The Silence Between Words

Words, of course, but
Also the silence
Between them.

Like the silence
Between
The beloved and you.
Silence full
Of the unspoken
As a seed is full
Of all
It will become.

No poem made only
Of silence.
No poem 
Made only of words.
~Gregory Orr from “Words, of course, but” from How Beautiful the Beloved

Some mornings all I do
is write down words—cistern,
tribal, cached—copying them
from sprawled pages of books
across my desk, words that call out—
glimmerings, cursive, saffron,
heartwood—holding me in place
as if to say listen, you may need me
someday, I might offer you another way
toward beauty, or even beyond.

~Andrea Potos “Daily Practices” from The Presence of One Word

I want to make poems
that look into the earth and the heavens
and see the unseeable.

I want them to honor
both the heart of faith, and the light of the world;
the gladness that says, without any words, everything.
~Mary Oliver from “Everything”
from New and Selected Poems: Volume Two

This morning

poem hopes 

that even though
its lines are broken
 

its reader 

will be drawn forward to the part where blueberries
firm against fingers 

say roundness sweetness unspeakable softness
     
in the morning
light.

~L.L. Barkat, “This Morning” from The Golden Dress

In the ghostly dawn
I write new words for your ears—
Even now you sleep.
~Amy Lowell
“V” from Twenty-Four Hokku

The blueberry fields
are all afire,
each leaf an October mosaic.

As chlorophyll wanes,
the colors appear by magic,
like words selected for a poem
which begins as an empty slate.

Each carefully chosen.

Each surrounded by silence
becoming more holy
when it’s no longer empty.

So much of the beauty of poetry is the silence, a pause between the words.

Like life, there is nothing empty or meaningless about pausing.

Like poet Mary Oliver:

I want to make poems
that look into the earth and the heavens
and see the unseeable.

I am so awed at your faithful reading and generous sharing of what I offer here.

Even when my lines are broken, or I say again what another has already said much better, yet bears repeating — I too try to write with quiet hands, and see through quiet eyes, out of reverence and awe for what unseeable gifts God has given us.

Thank you for being here with me.

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The Running Down of Life’s Clock

sphere of pillowed sky
one faceless gathering of blue.
..

… I’m tethered, and devoted
to your raw and lonely bloom

my lavish need to drink
your world of crowded cups to fill.
~Tara Bray “hydrangea” from Image Journal

Like in old cans of paint the last green hue,
these leaves are sere and rough and dull-complected
behind the blossom clusters in which blue
is not so much displayed as it’s reflected;

They do reflect it imprecise and teary,
as though they’d rather have it go away,
and just like faded, once blue stationery,
they’re tinged with yellow, violet and gray;

As in an often laundered children’s smock,
cast off, its usefulness now all but over,
one senses running down a small life’s clock.

Yet suddenly the blue revives, it seems,
and in among these clusters one discovers
a tender blue rejoicing in the green.
~Rainer Maria Rilke “Blue Hydrangea” Translation by Bernhard Frank

Dwelling within a mosaic of dying colors,
these petals fold and collapse
under the weight of the sky’s tears.

This hydrangea bears a rainbow of hues,
once-vibrant promises of blue
now fading to rusts and grays.

I know what this is like:
the running out of the clock,
feeling the limits of vitality.

Withering and drying,
I’m drawn, thirsty for the beauty,
to this waning artist’s palette.

To quench my thirst:
from an open cup, an invitation,
an everlasting visual sacrament.

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The Colors of Grace in a Parched Landscape

Who would have thought it possible that a tiny little flower could preoccupy a person so completely that there simply wasn’t room for any other thought?
~ Sophie Scholl 
from At the Heart of the White Rose

Little flower,
but if I could understand what you are,
root and all in all,
I should know what God and man is.
~  Tennyson

There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.

~Li-Young Lee from “From Blossoms”

Summer was our best season:
it was sleeping on the back screened porch in cots,
or trying to sleep in the tree house;
summer was everything good to eat;
it was a thousand colors in a parched landscape…

~Harper Lee from “To Kill a Mockingbird

I seek relief anywhere it can be found:
this parched political landscape so filled
with anger and lashing out,
division and distrust,
discouragement and disparity.

I want to be otherwise preoccupied
with the medley of beauty around me,
so there can be no room for other thoughts.

How is it?
— for thousands of years
and in thousands of ways,
God still loves man
even when we turn from Him.

I want to revel in the impossible possible,
in the variegated mosaic of grace
prepared to bloom so bountifully
in an overwhelming tapestry of unity,
between man and man,
and man and God.

AI image created for this post
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Dropping the Colored Veils

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz

And then in the falling comes a rising, 
as of the bass coming up for autumn’s last insects 
struggling amid the mosaic of leaves on the lake’s surface. 
We express it as the season of lacking, but what is this nakedness
— the unharvested corn frost-shriveled but still a little golden 
under the diffuse light of a foggy sky,
the pin oak’s newly stark web of barbs, the woodbine’s vines 
shriven of their scarlet and left askew in the air 
like the tangle of threads on the wall’s side 
of the castle tapestry—what is it but greater intimacy,
the world slackening its grip on the veils, letting them slump
to the floor in a heap of sodden colors, and saying,
this is me, this is my skeletal muscle, 
my latticework of bones, my barren winter skin, 
this is it and if you love me, know that this is what you love. 
~Laura Fargas “October Struck” from Animal of the Sixth Day

Something about the emerging nakedness of autumn reassures that we can be loved even when stripped down to our bones. We do make quite a show of lifting our veils and shedding our coverings, our bits and pieces fluttering down to rejoin the soil. What is left is meager lattice.

When the light is just right, we are golden, illuminated and illuminating, even if only barely there.

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O Hushed October Morning

O hushed October morning mild,
Thy leaves have ripened to the fall;
To-morrow’s wind, if it be wild,
Should waste them all.

O hushed October morning mild,
Begin the hours of this day slow,
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know;
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away…

~Robert Frost “October”

These mornings I wander stunned by light and mist
to see trees tremble inside their loosening cloaks,
a pulsing palette of color ready to detach,
revealing mere bones and branches.

I want it all to be less brief,
leave the leaves attached like a fitted mosaic
rather than randomly falling away.

Their release is not their choosing:
the trees know it is time for slowly letting go~
readying for sleep, for sprouts and buds,
for fresh tapestry to be woven
from October’s leaves lying about their feet.

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Four Seasons

Autumn

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz
, a poem in Readers’ Digest Nov. 1983

Winter
Winter

L’Inverno (Winter)
Opus 8, No. 4, in F minor

I. Allegro non molto–
Frozen and trembling in the icy snow,
In the severe blast of the horrible wind,
As we run, we constantly stamp our feet,
And our teeth chatter in the cold.
II. Largo–
To spend happy and quiet days near the fire,
While, outside, the rain soaks hundreds.
III. Allegro–
We walk on the ice with slow steps,
And tread carefully, for fear of falling.
Symphony, If we go quickly, we slip and fall to the ground.
Again we run on the ice,
Until it cracks and opens.
We hear, from closed doors,
Sirocco, Boreas, and all the winds in battle.
This is winter, but it brings joy.

~Vivaldi (Winter poem)

Spring
Spring
Spring
Spring

La Primavera (Spring)
Opus 8, No. 1, in E Major

I. Allegro–
Festive Spring has arrived,
The birds salute it with their happy song.
And the brooks, caressed by little Zephyrs,
Flow with a sweet murmur.
The sky is covered with a black mantle,
And thunder, and lightning, announce a storm.
When they are silent, the birds
Return to sing their lovely song.
II. Largo e pianissimo sempre–
And in the meadow, rich with flowers,
To the sweet murmur of leaves and plants,
The goatherd sleeps, with his faithful dog at his side.
III. Danza pastorale. Allegro–
To the festive sound of pastoral bagpipes,
Dance nymphs and shepherds,
At Spring’s brilliant appearance.

~Vivaldi (Spring poem)

Summer
Summer
Summer
Summer

L’Estate (Summer)
Opus 8, No. 2, in G minor

I. Allegro non molto–
Under the heat of the burning summer sun,
Languish man and flock; the pine is parched.
The cuckoo finds its voice, and suddenly,
The turtledove and goldfinch sing.
A gentle breeze blows,
But suddenly, the north wind appears.
The shepherd weeps because, overhead,
Lies the fierce storm, and his destiny.
II. Adagio; Presto–
His tired limbs are deprived of rest
By his fear of lightning and fierce thunder,
And by furious swarms of flies and hornets.
III. Presto–
Alas, how just are his fears,
Thunder and lightening fill the Heavens, and the hail
Slices the tops of the corn and other grain.
~Vivaldi (Summer poem)

Autumn
Autumn
Autumn

Autumn
Autumn

L’Autunno (Autumn)
Opus 8, No. 3, in F Major

I. Allegro–
The peasants celebrate with dance and song,
The joy of a rich harvest.
And, full of Bacchus’s liquor,
They finish their celebration with sleep.
II. Adagio molto–
Each peasant ceases his dance and song.
The mild air gives pleasure,
And the season invites many
To enjoy a sweet slumber.
III. Allegro–
The hunters, at the break of dawn, go to the hunt.
With horns, guns, and dogs they are off,
The beast flees, and they follow its trail.
Already fearful and exhausted by the great noise,
Of guns and dogs, and wounded,
The exhausted beast tries to flee, but dies.

~Vivaldi (Autumn poem)

I walk this path to stand at the same spot
countless times through the year,
to witness the palette changing
around me.

The Artist chooses His color and technique
lovingly, with a gentle touch for each season.

My life too is painted with richness and variety:
from the bare lines of winter,
to a green emergence of spring,
a summer sweet fruitfulness
and a mosaic crescendo of autumn.

This ever-new pathway extends
beyond the reach of the canvas.


Mosaic

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz

I’m not so different from an ear of mosaic maize,
multifaceted pieces of tesserae
fit together just so.

Depending on how the Light falls
I could be tile to be tread or
a kaleidoscope of stained glass reflections in sacred space,
a gemstone necklace of colored beads,
or simply corn on the cob hanging from a stalk.

Plain and infinitely luminous,
just like the Artist Himself.

A World of Crowded Cups to Fill

sphere of pillowed sky
one faceless gathering of blue.
..

… I’m tethered, and devoted
to your raw and lonely bloom

my lavish need to drink
your world of crowded cups to fill.
~Tara Bray “hydrangea” from Image Journal

Like in old cans of paint the last green hue,
these leaves are sere and rough and dull-complected
behind the blossom clusters in which blue
is not so much displayed as it’s reflected;

They do reflect it imprecise and teary,
as though they’d rather have it go away,
and just like faded, once blue stationery,
they’re tinged with yellow, violet and gray;

As in an often laundered children’s smock,
cast off, its usefulness now all but over,
one senses running down a small life’s clock.

Yet suddenly the blue revives, it seems,
and in among these clusters one discovers
a tender blue rejoicing in the green.
~Rainer Maria Rilke “Blue Hydrangea” Translation by Bernhard Frank

Dwelling within a mosaic of dying colors,
these petals fold and collapse
under the weight of the sky’s tears.

This hydrangea bears a rainbow of hues,
once-vibrant promises of blue
now fading to rusts and grays.

I know what this is like:
the running out of the clock,
feeling the limits of vitality.

Withering and drying,
I’m drawn, thirsty for the beauty,
to this waning artist’s palette.

To quench my thirst:
from an open cup, an invitation,
an everlasting visual sacrament.

A Mosaic of Leaves

golden115181

 

 

octevening2912

 

 

octevening297

 

 

goldenoctmorn6

 

 

And then in the falling comes a rising, 
as of the bass coming up for autumn’s last insects 
struggling amid the mosaic of leaves on the lake’s surface. 
We express it as the season of lacking, but what is this nakedness
— the unharvested corn frost-shriveled but still a little golden 
under the diffuse light of a foggy sky,
the pin oak’s newly stark web of barbs, the woodbine’s vines 
shriven of their scarlet and left askew in the air 
like the tangle of threads on the wall’s side 
of the castle tapestry—what is it but greater intimacy,
the world slackening its grip on the veils, letting them slump
to the floor in a heap of sodden colors, and saying,
this is me, this is my skeletal muscle, 
my latticework of bones, my barren winter skin, 
this is it and if you love me, know that this is what you love. 
~Laura Fargas “October Struck” from Animal of the Sixth Day

 

 

 

leafdoor

 

 

sunset115182

 

 

oaklane103018

 

 

Something about the emerging nakedness of autumn reassures that we can be loved even when stripped down to our bones. We do make quite a show of shedding our coverings, our bits and pieces fluttering down to rejoin the soil, but what is left is meager lattice.

But when the light is just right, we are golden, illuminated and illuminating, even if barely there.

 

 

octevening2917

 

 

sunset115184

 

 

slipandslide

 

 

oldapplenovember

 

 

A Mosaic of the Seasons

variegatedmaple5

 

 

octoberdogwood

 

 

wetoctleaves

 

 

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz

 

 

octobertwinlakes9

 

 

maplecolor

 

 

Autumn does have a culminating sense about it: it is the finale, the wrap up, the faretheewell, the new leaf turned, now tired.

Everything that has come before is still here, under cover of glorious color and will remain after that last leaf falls and is recycled.

So we begin again with the annual rotation of the etchings, the pastels, the full throated oils and the ultimate mosaic.

The Artist’s signature can be spotted on every canvas.

 

 

variegatedmaple

 

 

springlane

 

 

springpath

 

 

barnlane106181

 

 

fogdriveway2

 

 

snow12201335

 

 

fogtree

 

 

oldapple

 

 

applesunset1

 

 

appleoctober