An Advent Threshold: Nearly Full Term with Light

These still December mornings…
Outside everything’s tinted rose, grape, turquoise,
silver–the stones by the path, the skin of the sun

on the pond ice, at the night the aureola of
a pregnant moon, like me, iridescent,
almost full term with light.

~
Luci Shaw from “Advent Visitation in Accompanied by Angels

Writer Luci Shaw passed into eternity on December 1, just four weeks from her 97th birthday. 

A life-long poet and essayist, in addition to being a wife, mother, publisher, gardener and outdoor enthusiast, Luci was a child of God who continually lived out and articulated the questions of faith, grace, and belief.

It is my privilege to have known her as a neighbor in nearby Bellingham. Her books grace my shelves and I cherish her many personal words of encouragement and mentoring.

Luci has gifted the world for decades with beauty and honesty, composing enriching poetic observations with heavenly anticipation.
She was nearly full term, iridescent with light which glowed on those around her.

Below is only a small sample of her work. She was still writing and publishing poetry this year. More of her writing and many books can be found at www.lucishaw.com.

Luci Shaw -virtual presentation for Calvin Festival of Faith and Writing 2022

Last night I lay awake and practiced 
getting old. Not difficult,

but I needed to teach myself to love my destination 
before I arrive.

I feel the earth shifting under me. My writing hand 
shakes—its rubbery nudges clumsy,

my mind going slack, the way a day 
will lose its light and give itself to darkness,

and that long, nocturnal pause of inquiry— 
What next? And how long before light

reopens her blue eye? And will I need to learn 
a new language to converse with my Creator?

So, I am a questioner, one who waits, still, 
to arrive somewhere, some bright nest where

a new language breeds that I can learn to speak, 
unhindered, into heaven’s air,

somewhere I can live a long time, 
and never have to look back.
~Luci Shaw “December the 95th Year”

Luci Shaw at a Bellingham reading at St. Paul’s Episcopal Church -2017

In time of drought, let us be
thankful for this very gentle rain, 
a gift not to be disdained
though it is little and brief,
reaching no great depth, barely
kissing the leaves’ lips. Think of it as
mercy. Other minor blessings may
show up—tweezers for splinters,
change for the parking meter,
a green light at the intersection,
a cool wind that lifts away summer’s
suffocating heat. An apology after
a harsh comment. A word that opens
an unfinished poem like a key in a lock.

~Luci Shaw “Signs” from Eye of the Beholder.

Luci at a Bellingham reading of her poetry at Village Books in 2016

Today, in Bellingham, even the sidewalks gleam.
Small change glints from the creases
in the lady’s mantle and the hostas after
the rain that falls, like grace, unmerited.
My pockets are full, spilling over.
~Luci Shaw from “Small Change”

Out of the shame of spittle,
the scratch of dirt,
he made an anointing.

Oh, it was an agony-the gravel
in the eye, the rude slime, the brittle
clay caked on the lid.

But with the hurt
light came leaping; in the shock and shine,
abstracts took flesh and flew;

winged words like view and space,
shape and shade and green and sky,
bird and horizon and sun,

turned real in a man’s eye.
Thus was truth given a face
and dark dispelled and healing done.
~Luci Shaw  “The Sighting” John 9 from God for Us-Rediscovering the Meaning of Lent and Easter

What next, she wonders,
with the angel disappearing, and her room
suddenly gone dark.

The loneliness of her news
possesses her. She ponders
how to tell her mother.

Still, the secret at her heart burns like
a sun rising. How to hold it in—
that which cannot be contained.

She nestles into herself, half-convinced
it was some kind of good dream,
she its visionary.

But then, part dazzled, part prescient—
she hugs her body, a pod with a seed
that will split her.
~Luci Shaw “Mary Considers Her Situation”

When, in the cavern darkness, the child
first opened his mouth (even before
his eyes widened to see the supple world
his lungs had breathed into being),
could he have known that breathing
trumps seeing? Did he love the way air sighs
as it brushes in and out through flesh
to sustain the tiny heart’s iambic beating,
tramping the crossroads of the brain
like donkey tracks, the blood dazzling and
invisible, the corpuscles skittering to the earlobes
and toenails? Did he have any idea it
would take all his breath to speak in stories
that would change the world?
~Luci Shaw “Breath” from Accompanied By Angels: Poems of the Incarnation

because we are all
betrayers, taking
silver and eating
body and blood and asking
(guilty) is it I and hearing
him say yes
it would be simple for us all
to rush out
and hang ourselves
but if we find grace
to weep and wait
after the voice of morning
has crowed in our ears
clearly enough
to break our hearts
he will be there
to ask us each again
do you love me
~Luci Shaw “Judas, Peter” from Polishing the Petoskey Stone

Down he came from up,
and in from out,
and here from there.
A long leap,
an incandescent fall
from magnificent
to naked, frail, small,
through space,
between stars,
into our chill night air,
shrunk, in infant grace,
to our damp, cramped
earthy place
among all
the shivering sheep.

And now, after all,
there he lies,
fast asleep.
~Luci Shaw “Descent” from Accompanied By Angels

Blue homespun and the bend of my breast
keep warm this small hot naked star
fallen to my arms. (Rest …
you who have had so far
to come.) Now nearness satisfies
the body of God sweetly. Quiet he lies
whose vigor hurled
a universe. He sleeps
whose eyelids have not closed before.
His breath (so slight it seems
no breath at all) once ruffled the dark deeps
to sprout a world.
Charmed by doves’ voices, the whisper of straw,
he dreams,
hearing no music from his other spheres.
Breath, mouth, ears, eyes
he is curtailed
who overflowed all skies,
all years.
Older than eternity, now he
is new. Now native to earth as I am, nailed
to my poor planet, caught that I might be free,
blind in my womb to know my darkness ended,
brought to this birth
for me to be new-born,
and for him to see me mended
I must see him torn.

~Luci Shaw “Mary’s Song”

My 2025 Advent theme:
On the threshold between day and night

On that day there will be neither sunlight nor cold, frosty darkness. 
It will be a unique day—a day known only to the Lord—

with no distinction between day and night. 
When evening comes, there will be light.
Zechariah 14:6-7

So once in Israel love came to us incarnate, stood in the doorway between two worlds, and we were all afraid.
~Annie Dillard in Teaching a Stone to Talk

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We Know in Our Bones…

We all know that something is eternal.
And it ain’t houses and it ain’t names,
and it ain’t earth, and it ain’t even the stars
. . . everybody knows in their bones that something is eternal,
and that something has to do with human beings.
All the greatest people ever lived have been telling us that
for five thousand years and yet you’d be surprised
how people are always losing hold of it.
There’s something way down deep
that’s eternal about every human being.

We can only be said to be alive in those moments
when our hearts are conscious of our treasures.
Do any human beings ever realize life while they live it –
every, every minute?

~Thornton Wilder, quotes from “Our Town”

The words from the stage play “Our Town”,
written nearly 90 years ago still ring true:
at that time our country was crushed under the Great Depression.
Though now most people are more economically secure than the 1930’s, many of us are emotionally bankrupt.

Our country staggers under a Great Depression of the spirit~
despite greater connection electronically (often too much…),
many of us are more isolated from community, family, and faith.

We need reminding to be conscious of our many treasures and abundance, never forgetting to care of others in greater need.

God, in His everlasting recognition of our eternal need of Him,
cares for us, even as we turn our faces away from Him.

We all feel His Love, deep in our bones.

So I search the soil of this life, this farm, this faith
to find what yearns to grow, to bloom, to fruit,
to be harvested to share with others.

My deep gratitude goes to you who visit here
and to those who let me know
the small and the good I share with you
makes a difference in your day.
I am beyond thankful you are here, listening.

Many blessings in your own thanksgiving this week,
Emily

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You See, I Am Alive

I am a feather on the bright sky

I am the blue horse that runs in the plain

I am the fish that rolls, shining, in the water

I am the shadow that follows a child

I am the evening light, the lustre of meadows

I am an eagle playing with the wind

I am a cluster of bright beads

I am the farthest star

I am the cold of dawn

I am the roaring of the rain

I am the glitter on the crust of the snow

I am the long track of the moon in a lake

I am a flame of four colors

I am a deer standing away in the dusk

I am a field of sumac and the pomme blanche

I am an angle of geese in the winter sky

I am the hunger of a young wolf

I am the whole dream of these things
You see, I am alive, I am alive
~N. Scott Momaday from “The Delight Song of Tsoai-talee” from In the Presence of the Sun: Stories and Poems

I wonder if, in the dark night of the sea, the octopus dreams of me.
~N. Scott Momaday

photo by Nate Gibson

If I am brutally honest with myself after my recent cardiac brush with my mortality, one of my worst fears is to have lived on this earth for a handful of decades and then pass away forgotten, inconsequential, having left behind no legacy of significance whatsoever. 

I’m well aware it is self-absorbed to feel the need to leave a mark, but a search for purpose and meaning lasting beyond my time here provides new momentum for each day. The forgetting can happen so fast. 

Most people know little about their great-great-grandparents, if they even know their names. A mere four generations, a century, renders us dust, not just in flesh, but in memory as well. There may be a yellowed photograph in a box somewhere, perhaps a tattered postcard or letter written in elegant script, but the essence of this person is long lost and forgotten.

We owe it to our descendants to write down the stories about who we were while we lived on this earth. We need to share why we lived, for whom we lived, for what we lived.

I suspect, although I try every day to record some part of who I am, it will be no different with me and those who come after me.  Whether or not we are remembered by great-great grandchildren or become part of the dreams of creatures in the depths of the seas:

we are just dust here and there is no changing that.

Good thing this is not our only home.  
Good thing we are more than mere memory and dreams. 
Good thing the river of life flows into
an eternity that transcends good works
or long memories or legacies left behind. 
Good thing we are loved that much and always will be.
You see, we are alive, we are alive,
forever and ever, Amen.

I remember your lectures, Professor Scott Momaday, now nearly two years after you passed from this earth at age 89 – your voice, your stories and your poetry live on.

You are alive. You are alive…

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Like Right Now

It could happen any time, tornado,
earthquake, Armageddon. It could happen.
Or sunshine, love, salvation.

It could, you know. That’s why we wake 
and look out—no guarantees
in this life.

But some bonuses, like morning,
like right now, like noon,
like evening.
~ William Stafford “Yes” from The Way It Is: New and Selected Poems

Side by side, their faces blurred,   
The earl and countess lie in stone,   
Their proper habits vaguely shown   
As jointed armour, stiffened pleat,   
And that faint hint of the absurd—   
The little dogs under their feet.

Such plainness of the pre-baroque 
Hardly involves the eye, until
It meets his left-hand gauntlet, still   
Clasped empty in the other; and   
One sees, with a sharp tender shock,   
His hand withdrawn, holding her hand.


They would not think to lie so long.   
Such faithfulness in effigy
Was just a detail friends would see:
A sculptor’s sweet commissioned grace   
Thrown off in helping to prolong   
The Latin names around the base.


They would not guess how early in
Their supine stationary voyage
The air would change to soundless damage,   
Turn the old tenantry away;
How soon succeeding eyes begin
To look, not read. Rigidly they

Persisted, linked, through lengths and breadths   
Of time. Snow fell, undated. Light
Each summer thronged the glass. A bright   
Litter of birdcalls strewed the same
Bone-riddled ground. And up the paths   
The endless altered people came,

Washing at their identity.   
Now, helpless in the hollow of   
An unarmorial age, a trough
Of smoke in slow suspended skeins
Above their scrap of history,   
Only an attitude remains:

Time has transfigured them into   
Untruth. The stone fidelity
They hardly meant has come to be   
Their final blazon, and to prove   
Our almost-instinct almost true:   
What will survive of us is love.

~Philip Larkin “An Arundel Tomb”

You can’t tell when strange things with meaning
will happen. I’m [still] here writing it down
just the way it was.


“You don’t have to prove anything,” my mother said.
“Just be ready for what God sends.”
I listened and put my hand
out in the sun again.

It was all easy.
~William Stafford – Lines written the morning before he died at age 79

We wake each morning, not knowing what to expect of the day.
So much sadness, the news of suffering, of unimaginable tragedies.

How do we ready ourselves for what is sent for us to endure?

This is how:
right now,
there is morning, there is noon, there is evening.
And there will always be Love
as we sleep
and as we wake.
God holds our hand to keep us from getting lost.

Lyrics by Arthur Sullivan:
No star is o’er the lake, its pale watch keeping,
The moon is half awake, through grey mist creeping.
The last red leaves fall round the porch of roses,
The clock has ceased to sound.
The long day closes.

Sit by the silent hearth in calm endeavour,
To count the sound of mirth, now dumb forever.
Heed not how hope believes and fate disposes:
Shadow is round the eaves.
The long day closes.

The lighted windows dim are fading slowly.
The fire that was so trim now quivers lowly.
Go to the dreamless bed where grief reposes.
Thy book of toil is read.
The long day closes.

Keep Pouring

As long as that woman from the Rijksmuseum  
in painted quiet and concentration 
keeps pouring milk day after day 
from the pitcher to the bowl 
the World hasn’t earned 
the world’s end.
~Wislawa Szymborska “Vermeer” tr. by Claire Cavanagh
and Stanislaw Baranczak from Here

Vermeer’s “The Milkmaid” from the Rijksmuseum, Amsterdam

As ever, the sun rises and the sun sets, day after day.
God continues to pour out His colors across the skies.

God loves us enough to plant each of us here
with a plan for our redemption.

We don’t know how much longer.

Today we wave flags,
some in a show of power,
some in a show of gratitude,
some in a show of discontent.

Instead, I pour milk as a daily sacrament:
quietly, with great concentration and appreciation,
as that is the work I must do, day after day.

To milk the cows and raise wheat for bread
and conceive children and raise them up to pour and bake.

This is God’s created world, after all.
We must do our best to restore and preserve all that He has made.

So keep milking and keep pouring.

AI image created for this post
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Breathing a Prayer

It was beautiful as God
must be beautiful: glacial
eyes that had looked on
violence and come to terms
with it; a body too huge
and majestic for the cage in which
it had been put; up
and down in the shadow
of its own bulk it went
lifting, as it turned,
the crumpled flower of its face
to look into my own
face without seeing me. It
was the colour of the moonlight
on snow and as quiet
as moonlight, but breathing
as you can imagine that
God breaths within the confines
of our definition of him, agonizing
over immensities that will not return.
~R.S. Thomas “The White Tiger”

There are nights that are so still
that I can hear the small owl calling
far off and a fox barking
miles away. It is then that I lie
in the lean hours awake listening
to the swell born somewhere in the Atlantic
rising and falling, rising and falling
wave on wave on the long shore
by the village that is without light
and companionless. And the thought comes
of that other being who is awake, too,
letting our prayers break on him,
not like this for a few hours,
but for days, years, for eternity.

~R.S.Thomas “The Other”

Angels, where you soar
Up to God’s own light,
Take my own lost bird
On your hearts tonight;
And as grief once more
Mounts to heaven and sings,
Let my love be heard
Whispering in your wings.

~Alfred Noyes “A Prayer”

We confine and cage our concept of God, trying to understand His power and beauty within our limited world. He tells us what He is capable of, yet we diminish His immensity to only what we are able to fathom.

He is an eternal mystery, allowing our beseeching prayers to break over Him again and again and again.

Our grief is carried on wings to God, our prayers desperate for His breath and comfort.

Let our love be heard, let our love be heard, let our love be heard –always and forever.

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When to That Bright World We Arise: Listen, Watch, Wait

Rain. An excuse to stand at the window
And listen, watch, wait. Listen: to the hush
Of the house as still as a dark burrow
Where an animal hides. Listen: the rush
Of occasional gusts, then the stillness.

Watch: the wrens hopping from stem to wet stem
Their happy bearing in contrast to titmice
Who always seem afraid. Watch: the mayhem
That strikes when the grumpy bluejay, twice
As big as the rest, frumps onto a branch.

Wait: for what? For the steady rain to cease.
Wait: for the fair sunlight to avalanche
Down from space and remake the world again.
Then let my steps be fearless, like the wren.
~Andrew Peterson “Lenten Sonnet”

bluejay photo by Josh Scholten

I’m the child of rainy Sundays.
I watched time crawl
Like an injured fly
Over the wet windowpane.
Or waited for a branch
On a tree to stop shaking,
While Grandmother knitted
Making a ball of yarn
Roll over like a kitten at her feet.
I knew every clock in the house
Had stopped ticking
And that this day will last forever.
~Charles Simic “To Boredom”

I’m never bored on a quiet rainy Sunday.

My list of to-do’s
and want-to-do’s
and hope-to-do’s
and someday-maybe-if-I’m-lucky-to-do’s
is longer than the days still left to me.

I cherish these Sabbaths
when the clock stops, and “to-do’s” will wait.
Time suspends itself above me,
~dangling~
and the day lasts forever.

Sunday evening scaries in anticipation of Monday
are prayed away.

On a drizzly day of rest and gratitude, the world is remade,
eternity moves a little closer, my steps become more fearless
and the new week is yet another part of the journey.

Does the rain have a father?
    Who fathers the drops of dew?
Job 38:28

This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”

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What Wondrous Love: Something Way Down Deep

We all know that something is eternal. 
And it ain’t houses and it ain’t names, 
and it ain’t earth, and it ain’t even the stars 
. . . everybody knows in their bones that something is eternal, 
and that something has to do with human beings. 
All the greatest people ever lived have been telling us that 
for five thousand years and yet you’d be surprised 
how people are always losing hold of it. 
There’s something way down deep 
that’s eternal about every human being.
~Thornton Wilder, from “Our Town”

Love bade me welcome. Yet my soul drew back
Guilty of dust and sin.
But quick-eyed Love, observing me grow slack
From my first entrance in,
Drew nearer to me, sweetly questioning,
If I lacked any thing.

A guest, I answered, worthy to be here:
Love said, You shall be he.
I the unkind, ungrateful? Ah my dear,
I cannot look on thee.
Love took my hand, and smiling did reply,
Who made the eyes but I?

Truth Lord, but I have marred them: let my shame
Go where it doth deserve.
And know you not, says Love, who bore the blame?
My dear, then I will serve.
You must sit down, says Love, and taste my meat:
So I did sit and eat.

~George Herbert “Love III”

Write as if you were dying.
At the same time, assume you write for an audience consisting solely of terminal patients.
That is, after all, the case.
~Annie Dillard from “Write Till You Drop”

I began to write regularly after September 11, 2001 because more than on any previous day, it became obvious to me I was dying, though more slowly than the thousands who vanished that day in fire and ash, their voices obliterated with their bodies into eternity.  

Nearly each day since, while I still have voice and a new dawn to greet, I speak through my fingers to others dying with and around me.

We are, after all, terminal patients — some of us more prepared than others to move on — as if our readiness had anything to do with the timing.

Each day I get a little closer to the eternal, but I write in order to feel a little more ready.  Each day I want to detach just a little bit, leaving a trace of my voice behind.  Eventually, through unmerited grace, so much of me will be left on the page there won’t be anything or anyone left to do the typing.

There is no time or word to waste.

Listen, I tell you a mystery: 
We will not all sleep, but we will all be changed— in a flash, in the twinkling of an eye, at the last trumpet.
1 Corinthians 15: 51-52

This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”

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For a Moment of Time

The tree, and its haunting bird,
Are the loves of my heart;
But where is the word, the word,
Oh where is the art,
To say, or even to see,
For a moment of time,
What the Tree and the Bird must be
In the true sublime?


They shine, listening to the soul,
And the soul replies;
But the inner love is not whole, 
and the moment dies.

Oh give me before I die
The grace to see
With eternal, ultimate eye,
The Bird and the Tree.
The song in the living Green,
The Tree and the Bird –
Oh have they ever been seen,
Ever been heard?

~Ruth Pitter “The Bird in the Tree”

Then came a sound even more delicious than the sound of water. Close beside the path they were following a bird suddenly chirped from the branch of a tree. It was answered by the chuckle of another bird a little further off.

And then, as if that had been signal, there was chattering and chirruping in every direction, and then a moment of full song, and within five minutes the whole wood was ringing with birds’ music, and wherever Edmund’s eyes turned he saw birds alighting on branches, or sailing overhead or chasing one another or having their little quarrels or tidying up their feathers with their beaks.
~C.S. Lewis from The Lion, the Witch and the Wardrobe

Every day now we hear hunters firing in the woods and the wetlands around our farm, most likely aiming for the few ducks that have decided to stay in the marshes through the winter, or possibly a Canadian goose or a deer to bring home for the freezer. Our usual day-long serenade of birdsong from the forest is replaced by shotguns popping, hawks and eagles chittering from the treetops, with Stellar jays and squirrels arguing over the last of the filbert nuts.

In the clear cold evenings, when coyotes aren’t howling in the moonlight, the owls hoot to each other across the fields from one patch of woods to another, their gentle resonant conversation echoing back and forth. 

During these chilly months, there are no longer birdsong arias in the trees;  I’m left bereft of the musical tapestry of chirps and trills and twitters.

So it is too quiet, a time of bereavement. The frosty silence of darkened days, interrupted by gunshot percussion, is like a baton raised in anticipation after rapping the podium to bring us all to attention. I wait and listen for the downbeat to come — the return of birds and peeper frogs tuning their throats, rehearsing their spring symphony.

May their eternal and ultimate concert never end.

I hope you love birds too. It is economical. It saves going to heaven.
~Emily Dickinson in an 1885
letter to Miss Eugenia Hall

Bird in a tree, bird in a tree
What you doin’ way up there?
Why do you sing, why do you sing?
Are you looking for your lady fair?
Did she fly away to another tree?
Do you know not where she hides?
All day you sing the same old song
She must be hard to find

[Verse 2]
Bird in a tree, bird in a tree
What’s it like to be able to fly?
I figure if I had wings like you
Not a wasted day’d go by
I’d fly above the mountaintops
I’d do barrel-rolls and dives
I’d snack upon the wiggly worms
And be happy all my life

[Verse 3]
Bird in a tree, bird in a tree
What you doin’ way up there?
Why do you sing, why do you sing?
Are you looking for your lady fair?
Did she leave you late in the summertime
After such a lovely spring?
Are afraid that come the winter
You’ll be left in the cold and lonely?

[Verse 4]
Bird in a tree, bird in a tree
Who taught you to sing so well?
Do you know that I am listening?
Brother bird, can you even tell?
And though your love might be far away
Even another town
You sing your song all through the day
In case she comes around

[Verse 5]
Bird in a tree, bird in a tree
Oh, the sun is getting wide
Soon the night will come
And the morning won’t be for a while
So fare thee well, dear friend of mine
What a pleasure, I must say
We both should prob’ly get some sleep
Tomorrow’s another day

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Rainy Sundays Last Forever

I’m the child of rainy Sundays.
I watched time crawl
Like an injured fly
Over the wet windowpane.
Or waited for a branch
On a tree to stop shaking,
While Grandmother knitted
Making a ball of yarn
Roll over like a kitten at her feet.
I knew every clock in the house
Had stopped ticking
And that this day will last forever.
~Charles Simic “To Boredom”


Charles Simic died last week at the age of 84.

It has been an eternity since I’ve been bored.

My list of to-do’s
and want-to-do’s
and hope-to-do’s
and someday-maybe-if-I’m-lucky-to-do’s
is much longer than the years still left to me.

But I remember those days long ago
when the clock would stop,
time would suspend itself above me,
~dangling~
and the day would last forever
until it finally collapsed with a gasp.

No more.

Time races and skitters and skips by,
each heartbeat
a grateful reminder of my continued existence
as forever moves closer than ever.

Lying in my bed I hear the clock tick,
And think of you
Caught up in circles confusion –
Is nothing new
Flashback – warm nights –
Almost left behind
Suitcases of memories,
Time after –
Sometimes you picture me –
I’m walking too far ahead
You’re calling to me, I can’t hear
What you’ve said –
Then you say – go slow – I fall behind –
The second hand unwinds
If you’re lost you can look – and you will find me
Time after time
If you fall I will catch you – I’ll be waiting
Time after time
After my picture fades and darkness has
Turned to gray
Watching through windows – you’re wondering
If I’m OK
Secrets stolen from deep inside
The drum beats out of time –
~Cyndi Lauper

The secret of life is enjoying the passage of time
Any fool can do it
There ain’t nothing to it
Nobody knows how we got to
The top of the hill
But since we’re on our way down
We might as well enjoy the ride.
The secret of love is in opening up your heart
It’s okay to feel afraid
But don’t let that stand in your way
’cause anyone knows that love is the only road
And since we’re only here for a while
Might as well show some style
Give us a smile.
Isn’t it a lovely ride
Sliding down
Gliding down
Try not to try too hard
It’s just a lovely ride.
Now the thing about time is that time
Isn’t really real
It’s just your point of view
How does it feel for you
Einstein said he could never understand it all
Planets spinning through space
The smile upon your face
Welcome to the human race.
Some kind of lovely ride
I’ll be sliding down
I’ll be gliding down
Try not to try too hard
It’s just a lovely ride.
Isn’t it a lovely ride
Sliding down
Gliding down
Try not to try too hard
It’s just a lovely ride.
~James Taylor

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