewed, but too large to pass through to her rumen. She was foaming at the mouth, breathing fine, but the apple was a visible lump palpable mid-way down her neck. My dad grabbed a short two by four board and a hammer, placed the board on one side of her neck lump, and with the hammer, hit her neck precisely over the apple, crushing it. She was immediately cured and sauntered over to grab more apples, off the ground rather than the branch.
Cows can experience various health issues, sometimes relating to infections in their udders, but not infrequently, trouble with their hooves. They can get abscesses which are quite painful until emptied, as well as sharp rocks or gravel wedged into their foot. This sometimes necessitates hoof work done by a specialist who visits dairy farms on a regular basis.
I confess I (along with a million or so other folks) spend an inordinate amount of time watching YouTube channels of cow hoof trimming. I have no desire to do the job myself, but restoring a limping cow to a comfortably walking cow is a skill that must be very gratifying.
As an aging female myself, I know all about aches and pains. I too feel the sadness of summer coming to an end, when the grass and clover grows sparse in the field, and when chilly nights are best spent in the shelter of the barn.
But I’m not yet ready to give up on this sweet pastoral life. There are still some days left, and apples to pick up off the ground, for this fading old cow…
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She wasn’t looking when they took this picture: sitting on the grass in her bare feet wearing a cotton dress, she stares off to the side watching something on the lawn the camera didn’t catch. What was it? A ladybug? A flower? Judging from her expression, possibly nothing at all, or else the lawn was like a mirror, and she sat watching herself, wondering who she was and how she came to be there sitting in this backyard, wearing a cheap, white dress, imagining that tomorrow would be like all her yesterdays, while her parents chatted and watched, as I do years later, too distantly to interfere. ~Dana Gioia, “Photograph of My Mother as a Young Girl” from Daily Horoscope
Seeing photos of ancestors a century past
is like looking at your own fingerprints—
circles and lines you can’t recognize
until someone else with a stranger’s eye looks close and says that’s you. ~Joseph Bruchac, “Prints” from Sing: Poetry from the Indigenous Americas.
Growing up, it was never obvious to me that I looked like either one of my parents. Once, as a naughty kid, I told them I thought I was adopted as there wasn’t a single photo to be found of my mother looking pregnant (never mind that few women in the 50’s allowed themselves to be photographed pregnant).
Searching the faces of extended family in old photographs, others would comment on the facial similarities between my young mother and me.
And indeed, the older I have become, the more I see my mother looking back at me in the mirror.
The characteristics I inherited from my father aren’t as obvious in the mirror: his persistence and problem-solving, his inability to ever fully relax, his drive to get things done and not give up.
So, yes, that is me in the photos of my mother taken nearly a century ago, as well as those taken not so long ago.
I now recognize me in those photos, grateful to resemble such a loving and lovely mom.
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