Category: Farm

All Gnarled and Twisted

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There’s a single tree at the fence line…

When I cross the unfertile pasture strewn
with rocks and the holes of gophers, badgers, coyotes,
and the rattlesnake den (a thousand killed
in a decade because they don’t mix well with dogs
and children) in an hour’s walking and reach
the tree, I find it oppressive. Likely it’s
as old as I am, withstanding its isolation,
all gnarled and twisted from its battle
with weather. I sit against it until we merge,
and when I return home in the cold, windy
twilight I feel I’ve been gone for years.
~Jim Harrison, from “Fence Line Tree” from Saving Daylight.

Our fence line apple tree is considerably older than I am, and not a far walk away from the house. I visit it nearly every day, to be reminded that there is a wonder in gnarled limbs and blatant asymmetry.

What strikes me is the consistent presence of this tree though so much changes around it: the seasons, the birds that nest in it, the animals that graze under it and the ever-changing palette above and beyond.

This tree stands bent and misshapen, though not nearly as fruitful as in its younger years, yet still a constant in my life and in generations to come.

May I be that constant for those around me, to be steady when all around me changes in swirls and storms. Perhaps being bent and wrinkled and knobby can also be beautiful.

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To the Dappled Damson West

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I kiss my hand 
To the stars, lovely-asunder 
Starlight, wafting him out of it; and 
Glow, glory in thunder; 
Kiss my hand to the dappled-with-damson west: 
Since, tho’ he is under the world’s splendour and wonder, 
His mystery must be instressed, stressed; 
For I greet him the days I meet him, and bless when I understand. 
~Gerard Manley Hopkins from The Wreck of the Deutschland

I greet Him when I meet Him
as the plum color of the evening sky
spills as tipped paint
far fleeting across the horizon,
cleaned up and gone before grasped,
I kiss my hand
to the drama played out before the sun sets.

I greet Him when I meet Him
as starlight speckles
the overhead ceiling,
each touching infinity
where it begins
and never ends.

I greet Him when I meet Him
in glowing cloud mountains
sparking lightning
and clapping thunder,
applause for His
resplendent magnificence.

I greet Him when
He is hidden
mysterious
unknown
and unknowable,
waiting for the blessing
of understanding
wafting from Him
in royal color, in glistening speckle,
in enduring glow, in inspiring spark,
in appreciative applause
for His splendor
wrapped in wonder.

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The Whole Shadowed Earth Reaching Up

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  the season quicker now
the darkening—

no longer the leaves
fluttering down

but the whole shadowed earth
reaching up, taking hold
~David Baker “Quicker”

Ah, but a man’s reach should exceed his grasp,
Or what’s a heaven for?
~Robert Browning from Andrea del Sarto

My branches are bared during this season of letting go.

As starkly revealed as I am, perhaps darkening days are a blessing: less spotlight on my complexity in silhouette – all knobby joints, awkward angles and curves.

One thing I know: in this season when I prefer the shadowland, I still reach up, trying to hold on to the promise beyond me. In fact, so many of us keep grasping at what we know is there but cannot see.

God has come down to grab on to each one of us — and is still hanging on.

We are not too plain or complex or awkward to be lifted, welcomed, cherished as we are, into heaven’s arms.

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Harboring Joy

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You recall how winter
colored your love, left it

overly delicate, like a flower
skimmed of all fragrance.

You hear in the long last notes
of the nightingale’s song

how to harbor what’s left
of joy, how spring clutches

the green shoot of life and holds
on and on through summer, prepares

for no end that is sure in coming,
the fall ever endlessly repeating.
~Maureen Doallas “Recounting Seasons”, from Neruda’s Memoirs 

Like in old cans of paint the last green hue,
these leaves are sere and rough and dull-complected
behind the blossom clusters in which blue
is not so much displayed as it’s reflected;

They do reflect it imprecise and teary,
as though they’d rather have it go away,
and just like faded, once blue stationery,
they’re tinged with yellow, violet and gray;

As in an often laundered children’s smock,
cast off, its usefulness now all but over,
one senses running down a small life’s clock.

Yet suddenly the blue revives, it seems,
and in among these clusters one discovers
a tender blue rejoicing in the green.
~Rainer Maria Rilke “Blue Hydrangea” Translation by Bernhard Frank

One of my greatest joys is watching our farm’s plants as days become weeks, then months, and as years flow by, the seasons’ palettes repeat endlessly.

In the “olden” days, many farmers kept daily hand-written diaries to track the events of the seasons: when the soil was warm enough to sow, when the harvest was ready, the highs and lows of temperature fluctuations, how many inches in the rain gauge, how deep the snow.

Now we follow the years with a swift scroll in our photo collection in our phones: the tulips bloomed two weeks later this year, or the tomatoes ripened early or the pears were larger two years ago.

I am comforted things tend to repeat predictably year after year, yet I can spot subtle differences. Our hydrangea bushes are a harbinger of soil conditions and seasonal change: they bloomed a darker burgundy color this year, with fewer blue tones. Their blooms always fade eventually into blended earth tones, then blanche, finally losing color altogether and becoming skeletal.

And so it is with me. I collect joy by noticing each change, knowing the repetition of the seasons and the cycle of blooming will continue as I too fade.

I am only a recorder of fact, documenting as long as I’m able.

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The Intricate Texture of Things

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Here is a new light on the intricate texture of things in the world…: the way we the living are nibbled and nibbling — not held aloft on a cloud in the air but bumbling pitted and scarred and broken through a frayed and beautiful land.
~Annie Dillard in Pilgrim at Tinker Creek

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The weather is getting brisker so the outdoor critters, some invited, some not,  are starting to move inside.  The cats scoot between our legs as we open the front door, heading straight for the fireplace to bask in the warmth rather than a cold wind. The pup comes in from the yard for a nightly snack and chew bone, and stretches out on the rug, acting every bit like a piece of furry furniture. And today there was another mouse in the trap under the sink. I almost thought we were mouse-free with three weeks of none sighted and none trapped, but there he was waiting for me in the morning, well fed and quite dead.  He became an opportune meal for a cat too lazy to go get himself a living breathing mouse.

From nibbling to nibbled.  It is a tough world, inside and out.

Our most numerous and ambitious visitors from outside are the spiders, appearing miraculously crawling futilely up the sides in the bathtub, or scurrying across the kitchen floor, or webbing themselves into a corner of the ceiling with little hope of catching anything but a stray house moth or two this time of year. Arachnids are certainly determined yet stationary predators, rebuilding their sticky traps as needed to ensure their victims won’t rip away, thereby destroying the web.

I don’t really mind sharing living quarters with another of God’s creatures, but I do prefer the ones that are officially invited into our space and not surprise guests. The rest are interlopers that I tolerate with grudging admiration for their instinctive ingenuity. I admit I’m much too large, inept, and bumbling to find my way into someone else’s abode through a barely perceptible crack, and I’m certainly incapable of weaving the intricate beauty of a symmetrical web placed just so in a high corner.

After all, I am just another creature in the same boat. There is something quite humbling about being actually invited into this frayed and beautiful, complex and broken world, “pitted and scarred” as I am. I’m grateful I’ve so far escaped capture in the various insidious traps of life,  not just the spring-loaded kind and the sticky filament kind.

So it is okay that I’m settled in, cozy in front of the fireplace, just a piece of the furniture. Just so long as I don’t startle anyone or nibble too much of what I shouldn’t, I just might be invited to stay awhile.

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Blooming into Glass

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All the love you will ever feel
you have always carried within you

The pellet you think love is

blooms into stone,
into flame, into glass

The tree knows
how to feed every part of itself

When you tap the tree
to drink it
it speaks to you

There is sweetness in you
All the self can do
is melt
~Hannah Stephenson from “Sap Season”

It never mattered that there was once a vast grieving:

trees on their hillsides, in their groves, weeping—
a plastic gold dropping

through seasons and centuries to the ground—
until now.

The clear air we need to find each other in is
gone forever, yet

this resin once
collected seeds, leaves and even small feathers as it fell
and fell

which now in a sunny atmosphere seem as alive as
they ever were

as though the past could be present and memory itself
a Baltic honey—

a chafing at the edges of the seen, a showing off of just how much
can be kept safe

inside a flawed translucence.
~Eavan Boland, from “Amber” in The Wake Forest Book of Irish Women’s Poetry (2011)

The last remaining cherry tree on our farm,
a Royal Anne,
has stood between house and barn for over 100 years.
This year, its branch joints and bark defects are bleeding – oozing sculptures of amber sap.

The resin is hard and glass-like,
reflecting the tree’s slow internal circulation,
changing subtly day by day.

Though its cherries burst months ago
with juicy flavor,
now it bleeds crystalline flames from its wounds.

What a gift is this love bleeding out
as it moves deep inside an old trunk.
In its thirsty anguish, our dear cherry tree is weeping,
creating glass fruit reflecting Light.

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A Wordless Song

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Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom,
Winging wildly across the white
Orchards and dark-green fields; on—on—and out of sight.

Everyone’s voice was suddenly lifted;
And beauty came like the setting sun:
My heart was shaken with tears; and horror
Drifted away. . . O, but Everyone
Was a bird; and the song was wordless;
the singing will never be done. 
~Siegried Sassoon “Everyone Sang”

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.
~Emily Dickinson “Hope is the thing with feathers”

When it feels like the world is rent in two,
and the gulf into which we topple
too wide and dark to climb without help,
we can look to the sky
and see the birds’ stitching and hear their wordless singing,
the careful caring line of connection
pulling us out of a hopeless hole,
startled and grateful
to be made whole.
Hope borne on feathered wings:
may we fly threaded and knitted to one another, singing.

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As Your Days Are, So Shall Your Strength Be

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As your days are, so shall your strength be…
Deuteronomy 33:25

The glory of God is man fully alive.
~Irenaeus of St. Lyons

This morning was the live streaming of the Washington National Cathedral memorial service and life celebration for Dr. Jane Goodall.
I had received an invitation to attend along with others who had worked with Jane, but I decided this was not the best time to travel.

I encourage you to watch (linked below) when you have 90 minutes.
It was a beautifully planned service that fit Jane well.

It was very moving for me to hear her three grandchildren speak, as well as several others who were touched directly by her.

Jane reached millions during her long life – her strength shining over many days on earth. I am humbled as a student who learned from her teaching, who ate meals beside her, who sat in the dark with her and her young son during a life-changing event at Gombe.

I got to know her as “just Jane.”

She is no longer just Jane; she belongs to the ages and the angels.

To Be Remembered…

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My grandfather stands on the front porch
watching the dogs come back, reassembled

from hair and grit and eyeteeth. Now
the twin mares browse by the fence

in their coats of dust. Nobody asks
what they mean, appearing so suddenly

when nobody needed them, or called.
In the back yard, the buried people —

great-grandmothers in spectator pumps,
the great-grandfather who died of sneezing,

the first baby, never named —
stay buried. It’s not their overshoes

lost in the grass behind the smokehouse,
not their faces alive in anyone’s

memory. But my mother waits
in the pecan tree’s fingered shadow,

holding a broken milk jug full
of daylilies, waiting as if

she wanted someone to tell her again
it’s all right to be born now,

now is as good a time as any.
In a month we’ll find my grandfather’s glasses

in their case under the front seat
of his car. “Oh goodness,” my aunt will say,

as if it were a matter of his
forgetting them. As if we could

give them back. We’re all convinced
we’ve missed the moment. We forget

that pause while a soul undoes
its buttons, the world falls away,

and one by one we step out
into this death, to be remembered.
~Sally Thomas “Reunion”

The sunlight now lay over the valley perfectly still.
I went over to the graveyard beside the church and found them under the old cedars…
I am finding it a little hard to say that I felt them resting there,
but I did…
I saw that, for me, this country would always be populated with presences and absences,
presences of absences,
the living and the dead.
The world as it is would always be a reminder of the world that was, and of the world that is to come.
Wendell Berry in Jayber Crow

When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened
or full of argument.

I don’t want to end up simply having visited this world.
~Mary Oliver from “When Death Comes”

God is at home.
It is we who have gone out for a walk.
~Meister Eckhart

And He awaits for our return.
He keeps the light on,
so we can find our way back,
when we are weary, or fearful or hungry
or simply longing for reunion,
to be remembered.

I think of those who wait for me on the other side,
including our baby lost before birth over 42 years ago.

I know God watches over all these reunions;
He knows the moment when our fractured hearts
heal whole once again.

I will see you soon enough, sweet ones. Soon enough.

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The Shadow of Joy

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Today as the news from Selma and Saigon 
poisons the air like fallout, 
I come again to see 
the serene great picture that I love. 

Here space and time exist in light  the eye like the eye of faith believes. 
The seen, the known 
dissolve in iridescence, become 
illusive flesh of light 
that was not, was, forever is. 

O light beheld as through refracting tears. 
Here is the aura of that world 
each of us has lost. 
Here is the shadow of its joy. 
~Robert Hayden “Monet’s Waterlilies”

…The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~Lisel Mueller, “Monet Refuses the Operation” from Second Language

Monet’s Waterlilies, Art Institute of Chicago

“Heaven pulls earth into its arms…”

We see things differently, don’t we?
What seems ordinary to one person is extraordinary to another.

How might I learn to adjust my focus to see things as you do?
How might I help others to see the world as I do?

The world is flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to gray. Perhaps the blur from the figurative (or real) cataract impeding my vision creates a deeper understanding, as I use my imagination to fill in what I can’t discern.

My heart and mind expands to claim this world and all that beauty has to offer, while heaven – all this while – is pulling me into its arms.

In heaven, my focus will be clear. It will all be extraordinarily holy.

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