Walking Through the Littered Layers of History

A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life—the nation, the city, the neighborhood, the house where the family lives—as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them.

I breathed the air of history all unaware, and walked oblivious through its littered layers.
~Annie Dillard from An American Childhood

photo by Joel DeWaard

I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon

How shall the heart be reconciled
to its feast of losses?


Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.

In my darkest night,
when the moon was covered

and I roamed through wreckage,
a nimbus-clouded voice
directed me:

“Live in the layers,
not on the litter.”

Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.

I am not done with my changes.
~Stanley Kunitz from “The Layers”

…we become whole by having the courage to revisit and embrace all the layers of our lives, denying none of them, so that we’re finally able to say, “Yes, all of this is me, and all of this has helped make me who I am.”

When we get to that point, amazingly, we can look at all the layers together and see the beauty of the whole.
~Parker Palmer from “Embracing All the Layers of Your Life” in On Being

My favorite photos or paintings are ones where there are several “layers” to study, whether it is a still life of petals or a deep landscape with a foreground, middle and backdrop. The challenge is to decide where to look first, what to draw into sharp focus, and how to absorb it all as a whole. In fact, if I only see one aspect, I miss the entire point of the composition. The earth is wonderfully multi-faceted and multi-layered and that is how my own life is – complex with so much diverse and subtle shading.

If I try to suppress some darker part of my own life I wish to forget and blur out, I ignore the beauty of the contrast with the light that illuminates the rest.

The layers reflect who I was created to be as an image-bearer – complex, nuanced, illuminated in the presence of darkness:

Imaginatively composed like a fugue of recurring themes,
filled with the complexity of both harmony and discord,
and ultimately transformed into layers upon layers of beauty.

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No Other Now

The whole idea of it makes me feel
like I’m coming down with something,
something worse than any stomach ache
or the headaches I get from reading in bad light-
a kind of measles of the spirit,
a mumps of the psyche,
a disfiguring chicken pox of the soul.

You tell me it is too early to be looking back,
but that is because you have forgotten
the perfect simplicity of being one
and the beautiful complexity introduced by two.
But I can lie on my bed and remember every digit.
At four I was an Arabian wizard.
I could make myself invisible
by drinking a glass of milk a certain way.
At seven I was a soldier, at nine a prince.

But now I am mostly at the window
watching the late afternoon light.
Back then it never fell so solemnly
against the side of my tree house,
and my bicycle never leaned against the garage
as it does today,
all the dark blue speed drained out of it.

This is the beginning of sadness, I say to myself,
as I walk through the universe in my sneakers.
It is time to say good-bye to my imaginary friends,
time to turn the first big number.

It seems only yesterday I used to believe
there was nothing under my skin but light.
If you cut me I could shine.
But now when I fall upon the sidewalks of life,
I skin my knees. I bleed.

~Billy Collins “On Turning Ten”

photo by Danyale Tamminga

No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you’re nine, you think you’ve always been nine years old and will always be. When you’re thirty, it seems you’ve always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You’re in the present, you’re trapped in a young now or an old now, but there is no other now to be seen.
~ Ray Bradbury, Dandelion Wine

Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I’m one of them.
~Ray Bradbury, Dandelion Wine

Some reflections on moving from one decade of life to the next:

Turning ten is a big deal, no going back to single digits.
Turning twenty is a bid goodbye to a fleeting childhood.
Turning thirty is down to business of family, job and debt.
Turning forty is a mid-life muddle, a surging forth into the second half.
Turning fifty is settling in while finding the nest emptying.
Turning sixty is grateful hope for a fruitful third life trimester.
Turning seventy is just around the corner – there is no other now.
Turning eighty, ninety or hundred would be pure gift of grace.

I hope once again, as when I was nine,
I might only bleed out rays of light when cut –
I pray these final decades shine bright with meaning and purpose.

I like to cry. After I cry hard it’s like it’s morning again and I’m starting the day over.
~Ray Bradbury, Dandelion Wine

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True Stars at Daybreak

photo by Nate Gibson

On the tidal mud, just before sunset,
dozens of starfishes
were creeping. It was
as though the mud were a sky
and enormous, imperfect stars
moved across it as slowly
as the actual stars cross heaven.
All at once they stopped,
and, as if they had simply
increased their receptivity
to gravity, they sank down
into the mud, faded down
into it and lay still, and by the time
pink of sunset broke across them
they were as invisible
as the true stars at daybreak.
~Galway Kinnell “Daybreak”

photo by Nate Gibson

We know the stars,
heavenly or terrestrial,
still shine,
though made invisible by a brighter light –
hidden in plain sight at daybreak
yet always throwing sparks,
ever eternally lit,
immersed but never overwhelmed
within the muddy dark.

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June’s Naïve Light

Your voice, with clear location of June days,
Called me- outside the window. You were there,
Light yet composed, as in the just soft stare
Of uncontested summer all things raise
Plainly their seeming into seamless air.

Then your love looked as simple and entire
As that picked pear you tossed me, and your face
As legible as pearskin’s fleck and trace,
Which promise always wine, by mottled fire
More fatal flashed than ever human grace.

And your gay gift – Oh when I saw it fall
Into my hands, through all that naive light,
It seemed as blessed with truth and new delight
As must have been the first great gift of all.

~Richard Wilbur “June Light”

June, so green, so prolific, can have the feel of the first Garden. Our trees are heavy with growing fruit and, thankfully, none are forbidden. I tread quietly through the sunlit orchard, not wanting to spoil this glad gift of a morning.

Later in the summer, when a ripe pear loosens its grip from the branch and settles into my hands, I will share of its pure grace and taste. With gratitude, I will offer it up, glistening with dew and truth, to you.

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A Consummate Light

Any patch of sunlight in a wood will show you something about the sun which you could never get from reading books on astronomy.
These pure and spontaneous pleasures are ‘patches of Godlight’ in the woods of our experience.

~C.S. Lewis

Each year, on the same date, the summer solstice comes.
Consummate light: we plan for it,
the day we tell ourselves
that time is very long indeed, nearly infinite.
And in our reading and writing, preference is given
to the celebratory, the ecstatic.

What follows the light is what precedes it:
the moment of balance, of dark equivalence.

But tonight we sit in the garden in our canvas chairs
so late into the evening –
why should we look either forward or backwards?
Why should we be forced to remember:
it is in our blood, this knowledge.
Shortness of the days; darkness, coldness of winter.
It is in our blood and bones; it is in our history.
It takes a genius to forget these things.
~Louise Glück from “Solstice”

There is no controlling life.
Try corralling a lightning bolt,
containing a tornado. Dam a
stream and it will create a new
channel. Resist, and the tide
will sweep you off your feet.
Allow, and grace will carry
you to higher ground. The only
safety lies in letting it all in—
the wild with the weak; fear,
fantasies, failures and success.
When loss rips off the doors of
the heart, or sadness veils your
vision with despair, practice
becomes simply bearing the truth.
In the choice to let go of your
known way of being, the whole
world is revealed to your new eyes.

~Danna Faulds “Allow” From Go In and In

A solstice moment
when light replaces
where darkness has thrived:
this is a wounding
that tears us open,
cleaving us,
so joy will enter the cracks
where we hurt the most.

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Moonlight Looming in Memory

No Ansel Adams
but the snapshots we captured
through the open car window
on our eight megapixel cell phones

on the side of the road off an exit ramp
as truck taillights streaked eastbound
opposite the earth’s rotation
in startling calm that evening
a mere dot-glow above dun fields

Look, life is like this, filled
with moments of meaning
paid attention to or not
but we tried we lingered

and sure enough it is here
looming in memory-mind
the fat orange ball above horizon
inching up into blank navy air
the full moon in early spring

we drove toward in silence
~Twyla M. Hansen “Moonrise, Aurora, Nebraska” from Rock. Tree. Bird. 

photo of supermoon by Harry Rodenberger

I now take photos of a cherished moment; before owning a camera, I only took brain snapshots. In my memory, I tend to embroider and edit what I see to make things stick. Usually, photos tell the real story.

However, moon glow is always better in my memory than it is in my photos. The lucent light is something I can feel more than see. Last night, moonbeams woke me by touching my sleeping face. That glow in the shadow of our bedroom was at once ethereal and palpable, something a photo simply can’t capture.

Still, I attempt to preserve these moments to share with others. I linger longingly whenever my eyes are drawn to such a heavenly light, hoping it might touch and illuminate us all.

photo by Josh Scholten
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The Honey of Afternoon Light

How swiftly the strained honey
of afternoon light
flows into darkness

and the closed bud shrugs off
its special mystery
in order to break into blossom

as if what exists, exists
so that it can be lost
and become precious
~Lisel Mueller “In Passing”

Each one of us is like a swelling bud hanging heavy and waiting on the stem —
already but not quite yet.

Such is the late afternoon light of a mid-spring day.
There is an air of mystery in a honeyed moment of illumination
knowing something more is coming.

Not just the inevitable darkness when we all must give up the light to sleep.
Not just opening wide to what we cannot yet understand.
Not just peering through a glass darkly.

Breaking into blossom means opening fully,
into the glow of full ripeness,
to become part of the light itself.

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A Palouse Farmgirl

My mother, Elna Schmitz Polis, was born 103 years ago today in the lonely isolation of a Palouse wheat and lentil farm in eastern Washington. She drew her first breath in a two story white house located down a long poplar-lined lane and nestled in a draw between the undulating hills.

She attended a one room school house until 8th grade, located a mile away in the rural countryside, then moved in with her grandmother “in town” in Rosalia to attend high school, seeing her parents only a couple times a month.

It was a childhood which accustomed her to solitude and creative play inside her mind and heart – her only sibling, an older brother, was busy helping their father on the farm. All her life and especially in her later years, she would prefer the quiet of her own thoughts over the bustle of a room full of activities and conversation.

Her childhood was filled with exploration of the rolling hills, the barns and buildings where her father built and repaired farm equipment, and the chilly cellar where the fresh eggs were stored after she reached under cranky hens to gather them. She sat in the cool breeze of the picketed yard, watching the huge windmill turn and creak next to the house. She helped her weary mother feed farm crews who came for harvest time and then settled in the screened porch listening to the adults talk about lentil prices and bushel production. She woke to the mourning dove call in the mornings and heard the coyote yips and howls at night.

She nearly died at the age of 13 from a ruptured appendix, before antibiotics were an option. That near-miss seemed to haunt her life-long, filling her with worry that it was a mistake that she survived that episode at all. Yet she thrived despite the anxiety, and ended up, much to her surprise, living a long life full of family and faith, letting go at age 88 after fracturing a femur, breaking her will to continue to live.

As a young woman, she was ready to leave the wheat farm behind for college, devoting herself to the skills of speech, and the creativity of acting and directing in drama, later teaching rural high school students, including a future Pulitzer Prize winning poet, Carolyn Kizer. She loved words and the power and beauty they wielded.

Marrying my father was a brave and impulsive act, traveling by train to the east coast only a week before he shipped out for almost 3 years to the South Pacific to fight as a Marine in WWII. She must have wondered about the man who returned from war changed and undoubtedly scarred in ways she could not see or touch. They worked it out mostly in silence, as rocky as it must have been at times. Her episode of Graves’ disease, before I was born, must have been agonizing, as her storm of thyroid overactivity resulted in months of sleepless full time panic. Only thyroid removal saved her, but even radical surgeries take their toll. Their marriage never fully recovered.

In their reconciliation after a painful divorce years later, I finally could see the devotion and mutual respect between life companions who had found shared purpose and love.

As a wife and mother, she rediscovered her calling as a steward of the land and a tireless steward of her family, gardening and harvesting fruits, vegetables and us children. When I think of my mother, I most often think of her tending us children in the middle of the night whenever we were ill; her over-vigilance was undoubtedly due to her worry we might die in childhood as she almost did.

She never did stop worrying until the last few months. As she became more dependent on others in her physical decline, she gave up the control she thought she had to maintain through her “worry energy” and became much more accepting about the control the Lord maintains over all we are and will become.

I know from where my shyness comes, my preference for birdsongs rather than radio music, my love of naps, and my tendency to be serious and straight-laced with a twinkle in my eye. This is my German Palouse side–immersing in the quietness of solitude, thrilling to the sight of the spring wheat flowing like a green ocean wave in the breeze and appreciating the warmth of rich soil held in my hands. From that heritage came my mother and it is the legacy she left with me. I am forever grateful for her unconditional love and her willingness to share the sunshine and warmth of her nest whenever we felt the need to fly back home and shelter, overprotected but safe nonetheless, under her wings.

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That Kind of Day

If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary’s cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
so they could walk out,
holding hands and squinting
into this larger dome of blue and white,
well, today is just that kind of day.
~Billy Collins  “Today”

This is the kind of morning that begs to be admired from dawn’s first moment:  everything emerges from the fog so sharp, vividly bathed in golden light.

It takes my breath away at the same time as it delivers it deep within me.

How might I spring others free as I now have been sprung?

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Born to Witness What I Can

(Laryx lyallis)

A few weeks after my mother died,
I dreamed that she was waiting for me
in a ravine of spring-green larches.
There was no worry in her eyes, and
she sat there with her knees drawn up,
content to be in the filtered sunlight.
Funny, because she never lived
among larch trees–my mom grew up
on an orange grove and raised us
in the Douglas fir. I do not live
among them either, apart from my rare
visits to the North Cascades. But when
I’m there, as now I am, sitting barefoot
on Cutthroat Pass among amber larches
bathing every bowl and basin,
I have a sense that she’s okay,
and that I am too, born to witness what
I can within this green and golden world
which still persists, with or without us,
but mostly with us, I’ve come to believe.
Things and people pass away–
but that’s when they become themselves.
There’s a new heaven, a new earth,
around and about us–and not much
different from the better parts of the old.
We don’t live there very often,
but when we do, eternity
ignites in a moment, light in the larches
that shines. And shines.

~Paul J. Willis “Sustainability” from Between Midnight and Dawn

We are promised all will be new.

When I imagine a new heaven and a new earth, I can only think of the moments in my life when eternity has been ignited momentarily – the light shining just so – when I realize what it will be like forever, not just for a moment.

Forever is more than I can fathom; we were put here to witness this green and golden world, while being loved by its infinite eternal Creator.

He will wipe every tear from their eyes. 
And there shall be no more death neither sorrow nor crying,
Neither shall there be any more pain,
For the former things are passed away. (Revelation 21:4)

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