All Gnarled and Twisted

There’s a single tree at the fence line…

When I cross the unfertile pasture strewn
with rocks and the holes of gophers, badgers, coyotes,
and the rattlesnake den (a thousand killed
in a decade because they don’t mix well with dogs
and children) in an hour’s walking and reach
the tree, I find it oppressive. Likely it’s
as old as I am, withstanding its isolation,
all gnarled and twisted from its battle
with weather. I sit against it until we merge,
and when I return home in the cold, windy
twilight I feel I’ve been gone for years.

~Jim Harrison, from “Fence Line Tree” from Saving Daylight.

Our fence line apple tree is considerably older than I am, and not a far walk away from the house. I visit it nearly every day, to be reminded that there is a wonder in gnarled limbs and blatant asymmetry.

What strikes me is the consistent presence of this tree though so much changes around it: the seasons, the birds that nest in it, the animals that graze under it and the ever-changing palette above and beyond.

This tree stands bent and misshapen, though not nearly as fruitful as in its younger years, yet still a constant in my life and in generations to come.

May I be that constant for those around me, to be steady when all around me changes in swirls and storms. Perhaps being bent and wrinkled and knobby can also be beautiful.

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Blooming into Glass

All the love you will ever feel
you have always carried within you

The pellet you think love is

blooms into stone,
into flame, into glass

The tree knows
how to feed every part of itself

When you tap the tree
to drink it
it speaks to you

There is sweetness in you
All the self can do
is melt

~Hannah Stephenson from “Sap Season”

It never mattered that there was once a vast grieving:

trees on their hillsides, in their groves, weeping—
a plastic gold dropping

through seasons and centuries to the ground—
until now.

The clear air we need to find each other in is
gone forever, yet

this resin once
collected seeds, leaves and even small feathers as it fell
and fell

which now in a sunny atmosphere seem as alive as
they ever were

as though the past could be present and memory itself
a Baltic honey—

a chafing at the edges of the seen, a showing off of just how much
can be kept safe

inside a flawed translucence.
~Eavan Boland, from “Amber” in The Wake Forest Book of Irish Women’s Poetry (2011)

The last remaining cherry tree on our farm,
a Royal Anne,
has stood between house and barn for over 100 years.
This year, its branch joints and bark defects are bleeding – oozing sculptures of amber sap.

The resin is hard and glass-like,
reflecting the tree’s slow internal circulation,
changing subtly day by day.

Though its cherries burst months ago
with juicy flavor,
now it bleeds crystalline flames from its wounds.

What a gift is this love bleeding out
as it moves deep inside an old trunk.
In its thirsty anguish, our dear cherry tree is weeping,
creating glass fruit reflecting Light.

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The Shadow of Joy

Today as the news from Selma and Saigon 
poisons the air like fallout, 
I come again to see 
the serene great picture that I love

Here space and time exist in light  the eye like the eye of faith believes. 
The seen, the known 
dissolve in iridescence, become 
illusive flesh of light 
that was not, was, forever is. 

O light beheld as through refracting tears. 
Here is the aura of that world 
each of us has lost. 
Here is the shadow of its joy. 

~Robert Hayden “Monet’s Waterlilies”

…The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~Lisel Mueller, “Monet Refuses the Operation” from Second Language

Monet’s Waterlilies, Art Institute of Chicago

“Heaven pulls earth into its arms…”

We see things differently, don’t we?
What seems ordinary to one person is extraordinary to another.

How might I learn to adjust my focus to see things as you do?
How might I help others to see the world as I do?

The world is flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to gray. Perhaps the blur from the figurative (or real) cataract impeding my vision creates a deeper understanding, as I use my imagination to fill in what I can’t discern.

My heart and mind expands to claim this world and all that beauty has to offer, while heaven – all this while – is pulling me into its arms.

In heaven, my focus will be clear. It will all be extraordinarily holy.

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Long for the Longing

The sweetest thing in all my life has been the longing —
to reach the Mountain,
to find the place where all the beauty came from —
my country,
the place where I ought to have been born.
Do you think it all meant nothing, all the longing?
The longing for home?
For indeed it now feels not like going, but like going back.
~ C. S. Lewis, Till We Have Faces

The soul must long for God
in order to be set aflame by God’s love.
But if the soul cannot yet feel this longing,
then it must long for the longing.
To long for the longing is also from God.
~Meister Eckhart from Freedom from Sinful Thoughts

I tend to get distracted,
losing my sense of purpose and the reason I’m here;
I become too absorbed by the troubles of the moment,
or dwelling on the troubles of the past,
or anticipating the troubles of tomorrow.

My feelings end up overwhelming all else –
am I uncomfortable? restless? discouraged? peevish? worried? empty?

When my spirit grows cold, I need igniting. I long for the spark of God to set me aflame again, even at the risk of getting singed.

We’re all His kindling ready to be lit.
I long for longing at the beginning and ending of every day.

Lyrics:
From the love of my own comfort
From the fear of having nothing
From a life of worldly passions
Deliver me O God

From the need to be understood
From the need to be accepted
From the fear of being lonely
Deliver me O God Deliver me O God

And I shall not want,
I shall not want when I taste Your goodness
I shall not want when I taste Your goodness
I shall not want

From the fear of serving others
From the fear of death or trial
From the fear of humility
Deliver me O God Deliver me O God

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Get Up, All of You

Little girl. Old girl. Old boy.
Old boys and girls with high blood pressure and arthritis,
and young boys and girls with tattoos and body piercing.
You who believe, and you who sometimes believe
and sometimes don’t believe much of anything,
and you who would give almost anything to believe

if only you could.
You happy ones and you who can hardly remember
what it was like once to be happy.
You who know where you’re going and how to get there
and you who much of the time aren’t sure you’re getting anywhere. “Get up,” he says, all of you – all of you! –
and the power that is in him is the power to give life
not just to the dead like the child,
but to those who are only partly alive,
which is to say to people like you and me
who much of the time live with our lives closed
to the wild beauty and miracle of things,
including the wild beauty and miracle of every day we live
and even of ourselves.
~Frederick Buechner -from Secrets in the Dark

He took her by the hand and said to her, “Talitha koum!” (which means “Little girl, I say to you, get up!”).
Mark 5:41

I usually awake each morning before 5:30 without an alarm, just as I did in high school, through college and medical school, during my work years and having-babies years.

Now, in my retirement years, for no reason at all, I still wake up early.

I just can’t help it. I trained myself to be able to get up early, to do chores, make kids’ breakfasts and lunches for school, commute to work, be ready for what I needed to do and be that day.

Even now that I don’t have to, my body still gets up.

But my brain and my soul are slow to wake, and some days they prefer to stay under the covers, closed off to all that wild beauty within and beyond me.

I have no time to waste being only partly alive.
I need to listen to the summons: “Get up!”
And right now, I need to get up,
– all of me –
especially that full of miracle and wild beauty.

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A Soft Landscape

Now have come the shining days
When field and wood are robed anew,
And o’er the world a silver haze
Mingles the emerald with the blue.

Summer now doth clothe the land
In garments free from spot or stain—
The lustrous leaves, the hills untanned,
The vivid meads, the glaucous grain.

The day looks new, a coin unworn,
Freshly stamped in heavenly mint;
The sky keeps on its look of morn;
Of age and death there is no hint.

How soft the landscape near and far!
A shining veil the trees infold;
The day remembers moon and star;
A silver lining hath its
gold.

Again I see the clover bloom,
And wade in grasses lush and sweet;
Again has vanished all my gloom
With daisies smiling at my feet.

Again from out the garden hives
The exodus of frenzied bees;
The humming cyclone onward drives,
Or finds repose amid the trees.

At dawn the river seems a shade—
A liquid shadow deep as space;
But when the sun the mist has laid,
A diamond shower smites its face.

The season’s tide now nears its height,
And gives to earth an aspect new;
Now every shoal is hid from sight,
With current fresh as morning dew.
~John Burroughs “June’s Coming”

Out of the deep and the dark,
A sparkling mystery, a shape,
Something perfect,
Comes like the stir of day:
One whose breath is a fragrance,
One whose eyes reveal the road to stars,
The wind in his countenance,
The glory of heaven upon his back.
He steps like a vision hung in air,
Diffusing the passion of eternity;
His abode is the sunlight of morn,
The music of eve his speech:
In his sight,
One shall turn from the dust of the grave,
And move upward to the woodland.

~Yone Noguchi The Poet”

Each month is special in its own way:  I tend to favor April and October for how the light plays on the landscape during transitional times — a residual of what has been, with a hint of what lies ahead.

Then there is June.  Dear, gentle, abundant and overwhelming June.  Nothing is dried up, there is such a rich feeling of ascension into lushness of summer with an “out of school” attitude, even if someone like me has graduated long ago.

And the light, and the birdsong and the dew and the greens — such vivid verdant greens. The stir of the day stirs my heart…

As lovely as June is, 30 days is more than plenty or I would become helplessly saturated. Then I can be released from my sated stupor to wistfully hunger for June for 335 more.

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Winged With Celestial Azure

Thou art the Iris, fair among the fairest,
   Who, armed with golden rod
And winged with the celestial azure, bearest
   The message of some God.
~Henry Wadsworth Longfellow from Flower-de-Luce

At the end of my suffering
there was a door.

Hear me out: that which you call death
I remember.

Overhead, noises, branches of the pine shifting.
Then nothing. The weak sun
flickered over the dry surface.

It is terrible to survive
as consciousness
buried in the dark earth.

Then it was over: that which you fear, being
a soul and unable
to speak, ending abruptly, the stiff earth
bending a little.  And what I took to be
birds darting in low shrubs.

You who do not remember
passage from the other world
I tell you I could speak again: whatever
returns from oblivion returns
to find a voice:

from the center of my life came
a great fountain, deep blue
shadows on azure sea water.

~Louise Glück “The Wild Iris”

It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch
a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway
into thanks, and a silence in which
another voice may speak.

~Mary Oliver “Blue Iris”

May your blooms be floriferous and in good form,
Distinctive, with good substance, flare, and airborne,
With standards and falls that endure, never torn.
May you display many buds and blooms sublime,
In graceful proportion on strong stalks each day,
Gently floating above the fans and the fray.
May you too reach toward the moon and stars,
Bloom after bloom, many seasons in the sun,
Enjoying your life, health, and each loved one,
Until your living days are artfully done.
~Georgia Gudykunst  “Iris Blessing”

Whenever I allow my eye to peer inside
an iris, it takes all my attention.


I need a flotation device
and depth finder as
I’m likely to get lost,
sweeping and swooning
through inner space
of complex tunnels, canyons and corners,
then coming up for air and diving in again
to journey into exotic locales
draped in silken hues.

This fairy land of petals on a stem,
is birthed by the creative genius of God.

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Seeking a Close Encounter of Awful Quiet

A dark mist lay over the Black Hills, and the land was like iron.
At the top of ridge I caught sight of Devil’s Tower upthrust against the gray sky as if in the birth of time the core of the earth had broken through its crust and the motion of the world was begun.

There are things in nature
that engender an awful quiet in the heart of man;
Devil’s Tower is one of them.
~N.Scott Momaday in The Way to Rainy Mountain

We didn’t have a close encounter with Devil’s Tower on this particular trip yesterday through Wyoming. Over the years we have made many cross-country road trips like this one, passing by the turn-off to Devil’s Tower because there was urgency to get where we needed to go. Occasionally we would see it hazy in the far distance, so I could say I had “seen it” but I really had not seen it … according to my Stanford professor N. Scott Momaday.

Scott was from the Kiowa tribe. In his language, this rock formation is named Tso-i-e or “standing on a rock.” For him and his people, it is sacred ground. The Cheyenne, Crow, Lakota, Shoshone, and Arapahoe all revere this rock monolith, although most tribal members did not live near enough to see it themselves, but the legends traveled many miles through the generations through oral tradition.

I took Scott’s unforgettable class “Native American Mythology and Lore” in 1973, as a 19 year old sophomore. He had a commanding presence, a booming resonant voice for story telling, a predilection for the poetry of Emily Dickinson and a hankering since childhood to be a character in the stories of Billy the Kid. The first day of class, he introduced us to Tso-i-e first and foremost. He told us his grandmother’s story passed to her from her grandparents:

“Eight children were there at play, seven sisters and their brother. Suddenly the boy was struck dumb; he trembled and began to run upon his hands and feet. His fingers became claws, and his body was covered with fur. Directly there was a bear where the boy had been. The sisters were terrified.; they ran and the bear after them. They came to the stump of a great tree, and the tree spoke to them. It bade them climb upon it, and as they did so it began to rise into the air. The bear came to kill them, but they were just beyond its reach. It reared against the tree and scored the bark all around with its claws. The seven sisters were borne into the sky, and they became the stars of the Big Dipper.”

My family finally made time to see the Tower up close. For me, this “close encounter” was meant to connect the dots from my class and to understand more fully the spiritual background of the Plains people as our son, Ben, had lived and taught on the Pine Ridge Lakota Sioux Reservation in South Dakota for two years.

The Tower surely is awe-filled holy ground for us all – we are diminished in its presence. It disquiets the heart with its awful grandeur and sheer other-worldliness. In its own way, it is as resonant as Scott’s captivating stories about its origins, yet remains a reminder of the ever-changing impermanence of geologic formations.

We need more holy places in our lives even as they (and wechange with the sands and winds of time. We need to seek more “awful quiet” in our hearts, to continue to tell our sacred stories, generation to generation, never forgetting Who it is who set the world in motion.

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An Immense, Tender, Terrible, Heart-Breaking Beauty

And the secret garden bloomed and bloomed and every morning revealed new miracles.

In the robin’s nest there were Eggs and the robin’s mate sat upon them keeping them warm with her feathery little breast and careful wings.

….in the garden
there was nothing which was not quite like themselves,
nothing which did not understand
the wonderfulness of what was happening to them,
the immense, tender, terrible, heart-breaking beauty
and solemnity of Eggs.

If there had been one person in that garden who had not known through all his or her innermost being
that if an Egg were taken away or hurt

the whole world would whirl round and crash
through space and come to an end—

if there had been even one
who did not feel it and act accordingly
there could have been no happiness
even in that golden springtime air.

But they all knew it and felt it
and the robin and his mate knew they knew it.
~Frances Hodgson Burnett from The Secret Garden

Some say you’re lucky
If nothing shatters it.

But then you wouldn’t
Understand poems or songs.
You’d never know
Beauty comes from loss.

It’s deep inside every person:
A tear tinier
Than a pearl or thorn.

It’s one of the places
Where the beloved is born.

~Gregory Orr “Some Say You’re Lucky” from Concerning the Book That Is the Body of the Beloved

We all start out in the secret garden of a fallopian tube
as an egg pierced to become so much more…
–  each tiny part of the least of us  –
– whether brain, heart, lungs or liver –
wonderfully made,
even if discarded
or fallen from the nest.

The act of creation of something so sacred
is immense, tender, terrible, beautiful, heart-breaking,
and so very solemn and joyful.

The act of harming one tiny part of creation
hurts the whole world;
we risk whirling round and crashing through space
and coming to an end.

If there is even one who does not feel it and act accordingly,
there can be no happiness.

But they all knew it and felt it and they knew they knew it.

And what is born broken is beloved nevertheless.

photo by Josh Scholten
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Burned Up With Beauty

i was talking to a moth
the other evening
he was trying to break into
an electric light bulb
and fry himself on the wires

why do you fellows
pull this stunt i asked him
because it is the conventional
thing for moths or why
if that had been an uncovered
candle instead of an electric
light bulb you would
now be a small unsightly cinder
have you no sense

plenty of it he answered
but at times we get tired
of using it
we get bored with the routine
and crave beauty
and excitement
fire is beautiful
and we know that if we get
too close it will kill us
but what does that matter
it is better to be happy
for a moment
and be burned up with beauty
than to live a long time
and be bored all the while
so we wad all our life up

into one little roll
and then we shoot the roll
that is what life is for
it is better to be a part of beauty
for one instant and then cease to
exist than to exist forever
and never be a part of beauty
our attitude toward life
is come easy go easy
we are like human beings
used to be before they became
too civilized to enjoy themselves

and before i could argue him
out of his philosophy
he went and immolated himself
on a patent cigar lighter
i do not agree with him
myself i would rather have
half the happiness and twice
the longevity
but at the same time i wish
there was something i wanted
as badly as he wanted to fry himself

archy (the cockroach)

~Don Marquis “The Lesson of the Moth”

One night a moth flew into the candle, was caught, burned dry, and held. I must have been staring at the candle, or maybe I looked up when a shadow crossed my page; at any rate, I saw it all…

Her moving wings ignited like tissue paper…

And then this moth essence, this spectacular skeleton, began to act as a wick. She kept burning. The wax rose in the moth’s body from her soaking abdomen to her thorax to the jagged hole where her head should be, and widened into flame, a saffron-yellow flame that robed her to the ground like any immolating monk. That candle had two wicks, two flames of identical height, side by side. The moth’s head was fire. She burned for two hours, until I blew her out.
~Annie Dillard from “The Death of the Moth” from Holy the Firm

The struggle was over.

The insignificant little creature now knew death. As I looked at the dead moth, this minute wayside triumph of so great a force over so mean an antagonist filled me with wonder. Just as life had been strange a few minutes before, so death was now as strange.

The moth having righted himself now lay most decently and uncomplainingly composed. O yes, he seemed to say, death is stronger than I am.
~Virginia Woolf from “The Death of a Moth”

I too would take half the happiness and twice the longevity over one moment of ecstasy.

But I admire the blind passion of a tiny creature who will beat itself senseless on a light bulb, or fly into a flame to become cinders, or struggle so hard to live upright rather than upside down, that it dies in the struggle.

Why are famous poets and essayists fascinated by the tiny deaths they witness on their front porches, in their kitchens or at their writing desk?

Death is never tiny at all.
Nevertheless, death is ceasing to be,
after a unique and intentional creation,
whether a moth, a mother, or ourselves.

We live today. Look for a moment of beauty to enjoy.
Let’s be sensible about what we want so badly.
As one tiny part of matter, we matter.
And when we die, it is never a tiny death.

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Lyrics:
A day may come that asks of us all we have to give:
a day we never would have sought and yet we have to live.
If it should be our destiny to live in such a day,
let our faith and love be worthy of the ones who showed the way.
The ones we now call heroes
The ones we say their memory will not die –
they were no different in their day than you or I.
They were no different in their day. than you or I.
~Grahame Davies

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