And With Ah! Bright Wings

The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?

Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man’s smudge and shares man’s smell: the soil
Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.

~Gerard Manley Hopkins “God’s Grandeur”

Whom thou conceivst, conceived; yea thou art now
Thy Maker’s maker, and thy Father’s mother;
Thou hast light in dark, and shutst in little room,
Immensity cloistered in thy dear womb. 
~John Donne from “Annunciation”

I know this sound, first birds of morning.
As a child, I waited for hours for the drape
of night to roll up again. Leaning into the first
hint of the fresh day, the fragile lace of hesitant
light, the receding darkness dappled with bird song,
able at last to close my eyes.
I know this sound, some kind of redemption,
waking me from scattered sleep, a healing fragment
even as the work of the previous day marks my bones
in notches. Night leaves its small fur as the dawn
pushes, as the birds persist, and morning unfurls
like a promise you hoped someone would keep.
~Susan Moorhead “First Light” from Carry Darkness, Carry Light

Our February farm sunrises have always been full of promise over the three decades we’ve been here. The birds are waking earlier each day and when mornings are soaked, dripping with light and color, the air itself is alive.

Nothing though quite matches the phenomenon in February 2015 (top photo) when a fall streak hole or “key hole” cloud formed over nearby foothills.

It looked to me as if angels were bursting through an unfurling break in heaven’s moving veil. Though it didn’t last long, it was seen for miles around us.

When morning breaks the night, it is like the first morning which came into being with His Words:

“Let there be light” — and there continues to be the most amazing light…

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A Marshy Cacophony

Cold, wet leaves
Floating on moss-coloured water   
And the croaking of frogs—
Cracked bell-notes in the twilight.

~Amy Lowell “The Pond”

Poets who know no better
rhapsodize about the peace of nature,
but a well-populated marsh is a cacophony.
~Bern Keating

O, I love to hear the frogs
When they first begin to sing;
How they vocalize the bogs,
And vociferate the Spring.
How they carol as they croak,
How they mingle jest and joke
With their solemn chant and dirge
On the river’s slimy verge.

O, I love to hear the frogs,
For their monotone uncouth
Is the music of the cogs
Of the mill wheel of my youth.
And I listen half asleep,
And the eyes of mem’ry peep
Through the bars that hold me fast,
From the pleasures of the past.

O, I love to hear the frogs,
For their melody is health
To the heart that worry flogs
With the lash of want or wealth.
And the cares of life take wing,
And its pleasures lose their sting,
And love’s channel way unclogs
In the croaking of the frogs.

~Harry Edward Mills “The Early Frogs”

I wanted to speak at length about
The happiness of my body and the
Delight of my mind

But something in myself for maybe
From somewhere other said: not too
Many words, please, in the muddy shallows the
Frogs are singing.

~Mary Oliver, from “April”

About two weeks ago, music from the wetlands became faintly detectable in the distance. We were only a little over a month into winter, yet due to unduly mild temperatures, the chorus had begun.

The sleigh-bell jingle song of the Pacific Chorus Frogs now fills the air each evening, rising from the ponds and standing water that surround our farm. I stand still for a moment to soak up that song that heralds spring–a certainty that the muddy marshes are thawed enough to invite the frogs out of their sleep and start their courting rituals.

Now winter won’t return anytime soon with any seriousness.

This marsh music is disorienting this early, along with daffodils budding in late January and lawns needing mowing in February. With voices so numerous, strong and insistent, it feels as though a New York City of frogs has moved in next door; we are seated in the balcony of Carnegie Hall. 

They seem to be directed by an unseen conductor, as their voices rise and fall together and then cut off suddenly with a slice of the baton, plunging the landscape into uncomfortable silence at the slightest provocation, as if they hold an extended fermata for minutes on end.

The frogs’ repertoire is limited but their wind power, stamina and ability to project their voices impressive. They are most tenacious at making their presence known to any other peeper within a mile radius. Their mystical, twilight symphony of love and territory has begun, soft and surging, welcome and reassuring.

There’s a spring a-comin’, the peepers proclaim. 
Nothing can be sweeter.

I know all the behaviorist theories about frog chorus being about territoriality –the “I’m here and you’re not” view of the animal kingdom’s staking their claims. Knowing that theory somehow distorts the cheer I feel when I hear these songs. I want the frogs (and birds) to be singing out of the sheer joy of living. Instead, they are singing to defend their piece of mud or branch.

Then I remember, that’s not so different from people. Our voices tend to be loudest when we are being insistently territorial: we own this and you do not, and we are irresistibly better than you.

I’m not sure anyone enjoys human cacophony in the same way I enjoy listening to the chorus of frogs at night or birdsong in the morning. We humans are most harmonic when we choose to listen. Instead of sounding off, we should soak up. Instead of shouting “this is mine,” we should sit expectant and grateful.

Perhaps that is why the most beloved human choruses are derived from prayers and praise – singing out in joy and gratitude rather than in warning.

I’ll try to remember this when I get into my own righteous and “territorial” mode. I don’t bring joy to the listener nor to myself. When it comes right down to it, all that noise I make is nothing more than a croaking cacophony in a smelly mucky swamp.

Here’s what it sounds like all around us: https://www.facebook.com/share/v/1Ab4EBKYx9

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Come and See: Ripe for Harvest

Meanwhile his disciples urged him, “Rabbi, eat something.” But he said to them, “I have food to eat that you know nothing about.” Then his disciples said to each other, “Could someone have brought him food?”

“My food,” said Jesus, “is to do the will of him who sent me and to finish his work. Don’t you have a saying, ‘It’s still four months until harvest’? I tell you, open your eyes and look at the fields! They are ripe for harvest. Even now the one who reaps draws a wage and harvests a crop for eternal life, so that the sower and the reaper may be glad together. Thus the saying ‘One sows and another reaps’ is true.  I sent you to reap what you have not worked for. Others have done the hard work, and you have reaped the benefits of their labor.”

Many of the Samaritans from that town believed in him because of the woman’s testimony, “He told me everything I ever did.” So when the Samaritans came to him, they urged him to stay with them, and he stayed two days. And because of his words many more became believers.

They said to the woman, “We no longer believe just because of what you said; now we have heard for ourselves, and we know that this man really is the Savior of the world.”
John 4: 31-42

The grower of trees, the gardener, the man born to farming,
whose hands reach into the ground and sprout,
to him the soil is a divine drug. He enters into death
yearly, and comes back rejoicing. He has seen the light lie down
in the dung heap, and rise again in the corn.
His thought passes along the row ends like a mole.
What miraculous seed has he swallowed
that the unending sentence of his love flows out of his mouth
like a vine clinging in the sunlight, and like water
descending in the dark?
~Wendell Berry “The Man Born to Farming” from Farming: A Handbook

My dad had a standard sign-off whenever I called my parents long-distance once a week from college.

He always said, “you know what you’re there for…”

At first I puzzled over that phrase. I knew I was in school to study and get a degree, but what was going to happen after that was still an unknown. Yet the weekly reminder was a good one. He was telling me that I was a seed sown in rich soil, and what I learned would help me grow and thrive as long as I remembered to put my roots down and drink deeply from that well of knowledge.

So it was with the Samaritan woman at the well – Jesus waited for her in the heat of the day for a reason. She was a seed sown, meant to bring others to share in the harvest of the good news she had heard.

So we too are here for a purpose. We truly need one another, to become interwoven and linked, both visibly and invisibly.

I am woven around you and you around me; together we grow and thrive when tended and — just as intended.

But more than anything, we need our Gardener.
We are sown, nurtured, grown under His care.
He knows what we are here for, and now, so do we.

I am reading slowly through the words in the Book of John over the next year. Once a week, I invite you to “come and see” what those words might mean as we explore His promises together. Past posts can be found by searching “Come and See” on this blog.

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An Imaginary Mushroom Waiting

Whenever the question comes up,
the poets all say the same thing:
the only poem we’re interested in is the next poem,
the one not written, the poem of tomorrow.

It’s a perfect answer,
which conjures up a bit of hope
and manages to place on the higher tray
of the scale of pride a gram of modesty.

But the problem is
as soon as you start to write it,
the next poem no longer is the next poem,
rather just another poem you are writing,
and the next poem has become
an imaginary mushroom waiting
in the future in a dark forest of pine needles.

And that is probably why I have lost interest
in this poem, in where it is going
or how it will manage to find a way to end.

It could droop into a reverie,
maybe shift to the doctor’s waiting room
where I am entering it into a notebook,
or circle back to that mushroom for all I care.

All I care about is the next poem,
not this current one,
which might even turn out to be my last—

the last orange on my miniature tree,
a shroud pulled over my baby grand,
the ultimate chirp of my canary,
or, how about this?
the final striped umbrella on the vacant beach of my soul?

~Billy Collins “The Next Poem”

It has been awhile since I posted my various local mushroom photos, so sharing Billy Collins’ poem about searching for the next poem to write gives me a good excuse.

After seventeen years of writing nearly daily, I sometimes run dry. Like Billy, I tend to be thinking about what comes next, rather than focusing on what is right in front of me.

I tend to forget about living in the “now” in my effort to reconcile yesterday with what I hope will happen tomorrow.

I forget that tomorrow isn’t a given and yesterday is old news already.

So I search for what otherwise might remain hidden and mysterious, hoping to find something worthy to share today.

I hope these not-so-imaginary mushrooms fill the bill, because I can’t help myself — I’m already thinking about what to write tomorrow.

instead of silly mushroom songs (and there are plenty!), here are two recent recordings I enjoyed listening to…

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Left Up to God

This saying good-by on the edge of the dark
And the cold to an orchard so young in the bark
Reminds me of all that can happen to harm
An orchard away at the end of the farm
All winter, cut off by a hill from the house.


I don’t want it girdled by rabbit and mouse,
I don’t want it dreamily nibbled for browse
By deer, and I don’t want it budded by grouse.

I don’t want it stirred by the heat of the sun.
(We made it secure against being, I hope,
By setting it out on a northerly slope.)
No orchard’s the worse for the wintriest storm;
But one thing about it, it mustn’t get warm.
“How often already you’ve had to be told,
Keep cold, young orchard. Good-by and keep cold.
Dread fifty above more than fifty below.”

I have to be gone for a season or so.
My business awhile is with different trees,
Less carefully nourished, less fruitful than these,
And such as is done to their wood with an ax—
Maples and birches and tamaracks.

I wish I could promise to lie in the night
And think of an orchard’s arboreal plight
When slowly (and nobody comes with a light)
Its heart sinks lower under the sod.
But something has to be left to God.

~Robert Frost from “Good-by and Keep Cold”

bluejay photo by Josh Scholten

Silence and darkness grow apace, broken only by the crack of a hunter’s gun in the woods. Songbirds abandon us so gradually that, until the day when we hear no birdsong at all but the scolding of the jay, we haven’t fully realized that we are bereft — as after a death.  Even the sun has gone off somewhere… Now we all come in, having put the garden to bed, and we wait for winter to pull a chilly sheet over its head.   
~Jane Kenyon from her essay “Good-by and Keep Cold”
found in A Hundred White Daffodils

For two months now, we’ve heard hunters firing in the woods and the wetlands around our farm, most likely aiming for the ducks and geese that have stayed in the marshes through the winter.  

The usual day-long symphony of birdsong is replaced by shotguns popping, in addition to hawks and eagle chittering, the occasional dog barking, while the bluejays and squirrels argue over the last of the filbert nuts.

In the clear cold evenings, when coyotes aren’t howling in the moonlight, the owls hoot to each other across the fields from one patch of woods to another, their gentle resonant conversation echoing back and forth.   

The horses confined to their stalls in the barns snort and blow as they bury their noses in flakes of last summer’s bound hay.

Yet today felt different – today, with unseasonably spring-like temperatures in early February, things feel about to change.

As yet, there have been no birdsong arias. I am bereft, listening for their blending musical tapestry waking me at 4 AM in the spring. And soon, the peeper orchestra from the swamps will rise and fall on the evening breeze.

It has been too, too quiet. I long for the music to return, not just the surround-sound of gunshot percussion, which is no melody at all.  

I listen intently for early morning and evening serenades to return.
It won’t be long.

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No Trifling Matter

For the bark, dulled argent, roundly wrapped
And pigeon-collared.

 
For the splitter-splatter, guttering
Rain-flirt leaves.

 
For the snub and clot of the first green cones,
Smelted emerald, chlorophyll.

 
For the scut and scat of cones in winter,
So rattle-skinned, so fossil-brittle.

 
For the alder-wood, flame-red when torn
Branch from branch.

 
But mostly for the swinging locks
Of yellow catkins.

 
Plant it, plant it,
Streel-head in the rain.

~Seamus Heaney “Planting the Alder” with an explanation of some of the poet’s poetic words here

Alder catkin,
weightless as down,
only blow it away
and all changes utterly,
and life, it appears,
is not such a trifling matter,
when nothing about it
seems merely a trifle.

…an alder catkin
lies in my palm,
and quivers, as if living..

~Yevgeny Yevtushenko from “Alder Catkin” translated by Arthur Boyars and Simon Franklin

The alder tree branches are still winter-naked as their catkins start to emerge, other-worldly in appearance.

The swinging catkins search out every breeze to spread pollen as far as possible, engaging in serious alder-production business. It’s effective, as annually our pastures fill with baby alder trees, eager to form their own dense community in the wet ground of our lowlands.

In its desire to dominate the woodlands and allergies here in the northwest, the alder catkin is nothing to trifle with. Though we don’t want a field full of them, I can’t help but admire them this time of year for their bold color and knobby texture, reminiscent of the upholstery of my family’s well-loved 1950’s davenport sofa which converted to a bed for sick kids or visiting cousins.

Another world, another life-time full of dreams…

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A Thousand Thoughts

Yes, I know my mind is a fickle little bee
doting on a thousand thoughts, but I’m getting
better at chasing my mind back to the moment

so I can see the spiderwebs making hammocks
the color of the moon. My son tries to photograph
a rainbow outside the car window. It’s impossible,

of course, this wonder, the trying to hold it.
But I do what I can. I’ve stopped waiting to enjoy
the cinnamon tea. I take deeper breaths and listen

to the flutter of strings floating down from café
speakers. I don’t want to be a pilgrim of memory
anymore. I want to pop the champagne and salute

this now, and this one with soft brie, dried apricots,
and the sunset celebration another anniversary
of light while I eat fists of grapes the same shade

and sweetness of night. Congratulations, Time. Look
at you and your gorgeous minutes full of everything.
Three cheers for the temp agency that hired this

particular day, these particular clouds, this set
of honking geese migrating through it. I want to be
better at being alive, so I’ve been picturing my heart

as a fox—which means wild and nocturnal, not
terrorizing the neighbor’s chickens. My love says
most equations in quantum field theory give infinity

as an answer, which is not meaningful because all
infinities are the same. In that case, let’s stop reaching
so hard for it. I’ll take this infinity’s morning where

my son and I confused falling leaves for monarchs.
Every time we thought we saw a butterfly, it was
just a leaf with the gentlest falling. We laughed at

every mistake, and he said, That was a beautiful
confusion. 
Sometimes when the moment doesn’t offer
a praying mantis on the porch or a charismatic sky,

I imagine my heart is my son’s face, and I am back
in love with the day, its astonishments like hot-air
balloons, and the daily present of power lines strung

with starlings like dozens of music notes. Let me
be more bound to my living in each moment, be held
by this hum, that cloud, this breath, that shroud.
~Traci Brimhall “This Beautiful Confusion” from Love Prodigal

Some Monday mornings, my mind is going in a thousand different directions. So I follow, knowing there will never be another Monday morning quite like this one. I hope there will be a few hundred more Monday mornings to come.

I want to be better at being alive,
noticing, remembering, connecting,
and grateful to be breathing.

Perhaps you are here because — you do too…

our sons – 1990
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Something of a Mess

Don’t worry, spider,
I keep house casually.
~Kobayashi Issa (translation by Robert Hass)

There’s a web like a spider’s web,
Made of silk and light and shadows,
Spun by the moon in my room at night.
It’s a web made to catch a dream,
Hold it tight ’til I awaken,
As if to tell me, my dream is all right.

~Lyrics of Spider’s Web Folk Song (see below)

You have been my friend. That in itself is a tremendous thing.
I wove my webs for you because I liked you.
After all, what’s a life, anyway?
We’re born, we live a little while, we die.
A spider’s life can’t help being something of a mess,
with all this trapping and eating flies.
By helping you, perhaps I was trying to lift up my life a trifle.
Heaven knows anyone’s life can stand a little of that.
~E. B. White, from Charlotte’s Web

In cool descent and loyal hearted,
She spins a ladder to the place
From where she started.

Thus I, gone forth as spiders do
In spider’s web a truth discerning,
Attach one silken thread to you
For my returning.
~E.B. White from “Natural History”

Silk-thin silver strings woven cleverly into a lair,
An intricate entwining of divinest thread…
Like strands of magic worked upon the air,
The spider spins his enchanted web –
His home so eerily, spiraling spreads.

His gossamer so rigid, yet lighter than mist,
And like an eight-legged sorcerer – a wizard blest,
His lace, like a spell, he conjures and knits;
I witnessed such wild ingenuity wrought and finessed,
Watching the spider weave a dream from his web.
~Jonathan Platt “A Spider’s Web”

humanity is like an enormous spider web, so that if you touch it anywhere, you set the whole thing trembling…

As we move around this world and as we act with kindness, perhaps, or with indifference, or with hostility, toward the people we meet, we too are setting the great spider web a-tremble. The life that I touch for good or ill will touch another life, and that in turn another, until who knows where the trembling stops or in what far place and time my touch will be felt.

Our lives are linked together. No man is an island.
~Frederick Buechner from The Hungering Dark

I’ve had a new friend for several months now, beginning in late fall and into winter. She lives in our bathroom, in a terraced silken network between the cabinet and the back of the toilet.

This is someone with only one request: we leave her home undisturbed during our brief visits.

And so I have. Normally I would be brushing visible cobwebs down in my quick cleans, but when I noticed this co-habiter back in November as the weather got chilly, I couldn’t help but think “Charlotte” and the ordinary miracles of creatures like her.

So there she stays as I await a profound web message from her.

Instead of messages, she is extending her network in the hope of catching what little insect life there is in a winter house. Her web does get some misting when we shower or bathe, so she has the moisture she needs to thrive. She goes on reconnaissance missions of her little tiled kingdom — there are small webs laced into most of the corners, above the tub and behind the door.

I really can’t see that she eats often; my research says she doesn’t need much. So we will co-exist as long as she wants to stay, although when spring comes, I know a front porch bench that will be a far better source of regular meals. And then I can do a little deeper clean of the crevices in the bathroom.

I hope she might agree to move on at that point. That is, unless she writes me a web message asking to stay “linked in.”

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Somewhere Only I Know

I miss the friendship with the pine tree and the birds
that I had when I was ten.
And it has been forever since I pushed my head
under the wild silk skirt of the waterfall.

The big rock on the shore was the skull of a dead king
whose name we could almost remember.
Under the rooty bank you could dimly see
the bunk beds of the turtles.

Nobody I know mentions these things anymore.
It’s as if their memories have been seized, erased, and relocated
among flowcharts and complex dinner-party calendars.

Now I want to turn and run back the other way,
barefoot into the underbrush,
getting raked by thorns, being slapped in the face by branches.

Down to the muddy bed of the little stream
where my cupped hands make a house, and

I tilt up the roof
to look at the face of the frog.
~Tony Hoagland, from “Nature” from  Unincorporated Persons in the Late Honda Dynasty

I grew up on a small farm with several acres of woodland. It was my retreat until I left for college; I walked among twittering birds, skittering wild bunnies, squirrels and chipmunks, busy ant hills and trails, blowing leaves, swimming tadpoles, falling nuts, waving wildflowers, large firs, pines, cottonwoods, maples and alder trees.

I had a favorite “secret” spot sitting perched on a stump where a large rock provided a favorite sunning spot for salamanders. They and I would make eye contact, pondering our common Creator.

At college I longed for a place as private, as serene, but nothing could match the woods and creatures of my childhood home. After living a decade in the city, I nearly forgot what a familiar woods felt like.

On this farm we’ve stewarded for nearly forty years, I’ve longed for a similar sanctuary, yet my distractions are so much greater than when I was a child. Filled with greater worries, I can’t empty my head and heart as completely to receive the varied gifts to be found around me.

In my ever-shortening timeline to accomplish what I’ve been placed here to do, I need to study the faces of creation, knowing those eyes reflect the face of God.

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Come and See: Above All Things

After this, Jesus and his disciples went out into the Judean countryside, where he spent some time with them, and baptized. 
Now John also was baptizing at Aenon near Salim, because there was plenty of water, and people were coming and being baptized. 
(This was before John was put in prison.) An argument developed between some of John’s disciples and a certain Jew over the matter of ceremonial washing. They came to John and said to him, “Rabbi, that man who was with you on the other side of the Jordan—the one you testified about—look, he is baptizing, and everyone is going to him.”

To this John replied, “A person can receive only what is given them from heaven. You yourselves can testify that I said, ‘I am not the Messiah but am sent ahead of him.’ The bride belongs to the bridegroom. The friend who attends the bridegroom waits and listens for him, and is full of joy when he hears the bridegroom’s voice. That joy is mine, and it is now complete. He must become greater; I must become less.”

The one who comes from above is above all; the one who is from the earth belongs to the earth, and speaks as one from the earth. The one who comes from heaven is above all. He testifies to what he has seen and heard, but no one accepts his testimony. Whoever has accepted it has certified that God is truthful. For the one whom God has sent speaks the words of God, for God gives the Spirit without limit. The Father loves the Son and has placed everything in his hands. Whoever believes in the Son has eternal life, but whoever rejects the Son will not see life, for God’s wrath remains on them.
John 3: 22-36

Christ with me,
Christ before me,
Christ behind me,
Christ in me,
Christ beneath me,
Christ above me,
Christ on my right,
Christ on my left,
Christ when I lie down,
Christ when I sit down,
Christ when I arise,
Christ in the heart of every man who thinks of me,
Christ in the mouth of everyone who speaks of me,
Christ in every eye that sees me,
Christ in every ear that hears me.
~St. Patrick

To come down and wear our skin
is for you to know our frailty:
our bruises and callouses,
our sunburns and warts,
our tears and our bleeding,
our spasming backs,
and toothaches.

To come down to pulse within our hearts,
is for you to know our temptation
for self-promotion,
and our desire
to fill our own emptiness
before first loving and serving others.

To inhabit our souls
you humbled yourself
to pull together
our millions of broken pieces,
feeding us with yourself,
your spirit becoming the adhesive
to glue us back wholly,
God loving us by becoming us,
so we don’t simply crumble to dust.

I am reading slowly through the words in the Book of John over the next year. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.

Humble and Human, willing to bend You are
Fashioned of flesh and the fire of life, You are
Not too proud to wear our skin
To know this weary world we’re in
Humble, humble Jesus

Humble in sorrow, You gladly carried Your cross
Never refusing Your life to the weakest of us
Not too proud to bear our sin
To feel this brokenness we’re in
Humble, humble Jesus

We bow our knees
We must decrease
You must increase
We lift You high

Humble in greatness, born in the likeness of man
Name above all names, holding our world in Your hands
Not too proud to dwell with us, to live in us, to die for us
Humble, humble Jesus

I arise today through the strength of heaven
Light of sun, radiance of moon
Splendor of fire, speed of lightning
Swiftness of wind, depth of the sea
Stability of earth, firmness of rock

I arise today through God’s strength to pilot me
God’s eye to look before me
God’s wisdom to guide me
God’s way to lie before me
God’s shield to protect me

From all who shall wish me ill
Afar and a-near
Alone and in a multitude
Against every cruel, merciless power
That may oppose my body and soul

Christ with me, Christ before me
Christ behind me, Christ in me
Christ beneath me, Christ above me
Christ on my right, Christ on my left
Christ when I lie down, Christ when I sit down
Christ when I arise, Christ to shield me

Christ in the heart of everyone who thinks of me
Christ in the mouth of everyone who speaks of me

I arise today. 
~St. Patrick’s Breastplate

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