Category: nature

Bring to Light the Mystery: Look Right and Left

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I have no wit, no words, no tears;
My heart within me like a stone
Is numb’d too much for hopes or fears;
Look right, look left, I dwell alone;
I lift mine eyes, but dimm’d with grief
No everlasting hills I see;
My life is in the falling leaf:
O Jesus, quicken me.

My life is like a faded leaf,
My harvest dwindled to a husk:
Truly my life is void and brief
And tedious in the barren dusk;
My life is like a frozen thing,
No bud nor greenness can I see:
Yet rise it shall—the sap of Spring;
O Jesus, rise in me.
~Christina Rossetti from “A Better Resurrection”


<Peter> saw the linen cloths lying there, and the face cloth, which had been on Jesus’ head, not lying with the linen cloths but folded up in a place by itself. 
John 20: 6-7

It dawned on me that perhaps the first thing the risen Lord did after he defeated death, as his heart once again began to beat, was to fold his grave clothes.

This seemed to me to be good news for laundry doers everywhere—and especially to moms who probably still carry out the bulk of this mundane chore.

The risen Christ folded his laundry.

I suppose the angels could have done it but angels probably don’t have much experience with laundry.
~Doug Basler from “The Poetry of a Pastor” from Ekstasis Magazine

I remember, as a child, my panicky feeling, when my mother would help me take off a sweater with a particularly tight neck opening, as my head would get “stuck” momentarily until she could free me.

It caused an intense feeling of being unable to breathe or see anything around me – literally being frozen in place. I was trapped and held captive by something as innocuous as a piece of cloth, but the panic was real.

That same feeling still overwhelms me at times when I find myself stuck in my worries and fears, anxious and struggling to loosen what binds me, unable to look right or left, up or down.

My impulse, once free of whatever is smothering me, is to toss it as far away from me as possible. I want to be rid of it and never touch it again.

I certainly don’t take time to gently fold it up for all to see.

Jesus took the time to carefully fold His facial death cloth and leave it where anyone who entered the tomb would recognize it as proof that His body wasn’t stolen.

He had risen, leaving a clear message that all was in good order, as He said it would be.

Understanding that, I now find folding laundry more meaningful, not nearly as mundane. It is a reminder that a tidy and empty tomb is something to celebrate: new life quickens like spring sap rising from a fallen, faded leaf. 

This year’s Barnstorming Lenten theme is Ephesians 3:9:

…to bring to light for everyone what is the plan of the mystery hidden for ages in God, who created all things…

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Bring to Light the Mystery: New Life Starts in the Dark

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Oh let me fall as grain to the good earth
And die away from all dry separation,
Die to my sole self, and find new birth
Within that very death, a dark fruition,
Deep in this crowded underground, to learn
The earthy otherness of every other,
To know that nothing is achieved alone
But only where these other fallen gather.

If I bear fruit and break through to bright air,
Then fall upon me with your freeing flail
To shuck this husk and leave me sheer and clear
As heaven-handled Hopkins, that my fall
May be more fruitful and my autumn still
A golden evening where your barns are full.
~Malcolm Guite “Unless a Grain of Wheat Falls Into the Ground and Dies”

…new life starts in the dark.
Whether it is a seed in the ground,
a baby in the womb, or Jesus in the tomb,
it starts in the dark.
~Barbara Brown Taylor from Learning to Walk in the Dark

The ground is slowly coming to life again;
snowdrops, crocus, and daffodils are surfacing
from months of dormancy,
buds are swelling,
the spring chorus frogs have come from the mud to sing again
and birds now greet the lazy dawn.

The seed shakes off the darkness surrounding it.
Growth begins.

I too began a mere seed, plain and simple, lying dormant
in the darkness of my mother’s body.

Just as the spring murmurs life to the seed in the ground,
so the Word calls a human seed of life to stir and swell,
becoming both an animate and intimate reflection of Himself.

I was awakened in the dark to sprout, bloom and fruit, 
to reach as far as my tethered roots allow,
aiming beyond earthly bounds to touch the light.

Everything, everyone, so hidden;
His touch calls us back to life.
Love is come again
to the fallow fields of our hearts.

This year’s Barnstorming Lenten theme is Ephesians 3:9:

…to bring to light for everyone what is the plan of the mystery hidden for ages in God, who created all things…

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Bring to Light the Mystery: That Patch of Sunlight

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It appears now that there is only one
age and it knows
nothing of age as the flying birds know
nothing of the air they are flying through
or of the day that bears them up
through themselves
and I am a child before there are words
arms are holding me up in a shadow
voices murmur in a shadow
as I watch one patch of sunlight moving
across the green carpet
in a building
gone long ago and all the voices
silent and each word they said in that time
silent now
while I go on seeing that patch of sunlight
~W.S. Merwin, “Still Morning” from The Shadow of Sirius

photo by Barbara Hoelle

Our memories can play tricks.

Just a whiff of a fragrance can trigger an experience of another time and place, a song can transport us to a decade long ago, a momentary sensation will remind us of a past experience long forgotten.

We dwell inside a different age as the years go by, in a body that no longer looks or feels exactly the same, yet our memories take us powerfully back to a special moment that happened before.

For those who struggle with post-trauma recollections, this is a curse to be overcome. For those whose memories bring joy and comfort, they seek to nurture and cherish what has been as if it is still here and now.

Let us remember the Light, just as the poet W.S. Merwin in this poem “Still Morning” remembers the moment of his baptism in a church long gone and whose voices are long since stilled. The Light of that day remains, as fresh today as it was when it moved toward him.

Our memories aren’t tricks, and neither is the Light that shone on us. They sustain us in the here and now.

Our Savior: an ever-moving patch of Light in our lives –
forever radiant.

This year’s Barnstorming Lenten theme is Ephesians 3:9:

…to bring to light for everyone what is the plan of the mystery hidden for ages in God, who created all things…

TEXT
O nata lux de lumine,
Jesu redemptor saeculi,
Dignare clemens supplicum
Laudes precesque sumere.

Qui carne quondam contegi
Dignatus es pro perditis,
Nos membra confer effici
Tui beati corporis.

TRANSLATION
O Light born of Light,
Jesus, redeemer of the world,
Mercifully deign to accept
The praises and prayers of your suppliants.

O you who once deigned to be hidden in flesh
For the sake of the lost,
Grant us to be made members
Of your blessed body.

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Finding a Lovely Thing

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Look for a lovely thing and you will find it,
It is not far —
It never will be far.
~Sara Teasdale from “Night”

Queen Anne’s lace

                a hardly

                    prized but

            all the same it isn’t

                     idle look

                                    how it

                    stands straight on its

            thin stems how it 

                    scrubs its white faces

                        with the

            rays of the sun how it

                                makes all the

                                        loveliness

                                                it can.
~Mary Oliver “Passing the Unworked Field“

Until I opened my eyes to see,

I passed by lovely things all the time,
my thoughts grousing in the grayness of the day.
Oblivious and self-absorbed,
blinded to the gifts around me.

It only takes a heart open
to unexpected beauty,
not far,
really never far–
right there in our own back yard.

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And With Ah! Bright Wings

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The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man’s smudge and shares man’s smell: the soil
Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.
~Gerard Manley Hopkins “God’s Grandeur”

Whom thou conceivst, conceived; yea thou art now
Thy Maker’s maker, and thy Father’s mother;
Thou hast light in dark, and shutst in little room,
Immensity cloistered in thy dear womb. 
~John Donne from “Annunciation”

I know this sound, first birds of morning.
As a child, I waited for hours for the drape
of night to roll up again. Leaning into the first
hint of the fresh day, the fragile lace of hesitant
light, the receding darkness dappled with bird song,
able at last to close my eyes.
I know this sound, some kind of redemption,
waking me from scattered sleep, a healing fragment
even as the work of the previous day marks my bones
in notches. Night leaves its small fur as the dawn
pushes, as the birds persist, and morning unfurls
like a promise you hoped someone would keep.
~Susan Moorhead “First Light” from Carry Darkness, Carry Light

Our February farm sunrises have always been full of promise over the three decades we’ve been here. The birds are waking earlier each day and when mornings are soaked, dripping with light and color, the air itself is alive.

Nothing though quite matches the phenomenon in February 2015 (top photo) when a fall streak hole or “key hole” cloud formed over nearby foothills.

It looked to me as if angels were bursting through an unfurling break in heaven’s moving veil. Though it didn’t last long, it was seen for miles around us.

When morning breaks the night, it is like the first morning which came into being with His Words:

“Let there be light” — and there continues to be the most amazing light…

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A Marshy Cacophony

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Cold, wet leaves
Floating on moss-coloured water   
And the croaking of frogs—
Cracked bell-notes in the twilight.
~Amy Lowell “The Pond”

Poets who know no better
rhapsodize about the peace of nature,
but a well-populated marsh is a cacophony.
~Bern Keating

O, I love to hear the frogs
When they first begin to sing;
How they vocalize the bogs,
And vociferate the Spring.
How they carol as they croak,
How they mingle jest and joke
With their solemn chant and dirge
On the river’s slimy verge.

O, I love to hear the frogs,
For their monotone uncouth
Is the music of the cogs
Of the mill wheel of my youth.
And I listen half asleep,
And the eyes of mem’ry peep
Through the bars that hold me fast,
From the pleasures of the past.

O, I love to hear the frogs,
For their melody is health
To the heart that worry flogs
With the lash of want or wealth.
And the cares of life take wing,
And its pleasures lose their sting,
And love’s channel way unclogs
In the croaking of the frogs.
~Harry Edward Mills “The Early Frogs”

I wanted to speak at length about
The happiness of my body and the
Delight of my mind …

But something in myself for maybe
From somewhere other said: not too
Many words, please, in the muddy shallows the
Frogs are singing.
~Mary Oliver, from “April”

About two weeks ago, music from the wetlands became faintly detectable in the distance. We were only a little over a month into winter, yet due to unduly mild temperatures, the chorus had begun.

The sleigh-bell jingle song of the Pacific Chorus Frogs now fills the air each evening, rising from the ponds and standing water that surround our farm. I stand still for a moment to soak up that song that heralds spring–a certainty that the muddy marshes are thawed enough to invite the frogs out of their sleep and start their courting rituals.

Now winter won’t return anytime soon with any seriousness.

This marsh music is disorienting this early, along with daffodils budding in late January and lawns needing mowing in February. With voices so numerous, strong and insistent, it feels as though a New York City of frogs has moved in next door; we are seated in the balcony of Carnegie Hall. 

They seem to be directed by an unseen conductor, as their voices rise and fall together and then cut off suddenly with a slice of the baton, plunging the landscape into uncomfortable silence at the slightest provocation, as if they hold an extended fermata for minutes on end.

The frogs’ repertoire is limited but their wind power, stamina and ability to project their voices impressive. They are most tenacious at making their presence known to any other peeper within a mile radius. Their mystical, twilight symphony of love and territory has begun, soft and surging, welcome and reassuring.

There’s a spring a-comin’, the peepers proclaim. 
Nothing can be sweeter.

I know all the behaviorist theories about frog chorus being about territoriality –the “I’m here and you’re not” view of the animal kingdom’s staking their claims. Knowing that theory somehow distorts the cheer I feel when I hear these songs. I want the frogs (and birds) to be singing out of the sheer joy of living. Instead, they are singing to defend their piece of mud or branch.

Then I remember, that’s not so different from people. Our voices tend to be loudest when we are being insistently territorial: we own this and you do not, and we are irresistibly better than you.

I’m not sure anyone enjoys human cacophony in the same way I enjoy listening to the chorus of frogs at night or birdsong in the morning. We humans are most harmonic when we choose to listen. Instead of sounding off, we should soak up. Instead of shouting “this is mine,” we should sit expectant and grateful.

Perhaps that is why the most beloved human choruses are derived from prayers and praise – singing out in joy and gratitude rather than in warning.

I’ll try to remember this when I get into my own righteous and “territorial” mode. I don’t bring joy to the listener nor to myself. When it comes right down to it, all that noise I make is nothing more than a croaking cacophony in a smelly mucky swamp.

Here’s what it sounds like all around us: https://www.facebook.com/share/v/1Ab4EBKYx9

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Come and See: Ripe for Harvest

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Meanwhile his disciples urged him, “Rabbi, eat something.” But he said to them, “I have food to eat that you know nothing about.” Then his disciples said to each other, “Could someone have brought him food?”

“My food,” said Jesus, “is to do the will of him who sent me and to finish his work. Don’t you have a saying, ‘It’s still four months until harvest’? I tell you, open your eyes and look at the fields! They are ripe for harvest. Even now the one who reaps draws a wage and harvests a crop for eternal life, so that the sower and the reaper may be glad together. Thus the saying ‘One sows and another reaps’ is true.  I sent you to reap what you have not worked for. Others have done the hard work, and you have reaped the benefits of their labor.”

Many of the Samaritans from that town believed in him because of the woman’s testimony, “He told me everything I ever did.” So when the Samaritans came to him, they urged him to stay with them, and he stayed two days. And because of his words many more became believers.

They said to the woman, “We no longer believe just because of what you said; now we have heard for ourselves, and we know that this man really is the Savior of the world.”
John 4: 31-42

The grower of trees, the gardener, the man born to farming,
whose hands reach into the ground and sprout,
to him the soil is a divine drug. He enters into death
yearly, and comes back rejoicing. He has seen the light lie down
in the dung heap, and rise again in the corn.
His thought passes along the row ends like a mole.
What miraculous seed has he swallowed
that the unending sentence of his love flows out of his mouth
like a vine clinging in the sunlight, and like water
descending in the dark?
~Wendell Berry “The Man Born to Farming” from Farming: A Handbook

My dad had a standard sign-off whenever I called my parents long-distance once a week from college.

He always said, “you know what you’re there for…”

At first I puzzled over that phrase. I knew I was in school to study and get a degree, but what was going to happen after that was still an unknown. Yet the weekly reminder was a good one. He was telling me that I was a seed sown in rich soil, and what I learned would help me grow and thrive as long as I remembered to put my roots down and drink deeply from that well of knowledge.

So it was with the Samaritan woman at the well – Jesus waited for her in the heat of the day for a reason. She was a seed sown, meant to bring others to share in the harvest of the good news she had heard.

So we too are here for a purpose. We truly need one another, to become interwoven and linked, both visibly and invisibly.

I am woven around you and you around me; together we grow and thrive when tended and — just as intended.

But more than anything, we need our Gardener.
We are sown, nurtured, grown under His care.
He knows what we are here for, and now, so do we.

I am reading slowly through the words in the Book of John over the next year. Once a week, I invite you to “come and see” what those words might mean as we explore His promises together. Past posts can be found by searching “Come and See” on this blog.

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An Imaginary Mushroom Waiting

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Whenever the question comes up,
the poets all say the same thing:
the only poem we’re interested in is the next poem,
the one not written, the poem of tomorrow.

It’s a perfect answer,
which conjures up a bit of hope
and manages to place on the higher tray
of the scale of pride a gram of modesty.

But the problem is
as soon as you start to write it,
the next poem no longer is the next poem,
rather just another poem you are writing,
and the next poem has become
an imaginary mushroom waiting
in the future in a dark forest of pine needles.

And that is probably why I have lost interest
in this poem, in where it is going
or how it will manage to find a way to end.

It could droop into a reverie,
maybe shift to the doctor’s waiting room
where I am entering it into a notebook,
or circle back to that mushroom for all I care.

All I care about is the next poem,
not this current one,
which might even turn out to be my last—

the last orange on my miniature tree,
a shroud pulled over my baby grand,
the ultimate chirp of my canary,
or, how about this?
the final striped umbrella on the vacant beach of my soul?
~Billy Collins “The Next Poem”

It has been awhile since I posted my various local mushroom photos, so sharing Billy Collins’ poem about searching for the next poem to write gives me a good excuse.

After seventeen years of writing nearly daily, I sometimes run dry. Like Billy, I tend to be thinking about what comes next, rather than focusing on what is right in front of me.

I tend to forget about living in the “now” in my effort to reconcile yesterday with what I hope will happen tomorrow.

I forget that tomorrow isn’t a given and yesterday is old news already.

So I search for what otherwise might remain hidden and mysterious, hoping to find something worthy to share today.

I hope these not-so-imaginary mushrooms fill the bill, because I can’t help myself — I’m already thinking about what to write tomorrow.

instead of silly mushroom songs (and there are plenty!), here are two recent recordings I enjoyed listening to…

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Left Up to God

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This saying good-by on the edge of the dark
And the cold to an orchard so young in the bark
Reminds me of all that can happen to harm
An orchard away at the end of the farm
All winter, cut off by a hill from the house.

I don’t want it girdled by rabbit and mouse,
I don’t want it dreamily nibbled for browse
By deer, and I don’t want it budded by grouse.

I don’t want it stirred by the heat of the sun.
(We made it secure against being, I hope,
By setting it out on a northerly slope.)
No orchard’s the worse for the wintriest storm;
But one thing about it, it mustn’t get warm.
“How often already you’ve had to be told,
Keep cold, young orchard. Good-by and keep cold.
Dread fifty above more than fifty below.”

I have to be gone for a season or so.
My business awhile is with different trees,
Less carefully nourished, less fruitful than these,
And such as is done to their wood with an ax—
Maples and birches and tamaracks.

I wish I could promise to lie in the night
And think of an orchard’s arboreal plight
When slowly (and nobody comes with a light)
Its heart sinks lower under the sod.
But something has to be left to God.
~Robert Frost from “Good-by and Keep Cold”

bluejay photo by Josh Scholten

Silence and darkness grow apace, broken only by the crack of a hunter’s gun in the woods. Songbirds abandon us so gradually that, until the day when we hear no birdsong at all but the scolding of the jay, we haven’t fully realized that we are bereft — as after a death.  Even the sun has gone off somewhere… Now we all come in, having put the garden to bed, and we wait for winter to pull a chilly sheet over its head.   
~Jane Kenyon from her essay “Good-by and Keep Cold” found in A Hundred White Daffodils

For two months now, we’ve heard hunters firing in the woods and the wetlands around our farm, most likely aiming for the ducks and geese that have stayed in the marshes through the winter.  

The usual day-long symphony of birdsong is replaced by shotguns popping, in addition to hawks and eagle chittering, the occasional dog barking, while the bluejays and squirrels argue over the last of the filbert nuts.

In the clear cold evenings, when coyotes aren’t howling in the moonlight, the owls hoot to each other across the fields from one patch of woods to another, their gentle resonant conversation echoing back and forth.   

The horses confined to their stalls in the barns snort and blow as they bury their noses in flakes of last summer’s bound hay.

Yet today felt different – today, with unseasonably spring-like temperatures in early February, things feel about to change.

As yet, there have been no birdsong arias. I am bereft, listening for their blending musical tapestry waking me at 4 AM in the spring. And soon, the peeper orchestra from the swamps will rise and fall on the evening breeze.

It has been too, too quiet. I long for the music to return, not just the surround-sound of gunshot percussion, which is no melody at all.  

I listen intently for early morning and evening serenades to return.
It won’t be long.

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No Trifling Matter

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For the bark, dulled argent, roundly wrapped
And pigeon-collared.
 
For the splitter-splatter, guttering
Rain-flirt leaves.
 
For the snub and clot of the first green cones,
Smelted emerald, chlorophyll.
 
For the scut and scat of cones in winter,
So rattle-skinned, so fossil-brittle.
 
For the alder-wood, flame-red when torn
Branch from branch.
 
But mostly for the swinging locks
Of yellow catkins.
 
Plant it, plant it,
Streel-head in the rain.
~Seamus Heaney “Planting the Alder” with an explanation of some of the poet’s poetic words here

Alder catkin,
weightless as down,
only blow it away
and all changes utterly,
and life, it appears,
is not such a trifling matter,
when nothing about it
seems merely a trifle.
…an alder catkin
lies in my palm,
and quivers, as if living..
~Yevgeny Yevtushenko from “Alder Catkin” translated by Arthur Boyars and Simon Franklin

The alder tree branches are still winter-naked as their catkins start to emerge, other-worldly in appearance.

The swinging catkins search out every breeze to spread pollen as far as possible, engaging in serious alder-production business. It’s effective, as annually our pastures fill with baby alder trees, eager to form their own dense community in the wet ground of our lowlands.

In its desire to dominate the woodlands and allergies here in the northwest, the alder catkin is nothing to trifle with. Though we don’t want a field full of them, I can’t help but admire them this time of year for their bold color and knobby texture, reminiscent of the upholstery of my family’s well-loved 1950’s davenport sofa which converted to a bed for sick kids or visiting cousins.

Another world, another life-time full of dreams…

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