How Generous the Ground

Once again, the field rehearses how to die.
Some of the grass turns golden first. Some
simply fades into brown. Just this morning,
I, too, lay in corpse pose, practicing
how to let myself be totally held by the earth
without striving, how to meet the day
without rushing off to do the next necessary
or beautiful thing. Soon, the grass will bend
or break, molder or disintegrate. Every year,
the same lesson in how to join the darkness,

how to be unmade, how quietly
we might lean into the uncertainty,
how generous the ground.
~Rosemerry Wahtola Trommer “Shavasana”

The prairie grasses are collapsing,
withering to the ground,
all spent after a season of flourishing.
The next wind and rain storm will finish the job.
Stems and leaves become rich compost
in the seasons that follow,
a generous bed for future seeds.

We expect this fading away.

I know it doesn’t mean the end –
there is still vitality lying dormant,
hidden away, waiting for the right moment
to re-emerge, resurrect and live again.

I know this too about myself.
The dying-time-of-year doesn’t get easier.
It seems more real-time and vivid.
Colors fade, leaves wrinkle and dry,
fruit falls unconsumed and softened. 

Our beauty, so evident only a short time ago,
is meant to thrive inward, germinating,
ready to rise again when called forth.

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Choosing to Protect Unseen Nests

I go to the mountain side
of the house to cut saplings,
and clear a view to snow
on the mountain. But when I look up,
saw in hand, I see a nest clutched in
the uppermost branches.
I don’t cut that one.
I don’t cut the others either.
Suddenly, in every tree,
an unseen nest
where a mountain
would be.
~Tess Gallagher “Choices” from Midnight Lantern: New and Selected Poems

Might I be capable of such tenderness?
Might I consider the needs of others,
by saving not just one nest,
but all future nests,
rather than exercise my right
to an unimpeded view,
wanting the world to be exactly
how I want it?

I must not forget:
my right to choose
demands that I
choose to do right by those
who have no choice.

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Summer Ends Now

Summer ends now; now, barbarous in beauty, the stooks rise
Around; up above, what wind-walks! what lovely behaviour
Of silk-sack clouds! has wilder, willful-wavier
Meal-drift moulded ever and melted across skies?

 I walk, I lift up, I lift up heart, eyes,
Down all that glory in the heavens to glean our Saviour;
And, eyes, heart, what looks, what lips yet gave you a
Rapturous love’s greeting of realer, of rounder replies?

And the azurous hung hills are his world wielding shoulder
Majestic as a stallion stalwart, very-violet-sweet! –
These things, these things were here and but the beholder
Wanting; which two when they once meet,
The heart rears wings bold and bolder
And hurls for him, O half hurls earth for him off under his feet.
~Gerard Manley Hopkins “Hurrahing in Harvest”

This poem is (in Hopkin’s own words) “the outcome of half an hour of extreme enthusiasm as I walked home alone one day from fishing in the [River] Elwy.”

This afternoon was the colour of water falling through sunlight;
The trees glittered with the tumbling of leaves;
The sidewalks shone like alleys of dropped maple leaves,
And the houses ran along them laughing out of square, open windows.

Under a tree in the park,
Two little boys, lying flat on their faces,
Were carefully gathering red berries
To put in a pasteboard box.

Some day there will be no war,
Then I shall take out this afternoon
And turn it in my fingers,
And remark the sweet taste of it upon my palate,
And note the crisp variety of its flights of leaves.

To-day I can only gather it
And put it into my lunch-box,
For I have time for nothing
But the endeavour to balance myself
Upon a broken world.
~Amy Lowell from “September 1918”

There is no point in seeing without responding; there is no way to respond without seeing.

Christian life and practice require both faith (the sight of the heart) and works (the lurch of the heart toward him in obedience)
~Kathleen Mulhern from “A Christ Sighting” from Dry Bones

Sheaves of Wheat in a Field –Vincent Van Gogh
Wheat Field with Sheaves -Vincent Van Gogh

Am I the only one who awakes praying
that today be a day of healing between peoples
when the barbarous becomes beautiful
rather than broken?

A day of
no missiles being launched,
no one gunned down
no overdoses in the streets,
no vehicles used as weapons,
no child misused,
no one sold into slavery,
no one overdosing, abandoned,
homeless and starving.

Am I the only one who awakes and seeks only
to watch the clouds
to praise the heavens
to see the leaves turn color
to save this day and taste it
so as to balance somehow on this brokenness?

I am not the only one.
I know I cannot be…

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Each Thing Noticed

The Old Testament book of Micah answers the question
of why we are here with another:
“What doth the Lord require of thee but to do justly,
and to love mercy, and to walk humbly with thy God?”
We are here to abet creation and to witness it,
to notice each thing so each thing gets noticed.
Together we notice not only each mountain shadow
and each stone on the beach
but we notice each other’s beautiful face
and complex nature so that creation need not play

to an empty house.
~Annie Dillard from Life Magazine’s “The Meaning of Life”

I started out a noticer,
a child who crawled on the ground
to follow winding ant trails from their hills,
then watched nests bloom with birds,
sitting still as a lizard sunning himself on a rock.

Next I was a student researcher of great apes,
following wild chimpanzees deep into an exotic forest
to observe their life in a community so much like our own.

Then came a profession and parenting and daughtering,
with mounting responsibilities and worries and cares,
and I stopped noticing any more,
too much inside the drama
to witness it from outside.

Creation played to an empty house
and the empty house was me.

Slowly now,
I’ve returned to noticing again~
buying my ticket, finding my seat,
smiling and nodding
applauding
hooting and hollering
begging for an encore.

It’s a non-stop show of the miraculous
where I’m an appreciative audience
preparing to write a great review.

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A Wondrous and Terrible Turning

When, in the science museum, I arrive at the overview of our galaxy, with its tiny arrow pointing to You are here (which really ought to be We are here), and see that the two to four hundred billion stars of our local cluster are drifting or chasing or dreaming after each other in circles within milky circles, I can’t help but think of those ancient paintings and rock engravings, discovered all over our celestial body, of that one line which begins at whatever point it can, then curls outward, or inward, toward nothing anyone can define—the oldest shape revered by Aborigine and Celt, by mathematician and engineer and Burning Man reveler alike, and even accorded a place of honor among the mess of thoughts on my desk, as a nifty paper clip of copper.

But it’s already there in the florets of the sunflower crisscrossing with the precision of a logarithm, and in the pin-wheel shape of the Nautilus shell, and in the coiling neurons of the cochlea that let us tell Art Tatum from a three year old’s improvisation.

Call it what you will—“God’s fingerprint,” “the soul unfolding through time,” “the passageway into the Self”— I can’t help but admire, even fear, something as mundane as a flush of the toilet, when its swirling is a variation on our sidereal drift, our existential pain.

And then there’s that famous falcon, “turning and turning in a widening gyre,” a portentous symbol of our own circling into some dread, some pernicious chaos we thought we had just escaped, one town burning a decade behind us, a millennium before that, and into next week, next year, next whenever.

And when the two of us took that winding road an infinity of others had wound down before us and would wind down again, our spirits hushed by the crosses and bouquets at each dead man’s curve and just burning in the dry heat to touch each other, wasn’t that a wondrous and terrible turning?
~Thomas Centolella “Why I’m in Awe of the Spiral”

photo by Kate Steensma
Photo by Kate Steensma

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
~William Butler Yeats “The Second Coming”

I look for the way
things will turn
out spiralling from a center,
the shape
things will take to come forth in

so that the birch tree white
touched black at branches
will stand out
wind-glittering
totally its apparent self:

I look for the forms
things want to come as

from what black wells of possibility,
how a thing will
unfold:

not the shape on paper, though
that, too, but the
uninterfering means on paper:

not so much looking for the shape
as being available
to any shape that may be
summoning itself
through me
from the self not mine but ours.

~A. R. Ammons, “Poetics” from A Coast of Trees

Our very origin as a unique organism is a process of unfolding and spiraling: from our very first doubling after conception expanding to a complexity of trillions of cells powering our every thought and movement.

Now I look everywhere in my backyard world for beginnings and endings, wanting to understand where I fit and where I am in the unfolding process of this spiraling life. As I grow older, I find myself more peripheral than central, just as I am meant to be – I have more perspective now having spun out from the vortex.

I can see where I came from, and have a sense of where I am headed.

We unfurl slowly, surely, gently, in the Hands of our Creator God. He knows how each of us began as He was there from the beginning, forming the very center of us. He remains at the core of our being, as our unfolding lasts forever.

An Awe-filled Quiet

A dark mist lay over the Black Hills, and the land was like iron. At the top of ridge I caught sight of Devil’s Tower upthrust against the gray sky as if in the birth of time the core of the earth had broken through its crust and the motion of the world was begun. There are things in nature that engender an awful quiet in the heart of man; Devil’s Tower is one of them.
~N.Scott Momaday in The Way to Rainy Mountain

Over the years we have made many cross-country road trips, passing by the turn-off to Devil’s Tower in eastern Wyoming because there was urgency to get where we needed to go. Occasionally we would see it hazy in the far distance, so I could say I had “seen it” but I really had not seen it, according to my Stanford professor N. Scott Momaday.

Scott is from the Kiowa tribe. In his language, this rock formation is named Tso-i-e or “standing on a rock.” For him and his people, it is sacred ground. The Cheyenne, Crow, Lakota, Shoshone, and Arapahoe all revere this rock monolith although most tribal members did not live near enough to see it themselves, but the legends traveled many miles through the generations through oral tradition.

Scott taught an unforgettable class on Native American Mythology and Lore I took 50 years ago as a 19 year old sophomore. He has a commanding presence, a booming resonant voice for story telling, a predilection for the poetry of Emily Dickinson and a hankering since childhood to be a character in the stories of Billy the Kid. The first day of class, he introduced us to Tso-i-e first and foremost. He told us his grandmother’s story passed to her from her grandparents:

“Eight children were there at play, seven sisters and their brother. Suddenly the boy was struck dumb; he trembled and began to run upon his hands and feet. His fingers became claws, and his body was covered with fur. Directly there was a bear where the boy had been. The sisters were terrified.; they ran and the bear after them. They came to the stump of a great tree, and the tree spoke to them. It bade them climb upon it, and as they did so it began to rise into the air. The bear came to kill them, but they were just beyond its reach. It reared against the tree and scored the bark all around with its claws. The seven sisters were borne into the sky, and they became the stars of the Big Dipper.”

A few years ago, we finally made time to see the Tower up close. For me, this “close encounter” was meant to connect the dots from my class and to understand more fully the spiritual background of the Plains people as our son had lived and taught on the Pine Ridge Reservation in South Dakota for two years.

The Tower surely is holy ground for us all – we are diminished in its presence. It disquiets the heart with its awful grandeur and sheer other-worldliness. In its own way, it is as resonant as Scott’s captivating stories about its origins, yet remains a reminder of the ever-changing impermanence of geologic formations.

We need more holy places in our lives even as they (and we) change with the sands and winds of time. We need more awe-filled awful quiet in our hearts.

So we continue to tell the sacred stories, generation to generation, never forgetting Who set the world in motion.

Whose Beauty is Past Change

Glory be to God for dappled things –
   For skies of couple-colour as a brinded cow;
      For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
   Landscape plotted and pieced – fold, fallow, and plough;
      And áll trádes, their gear and tackle and trim.

All things counter, original, spare, strange;
   Whatever is fickle, freckled (who knows how?)
      With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
                                Praise him.

~Gerard Manley Hopkins “Pied Beauty”

The unconventional and unnoticed beauty,
freckled, spare and strange–
helps me feel beautiful too. 
The interplay of light and shadow
within every moment of our existence,
some moments darker than others,
some brilliant and dazzling.

I try to find the sweet and sour,
knowing I’m capturing my own dappled essence – 
a reflection of the Fathering that loves us
even in our fickleness,
who possibly could know how?

There is no perfection outside of Him;
His reflected beauty, His transfigured face
has no uniformity yet is past changing.

We give Him glory in our imperfection,
through defects and blemishes which
only He can make whole.

Who knows why He does this?
Yet He does.

Glory be.

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I Dare Not Look Away

I dare not look away
From beauty such as this,
Lest, while my glance should stray,
Some loveliness I miss.

The trees might choose to print
Their shadow on the lake;
The windless air might glint
With aspen leaves that shake.

Over the mountains there
A thin blue veil might drift;
Then in a moment rare
This thin blue veil might lift.

Ah, I must pay good heed
To beauty such as this,
Lest, in some hour of need,
Its loveliness I miss.
~Jesse Belle Rittenhouse “In the Green Mountains”

Steeped in my own worries and thoughts as I go about my housework and barn chores, I could be missing something lovely happening outside while I’m not looking. Perhaps the gray fog is clearing to reveal a cloudless blue sky, or the sun angles just right for everything to appear gilded, or magical rays of light and rainbows appear behind my back.

If I glance out at such a moment of irreplaceable beauty, I grab it and hang on as long as I can. It spreads balm over my soul and provides a gift to my spirit. It’s a wonder I get anything else done.

It is as if the loveliness was meant just for me, but I know better. Beauty is best when shared.

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Every Beautiful Thing

If only those parakeets would settle
A little nearer to where I’m sitting, instead of at the tops of far-off
     trees, this morning
Would be so much more remarkable.
One could watch the blackbirds, I suppose, peck their ways like
     Oxford dons across
The flagstone paths and lawns, or the swallows, or the sparrows,
Or the crows. But those birds are so plain—, so…painfully
     available.
No, only those parakeets will do and they will not do
What I want them to. In this, they are like everything else in the
     world.
Every beautiful thing.

~Jay Hopler “Beauty is a Real Thing, I’ve Seen It” from The Abridged History of Rainfall

“Get up,” he says, all of you – all of you! –
and the power that is in him is the power to give life not just to the dead…,

but to those who are only partly alive,
which is to say to people like you and me

who much of the time live with our lives
closed to the wild beauty and miracle of things,
including the wild beauty and miracle of every day we live
and even of ourselves.
~Frederick Buechner -from Secrets in the Dark

May I never just be partly alive,
longing for a far-away untouchable beauty
rather than noticing what is glorious right in front of me.

This is the package of life:
the plain and the mundane,
the painfully and wonderfully available,
the shadowy and the brilliant.

I want to be fully alive to the wild beauty and miracle of every day,
heeding His call to “get up!”
no matter how I may want things to be different,
no matter how I may want to be different.

And so I believe
~truly believe~
I am called to be fully alive, and gratefully acknowledge
the miracle of this and every day.

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Broken, But Not Shattered

Under a cherry tree
I found a robin’s egg,
broken, but not shattered.

I had been thinking of you,
and was kneeling in the grass
among fallen blossoms

when I saw it: a blue scrap,
a delicate toy, as light
as confetti

It didn’t seem real,
but nature will do such things
from time to time.

I looked inside:
it was glistening, hollow,
a perfect shell

except for the missing crown,
which made it possible
to look inside.

What had been there
is gone now
and lives in my heart

where, periodically,
it opens up its wings,
tearing me apart.
~Phyllis Levin “End of April”

photo by Josh Scholten

The great mystery of God’s love is that we are not asked to live as if we are not hurting, as if we are not broken. In fact, we are invited to recognize our brokenness as a brokenness in which we can come in touch with the unique way that God loves us. The great call of Jesus is to put your brokenness under the blessing.
~Henri Nouwen from a Lecture at Scarritt-Bennett Center

Some say you’re lucky
If nothing shatters it.

But then you wouldn’t
Understand poems or songs.
You’d never know
Beauty comes from loss.

It’s deep inside every person:
A tear tinier
Than a pearl or thorn.

It’s one of the places
Where the beloved is born.
~Gregory Orr from Concerning the Book That Is the Body of the Beloved

Every day, as the sun goes down,
I pause, feeling a bit or a lot broken, remembering how often
I messed up that day, in big and small ways.

I’ve been cracked open, my mistakes leaking and illuminated,
weighing down my heart, impossible to forget,
ready to take wings as I pray for mercy.

With forgiveness, there follows peacefulness.
Broken, but not shattered.
Cracked, but glistening clean.

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